Today’s is a cheat post, partly because I ran out of time.
I’ve watched this video several times in the past few days. It’s a great overview of the Beatles music. And, yes, I have books of their music arranged for piano, if you want to play anything.
Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means “a little serenade”, though it is often rendered more literally but less accurately as “a little night music.” The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras and there are many arrangements for other instruments as we will see below.
Part of a full orchestral score:
Follow the score…
Easy piano sheet music might look like this:
The first movement of Mozart’s Eine Kleine Nachtmusik, with a graphical score.
One of my favorites, Barbershop-Style. Eine Kleine Not Musik by the Gas House Gang tells the story of The Magic Flute (from June 19) to the music of Eine Kleine Nachtmusik.
A piano transcription
For four recorders, all played by the same person
From the Muppets: The Great Gonzo performing Eine Kleine Nachtmusik on bagpipe while sitting on a ten-foot pole!
When my son and I played Eine Kleine Nachtmusik by Mozart arranged for 2 pianos November 30, 2014 we were the last people to play in the old Steinway Hall. Unfortunately, we didn’t have a good video camera 😦
Find this arranged for piano in Piano Pronto: Movement 2, Movement 3, Encore, Coda and Mozart: Exploring His Life and Music.
Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes. It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.
This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.
Stay tuned for the other one!
Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.
The very basic melody:
From Wunderkeys – The Elise Session
The actual beginning is a little more involved.
And, there’s more!
If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.
Follow along:
By Valentina Lisitsa:
Ragtime!
The Big Piano at FAO Schwartz in NYC:
Glass harp:
The Mystery Behind Für Elise:
Youtube has many, many more versions. Beethoven would probably go nuts!
Today’s assignment is Hungarian Rhapsody No. 2 in C-sharp minor. It is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set.
In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.
Above, Danish comedian and pianist Victor Borge gives every impression of having been asked to play a duet with someone whom he not only doesn’t know but doesn’t particularly like. Forced to come up with a mutually agreeable way of sharing the musical workload, he settles on the most difficult route possible.
It’s not clear why two pianists were needed for this performance of Liszt’s Hungarian Rhapsody No.2, S.244/2. I think that they did it just for the fun of it. The result is hilarious.
They’re not the only ones to tackle Liszt’s Hungarian Rhapsody No.2 as a piano duo.
We also have these guys:
The “history” of this piece in several cartoons:
This is very interesting:
As he often did, Horowitz arranged it more for his liking:
Finally, for real:
In Later Gator and the Time Travel Tunes, a lonely alligator stumbles upon a squeaky duck and suddenly finds himself zipping through time on a wild and hilarious adventure.
From dinosaur stomping grounds to medieval castles, ancient Egyptian pyramids to Viking voyages, your students will tag along with Gator while reinforcing key piano skills:
This early level 1 piano book is designed to keep lessons exciting while targeting the exact skills students need at this crucial stage.
It’s a story-driven approach that turns essential early learning into an irresistible experience — exactly what students need when attention spans are pulled in a dozen directions.
As always, O’Connor Music Studio students are provided with all books at no charge as appropriate. Later Gator and the Time Travel Tunes is also available on amazon.
Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist.
Most anyone who has ever played piano has a love-hate relationship with the “Hanon”.
The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon’s most well-known work, and is still widely used by piano instructors and pupils although some teachers are getting away from the mechanical playing these can produce.
Personally, I’ve sometimes played these on “auto-pilot” since all one really needs is to get the first pattern going, then move up a step, up a step…
Notes by C. L. Hanon: Preparatory exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers. For studying the 20 exercises, begin with the metronome set at 60, gradually increasing the speed up to 108.
From Wikipedia:
The exercises are intended to address common problems which could hamper the performance abilities of a student. These include “crossing of the thumb”, strengthening of the fourth and fifth fingers, and quadruple- and triple-trills.
The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in.
Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises will also help to increase endurance. The exercises are divided in three parts:
- Exercises 1 – 20: Labeled “preparatory exercises”, these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 semiquavers, beginning on C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.
- Exercises 21 – 43: Labeled “further exercises for the development of a virtuoso technique.” This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.
- Exercises 44 – 60: Labeled “virtuoso exercises for mastering the greatest technical difficulties.” Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes,, and more.
After all three parts are mastered, Hanon recommends all exercises be played through daily to retain technique.
The O’Connor Music Studio has several editions of this work, including:
Hanon: The Virtuoso Pianist in Sixty Exercises, Complete. Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist . Millions of copies have been sold of these progressive exercises which guide a player’s technique, building finger independence and strength. This was the first American edition released of this music, and remains a classic at a remarkably affordable price.
Junior Hanon (Alfred Masterwork Edition). A slight condensation of Hanon’s first exercises. The simplification in layout and range make the exercises appear less difficult to a young student. Includes the complete Book 1 and excerpts from Books 2 & 3 of C. L. Hanon’s famous studies, The Virtuoso Pianist in 60 Exercises.
