“Morning Mood” is part of Edvard Grieg’s Peer Gynt, Op. 23 was written in 1875.
The melody uses the pentatonic (five note) scale, lending itself to beginning piano books.
Orchestra:
Music box:
Cartoon:
Flash mob(!!)
Morning Mood is available in Piano Maestro, Piano Pronto Prelude (as Morning Theme) and other books.
Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.
Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, 2-piano, simplified…
It’s also available in Piano Maestro, Piano Pronto Encore and Coda
If you want this in a book with other Bach transcriptions, amazon has this: Toccata and Fugue in D Minor and the Other Bach Transcriptions for Solo Piano, arranged by Ferruccio Busoni.
Here, Virgil Fox performs it on his Allen Digital Touring Organ.
Diane Bish plays the Massey Memorial Organ at the Chautauqua Institution and talks about this instrument.
Animated organ:
Glass harmonica
Accordion
Cartoon:
Korobeiniki is a nineteenth-century Russian folk song that tells the story of a meeting between a peddler and a girl, describing their haggling over goods in a veiled metaphor for courtship.
Outside Russia, “Korobeiniki” is widely known as the Tetris theme.
Piano duet:
Orchestral version:
For Boomwhackers:
Vocal:
Ragtime:
Balalaika:
Two bassoons:
The Red Army Choir:
Korobeiniki/Tetris is available in Piano Maestro on the iPad and I have several levels of sheet music for anyone who is interested.
Enjoy!
“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.
The entire final movement:
Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
It is often called Joyful, Joyful We Adore Thee (You) in hymbooks.
Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.
By now, you know I love flashmobs:
And Muppets (note the metronome going wild!):
And Barbershop:
An animated score:
Boomwhackers:
The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:
As the European Anthem:
And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.
Do a search on youtube – lots and lots of people have played this famous Beethoven melody.
Today’s piece is slow and easy going. The name “Largo” itself means slow. Antonin Dvorák wrote this as a part of his Symphony No. 9 in E minor,also known as From the New World, Op. 95, B. 178 or just the New World Symphony.
Popularly known as the New World Symphony, it was composed in 1893 while Dvořák was the director of the National Conservatory of Music. It is by far his most popular symphony, and one of the most popular of all symphonies. In older literature and recordings, this symphony was often numbered as Symphony No. 5.
Astronaut Neil Armstrong took a tape recording of the New World Symphony along during the Apollo 11 mission, the first Moon landing, in 1969.
For Piano
And orchestra
The theme from the Largo was adapted into the spiritual-like song “Goin’ Home”, often mistakenly considered a folk song or traditional spiritual, by Dvořák’s pupil William Arms Fisher, who wrote the lyrics in 1922.
Find Largo in Keyboard Kickoff, Prelude (it’s called River Road, Movement 2 and Piano Maestro.
Whenever I think of slow things, I’m reminded of this clip from the old TV Show, Taxi
Since we had the Bridal Chorus a couple days ago, it’s time to march the bride and groom back up the aisle with the Wedding March by Felix Mendelssohn.
This Wedding March comes from Mendelssohn’s incidental music to A Midsummer Night’s Dream. It became customary to play this at marriage ceremonies from about the mid 19th Century, and particularly after the daughter (also called Victoria) of Queen Victoria chose the piece for her own wedding in 1858.
Notice all the triplets (3)! If you don’t know what they are, be sure to ask at your next lesson.
Find this in Movement 2 and Piano Maestro.
Franz Liszt and Vladimir Horowitz added some variations
On an organ
An organist who needed a bit more practice
With an orchestra
See you tomorrow!
It’s wedding season! Today and tomorrow, we’ll be looking at, and listening to, the music most associated with weddings.
The “Bridal Chorus” from the 1850 opera Lohengrin by German composer Richard Wagner is a march played for the bride’s entrance at many formal weddings throughout the Western world.
The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.
This piece is available in Keyboard Kickoff, Movement 2 and Piano Maestro.
The original from the opera
A piano version (this book is available for loan, if interested)
Handbells (rehearsal)
On accordion
And pipe organ
A very different wedding entrance in Denmark
Today, we’ll be listening to the end of the William Tell Overture by Gioachino Rossini. This piece, originally the overture to an opera, has been arranged for piano and is in several method books, including Piano Pronto Movements 1 and 2. It’s also in Bastien Book 4 and Piano Maestro.
The original story
Maybe your grandparents watched the original Lone Ranger
Or you saw the newer Lone Ranger with Johnny Depp
Here’s the entire William Tell Overture played by an orchestra
Piano Solo
Franz Liszt made a really hard version for piano solo. See if you can follow along!
Piano Duet (1 piano, 4 hands)
Piano Duet arranged by Louis Moreau Gottschalk
Piano Duo (2 pianos, 8 hands)
Piano Quartet (4 pianos, 16 hands)
For pipe organ
For synthesizer
And then things get nuts with cartoons. Lots of cartoons used this music. Here are Mickey Mouse and friends
And Spike Jones
Handbells…
Poor Rossini – I think he’d have a fit if he knew how is music was being used.
Have a nice day!
Today, we start with Spring from the Four Seasons by Vivaldi. Many OCMS students have played this already in one of their Piano Pronto books. It’s also available in Piano Maestro.
If you have it in your piano book, today would be a great day to review it. (HINT – there might be a quick review at your next lesson!)
Vivaldi was born in Venice, Italy, March 4, 1678 and spent most of his life there. His father taught him to play the violin, and the two would often perform together.
He taught at an orphanage for girls and wrote a lot of music for the girls to play. People came from miles around to hear Vivaldi’s talented students perform the beautiful music he had written.
Many people think Vivaldi was the best Italian composer of his time. He wrote concertos, operas, church music and many other compositions. In all, Antonio wrote over 500 concertos.
His most famous set of concertos is The Four Seasons which is a group of four violin concerti. Each of which gives a musical expression to a season of the year. They were written about 1721 and were published in 1725 in Amsterdam.
Here’s a piano version similar to the one in Movement 1 but in a different key.
And the original with Itzhak Perlman playing and conducting!
Want to play a version of this but aren’t using these books? Just ask!
This summer, I’ve decided to add a new feature to piano lessons. I know that many families travel during the summer months and it’s sometimes difficult to practice.
These daily assignments, June through August will help you and your students learn a bit more about the pieces they’re learning during the year – or maybe give ideas for something that they’d like to learn.
Each piece has a bit of composer info and several different interpretations, some of which are very humorous. Some of the assignments appear in Piano Maestro so be sure to have that handy, if your student uses that.
Some days give hints that the assignment of the day may be played (or reviewed) at the next lesson so please be sure that your student takes note of that (no pun intended!)
Find them here, under Daily Listening Assignment starting June 1 at 9:00 am.
Have a safe and musical summer!
MaryO'Studio 