On August 19 ~ in Music History

today

• 1881 ~ Georges Enesco, Rumanian composer, violinist and conductor

• 1918 ~ Sgt. Irving Berlin’s musical about army life in World War I opened at the Century Theatre in New York City. Yip Yip Yaphank included songs, such as Mandy and Oh, How I Hate to Get Up in the Morning.

• 1939 ~ Ginger (Peter) Baker, Trumpeter, drummer with Cream

• 1939 ~ The Dick Jurgens Orchestra recorded Day Dreams Come True at Night on Okeh Records. Eddy Howard was the vocalist on the piece. It became Jurgens’ theme song.

• 1940 ~ Johnny Nash, American pop-reggae singer, songwriter and guitarist

• 1943 ~ Billy J. Kramer (William Ashton), Singer with The Dakotas

• 1945 ~ Ian Gillan, Singer with Deep Purple

• 1947 ~ Gerard Schwarz, American trumpeter and conductor

• 1951 ~ John Deacon, Bass with Queen, score of Flash Gordon

• 1964 ~ The Beatles began their first North American concert tour. They would visit 26 cities.

• 1972 ~ NBC-TV presented The Midnight Special for the first time. John Denver was the host for the first show. Wolfman Jack was the show’s announcer. The Midnight Special proved to be a ratings success.

• 1991 ~ Richard Maltby passed away. He was an American musician, conductor, arranger and bandleader.

• 2001 ~ Singer Betty Everett, whose recording of The Shoop Shoop Song (It’s In His Kiss) made Billboard’s Top 10 in 1964, died Sunday. She was 61.

Everett is remembered primarily for one huge hit song in the 1960s, but she also recorded many other songs and was recognized as one of the top soul singers of her time.

Starting at age 9, Everett played the piano and sang in church. She continued to sing in gospel choirs before moving to Chicago in 1957, where she recorded a string of hits on local record labels such as C.J. Cobra and OneDerful that included I’ll Be There and I’ve Got a Claim On You.

Everett signed a contract in the early 1960s with VeeJay, a record label that was then issuing recordings by The Beatles.
Everett recorded The Shoop Shoop Song in the spring of 1964, and it soared to Billboard’s Top 10.

The song was later recorded by Cher in the soundtrack for the 1990 movie Mermaids and more recently by Vonda Shepard of the Fox television show Ally McBeal.

• 2017 ~ Bea Wain, American singer and radio host (Deep Purple, Heart and Soul), died at the age of 100

 

On August 8 ~ in Music History

today

Be sure your student reads and listens to Today’s Daily Listening Assignment

 

 

 

• 1886 ~ Pietro Yon, Italian composer
More information about Yon

• 1899 ~ Russell Markert, Choreographer, founded and directed the Radio City Music Hall Rockettes

• 1905 ~ André Jovilet, French composer and conductor

• 1907 ~ Benny Carter, American jazz solo saxophonist, trumpeter, composer and arranger

• 1921 ~ Roger Nixon, American composer

• 1921 ~ Webb Pierce, Singer

• 1923 ~ Jimmy Witherspoon, Singer

• 1923 ~ Benny Goodman was 14 years old as he began his professional career as a clarinet player. He took a job in a band on a Chicago-based excursion boat on Lake Michigan.

• 1926 ~ Urbie (Urban) Green, Musician, trombonist who played with Cab Calloway

• 1932 ~ Mel Tillis, Singer, songwriter

• 1933 ~ Joe Tex (Arrington, Jr.), Singer

• 1934 ~ Bing Crosby became the first singer to record for the newly created Decca Records. His songs, Just A-Wearyin’ For You and I Love You Truly, were recorded as Decca number D-100.

• 1938 ~ Connie Stevens (Concetta Ingolia), Singer

• 1939 ~ Philip Balsley, Singer with The Statler Brothers

• 1941 ~ Les Brown and His Band of Renown paid tribute to baseball’s “Yankee Clipper”, Joe DiMaggio of the New York Yankees, with the recording of Joltin’ JoeDiMaggio on Okeh Records. From that time on, DiMaggio adopted the nickname, Joltin’ Joe.

