Tag Archives: Johannes Brahms

November 17 ~ On This Day in Music

Posted by MaryO on

today

• 1726 ~ The first performance of J. S. Bach‘s Sacred Cantata No. 55 Ich armer Mensch, ich Sündenknecht on the 22nd Sunday following Trinity. Was part of Bach’s third annual Sacred Cantata cycle in Leipzig 1725-27

• 1848 ~ Frederic Chopin played his final piano concert at a Polish benefit ball at Guildhall in London.

• 1850 ~ Giuseppe Verdi‘s opera Stifellio was first performed at the Teatro Grande in Trieste despite difficulties with the censors which resulted in cuts and changes.

• 1861 ~ First Performance of Johannes Brahms‘ Piano Quintet No. 1 in g, Op. 25, at a rehearsal in Hamburg, with pianist Clara Schumann.

• 1862 ~ The work noted above received its official premiere with members of the Hellmesberger Quartet; Brahms at the piano, in Vienna.

• 1870 ~ Alfred Hill, Australian composer

• 1876~ The first performance of Peter Ilyich Tchaikovsky‘s March Slav in Moscow.

• 1877 ~ The first production of Gilbert and Sullivan’s opera, The Sorcerer, was presented, in London.

• 1888~ The first production of Tchaikovsky‘s Fifth Symphony in St. Petersburg.

• 1891 ~ Poland’s premier and premier ivory tickler, Ignace Jan Paderewski, made his American debut at Carnegie Hall in New York City. In later years, Paderewski, who suffered from arthritis, settled in Paso Robles, CA. The hot mineral baths located there eased his pain. He played only Steinway grand pianos custom-built to his specifications. In fact, five were made just for his use.

• 1919 ~ Hershy Kay, composer/arranger (Olympic Hymn)

• 1925 ~ Sir Charles Mackerras, Australian conductor

• 1930 ~ David Amram, American composer and French-horn player

• 1938 ~ Gordon Lightfoot, Canadian folk singer, songwriter and guitarist

• 1938 ~ Orchestra leader Kay Kyser, speaking to an audience at the College of the City of New York (CCNY) told of the “inner workings and artistic features of swing music.” It marked the first of a series of lectures on swing music presented by Kyser, who went on to present The Kollege of Musical Knowledge on radio.

• 1941 ~ Gene Clark, Singer, guitar with The Byrds

• 1942 ~ Bob Gaudio, Singer with The Royal Teens; The Four Seasons

• 1946 ~ Martin Barre, Guitarist with Jethro Tull

• 1950 ~ Roberta Peters filled in for the lead in Mozart’s Don Giovanni, making her debut at the Metropolitan Opera in New York City. She would become one of the Met’s most famous stars.

• 1959 ~ Heitor Villa-Lobos, Brazilian composer/pianist/conductor, died at the age of 72

• 1962 ~ The 4 Seasons, with Frankie Valli as lead singer, began a five-week run at the top of the tunedex with Big Girls Don’t Cry.

• 1967 ~ Ronald DeVoe, Singer with New Edition

• 1970 ~ Elton John recorded an album live, on what was WABC-FM in New York City. It marked the first time that a concert was aired live and recorded for release as aired. The LP was titled, 11/17/70.

• 1981 ~ Bob Eberly died

• 2001 ~ Jerry Jerome, a tenor sax player who was a featured soloist with the bands of Glenn Miller and Benny Goodman, died of leukemia. He was 89. One of the big names in the Big Band era, Jerome was a featured soloist with the Glenn Miller, Benny Goodman, Red Norvo and Artie Shaw orchestras. He then became a successful musical director and conductor on radio and television. Jerome also established a music business, scoring and arranging commercial jingles. Three years ago, Arbors Records released Jerome’s “Something Old, Something New.” The sequel recording, “Something Borrowed, Something Blue,” will be released in December. Born in Brooklyn, N.Y., Jerome started playing the sax while in high school. He attended the University of Alabama and went on the medical school, playing gigs at jazz clubs to earn tuition money. He joined Goodman’s orchestra at the height of its popularity in 1938. When Goodman broke up his band in 1940, Jerome joined Shaw. While with Shaw, he appeared in the film “Second Chorus,” with Fred Astaire and Burgess Meredith.

