Angels we have heard on high
Sweetly singing o’er the plains
And the mountains in reply
Echoing their joyous strains
CHORUS:
Gloria, in excelsis Deo!
Gloria, in excelsis Deo!
Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
Which inspire your heavenly song?
Chorus
Come to Bethlehem and see
Him Whose birth the angels sing;
Come, adore on bended knee,
Christ the Lord, the newborn King.
Chorus
See Him in a manger laid
Jesus Lord of heaven and earth;
Mary, Joseph, lend your aid,
With us sing our Savior’s birth.
Chorus
This is a traditional French carol (Les Anges dans nos Campagnes) that was translated into English by Bishop James Chadwick.
This carol commemorates the story of the birth of Jesus Christ found in the Gospel of Luke, in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child.
This is “Angels We Have Heard on High” with choir and orchestra.
The Piano Guys, Peter Hollens, David Archuleta, and The Mormon Tabernacle Choir get together to sing “Angels We Have Heard On High”
• 1667 ~ Michel Pignolet De Monteclair, French composer
• 1861 ~ Lillian Russell (Helen Louise Leonard), Singer, actress, burlesque
• 1879 ~ Sir Herbert Hamilton Harty, Irish composer, conductor, pianist and organist
• 1915 ~ Eddie Heywood, Jr., Pianist, composer
• 1927 ~ Duke Ellington’s big band opened the famed Cotton Club in Harlem. It was the first appearance of the Duke’s new and larger group. He played the club until 1932.
For part 2:
• 1934 ~ Ethel Merman recorded I Get a Kick Out of You, from Cole Porter’s musical, Anything Goes. She was backed by the Johnny Green Orchestra. The tune was recorded for Brunswick Records.
• 1934 ~ Wink (Winston Conrad) Martindale, TV host, singer
• 1938 ~ Yvonne Minton, Australian mezzo-soprano
• 1940 ~ John Cale, Bass, keyboard, viola, singer with The Velvet Underground
• 1942 ~ Bob Mosley, Bass with Moby Grape
• 1942 ~ Chris Hillman, Guitar, bass, mandolin with The Byrds
• 1944 ~ Dennis Wilson, American rock-and-roll singer and drummer
• 1948 ~ Southside Johnny (Lyon), Singer with Southside Johnny and The Asbury Dukes
• 1953 ~ Leonard Bernstein conducted at Teatro alla Scala for the first time, in a production of Cherubini’s “Medea.” Maria Callas (1923-1977) sang the title role. Bernstein was the first American to conduct at La Scala.
“Then came the famous meeting with Maria Callas [in 1953].
To my absolute amazement, she understood immediately the dramatic reasons for the transposition of scenes and numbers, and the cutting out of her aria in the second act. We got along famously – it was perfect. She understood everything I wanted, and I understood everything she wanted…Then I met the orchestra, [began 5 days of rehearsals]…and we opened.
I can tell you I was quaking as I entered that pit, because it was the first time I had ever entered a pit – and of all places, at La Scala!
The opera audience didn’t really know who I was. I felt like an interloper and a bit of a student. However, I pulled myself together and played the overture [of Medea], which is very long, and hoped for the best. It seemed as though we could never get the opera to begin. By the end of Medea, the place was out of its mind.”
Leonard Bernstein
Interview with John Gruen, 1972
• 1965 ~ Composer, lyricist, and singer, Jacques Brel made his American debut in concert at Carnegie Hall in New York City. Brel composed Jackie, You’re Not Alone, If You Go Away and more.
• 1972 ~ Billy Paul from Philadelphia received a gold record for his smash hit, Me and Mrs. Jones.
• 2002 ~ Emmy-nominated pianist George Gaffney, who accompanied such musicians as Peggy Lee, Engelbert Humperdink and Sarah Vaughan, died. He was 62. Born in New York City, Gaffney began studying the piano at age 10 but switched to the trombone. After serving in the U.S. Marine Corps from 1958 to 1961, Gaffney returned to New York, where he played piano and began arranging and accompanying singers. Gaffney moved to the Chicago area in the mid-1960s and was musical director of the Playboy Club in Lake Geneva, Wis., where he first met Vaughan. Gaffney came to California in the early 1970s and found work as a studio musician and accompanist. He worked on a number of television programs, including the TV series “Moonlighting,” and was nominated for an Emmy. From 1980 to 1990, he was Vaughan’s accompanist and musical director. He moved to Las Vegas in 1994 and worked as Humperdink’s musical director. In recent years, he also orchestrated tunes for Rita Moreno.