• 1949 ~ Keith Carradine, Actor and composer, whose recording of I’m Easy reached No. 17 on the U.S. charts in 1976.

• 1950 ~ Andy Fairweather-Low, Musician, guitar, singer with Amen Corner

• 1958 ~ Harry (Harry Lillis III) Crosby, Singer and actor, son of Bing Crosby and Kathryn Grant

• 1958 ~ Chris Foreman, Musician, guitar with Madness

• 1960 ~ Tell Laura I Love Her, by Ray Peterson, wasn’t a big hit in Great Britain. Decca Records in England said the song was “too tasteless and vulgar for the English sensibility.” They destroyed 25,000 of the platters this day.

• 1961 ~ The Edge (David Evans), Musician, guitar with U2

• 1974 ~ Roberta Flack received a gold record for the single, Feel Like Makin’ Love. Flack, born in Asheville, NC and raised in Arlington, VA, was awarded a music scholarship to Howard University in Washington, DC at the age of 15. One of her classmates became a singing partner on several hit songs. Donny Hathaway joined Flack on You’ve Got a Friend, Where is the Love and The Closer I Get to You. She had 10 hits on the pop charts in the 1970s and 1980s.

• 1975 ~ Julian ‘Cannonball’ Adderly passed away

• 1997 ~ Duncan Swift, jazz pianist, died at the age of 74

• 2017 ~ Glen Campbell died at the age of 81. He was an American singer, songwriter, musician, television host, and actor.

On August 3 ~ in Music History

today

Back to School Music Quiz

 

 

 

 

• 1778 ~ La Scala, one of the world’s great opera houses, opened on this day. They premiered William Tell by Gioachino Rossini

• 1823 ~ Francisco Asenjo Babieri, Spanish composer

• 1884 ~ Louis Gruenberg, Polish-born American composer

• 1902 ~ Ray Bloch, Conductor and orchestra leader

• 1917 ~ Charlie Shavers, Trumpeter with the John Kirby Sextet and composer of Undecided

• 1918 ~ Les Elgart, Lead trumpet, bandleader for Les and (brother) Larry Elgart

• 1921 ~ Richard Adler, Broadway Composer, lyricist

• 1926 ~ Tony Bennett (Benedetto), Grammy Award-winning American singer of popular music

• 1941 ~ Beverly Lee, Singer with The Shirelles

• 1949 ~ B.B. (Morris) Dickerson, Bass and singer with War

• 1951 ~ Johnny Graham, Guitarist with Earth, Wind and Fire

• 1963 ~ The Beatles made their final appearance at the Cavern Club in Liverpool, England. The group was about to leave its hometown behind for unprecedented worldwide fame and fortune.

• 1963 ~ The Beach Boys’ Surfer Girl, was released on Capitol Records. It became one of their biggest hits. Surfer Girl made it to number seven on the hit music charts  on September 14, 1963

• 1963 ~ Comedian Allan Sherman’s summer camp parody, Hello Mudduh, Hello Fadduh! (A Letter from Camp) was released on Warner Brothers Records. The melody was based on the Dance of the Hours from Ponchielli’s opera La Giaconda. This dance was also performed in the original Disney movie Fantasia.

• 1971 ~ Paul McCartney formed a new band called Wings. Joining McCartney in the group were Denny Laine, formerly of The Moody Blues, Denny Seilwell and McCartney’s wife, Linda.

• 1998 ~ Alfred Schnittke, one of the most original and influential composers to emerge from the Soviet Union, died. He was 63.

• 2001 ~ Jeanne Loriod, the leading performer of an electronic instrument used in film scores and symphonic works to produce mysterious glassy tones, died in southern France. She was 73. Loriod, who played the ondes martenot – invented by the French musician Maurice Martenot – died of a stroke in Juan-les-Pins, Le Monde newspaper reported.