• 2003 ~ Arthur Conley, a 1960s soul singer and protege of Otis Redding’s, died at his home in the town of Ruurlo, in the eastern Netherlands. He was 57. Conley was born in Atlanta and started his recording career in 1959 as leader of the group Arthur and the Corvets. He was best known for his 1967 hit, Sweet Soul Music, which he co-wrote with Redding based on a number by Sam Cooke. Conley had several minor hits in the following two years. He moved to Europe in the early 1970s after several tours of the continent, deciding that he was “fed up with the pressure” in the United States, said Giesen. In the Netherlands, Conley appeared on television and radio, and ran an independent record label. In the last five years he was an adviser to The Original Sixties R&B and Soul Show, which sought to reproduce the sound and look of the heyday of soul.

• 2018 ~ Cyril Pahinui, a nationally recognized Hawaiian guitarist and singer who preserved and extended the tradition of slack-key guitar, died at the age of 68

November 16 ~ On This Day in Music

Posted by MaryO on

today

• 1569 ~  Paul Sartorius, German organist and composer

• 1615 ~ Guillaume Dumanoir, II, French violinist and composer who composed dance music enjoyed by Louis XIV

• 1667 ~ Nathaniel Schnittelbach, composer, died at the age of 34

• 1715 ~ Girolamo Abos, composer of Italian opera and church music.

• 1720 ~ Carlo Antonio Campioni, Italian composer.

• 1757 ~ Daniel Read, American composer of the First New England School, and one of the primary figures in early American classical music.

• 1775 ~ Karl Marian Paradeiser, German composer, died at the age of 28.

• 1780 ~ Robert Archibald Smith, English composer.

• 1829 ~ Anton G Rubinstein, Russian pianist/conductor/composer

• 1840 ~ Frederick Scotson Clark, composer.

• 1848 ~ Frédéric Chopin played his final piano concert at a Polish benefit ball at Guildhall in London.

• 1850 ~ Giuseppe Verdi‘s opera Stifellio was first performed at the Teatro Grande in Trieste despite difficulties with the censors which resulted in cuts and changes.

• 1852 ~ Minnie Hauk, American soprano

• 1854 ~ First Performance of Anton Rubinstein‘s Ocean Symphony in Leipzig.

• 1860 ~ Edmund Scheucker, Viennese harpist.

• 1861 ~ Vaclav Suk, Czech-born Russian composer and violinist.

• 1861 ~ First Performance of Johannes Brahms‘ Piano Quintet No. 1 in g, Op. 25, at a rehearsal in Hamburg, with pianist Clara Schumann.

• 1862 ~ The work noted above received its official premiere with members of the Hellmesberger Quartet; Brahms at the piano, in Vienna.

• 1870 ~ Alfred Hill, Australian composer

• 1873 ~ David Karl Björling, Swedish tenor

• 1873 ~ W.C. Handy, American blues composer and bandleader
More information about Handy

• 1889 ~ George S. (Simon) Kaufman, Playwright: The Cocoanuts, A Night at the Opera, with Moss Hart, The Man Who Came to Dinner, You Can’t Take It with You

• 1893 ~ George Alexander Osborne, Irish pianist and composer (La Pluie de perles), died of natural causes at the age of 87

• 1894 ~ Debut of opera star Enrico Caruso in Mario Morelli’s L’Amico Francesco at Naples Teatro Nuovo.

• 1895 ~ Paul Hindemith, German-born American composer and conductor
Read quotes by and about Hindemith
More information about Hindemith

• 1896 ~ Lawrence Mervil Tibbett, American baritone

• 1905 ~ Eddie (Albert) Condon, Guitarist, bandleader, promoter of Dixieland Jazz

• 1908 ~ Conductor Arturo Toscanini made his debut in the United States this day. He appeared at the Metropolitan Opera House in New York, conducting Aida.

• 1931 ~ Bob Gibson, Singer, songwriter, leader of folk music movement in late ’50s, duo of Gibson and (Bob) Camp

• 1932 ~ The Palace in New York City closed its doors. It was the most famous vaudeville theater in America. Later, it became a movie house with live performances preceding the flicks; most notably: the team of Dean Martin and Jerry Lewis in their heyday.

• 1935 ~ The Rodgers and Hart musical, Jumbo, opened in New York City for a run of 233 performances.