• 2002 ~ Mary Hansen, guitarist and vocalist with the ’90s alternative band Stereolab died. She was 36. Hansen, from Maryborough in Queensland, Australia, died in a cycling accident in London, The Independent newspaper reported Friday. Details of the accident were not available. Band spokesman Mick Houghton was quoted by The Independent as saying a truck might have backed into her, “but I really don’t know much more than that.” Hansen joined the band in 1992, two years after it was formed by Tim Gane, formerly of the band McCarthy, and his girlfriend Laetitia Sadier. Among hundreds of messages posted on the band Web site, one from a fan who identified himself as Louis called Hansen “the soul” of the band. Hansen, who played several instruments, first appeared on 1992’s LoFi single and all subsequent releases, including 1994’s Mars Audiac Quintet and 1996’s Emperor Tomato Ketchup. Stereolab had been working on a new album, expected to be released next year.
• 2003 ~ Barry Morell, a tenor who played leading roles at the Metropolitan Opera and internationally for more than two decades, died of esophageal cancer. He was 75. Morell began his career as a baritone, until he sought the guidance of former Metropolitan Opera baritone Giuseppe Danise, who told him he should be a tenor. He was best known for performing the operas of Puccini. He made his debut as Pinkerton in “Madame Butterfly” in 1955 with the New York City Center Opera Company. In 1958, he made his Met debut in the same role. He appeared in Berlin, Barcelona, Vienna and other opera houses in Europe, South America and across the United States. Among his more than 20 roles during 257 performances at the Met were Rodolfo in “LaBoheme,” Enzo in “La Gioconda” and the title roles of “Don Carlo”and “Faust”.
From RevKev, Pender UMC’s Former Associate Pastor – “As it was, so it is, Christmas about Jesus. We are all distracted by the glitz and festivities, but let us hear the sound of Angels and the call to worship our Newborn King.
Just in time for Christmas, a gift from God to you: A baby in a manger who would love us through and through..”
• 1596 ~ Nicola Amati, Italian violin maker, teacher of Guarneri and Stradivari
• 1729 ~ Padre Antonio Francisco Javier Jose Soler, Spanish composer whose works span the late Baroque and early Classical music eras. He is best known for his keyboard sonatas, an important contribution to the harpsichord, fortepiano and organ repertoire.
• 1876 ~ Hermann Goetz died. He was a German composer.
• 1883 ~ Anton Webern, Austrian composer and conductor
Read quotes by and about Webern
More information about Webern
• 1907 ~ Connie (Connee) Boswell, Singer Connie or Connee (a spelling she preferred later in life), who also played several musical instruments, arranged vocals for herself and her two sisters. Although she was stricken with polio and worked from her wheelchair, she never let this get in the way of being part of her jazz-singing trio. The Boswell Sisters’ talent was quickly recognized and by the time Connee was 24 years old, the sisters were doing vaudeville, radio, playing New York’s Paramount Theatre, recording with the Dorsey Brothers: You Oughta Be in Pictures; making films and appearing on the U.S.A.’s first public TV broadcast. One thing led to another and Connie went solo, entertaining World War II troops, making films, appearing on Broadway and recording with big names like Woody Herman’s; even a duet classic with Bing Crosby: Basin Street Blues. Her musical influence spanned many generations and music styles. If you’d have asked Ella Fitzgerald, she would have told you, “They just don’t make ’em like Connee Boswell anymore.”
• 1911 ~ Nino Rota, composer (Torquemada)
• 1923 ~ Maria Callas (Calogeropoulous), American soprano
More information about Callas
Read quotes by and about Callas
• 1925 ~ The first jazz concerto for piano and orchestra was presented at Carnegie Hall in NYC. Commissioned by Walter Damrosch, American composer George Gershwin presented Concerto In F, and was also the featured soloist playing a flugelhorn in a slow, bluesy style as one of his numbers.