She was the younger sister of pianist Yvonne Loriod, who was married to composer Olivier Messiaen. The three musicians often collaborated.

The ondes martenot – which translates as “Martenot waves” – produces electronic waves from a system of transistors, a keyboard and a ribbon attached to a ring on the performer’s forefinger.

Loriod’s career took her all over the world. She performed with the Boston Symphony Orchestra and the Berlin Philharmonic, among others.

Composers such as Tristan Murail, Jacques Charpentier and Michael Levinas wrote works for her, according to Le Monde. Loriod had also been planning to collaborate with the pop group Radiohead, the paper wrote.

• 2008 ~ Louis Teicher died at 83.  He was half of the piano duo Ferrante & Teicher, which toured for four decades and released 150 albums, some as suitable for elevators as for concert halls.

• 2016 ~ Ricci Martin, an entertainer/musician son of Dean Martin, died at the age of 62.

On July 19 ~ in Music History

today

 

Be sure your student reads and listens to Today’s Daily Listening Assignment

 

 

• 1592 ~ Erhard Buttner, Composer

• 1735 ~ Garret Wesley Mornington, Composer

• 1742 ~ Jean-Baptiste Davaux, Composer

• 1750 ~ Alessio Prati, Composer

• 1782 ~ Jonathan Blewitt, Composer

• 1789 ~ John Martin, English painter

• 1797 ~ Johann Gottlieb Schneider, Composer

• 1811 ~ Vincenz Lachner, German organist, conductor and composer

• 1906 ~ Klauss Egge, Norwegian composer

• 1913 ~ Charles Teagarden, trumpeter, bandleader, brother of Jack

• 1926 ~ Sue Thompson (Eva McKee), singer of Norman and Sad Movies (Make Me Cry)

• 1937 ~ George Hamilton IV, Singer

• 1939 ~ Jack Teagarden and his orchestra recorded Aunt Hagar’s Blues for Columbia Records. Teagarden provided the vocal on the session recorded in Chicago, IL.

• 1941 ~ Natalya Besamertnova, Ballet Dancer with the Bolshoi ballet

• 1942 ~ The Seventh Symphony, by Dmitri Shostakovitch, was performed for the first time in the United States by Arturo Toscanini and the NBC Symphony Orchestra.

• 1942 ~ Vikki Carr (Florencia Bisenta deCasilla Martinez Cardona), Pop Singer

• 1946 ~ Alan Gorrie, Rock Singer with the Average White Band

• 1947 ~ Bernie Leadon, Musician, guitar with The Eagles

• 1947 ~ Brian Harold May, Musician, guitarist, singer and songwriter with Queen, who had the 1975 UK No.1 single Bohemian Rhapsody, which returned to No.1 in 1991. Queen scored over 40 other UK Top 40 singles, and also scored the 1980 US No.1 single Crazy Little Thing Called Love. May had the solo 1992 UK No.5 single Too Much Love Will Kill You. May was made Commander of the Order of the British Empire in 2005 for ‘services to the music industry and his charity work’. May earned a PhD in astrophysics from Imperial College, London, in 2007.

• 1949 ~ Singer Harry Belafonte began recording for Capitol Records on this day. The first sessions included They Didn’t Believe Me and Close Your Eyes. A short time later, Capitol said Belafonte wasn’t “commercial enough,” so he signed with RCA Victor (for a very productive and commercial career).

• 1952 ~ Allen Collins, Musician, guitar with Lynyrd Skynyrd

• 1952 ~ “Paint Your Wagon” closed at Shubert Theater New York City after 289 performances

• 1966 ~ Frank Sinatra married actress Mia Farrow this day.