• 1937 ~ Bob Crosby and his orchestra recorded South Rampart Street Parade on Decca Records.

• 1945 ~ Martine Van Hammel, Ballet, American Ballet Theatre

• 1955 ~ ‘Tennessee’ Ernie Ford drove to the top spot on the record charts on this day. Sixteen Tons, where he owed his “soul to the company store…”, became the fastest-selling record in history, jumping to #1 in just 3 weeks. The tune, on Capitol Records, stayed at #1 for eight weeks.

• 1964 ~ Albert Hay Malotte, composer, died at the age of 69

• 1964 ~ Diana Krall, Canadian Jazz pianist and singer

 

 

• 1970 ~ Anne Murray received a gold record for Snowbird. She was the first Canadian recording artist to receive a gold record.

• 2000 ~ Russ Conway, a British pianist known as the “Prince Charming of Pop” who sold
More than 30 million records in the 1950s and ’60s, died at age 75. He had 17 consecutive hits in the late 1950s and early 1960s, and won a silver disc when his record Roulette topped 250,000 sales – a total rapidly equaled by three other hits, Sidesaddle, China Tea and Snow Coach. Conway’s formal piano education consisted of one lesson at age 4. He left school at 14 and got work in a lawyer’s office. But he was sent to juvenile detention for three years for taking money he found in a package. In a detention center, he found a piano to play. While doing a stint as a pianist in a club, he was discovered by choreographer Irving Davies. He went on to provide piano accompaniment to a string of singers. Soon he was composing the songs that made him famous and won him the nicknames “Prince Charming of Pop” and the “Sheik of the Keyboard.”

• 2001 ~ Blue guitarist and singer Isaac Scott, a major figure in the city’s music scene for more than a quarter century, died of complications from diabetes. He was 56. A stream of musicians paid their respects to Scott, said his ex-wife, Eloise DePoe. He was found in his apartment Nov. 4 and never regained consciousness. Scott recorded several albums, including “The Isaac Scott Band,” “Big Time Blues Man” and “High Class Woman.” He also appeared on the compilation albums “Live at the San Francisco Jazz Festival” and “Live at the Roadhouse.” Primarily a “cover artist,” Scott did not write his own songs, which hindered national recognition. But he received several local honors, including the Washington Blues Society’s Hall of Fame (1991) and lifetime-achievement (2000) awards. He also performed at last year’s opening of the Experience Music Project. Scott taught himself piano and guitar, and started out playing gospel music, once touring the West Coast with the Five Blind Boys of Mississippi. In 1974, he turned his attention to blues, with a sound flavored by his love of Seattle-born guitar legend Jimi Hendrix. Like Albert Collins, an early influence, Scott played electric guitar with his thumb instead of a pick, which contributed to his distinctive sound. He also was known for his stamina, often playing two- and three-hour sets.

• 2001 ~ Tommy Flanagan, a jazz pianist who worked with such artists as Ella Fitzgerald, died of an arterial aneurysm. He was 71. Flanagan, part of his own classic jazz trio, accompanied Fitzgerald for 20 years, also acting as her musical director. He also worked for Tony Bennett. He became a celebrated figure in jazz with such trio albums as “Jazz Poet” (1989) and “Let’s” (1993). Flanagan’s trio included bassists George Mraz and Peter Washington, and drummers Kenny Washington, Lewis Nash and Albert Heath. Flanagan won the distinguished Danish Jazzpar Prize in 1993. Born in Detroit, Flanagan was the youngest of six children. He recorded “Sunset and the Mockingbird: The Birthday Concert,” live at the Vanguard in 1998. He was to appear at Iridium this holiday season.

November 9 ~ On This Day in Music

Posted by MaryO on

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OCMS 1881 ~ Johannes Brahms gave the first performance of his Piano Concerto No.2 in Budapest.