• 1927 ~ Phyllis Curtin, Singer: soprano with the New York City Opera, MetropolitanOpera, Vienna Staatsoper, La Scala, Teatro Colon; coordinator of Voice Dept and Opera at Yale School of Music, Dean Emerita of Boston Univ School for the Arts
• 1927 ~ Ferlin Husky (aka: Simon Crum, Terry Preston), Singer
• 1930 ~ Andy (Howard Andrew) Williams, American Emmy Award-winning entertainer, singer
• 1931 ~ Jaye P. (Mary Margaret) Morgan, Singer, performer
• 1941 ~ Johann Christian Sinding, Norwegian composer
• 1944 ~ Frank Sinatra was in the Columbia Records studio recording Old Man River.
• 1948 ~ Ozzy (John) Osbourne, Songwriter, singer
• 1949 ~ Mickey Thomas, Singer with Jefferson Starship
• 1953 ~ Kismet opened on Broadway in New York. The show ran for 583 performances.
• 1955 ~ Elvis Presley’s first release on RCA Victor Records was announced. No, it wasn’t Hound Dog or Heartbreak Hotel. The first two sides were actually purchased from Sam Phillips of Sun Records: Mystery Train and I Forgot to Remember to Forget. Elvis was described by his new record company as “The most talked about personality in recorded music in the last 10 years.”
• 1960 ~ Camelot opened at the Majestic Theatre in New York City. Richard Burton and Julie Andrews played the leading roles in the musical written by Lerner and Loewe. Robert Goulet got rave reviews for his songs, If Ever I Would Leave You, Then You May Take Me to the Fair and How to Handle a Woman, among others. Camelot had a run of 873 performances. Broadway went Hollywood in the 1967 film version of Camelot. Its run was not quite as successful.
. 1965 ~ The Beatles sixth studio album Rubber Soul was released. Often referred to as a folk rock album, Rubber Soul incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism “plastic soul”, which referred to soul played by English musicians.
• 1968 ~ The O’Kaysions received a gold record for Girl Watcher. The song had a promotional reprise in the 1990s as a theme for Merv Griffin’s Wheel of Fortune, with the revamped lyrics, I’m a Wheel Watcher…
. 1969 ~ The Rolling Stones recorded ‘Brown Sugar’ at Muscle Shoals studios. The single went on to be a UK and US Number 1.
.1972 ~ The Temptations earn their final #1 hit with “Papa Was A Rolling Stone”
• 1977 ~ After 29 weeks in the #1 position on the album charts (a record, literally…), Rumours, by Fleetwood Mac, was replaced at the top spot by the album Simple Dreams, sung by Linda Ronstadt.
• 2000 ~ Kevin Mills, a member of the Christian rock groups Newsboys and White Heart, died after a motorcycle accident in Hollywood. He was 32. Mills, of Louisville, Ky., was a singer and bass player, his family said. He also was a member of the Screen Actors Guild and appeared on TV in “An Inconvenient Woman” in 1991. White Heart started in 1982. Newsboys, an Australian band now based near Nashville, was formed four years later. Newsboys have sold nearly 3 million records and earned three Grammy nominations on the religious rock circuit.
• 2002 ~ Rich Dangel, credited with creating the opening guitar chords of garage band staple Louie Louie, died of an aneurysm at his home. He was 60. Dangel was a member of the seminal Northwest rock band the Wailers, who introduced the nation to the Northwest sound – raw, unpolished and catchy. He may be best known for coming up with the power chords that opened the Wailers’ 1961 regional hit, Louie, Louie, written by rhythm-and-blues singer Richard Berry and taken to the top of the national charts by another Northwest band, the Kingsmen from Portland, Ore. Dangel co-wrote his first chart hit, “Tall Cool One” with fellow Wailer John Greek when he was still in high school. The song resulted in the group’s first album, “The Fabulous Wailers,” a cross-country tour and a 1959 appearance on Dick Clark’s “American Bandstand.”
“I Heard the Bells on Christmas Day” is a Christmas carol based on the 1863 poem “Christmas Bells” by American poet Henry Wadsworth Longfellow. The song tells of the narrator’s despair, upon hearing Christmas bells, that “hate is strong and mocks the song of peace on earth, goodwill to men”. The carol concludes with the bells carrying renewed hope for peace among mankind.