Hanon for Students, Bk 1: 6 Varied Exercises from The Virtuoso Pianist for Late Elementary Pianists. Hanon for Students, Book 1, contains the first six exercises from The Virtuoso Pianist, Book 1. The exercises are notated in eighth notes for one octave so that students may begin to use them effectively at the late-elementary level. Each exercise appears five times to be played with a legato touch, varied articulation, varied dynamics, varied rhythm, and transposed to F or G.
Jazz Hanon. Inspired by Charles-Louis Hanon’s The Virtuoso Pianist the essential technical method for any classical player these new volumes present a modern-day equivalent for the musician seeking to play the key piano styles of the 20th century. Each book develops basic technique and true facility in each genre through authentic, progressive exercises and etudes. The music in these books is fun to play for pianists at every level, building the necessary skills in each style while providing extensive musical and stylistic insight.
Music theory has never sounded so catchy with this witty remake of the holiday classic The Christmas Song (with apologies to Mel Torme) Try not to laugh at the ending.
Though it is a bit humorous, this version titled ‘Intervals Roasting’, with lyrics by David Rakowski, attempts to encapsulate the fundamentals of music theory in just over two minutes.
It does a good job of explaining the intervals and harmonic structure of the song and also gives you an idea of how to use music theory to analyze or compose music.
The O’Connor Music Studio has a copy if anyone wants to learn this 🙂
“O Come, All Ye Faithful,” originally penned in the reverent Latin tones as “Adeste Fideles,” is a Christmas carol shrouded in mystery and rich in history. This beloved hymn, a staple of holiday celebrations, is thought to have been crafted by a medley of historical figures. Among them are John Francis Wade (1711–1786), John Reading (1645–1692), and even King John IV of Portugal (1604–1656). The hymn’s origins are further mystified by the earliest manuscript bearing King John IV’s name, found nestled in the Ducal Palace of Vila Viçosa’s library.
Initially composed with four verses, the hymn has since blossomed into an eight-verse masterpiece, transcending language barriers and cultural divides. Its verses have been translated into a multitude of languages, spreading its message of faith and joy worldwide. The English rendition by Frederick Oakeley, an English Catholic priest, penned in 1841, has particularly resonated in the hearts of English-speaking audiences globally, becoming a cherished rendition of this classic hymn.
Today, “O Come, All Ye Faithful” stands not just as a carol but as a symbol of Christmas spirit and unity. If you’re drawn to the allure of this timeless hymn and wish to bring its melody into your own celebrations, the O’Connor Music Studio offers a variety of versions for those eager to learn and share in the joy and majesty of this classic Christmas carol. Whether you’re a seasoned musician or a curious beginner, the store provides a gateway to experiencing and sharing the enduring magic of “O Come, All Ye Faithful.”
Gesù Bambino,” composed by the illustrious Pietro Yon, is a melodic treasure that resonates with the warmth and nostalgia of my childhood Christmases. Each note of this enchanting piece takes me back to those magical days when the church choir’s voices would rise in harmony, filling the air with the spirit of the festive season. This song, a staple of my yuletide memories, holds a special place in my heart, reminiscent of the joy and wonder of Christmas celebrated in the hallowed halls of my childhood church.
Though it seemed a hidden gem, known primarily within the circles of my church community, “Gesù Bambino” has recently found a renaissance, emerging in piano books and gaining recognition. Its melody, crafted in the year 1917, has an ethereal quality that transcends time and place.
The song’s enchanting tune was brilliantly adapted by Frederick H. Martens in his English carol “When Blossoms Flowered ‘mid the Snows.” Its chorus, a harmonious blend of melody and lyrics, draws inspiration from the classic carol “Adeste Fideles” (O Come All Ye Faithful), weaving a tapestry of musical heritage and tradition. This fusion of melodies creates a piece that is both familiar and fresh, evoking a sense of time-honored tradition while offering a unique auditory experience.
“Gesù Bambino” is not just a song; it’s a musical journey that captures the essence of Christmas, weaving together the threads of nostalgia, tradition, and the universal joy of the holiday season. Its rising popularity is a testament to its timeless beauty and its ability to touch hearts, just as it has touched mine since childhood.
A piano version
Piano and Organ
Sung by David Archuleta and the Mormon Tabernacle Choir
Carol of the Bells was composed by Mykola Dmytrovych Leontovych (1877-1921) in 1916. Originally titled Shchedryk, this Ukrainian folk song is sometimes called Ukrainian Bell Carol. “Shchedryk” which was associated with the coming New Year, originally celebrated in April.
Leontovych used this tune in 1904 along with lyrics by Peter J. Wilhousky to create the version that everyone knows today. It gained popularity during the 1920s and 1930s, and was introduced to an even wider audience when it was used in the movie “Home Alone”.
It was first performed in the Ukraine on the night of January 13, 1916, on the Julian calendar this is considered New Year’s Eve. In the United States the song was first performed on October 5, 1921 at Carnegie Hall.
This video is from the Christmas special of the Mormon Tabernacle Choir, presented at the BYU channel. The orchestra and choir produce a very beautiful sound.
Not the standard version –
The O’Connor Music Studio has several versions of this Christmas Carol available for loan, including this version from the Mannheim Steamroller:
MaryO'Studio 