.1899 ~ “Mezz” Mezzrow, American jazz clarinetist and saxophonist

.1929 ~ Piero Cappuccili, Italian baritone

.1930 ~ Ivan Moravec, Czech pianist

.1938 ~ 24-year-old Mary Martin made her Broadway stage debut in the musical comedy “Leave It to Me”. She brought down the house as she sang My Heart Belongs to Daddy. And the critics raved about New York’s bright new star. The following year brought Martin a top-ten hit with the same song. Martin suddenly found herself singing duets with Bing Crosby; starring on “Broadway in One Touch of Venus” in 1943; “Lute Song” in 1946; touring in “Annie Get Your Gun”; and then taking on what would become her immortal role, that of Nellie in “South Pacific”. South Pacific was one of Broadway’s biggest hits and the cast album was one of the first of its kind, also a big seller. Then came Mary’s stage and TV performances as Peter Pan. This would become her signature role, a memorable moment as the petite actress flew through the air with Tinkerbell and fought the dangerous Captain Hook. Broadway called to Mary Martin again in 1959 for “The Sound of Music” and once more in 1966 for “I Do, I Do”. Back in 1951, Mary Martin recorded a duet with a young man who was also destined for instant and long-term stardom. The song they sang together was Get Out Those Old Records. The twenty-year-old was her son, Larry Hagman, who later played J.R. Ewing. This is one man that Mary Martin didn’t want to wash out of her hair!

.1955 ~ Harry Belafonte recorded Jamaica Farewell and Come Back Liza for RCA Victor. The two tunes completed the Calypso album which led to Belafonte’s nickname, ‘Calypso King’.

.1967 ~ The first issue of Rolling Stone was published. John Lennon was on the cover. The magazine said it was not simply a music magazine but was also about “…the things and attitudes that music embraces.”

.1969 ~ Simon and Garfunkel recorded what would become their signature tune, ‘Bridge Over Troubled Water’ with a future member of Bread, Larry Knechtel on piano. Art wanted Paul to sing the song, but Paul insisted that Art’s voice was better suited for it. It was a decision that Paul would later say he regretted. The song won five awards at the 13th Annual Grammy Awards in 1971, including Grammy Award for Record of the Year and Song of the Year.

.1974 ~ Bachman Turner Overdrive went to No.1 on the US singles chart with ‘You Ain’t Seen Nothin’ Yet’. Randy Bachman stuttered through the lyrics of the demo recording as a private joke about his brother Gary, who had a speech impediment. The record company liked that take better than the non-stammering version and released it.

.2003 ~ Saxophonist Buddy Arnold, who performed with such jazz greats as Stan Kenton, Buddy Rich and Tommy Dorsey and co-founded a program to help musicians suffering from drug and alcohol abuse, died at the age of age 77. Born Arnold Buddy Grishaver, he began playing the saxophone at age 9. And by the time he was 16, he was touring as a professional sideman and performing at the Apollo Theater in Harlem with bandleader George Auld. After serving in the Army during World War II, Arnold joined the band of super-drummer Buddy Rich on a West Coast tour. Arnold earned his first recording credits in 1949 on the Mercury Records release of Gene Williams and the Junior Thornhill Band, and he toured with clarinetist Buddy DeFranco’s orchestra in 1951. But he soon descended into a decades-long struggle with drug addiction. Although he landed a recording contract with ABC Paramount in 1956 following an 18-month hospitalization, he was sentenced to prison in 1958 on an attempted burglary conviction. Pardoned two years later, he played with the Dorsey Band and toured with Stan Kenton. He later settled in Los Angeles and recorded four albums for Capitol Records. Arnold took a job in a drug treatment program after his early release from prison and went on to establish the Musician’s Assistance Program with his wife, Carole Fields, in 1992. The organization, dedicated to helping needy musicians obtain treatment for drug and alcohol addiction, has served more than 1,500 individuals during the past decade.

Today is World Pianist Day!