This version is done by Casting Crowns. I chose it because the Pender choir sang this on Christmas Eve with past-Associate Pastor Dan Elmore singing the solo…and I fell in love with this version.
As seen on 2008 TBN Christmas special. “I Heard The Bells On Christmas Day” is available on Casting Crowns’ Christmas album, Peace On Earth.
More traditionally, the Mormon Tabernacle Choir’s version:
I heard the bells on Christmas Day
Their old, familiar carols play,
and wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”
Isaac Watts wrote the words to “Joy to the World” in 1719, based on Psalm 98 in the Bible. The hymn originally glorified Christ’s triumphant return at the end of the age, rather than a song celebrating His first coming. Only the second half of Watts’ lyrics are still used today.
The music was adapted and arranged to Watts’ lyrics by Lowell Mason in 1839 from an older melody which was then believed to have originated from Handel. The name “Antioch” is generally used for the hymn tune.
As of the late 20th century, “Joy to the World” was the most-published Christmas hymn in North America.
There are versions of Joy to the World available at the O’Connor Music Studio for any level of playing, starting with Pre-Reading, all the way up through Advanced and duets.
I’ve always liked Leroy Anderson’s Sleigh Ride as a secular Christmas song 🙂 It’s not technically a Christmas song since the words never mention Christmas but it’s often played now so it seems like a way to ease into the season.
Anderson had the original idea for the piece during a heatwave in July 1946; he finished the work in February 1948. Lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.
The orchestral version was first recorded in 1949 by Arthur Fiedler and The Boston Pops Orchestra. The song was a hit record and has become the equivalent of a signature song for the orchestra.
A fun arrangement has been made for piano duet. I have copies here to lend and it’s available on amazon (of course! What isn’t?)
“Auld Lang Syne” is a Scots poem written by Robert Burns in 1788 and set to the tune of a traditional folk song. It is well known in many countries, especially in the English-speaking world; its traditional use being to celebrate the start of the New Year at the stroke of midnight. By extension, it is also sung at funerals, graduations and as a farewell or ending to other occasions. The international Boy Scout youth movement, in many countries, uses it as a close to jamborees and other functions.
The song’s Scots title may be translated into English literally as “old long since”, or more idiomatically, “long long ago”, “days gone by” or “old times”. Consequently “For auld lang syne”, as it appears in the first line of the chorus, might be loosely translated as “for (the sake of) old times”.
Auld Lang Syne is one of Scotland’s gifts to the world, recalling the love and kindness of days gone by, but in the communion of taking our neighbours’ hands, it also gives us a sense of belonging and fellowship to take into the future.
It is one of the many folk songs from the great Lowland Scots tradition collected and fashioned by the pen of one of the world’s greatest songwriters. Burns devoted the last years of his life to the song tradition, and often a mere fragment from some old ballad was transformed by his alchemy into a memorable love song or Scots poem. With Auld Lang Syne, though, the brilliance was already there; this is the Bard’s first mention of it in a letter to Mrs Dunlop in 1788:
“… Light be the turf on the breast of the heaven inspired Poet who composed this glorious fragment.”
One of the most interesting facts is that the Auld Lang Syne tune which is sung from Times Square to Tokyo, and has conquered the world, is not the one Robert Burns put the original words to. The older tune though is still sung by traditional singers. It has a more douce, gentle, nostalgic feel to it than the popular tune a mood evoked by the subtle use of the traditional air sung by Mairi Campbell in the first Sex and the City movie. However, whichever tune it is sung to, and wherever in the world it is sung, Auld Lang Syne retains the great emotional resonance of the original traditional song of the Scottish people of those days in the distant past. Lets leave the last word to Burns himself:
“… is not the Scots phrase, ‘Auld Lang Syne’, exceedingly expressive – there is an old song and tune which has often thrilled thro’ my soul”.
Fancy singing along yourself? Here are the verses of the words to Auld Lang Syne:
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne.
Chorus:
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne,
And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.
Chorus
We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.
Chorus
We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.
Chorus
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.
Chorus
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And long, long ago.
Chorus
And for long, long ago, my dear
For long, long ago,
We’ll take a cup of kindness yet,
For long, long ago
And surely youll buy your pint-jug!
