New for Fall: LIstening and Coloring Pages

 

I have just purchased a set of Shades of Sound Listening & Coloring Book: Halloween for the studio.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Halloween edition includes 13 spooky pieces of piano and orchestral literature, ranging from the Baroque to the Modern period. By spending just 5-10 minutes per day listening for just a few days per week, students can listen to and complete the whole book in a few weeks.

Aspiring pianists need to know the literature, hear the greats perform, and be inspired and excited by the great music that is available! Just as writers need to read, read, read, pianists need to listen! Through this fun curriculum, students will learn about the musical periods and the great composers and their works. Listening repertoire selected includes selections from the standard solo piano literature, as well as solo piano and orchestra literature and orchestral works.

My hope is that students can add just 5-10 minutes of listening per day to their normal practicing. Listening to great music will change their understanding of music and will vastly increase their music history knowledge. It will excite and inspire them, encourage further study and listening, give them new pieces to add to their own repertoire wish list, infuse more great music into their lives, homes and families, and will boost their musicianship and expression to the next level.

The Halloween Shades of Sound book includes 13 different pieces, including:

  • Totentanz by Liszt
  • Le Cimetiere, from Clairs de Lune by Abel Decaux
  • Graceful Ghost Rag by William Bolcom
  • Night on Bald Mountain by Mussorgsky/Rimsky-Korsakov
  • Tarantelle, from Music for Children Op. 65 No. 4 by Prokofiev
  • Tarantella by Albert Pieczonka
  • In the Hall of the Mountain King by Grieg
  • Toccata and Fugue in D minor, BWV 565 by Bach
  • Funeral March, from Piano Sonata No. 2 in B-flat minor by Chopin
  • Danse Macabre by Saint-Saens
  • The Banshee by Henry Cowell
  • Scarbo, from Gaspard de la nuit by Ravel
  • The Sorcerer’s Apprentice by Paul Dukas

Students may use The Playful Piano – Halloween Listening YouTube playlist to listen along with their book using quality recordings. The playlist is ordered to go right along with the book, and also includes 5 extra pieces (some pages include optional “Further Listening” examples students may listen to).

 

Hungarian Rhapsody no. 2 in c-sharp minor by Franz Liszt

liszt

Hungarian Rhapsody No. 2, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso, while providing the listener with an immediate and irresistible musical appeal.

In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.

It is probable that you have heard this piece of music somewhere at one time or another because it is perhaps the most prominent piece of classical (romantic, actually) music featured in animated cartoons across the years.

Now, let the anvils fall and dynamite explode!

And, in real life, Valentina Lisitsa plays Liszt’s Hungarian Rhapsody No. 2

Daily Listening Assignment ~ June 14

 

 

Today’s Daily Listening Assignment is a little different.  Pop Goes the Weasel was chosen today because somehow, somewhere someone chose today as National Pop Goes the Weasel Day.

Pop-goes-the-weasel

June 14 is set aside to observe National Pop Goes the Weasel Day.  On this day people dig back into their memories to the nursery rhymes they learned as children and celebrate the day singing “Pop Goes the Weasel”.

 

The origins of this nursery rhyme are believed to date back to the 1700′s.
The following lyric was printed in Boston in 1858:
All around the cobbler’s house,
The monkey chased the people.
And after them in double haste,
Pop! goes the weasel.
In 1901 in New York the opening lines were:
All around the chicken coop,
The possum chased the weasel.

The most common recent version was not recorded until 1914. In addition to the three verses above, American versions often include some of the following:
All around the mulberry bush,
The monkey chased the weasel.
The monkey stopped to pull up his sock, (or The monkey stopped to scratch his nose)
Pop! goes the weasel.
Half a pound of tuppenny rice,
Half a pound of treacle.
Mix it up and make it nice,
Pop! goes the weasel.

 

A Piano Version:

 

 

And another one…

 

‘Pop Goes the Weasel’ is played by the oboe while Elgar’s ‘Enigma’ Theme is performed on piano.

 

If you want to play it, you know where to find it 🙂

Daily Listening Assignment ~ June 11

 

The other day, a student and I were looking at a piece with a l-o-n-g crescendo marking on it and she wondered how long the longest crescendo was in any piece.

For those who don’t remember, crescendo means to get louder and decrescendo means to get softer.  The sample below gets louder, then softer.

 

But I got a bit off-track.  While my student was trying her hand (no pun intended!) and the long crescendo, I looked up how long the longest one might be and found…

The longest crescendo in music is probably Ravel’s “Bolero,” which is, in fact, one long crescendo. Another very long crescendo occurs in the first movement of Shostakovich’s “Leningrad” Symphony. … “Rossini crescendos” are much shorter but quite effective. Jul 26, 2013

Most everyone, including my student, knows that this is possibly my least favorite piece of music but I still played a bit of it for her anyway.

Although not really a piano piece

From Russia

I like this flashmob version best

In a video that looks just like a segment of Disney’s Silly Symphonies or Fantasia, artist Simon Brethé animates the pentagram, making the notes of Ravel’s Bolero do feats ranging from charming a snake (the oboe) to serenading a girl at her window (the saxophone). At one point of the performance, one member of the string ensemble gets his bow tangled in the pentagram, a distraction that, subsequently, wreaks havoc in the entire orchestra.