• 1963 ~ Kelly Shiver, Country Singer

• 1980 ~ Billy Joel, pianist, singer-songwriter, and composer, earned his first gold record with It’s Still Rock and Roll to Me, which reached the top of the Billboard pop music chart. He would score additional million-sellers with Just the Way You Are, My Life, Uptown Girl (for girlfriend and later, wife and supermodel Christie Brinkley) and We Didn’t Start the Fire. Joel reached the top only one other time, with Tell Her About It in 1983.

• 2000 ~ H. LeBaron Taylor, a Sony executive who pioneered the mass marketing of music rooted in black culture and fostered minority development in the corporate world, died at the age of 65 of a heart attack. He was recognized by Ebony magazine as one of the top 50 black executives in corporate America. In the 1970s, Taylor was at CBS Records, leading its Black Music Marketing department, which sold music originating in black culture and styles that sprang from it, such as blues, soul, rap and hip-hop.

• 2015 ~ Van Alexander, American composer and bandleader (A-Tisket, A-Tasket), died at the age of 100

July 13, 2019 ~ Daily Listening Assignment

 

Will you be going to the Circus this Summer?

Here’s some information about circus music.

WINDJAMMERS

Circus marches are called “screamers” because they are traditionally so high, loud & fast!! Circus Band members are often called “windjammers” because they jam so much wind into their instruments in the process of playing these screamers. Playing the circus requires incredible endurance & skills on your instrument. The windjammers play almost none stop and much of the music is really difficult!

The greatest circus bands were about 100 years ago in the heyday of the circus. At that time the big top band could be 25 or so, plus there were often sideshow musicians as well. Cowboy bands, women’s bands and bands of Blacks were often part of the sideshows.

Contemporary circuses are much smaller all the way around, and some don’t use live musicians at all, just “canned” music (recordings). Others carry 3 musicians, a drummer, a trumpet player and a keyboard (synthesizer) player. A few, like the Big Apple Circus, still have bands. The Big Apple Circus has 8 musicians on its bandstand: a conductor/trumpet, a person who plays alto sax and clarinet, one who plays tenor sax and flute, a violin, a trombone, a bass player, a keyboard player and a drummer.

In the “old days,” being a circus musician was one of the most strenuous jobs a musician could have. In the days before musicians’ unions, the windjammer would be expected to play for the circus parade, play a pre-show free concert for the townspeople, ballyhoo around the grounds before the big top show, play the show itself (nonstop for two or three hours!), play post-show concerts on the grounds or play sideshows. Then after everyone left, they helped take down the tents or do other chores around the grounds. It was a busy day and the pay was not very good, but it was an exciting life with lots of great music, and many musicians loved it!

THE MUSIC

Entry of the Gladiators (Thunder and Blazes) was written in 1897 by, the Czechoslovakian composer, Julius Fucik (1872-1916). This march is a classic circus march & one that just about everyone will think, “Ah, circus!” when they hear it. Thunder and Blazes (as it is most frequently called) and Fucik’s Florentiner March are probably his most well-known marches.

Most circus marches follow the standard American military march form, but often abbreviated (no repeats in the second half):

  • Introduction (a bit longer than military marches)
  • First strain (repeated)
  • Second strain (repeated)
  • Trio (more mellow and the key changes)
  • Breakup strain (often called the dogfight in military marches)
  • Last strain

In a circus march, the last strain is often the same as the trio, but louder, and often the trio, breakup strain and last strain are not repeated like they are in a military march (in military marches, the trio and breakup strain are often reversed & the way they repeat may vary).

The music sets the scene for the performer’s act. Different music is needed for different kinds of acts: the bareback riders galloping around the hippodrome need a lively tune, the trapeze artists want something more peaceful, and of course the clowns need music that sounds humorous (like trombone smears!).