Posted by MaryO on
World Pianist Day, celebrated on November 8, is a symphony of joy for pianists and music lovers alike. It’s a day dedicated to tickling the ivories, embracing the melodies, and having a grand ol’ time celebrating the magic of the piano and the talented souls who make it sing.
In the world of piano, we’re transported on a musical journey, where the notes and chords create a tapestry of emotions that tug at our heartstrings. Pianists, those maestros of the keys, have the power to move us to the rhythm of ultimate joy. And how do we revel in this melodious merriment? Well, we throw a piano party, of course! From dazzling classical compositions to the jazzy, bluesy tunes, pianists have a treasure trove of styles to choose from, and they’re ready to share their musical gifts with the world. And guess what? You don’t have to be a seasoned pianist to join in the fun – it’s the perfect day to tinkle those ivories if you’ve never tried before!
Now, let’s take a little trip down the history of World Pianist Day. Picture the greats like Mozart, Beethoven, Clementi, Liszt, Brahms, Chopin, Mendelssohn, Rachmaninoff, and Schumann. They’re like the rockstars of classical piano, setting stages ablaze with their virtuosity. These ivory-ticklers aren’t just known for their compositions; they were the original piano showstoppers, dazzling audiences far and wide.
And then there’s the fabulous world of jazz pianists, where spontaneity reigns supreme. It’s like a jam session where they dance to the rhythm of their own tune, improvising and weaving musical stories on the spot. Names like Bill Evans, Art Tatum, Duke Ellington, Thelonious Monk, Oscar Peterson, and Baden Powell are the jazz legends who’ve made the keys sing with swing.
So, how can you join the grand celebration of World Pianist Day? Here are some jazzy suggestions:
1. **Concert Time:** Hit up a piano concert and let the melodies sweep you off your feet. It’s like a musical rollercoaster that you won’t want to end.
2. **Movie Magic:** Watch “The Pianist” movie, a deep dive into the intricate and fulfilling life of a pianist and composer. You’ll be mesmerized by the world of music.
3. **Tickle the Ivories:** If you’ve always wanted to try your hand at piano, seize the moment on World Pianist Day. Grab an instrument, play your favorite tune, and let the music flow through your fingertips.
So, here’s to a day of musical wonder, where the piano takes center stage, and joyous melodies fill the air. Whether you’re a seasoned pianist or a newbie, let the piano keys be your guide to an enchanting musical journey.

November 4 ~ On This Day in Music

Posted by MaryO on

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.1783 ~ Wolfgang Amadeus Mozart’s “Symphony No. 36” premiered in Linz, Austria

.1841 ~ Carl Tausig, Polish pianist

OCMS 1847 ~ Felix Mendelssohn died
More information about Mendelssohn

.1876 ~ Johannes Brahms’ 1st Symphony in c minor, Op. 68 premiered in Karlsruhe, Grand Duchy of Baden

.1922 ~ Paul Rovsing Olsen, Danish composer, ethnomusicologist and music critic

.1922 ~ Anthony Vazzana, American composer

.1938 ~ Harry Elston, Musician with Friends of Distinction

.1938 ~ You’re a Sweet Little Headache, from the movie “Paris Honeymoon”, was recorded by Bing Crosby on Decca.

.1940 ~ Delbert McClinton, Songwriter, singer

.1947 ~ Mike Smith, Musician, saxophone

.1954 ~ Florence Henderson, who was all of 20 years old, joined with Ezio Pinza and Walter Slezak in “Fanny”. The show lit up Broadway 888 times.

.1962 ~ Bob Dylan gave his first major concert outside of Greenwich Village. The Carnegie Hall solo appearance was not well attended.

.1963 ~ The Beatles played a Royal Command Performance as part of an evening of entertainment for Queen Elizabeth at the Prince of Wales Theatre in London. David Frost was the emcee.

.1984 ~ The Artist Formerly Known as Prince kicked off his fall tour in Detroit. He broke the record for sold-out performances at the 20,000-seat Joe Louis Arena. The previous record-holder was The Artist Still Known as Neil Diamond, in 1983.

.2000 ~ Vernel Fournier, who was a drummer for premier jazz acts such as Charlie Parker and Dizzy Gillespie, passed away after suffering an aneurysm. He was 72. Fournier, a New Orleans native, took lessons from a Bourbon Street drummer and as a teen played in New Orleans. He performed with jazz singers including Nancy Wilson and Billy Eckstine. He moved from New York City, where he lived for more than 30 years, to Madison County in 1998.

 

 

October 25 ~ On This Day in Music

Posted by MaryO on

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1825 ~ Johann Strauss, Jr. (1825) Austrian composer, “The Waltz King”

OCMS 1838 ~ Georges Bizet, French composer
More information about Bizet

• 1875 ~ The first performance of the Piano Concerto No. 1 by Pyotr Ilyich Tchaikovsky was given in Boston, Massachusetts with Hans von Bülow as soloist

• 1885 ~ Johannes Brahms’ 4th Symphony in E premiered

• 1912 ~ Minnie Pearl (Sarah Ophelia Colley), Grand Ole Opry singer, CMA Hall of Fame, comedienne