 

Daily Listening Assignment ~ June 7

 

Today, we’ll be listening to the end of the William Tell Overture by Gioachino Rossini.  This piece, originally the overture to an opera, has been arranged for piano and is in several method books, including Piano Pronto Movements 1 and 2.  It’s also in Bastien Book 4 and Piano Maestro.
The original story

Maybe your grandparents watched the original Lone Ranger

Or you saw the newer Lone Ranger with Johnny Depp

Here’s the entire William Tell Overture played by an orchestra

Piano Solo

Franz Liszt made a really hard version for piano solo. See if you can follow along!

Piano Duet (1 piano, 4 hands)

Piano Duet arranged by Louis Moreau Gottschalk

Piano Duo (2 pianos, 8 hands)

Piano Quartet (4 pianos, 16 hands)

For pipe organ

For synthesizer

And then things get nuts with cartoons. Lots of cartoons used this music. Here are Mickey Mouse and friends

And Spike Jones

Handbells…

Poor Rossini – I think he’d have a fit if he knew how is music was being used.

Have a nice day!

Daily Listening Assignment ~ June 5

 

Happy Birthday is a song that I like to have each of my students learn at various levels appropriate to their level. When a friend or family member has a birthday, it’s great to be able to sit down and play.

 

It’s only been fairly recently that piano students could have this music in their books.

“Happy Birthday to You”, more commonly known as simply “Happy Birthday”, is a song that is traditionally sung to celebrate the anniversary of a person’s birth. According to the 1998 Guinness World Records, “Happy Birthday to You” is the most recognized song in the English language, followed by “For He’s a Jolly Good Fellow”.

The melody, or part you sing, of “Happy Birthday to You” comes from the song “Good Morning to All”, which has traditionally been attributed to American sisters Patty and Mildred J. Hill in 1893, although the claim that the sisters composed the tune is disputed.

Patty Hill was a kindergarten principal and her sister Mildred was a pianist and composer.  The sisters used “Good Morning to All” as a song that young children would find easy to sing.  The combination of melody and lyrics in “Happy Birthday to You” first appeared in print in 1912, and probably existed even earlier.

“Happy Birthday” in the style of Bach, Mozart, Beethoven, Mendelssohn, Chopin, Liszt, Dvorak, and Stravinsky.  Find the melody!

 

Lots of legal stuff below which you can skip…

None of the early appearances of the “Happy Birthday to You” lyrics included credits or copyright notices. The Summy Company registered a copyright in 1935, crediting authors Preston Ware Orem and Mrs. R. R. Forman. In 1988, Warner/Chappell Music purchased the company owning the copyright for US$25 million, with the value of “Happy Birthday” estimated at US$5 million. Based on the 1935 copyright registration, Warner claimed that the United States copyright will not expire until 2030, and that unauthorized public performances of the song are illegal unless royalties are paid to Warner. In one specific instance in February 2010, these royalties were said to amount to US$700. By one estimate, the song is the highest-earning single song in history, with estimated earnings since its creation of US$50 million.In the European Union, the copyright for the song expired on January 1, 2017.

The American copyright status of “Happy Birthday to You” began to draw more attention with the passage of the Sonny Bono Copyright Term Extension Act in 1998. When the U.S. Supreme Court upheld the Act in Eldred v. Ashcroft in 2003, Associate Justice Stephen Breyer specifically mentioned “Happy Birthday to You” in his dissenting opinion. American law professor Robert Brauneis, who extensively researched the song, concluded in 2010 that “It is almost certainly no longer under copyright.”

In 2013, based in large part on Brauneis’s research, Good Morning to You Productions, a company producing a documentary about “Good Morning to All”, sued Warner/Chappell for falsely claiming copyright to the song.  In September 2015, a federal judge declared that the Warner/Chappell copyright claim was invalid, ruling that the copyright registration applied only to a specific piano arrangement of the song, and not to its lyrics and melody.

In 2016, Warner/Chappell settled for US $14 million, and the court declared that “Happy Birthday to You” was in the public domain.

Legal stuff is finished and people can now sing and play “Happy Birthday to You” whenever and wherever they want.

One of my all-time versions of Happy Birthday, in duet form – and I have the music if you want to tackle it.

 

 

Daily Listening Assignment ~ June 4

 

I’m sure many have you have learned Twinkle, Twinkle Little Star by now.  Did you know its’ the same melody as the ABC Song?  You know…

Don’t believe it? Sing them both in your head or out loud.

The French melody first appeared in 1761, and has been used for many children’s songs, such as “Twinkle, Twinkle, Little Star”, “Baa, Baa, Black Sheep” and the “Alphabet Song”.

This is one of the first pieces a student learns in piano methods, since it has them reach just a bit outside their accustomed hand position on the word “little”.

 

Twinkle

 

I try to remember to let students know that Wolfgang Amadeus Mozart composed a set of twelve variations on the theme “Ah, vous dirai-je, Maman” for the piano and it started as the same basic Twinkle tune.

The sheet music is available at the O’Connor Music Studio if you want to borrow it or download it here about 1/3 of the way down the page under “Scores”.

I always enjoy these graphical scores.  Watch the colors as the melody gets more and more complex:

Who knew?  There’s an accordion version.

Have a great day!