In the early days of the circus, the band masters would take some of the European classical music and arrange it for the circus band. “The most obvious example would be the beautiful, flowing waltz music that is essential to the trapeze artists (‘flyers’ and ‘catchers’). The bandmaster and musicians must be precise in coordinating the music and the timing of the artists, requiring rehearsal with the artists and the musicians.  Similarly, it may be interesting to note that the bareback riders perform in a smaller ring because of the gait of the horses. The centrifugal effect requires a ring of a certain diameter for timing. Thus, the conductor must follow the gait of the horses, whereas the aerialists depend on the tempo of the music for timing their act.”

Modern circuses also play a lot of popular tunes, jazz and other songs that people will recognize. You will likely hear fewer of the standard circus marches at a circus today.

The drummer has a particularly challenging and important role in the circus music. He/she must “play the tricks.” Usually the drummer is situated so that he can see the ring because it is his job to accent and intensify what is happening in the ring. This was true 100 years ago, and it is true today. If the act is getting tense, the drummer will get intense. If someone slides down a rope or vaults off the trampoline, there will be a cymbal crash or drum hit when the performer reaches the floor. Sometimes the cues come from the conductor or from the ringmaster, but sometimes it is the drummer who is really in charge!

Circus bands occasionally play a John Philip Sousa composition during the traditional Center Ring Concert, but his melodic marches are not the right structure for most circus acts.

Sousa’s Stars and Stripes Forever is never part of the regular program. It is reserved for emergency use – sometimes called the “Disaster March”. If a major problem happens — an animal gets loose, a high wind threatens the tent, or a fire breaks out — the band plays the march as a warning signal to every worker on the circus lot that something is wrong.

(Click here for information on the Hartford fire of 1944)

Charles Nelson Reilly – who grew up to be a famous actor, comedian, director and drama teacher – was attending the Ringling Bros. circus, in Hartford, on the day the big top burned to the ground.  Listen as he recalled his memories of the fire.

 

For lesser problems, the 12th Street Rag was played to alert the clowns to come out and divert attention during the more common mishaps.

Edward F. Shevlin describes what goes on in the circus band as follows:

“Our music is usually by Karl King,  Alexander, Fred Jewell, C. E. Duble and other old time circus bandmasters and musicians.  Much of the music by these circus musician-composers is amenable to quick cut-offs and tempo changes as necessary to fit particular acts. Hence, Windjammers usually play two musicians to a stand so that when the conductor cuts to a new piece and tempo, one musician can quickly move the music to expose the next piece while the other continues without skipping a beat! We might quickly go from a march to a Samba or rhumba or galop; or from a waltz to an up-tempo march or galop for the “come down” when the aerialists quickly descend into the net or slide down a rope at the conclusion of their act . . .followed by that ubiquitous B-flat chord! The old circus bands would play anything from Ragtime to a Polonaise or a tone poem!”

*Information from an email from Edward F. Shevlin, a Windjammer who happened upon this page! Many thanks, Mr. Shevlin!

THE BANDWAGON

ParadeWagon

When the circus came to town, there was always a circus parade — the parade served to get the wagons filled with people, equipment, baggage, tents and animals to the location of the circus, but it also provided some free advertisement. The wagons were very elaborate & were intended to get people interested in the circus so they would come and see the acts. The band road on top of a bandwagon and inside the bandwagon was luggage, tents and other necessities.

Hey, have you ever heard the term, “jump on the bandwagon”? Here’s the story. In 1848, when Zachary Taylor won the Whig party nomination for president, Dan Rice, a famous clown whose attire inspired the image of Uncle Sam, invited Mr. Taylor to ride on the bandwagon that Dan Rice had. When the bandwagon arrived at the center of town, Dan Rice stopped his parade and made a very emotional speech supporting Zachary Taylor’s candidacy. Someone noted that Dan Rice was on Mr. Taylor’s bandwagon and the term stuck, so that to jump on the bandwagon means to get involved with whatever the issue is. “He jumped on the ecology bandwagon.” “She is definitely on the civil rights bandwagon.”

Below you will find some links to pictures of bandwagons.