And surely I’ll buy mine!
And we’ll take a cup of kindness yet,
For long, long ago.
Chorus
We two have run about the hills
And pulled the daisies fine;
But we’ve wandered manys the weary foot
Since long, long ago.
Chorus
We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since long, long ago.
Chorus
And there’s a hand, my trusty friend!
And give us a hand of yours!
And we’ll take a deep draught of good-will
For long, long ago.
Chorus
Here is an old kinescope from over 50 years ago!! For 100 years, the slow drop of a lighted glass ball on New Year’s Eve from atop One Times Square in New York City has become an American tradition. A huge crowd gathers every year to welcome in the New Year.
Beginning in 1956, Guy Lombardo & His Royal Canadians entertained the US on New Year’s Eve with a combination of music and the live “ball drop” at Midnight. Guy continued this tradition until his death in 1977. His band still played on at CBS Television on New Years for an additional 2 years. (Dick Clark’s Rockin New Years Eve began in 1972 on ABC and still broadcasts annually.) This broadcast began right after the 15-minute news and ran for an hour. Guy plays the music and newsman Robert Trout announces the beginning of the New Year.
If you look closely, you’ll see acerbic television personality Henry Morgan in the crowd. TV was very primitive 50 years ago. Harsh lighting, a cheap office clock and a World War II searchlight scans the crowd below.
I hope you’ll enjoy ringing in the New Year – 1958! Recorded: December 31, 1957
Auld Lang Syne played on bagpipes (as it should be)
• 1912 ~ Tony Martin (Alvin Morris), Singer, actor, married to dancer Cyd Charisse
• 1915 ~ Pete Rugolo, Bandleader, arranger, scored TV’s The Fugitive
• 1931 ~ Lawrence Tibbett was the featured vocalist as radio came to the Metropolitan Opera House in New York City. The first opera was Hansel und Gretel by Humperdinck, heard on the NBC network of stations. In between acts of the opera, moderator Olin Downes would conduct an opera quiz, asking celebrity guests opera-related questions. The program’s host and announcer was Milton Cross. He worked out of the Met’s Box 44.
• 1932 ~ Little Richard, American rock-and-roll singer, pianist and songwriter
• 1937 ~ O’Kelly Isley, Singer with the Grammy Award-winning group, The Isley Brothers
• 1937 ~ Arturo Toscanini conducted the first broadcast of Symphony of the Air over NBC radio.
• 1939 ~ The Charles Dickens classic, A Christmas Carol, was read by LionelBarrymore on The Campbell Playhouse on CBS radio. The reading of the tale became an annual radio event for years to come.
• 1941 ~ Don Pullen, pianist/composer
• 1944 ~ Henry Vestine, Guitarist with Canned Heat, sideman for Frank Zappa
• 1945 ~ Noel Redding, Bass with Noel Redding Band and also The Jimi Hendrix Experience
• 1946 ~ Jimmy Buffett, Songwriter, singer
• 1948 ~ Barbara Mandrell, CMA Entertainer of the Year (1980, 1981), Female Vocalist of the Year in 1979
• 1954 ~ Robin Campbell, Guitar, singer with UB40
• 1954 ~ Annie Lennox, Singer with Eurythmics
• 1957 ~ Shane MacGowan, Songwriter, musician: guitar, singer with The Pogues
• 1719 ~ Johann Christoph Altnikol, German organist, bass singer, and composer. He was a son-in-law and copyist of Johann Sebastian Bach
• 1818 ~ Franz Gruber of Oberndorf, Germany, composed the music for “Silent Night” to words written by Josef Mohr. The traditional song was sung for the first time during Midnight Mass on this night.
• 1824 ~ Peter Cornelius, German composer and writer
• 1871 ~ Opera-goers in Cairo, Egypt were treated to Verdi’sAida in its world premiere. The composer was commissioned to write the opera for festivities celebrating the opening of the Suez Canal
• 1887 ~ Lucrezia Bori, Spanish lyric composer
• 1893 ~ Harry Warren (Salvatore Guaragna), Composer, Song Writer’s Hall of Famer: Best Song Oscar
• 1906 ~ Professor Reginald A. Fessenden sent his first radio broadcast from Brant Rock, MA. The program included a little verse, some violin and a speech.