PT Barnum’s Bandwagon http://www.vintageviews.org/vv-3/t_land/pages/trl02_002.html

Windjammers in a Bandwagon http://www.circusparade.com/album/albmusic.htm

Pawnee Bill Bandwagon No. 80 http://www.circusparade.com/wagons/w_pawnee.htm

The Columbia Bandwagon– purchased by James Bailey for the Barnum & Bailey Circus — and see this wagon hitched to FORTY horses!!! The picture including the wagon & the band is at the bottom of the page.

The Mirror Bandwagon http://www.circusmodelbuilders.org/twohemis.htm

A clown marching band (Baraboo, WI High School) http://www.circusparade.com/album/albpic22.htm

 

THE CALLIOPE

Most people pronounce this instrument “cal eye’ o pee”. Circus people pronounce it “cal’ ee ope” (last syllable like “rope”). What is a calliope?? It is a huge instrument made of whistles with a steam engine that blows steam through the whistles when you press the key. Most calliopes are played with a keyboard like a piano keyboard & each key controls one whistle. It is LOUD!!!! Some can be heard up to 3 – 5 miles! Don’t stand too close to one!

The calliope traditionally brought up the rear in a circus parade.

Here is a picture of an early calliope – this one is not on wheels like a circus instrument would be. http://mmd.foxtail.com/Calliope/index.html

Go to this site to see an instrument built recently and see how it works. http://mmd.foxtail.com/Calliope/davis.html

 

SUPERSTITIONS!

Most performing entities have some superstitions. One of the superstitions in circus bands is that you can not play Franz von Suppe’s Light Cavalry March. Quoting from Mr. Beal’s book:

“To play it on the circus lot means disaster and sudden death.”You may not believe this but most circus folks do, at least those who know the facts. Played once in Oklahoma, a train wreck followed and sixteen were killed. Played again, this time while [Merle] Evans was on tour with Miller Bros. 101 Ranch Wild West, a blowdown followed and 38 fatalities resulted. [A blow down is a wind that destroys all or part of the tents.]

“And the last time Merle played it a cornet player died immediately after the performance. That was enough for Evans. He collected the parts, tied them up in a neat bundle, and dropped them over the nearest bridge…

“From that day to this the music of Suppe’s Light Cavalry march is taboo. Even its presence in the music trunk would be considered a serious menace to the life and safety of the circus musicians.”

A second superstition about the music played is that the only time you can play Home Sweet Home is during the very last performance of the season, the very last song. Otherwise, it could mean the immediate closing of the show.

Information from:
Beal, George Brinton. Through the Back Door of the Circus with George Brinton Beal. Springfield, Massachusetts: McLoughlin Bros., Inc., 1938. p. 1-20.

Some important Windjammers and composers of circus music

Links to other Circus Band Websites

Definitions & Explanations

Screamers – Circus marches are called screamers because they are so loud, fast & often very high!

Windjammers – Circus musicians are often called windjammers because they jam so much wind into their instruments in the process of playing these screamers.

Ballyhooing – The dictionary defines the verb “ballyhoo” as a vigorous attempt to win customers. When not playing, the musicians went around the grounds & the town shouting about the circus & trying to get people to come to see it. Ex: “Come to the circus tonight! See flying trapeze artists and the ….”

Hippodrome – The hippodrome is the track around the inside of the ring where the horses were run.

Trombone Smears – Smear refers both to a trombone technique and to a type of music. The technique (officially called a glissando) where the trombonist pulls the slide in or out without tonguing and you get a smearing sound as the notes move up or down, rather than a distinct set of individual notes. Smear also refers to a type of music that includes and features these smear techniques. These pieces are often used as clown music. Henry Fillmore wrote many trombone smears and they had an African-American minstrel sound to them.

Adapted from http://bandnotes.info/tidbits/circus.htm

On July 12 ~ in Music History

today

 

Be sure your student reads and listens to Today’s Daily Listening Assignment

 

• 1633 ~ Simon Besler, Composer, died at the age of 49

• 1757 ~ Christian Danner, Composer

• 1773 ~ Johann Joachim Quantz, German royal flautist and composer, died at the age of 76

• 1801 ~ John Hill Hewitt, Composer

• 1802 ~ Charles-Louis Hanssens, Composer

• 1821 ~ Cesare Dominiceti, Composer

• 1839 ~ Christian Traugott Tag, Composer, died at the age of 62

• 1882 ~ Alfred Humphreys Pease, Composer, died at the age of 44

• 1883 ~ Hermann Zopff, Composer, died at the age of 57

• 1885 ~ George Sainton Kaye Butterworth, Composer

• 1895 ~ Kirsten Flagstad, Norwegian soprano, famed for her performances of Wagner and noted for her noble and easy delivery

• 1895 ~ Oscar (Greeley Clendenning) Hammerstein II, American lyricist for the musical theater
More information about Hammerstein

• 1897 ~ Felix Godefroid, Composer, died at the age of 78

• 1906 ~ Henrique Alves de Mesquita, Composer, died at the age of 70

• 1908 ~ Johan Franco, Composer

• 1920 ~ Paul Foster, Singer

• 1926 ~ Charles Wood, Composer, died at the age of 40

• 1927 ~ Conte (Secondo) Candoli, Trumpeter, bandleader; toured with Stan Kenton

• 1934 ~ Van Cliburn (Harvey Lavan), American piano virtuoso, won the Tchaikovsky Competition in 1958

• 1942 ~ Richard Stolzman, clarinet soloist

• 1943 ~ Christine (Perfect) McVie, Singer with Fleetwood Mac

• 1946 ~ Benjamin Britten’s “Rape of Lucretia,” premiered at Glyndebourne

• 1947 ~ James Melvin Lunceford, American jazz dance-band leader, passed away
More information about Lunceford

• 1949 ~ John Wetton, Bassist, singer with Asia

• 1952 ~ Liz Mitchell, Singer

• 1953 ~ Marie-Alphonse-Nicolas-Joseph Jongen, Belgian composer, died at the age of 79

• 1956 ~ Sandi Patti, Gospel Singer

• 1958 ~ “Li’l Abner” closed at St James Theater New York City after 693 performances

• 1958 ~ Yakety Yak, by The Coasters, became the number one song in America according to Billboard magazine. It was the first stereo record to reach the top of the chart.

• 1962 ~ The Rolling Stones first performance, at the Marquee Club, London. The lineup featured Mick Jagger, Keith Richards, Brian Jones, bass player Dick Taylor and drummer Mick Avory. Taylor and Avory were soon replaced.

• 1970 ~ Blues-Rock singer Janis Joplin’s debut, in Kentucky

• 1979 ~ Kalervo Tuukkanen, Composer, died at the age of 69

• 1979 ~ Minnie Ripperton (Andrea Davis) Singer, died at the age of 30

• 1985 ~ “Singin’ in the Rain” opened at Gershwin Theater New York City for 367 performances

• 1990 ~ Les Miserables opened at National Theatre, Washington

• 1993 ~ Andrew Lloyd Webber’s musical “Sunset Promenade” opened in London

• 1995 ~ Alan David Marks, Pianist and composer, died at the age of 49

• 1995 ~ Earl Coleman, Singer, died at the age of 69

• 1995 ~ Ernie Furtado, Bassist, died at the age of 72

• 1996 ~ Gottfried von Einem, Composer, died at the age of 78

• 1996 ~ Jonathan Melvoin, Keyboardist with Smashing Pumpkins, died

• 2000 ~ Ras Shorty I, who fused calypso with an up-tempo beat that he said represented the true soul of calypso, died of bone cancer. He was 59. He was born Garfield Blackman and started singing calypso as Lord Shorty. Dozens of musicians later adopted his up-tempo “soca” beat, which he called the “Indianization of calypso,” bringing together the music of his Caribbean nation’s two major ethnic groups, descendants of African slaves and of indentured laborers from India.