• 1918 ~ Zara Nelsova, Canadian-born American cellist
• 1914 ~ Ralph Marterie, ‘Caruso of the trumpet’: musician, bandleader
• 1924 ~ Carol Haney, Dancer, member of Jack Cole dance company, worked with Bob Fosse, in films
• 1928 ~ The first broadcast of The Voice of Firestone was heard. The program aired each Monday evening at 8:00. The Voice of Firestone became a hallmark in radio broadcasting. It kept its same night, time (in 1931 the start time changed to 8:30) and sponsor for its entire run. Beginning on September 5, 1949, the program of classical and semiclassical music was also seen on television.
• 1930 ~ Robert Joffrey (Khan), Choreographer with The Joffrey Ballet; died in 1988
• 1931 ~ Ray Bryant, Pianist, composer
• 1944 ~ Mike Curb, Music executive, producer, Oscar-winner
• 1944 ~ The Andrews Sisters starred in the debut of The Andrews Sisters’ Eight-To- The-Bar-Ranch on ABC radio. Patti, Maxine and LaVerne ran a fictional dude ranch. George ‘Gabby’ Hayes was a regular guest along with Vic Schoen’s orchestra. The ranch stayed in operation until 1946.
• 1945 ~ Lemmy (Ian Kilmister), Bass, singer with Motorhead
• 1946 ~ Jan Akkerman, Guitar, lute with bands: Friendship Sextet, Johnny and the Cellar Rockers
• 1951 ~ Menotti’s “Amahl and the Night Visitors”, the first opera composed for television, made its debut on NBC-TV. Amal and the Night Visitors became a Christmas classic.
• 1955 ~ The lovely Lennon Sisters debuted as featured vocalists on The Lawrence Welk Show on ABC-TV. They became regulars with Welk within a month and stayed on the show until 1968.
• 1957 ~ Ian Burden, Keyboards with Human League
• 1977 ~ The Bee Gees spent Christmas and New Year’s Eve at the top of the music charts. How Deep is Your Love became #1 this day and stayed that way for three weeks.
• 2000 ~ Felix Popper, a conductor and music administrator at the New York City Opera, died at the age of 92. Popper joined the New York City Opera in 1949 as an assistant conductor and vocal coach. By 1958 he was named music administrator, and he played an important role in guiding the opera through a period in which the house truly established itself. During this time, the company is credited with discovering important American singers such as Johanna Meier, Tatiana Troyanos, Gianna Rolandi, Faith Esham and Jane Shaulis. Popper retired from the opera in 1980 but continued to work as a consultant and vocal coach.
• 2000 ~ Longtime Detroit blues radio personality and promoter Famous Coachman died of an apparent heart attack. He was 75. Coachman was host of the weekend blues and gospel show on Detroit’s WDET for 21 years until 1997 and remained busy in the city’s music world until his death. “Everybody knew Coachman,” said JoAnn Korczynska, blues music director for WHFR at Henry Ford Community College in Dearborn. “He really did know B.B. King and John Lee Hooker. When I met John Lee Hooker, one of the first things he said to me was `How is Coachman doing?'” Coachman said he was named “Famous” because “my mother knew I would be.”
• 2000 ~ Nick Massi, an original member of the Four Seasons who handled bass vocals and vocal arrangements throughout the band’s glory days, died of cancer at the age of 73. Massi was born in Newark as Nicholas Macioci. The longtime West Orange resident performed with several bands before joining Frankie Valli in a group called the Four Lovers. By 1961, the group had evolved into the Four Seasons. Massi remained with the group until 1965, when he grew tired of touring, Valli said. Massi performed on hits such as Sherry, Big Girls Don’t Cry, Walk Like a Man and Rag Doll, which friends said was his favorite. During his tenure, the group made the Billboard Top 40 chart 17 times and toured throughout the United States and overseas, melding doo-wop vocals with a contemporary beat. They were inducted into the Rock and Roll Hall of Fame in 1990. Valli’s falsetto was the band’s trademark, but he said Massi was his musical mentor. “He could do four-part modern harmonies that would amaze musicians who had studied for years. And he did it all in his head without writing it down,” Valli said.
1583 ~ Orlando Gibbons