• 2001 ~ James Bernard, who composed the eerie musical scores for some of Britain’s most famous horror films, died at the age of 75. The British composer was best known for his work with Hammer Film studios, which made low-budget gothic horror films featuring actors Peter Cushing and Christopher Lee. During his nearly 40-year career, Bernard composed scores for “The Curse of Frankenstein” (1957), “Dracula” (1958) and “The Devil Rides Out” (1968). He won an Academy Award, but not for his music. Bernard shared an Oscar in 1951 with Paul Dehn for best motion picture story for “Seven Days to Noon.” His last work was the score for “Universal Horror” in 1998, a documentary of Universal Studios’ horror films of the 1930s and 1940s.

On July 7 in Music History

today

 

Be sure your student reads and listens to Today’s Daily Listening Assignment

 

• 1860 ~ Gustav Mahler, Austrian composer and conductor
More information about Mahler
Grammy winner

• 1911 ~ Gian Carlo Menotti, Italian composer and conductor
More information about Menotti

• 1962 ~ Mary Ford (Iris Colleen Summers), Singer with Les Paul

• 1927 ~ Doc (Carl) Severinsen, Bandleader, trumpeter, The Tonight Show Band, The Doc Severinsen Band, played with Charlie Barnet and Tommy Dorsey Orchestras, owner of a trumpet factory

• 1927 ~ Charlie Louvin (Loudermilk), Country singer, joined Grand Ole Opry in 1955

• 1940 ~ Ringo Starr, British rock drummer and singer with The Beatles

• 1944 ~ Warren Entner, Musician, guitarist and singer with The Grass Roots

• 1950 ~ David Hodo, Singer with The Village People

• 1954 ~ Cherry Boone, Singer; daughter of singer Pat Boone, sister of singer Debby Boone

• 1962 ~ Mark White, Rock Musician

• 1962 ~ Orchestra leader David Rose reached the top spot on the popular music charts. The Stripper stayed at the pinnacle of musicdom for one week. Rose’s previous musical success on the charts was in 1944 with Holiday for Strings.

• 2001 ~ Folk singer Fred Neil, who had such hits as Everybody’s Talking, and Candyman, died at the age of 64. Neil started his music career in 1955 when he moved from St. Petersburg to Memphis, Tenn. He released his first single, You Ain’t Treatin’ Me Right/Don’t Put the Blame On Me, two years later. The singer became a cult favorite in New York City’s Greenwich Village folk scene after Roy Orbison released a blues recording of Neil’s Candyman in 1960. Neil released his first solo album, Bleecker & MacDougal, in 1965. After moving back to Florida, Neil took an interest in protecting dolphins. He frequently visited Kathy, the star of the television show Flipper, and wrote a song called The Dolphins, which was released on his 1967 album Fred Neil. In 1970, Neil co-founded the Dolphin Research Project to help curb the capture and exploitation of dolphins worldwide. His last big hit came in 1969 when the film Midnight Cowboy featured singer Harry Nilsson’s version of Neil’s Everybody’s Talking.

• 2002 ~ Dorle Jarmel Soria, a writer and co-founder of the music label Angel Records, died. She was 101. Soria and her husband, Dario Soria, together founded Angel Records, which distributed some of the labels of EMI, a British company. The label released some 500 recordings, including the work of singer Elisabeth Schwarzkopf, pianist Walter Gieseking and conductor Herbert von Karajan. The company was eventually sold by EMI, and the Sorias went on to help found Gian Carlo Menotti’s Festival of Two Worlds in Italy. Before founding Angel, Soria had a career in journalism and worked for Arthur Judson, who was a concert manager for the New York Philharmonic. Soria wrote regularly for several music magazines and had a weekly column for the Carnegie Hall program in the 1960s. She also published a book about the history of the Metropolitan Opera.