• 1924 ~ Billy Barty, Comedian on The Spike Jones Show

• 1926 ~ Jimmy Heath, Musician, reeds with the Heath Brothers, bandleader

• 1927 ~ Barbara Cook, Tony Award-winning actress, singer in “The Music Man” in 1957, “Flahooley”, “Oklahoma”, “Carousel”, “Plain and Fancy”, “Candide”, “The Gay Life”, “She Loves Me”, “Any Wednesday”, “Funny Girl”, “The Gershwin Years”

• 1937 ~ Jeanne (Gloria) Black, Singer

• 1940 ~ “Cabin in the Sky” opened for the first of 256 shows. Taking a Chance on Love is the one big hit that came from the musical.

• 1941 ~ Helen Reddy, Singer

• 1943 ~ Benny Carter and his orchestra recorded Poinciana on the Capitol label. The real title, incidentally, is Poinciana (Song of the Tree).

• 1944 ~ Jon Anderson, Singer, solo and duo called Jon and Vangelis

• 1944 ~ Taffy Danoff (Nivert), Singer with Starland Vocal Band

• 1948 ~ Glenn Tipton, Guitarist with Judas Priest

• 1951 ~ Ransom Wilson, American flutist and conductor

• 1956 ~ Mathias Jabs, Guitarist with Scorpions

• 1964 ~ “And now, rrrrright here on this stage….” The Rolling Stones were introduced to American audiences on The Ed Sullivan Show on CBS-TV.

• 1969 ~ Canada’s The Guess Who got a gold record for the single, Laughing.

OCMS 1971 ~ Midori (Goto), Japanese violinist
More information on Midori

• 1974 ~ The single, Skin Tight, by The Ohio Players, went gold on this day.

• 1980 ~ Virgil Fox, organist, passed away

• 1984 ~ John Cougar Mellencamp reached the two-million-dollar sales mark with his album, “Uh-Huh”.

• 1984 ~ Country group Alabama went to the three-million-dollar mark with two albums this day with Feels So Right and Mountain Music.

• 2000 ~ Don Brooks, a studio musician who played the harmonica with Harry Belafonte, Ringo Starr, the Bee Gees and Yoko Ono’s band, died of leukemia at the age of 53. Brooks, who was raised in Texas, first picked up the harmonica after hearing an album by bluesman Sonny Terry. He played in Dallas coffee shops in the 1960s and moved to New York in 1967, joining a Greenwich Village folk scene that included David Bromberg and John Hammond Jr. In 1973, he joined singer Waylon Jennings’s band and helped create the sound known as outlaw country music. Brooks recorded with Belafonte, Starr, Billy Joel, Cyndi Lauper, Carly Simon, Diana Ross and Bette Midler, among others. He also played with groups such as the Bee Gees, the Talking Heads and Yoko Ono and the Plastic Ono Band. He was a musician on Broadway in “Big River” (1985) and “The Gospel at Colonus” (1988), and he worked on the soundtrack for the television documentary “The Civil War.”

Music for Halloween: Dies Irae

Posted by MaryO on

 

Although not technically a “halloween piece” this very old Gregorian Chant (from the 300s!) is used in a lot of music that sounds spooky.  Dies Irae is a Latin term that means “Day of Wrath”.

The words of Dies irae have often been set to music as part of a Requiem service. In some settings, it is broken up into several movements; in such cases, Dies irae refers only to the first of these movements.

The traditional Gregorian melody has been used as a theme or musical quotation in many classical compositions, film scores, and popular works, including:

  • Marc-Antoine Charpentier – Prose des morts – Dies irae H. 12 (1670)
  • Thomas Adès – Totentanz
  • Charles-Valentin Alkan – Souvenirs: Trois morceaux dans le genre pathétique, Op. 15 (No. 3: Morte)
  • Ernest Bloch – Suite Symphonique
  • Hector Berlioz – Symphonie fantastique, Requiem
  • Johannes Brahms – Six Pieces for Piano, Op. 118, No. 6, Intermezzo in E-flat minor
  • Wendy Carlos and Rachel Elkind – Opening theme for The Shining, 1980
  • Mario Castelnuovo-Tedesco – 24 Caprichos de Goya, Op. 195: “XII. No hubo remedio” (plate 24)
  • Michel Chion – “Dies Irae” (on The Roots 2014 album …And Then You Shoot Your Cousin)
  • George Crumb – Black Angels (1970)
  • Michael Daugherty – Metropolis Symphony 5th movement, “Red Cape Tango”; Dead Elvis (1993) for bassoon and chamber ensemble
  • Gerald Fried – Opening theme for The Return of Dracula, 1958
  • Donald Grantham – Baron Cimetiére’s Mambo
  • Jerry Goldsmith – scores for The Mephisto Waltz (1971) and Poltergeist (1982) – quoted during the track “Escape from Suburbia”
  • Charles Gounod – Faust opera, act 4
  • Joseph Haydn – Symphony No. 103, “The Drumroll”
  • Gustav Holst – The Planets, movement 5, “Saturn, the Bringer of Old Age”; Ode to Death for chorus and orchestra (1919)
  • Arthur Honegger – La Danse des Morts, H. 131
  • Gottfried Huppertz – Score for Metropolis (1927)
  • Aram Khachaturian – Symphony No. 2
  • Franz Liszt – Totentanz
  • Robert Lopez and Kristen Anderson-Lopez – Frozen II (soundtrack), “Into the Unknown”
  • Gustav Mahler – Symphony No. 2, movements 1 and 5
  • Ennio Morricone – “Penance” from his score for The Mission
  • Modest Mussorgsky – Songs and Dances of Death, No. 3 “Trepak”
  • Nikolai Myaskovsky – Symphony No. 6, Op. 23
  • Sergei Rachmaninoff – Symphony No. 1, Op. 13; Symphony No. 2, Op. 27; Symphony No. 3, Op. 44; Isle of the Dead, Op. 29; The Bells choral symphony, Op. 35; Rhapsody on a Theme of Paganini, Op. 43; Symphonic Dances, Op. 45, Piano sonata No. 1, Études-Tableaux, Op. 39 No. 2
  • Ottorino Respighi – quoted near the end of the second movement of Impressioni Brasiliane (Brazilian Impressions)[23]
  • Leonard Rosenman – the main theme of The Car (1977)
  • Camille Saint-Saëns – Danse Macabre, Symphony No. 3 (Organ Symphony), Requiem
  • Dmitri Shostakovich – Symphony No. 14; Aphorisms, Op. 13 – No. 7, “Dance of Death”
  • Stephen Sondheim – Sweeney Todd – quoted in “The Ballad of Sweeney Todd” and the accompaniment to “Epiphany”
  • Kaikhosru Shapurji Sorabji – Sequentia cyclica super “Dies irae” ex Missa pro defunctis and nine other works
  • Pyotr Ilyich Tchaikovsky – Manfred Symphony, Orchestral Suite No. 3
  • Eugène Ysaÿe – Solo Violin Sonata in A minor, Op. 27, No. 2 “Obsession”

 

By itself, it sounds like this:

 

See if you can find it in these other places:

 

 

 

 

 

 

When you watch movies or listen to music, see if you can hear a hidden Dies Irae.

 

 

 

 

Music for Halloween: Dreams of a Witches’ Sabbath from Symphonie fantastique

Posted by MaryO on

berlioz-symphony-fantastique
The final movement is the best known part of the symphony, thanks to its use in the Julia Roberts movie, Sleeping With The Enemy. It features a four-part structure, which Hector Berlioz described in his own program notes from 1845 as follows:

“He sees himself at a witches’ Sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the Sabbath… Roar of delight at her arrival… She joins the diabolical orgy… The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.”

The Dies irae melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.

The traditional Gregorian melody has also been used as a theme or musical quotation in a number of  classical compositions, notable among them:

 

Free sheet music from IMSLP for the basic Dies irae

Free sheet music from IMSLP for the basic Symphonie fantastique (look under Arrangements and Transcriptions)

The basic Gregorian Chant

An animated version of the  Dreams of a Witches’ Sabbath from Symphonie fantastique.  Can you hear the Dies irae in this?  It starts around 3:18.

Leonard Bernstein conducts the “Orchestre National de France” in Berlioz’s Symphonie Fantastique
5th Movement

Arranged for piano

 

A listening guide

 

Piano Puzzlers!

Posted by MaryO on

puzzlers

 

The Piano Puzzlers book is available in the O’Connor Music Studio library if you’d like to give any a try.  Piano Puzzlers as heard on American Public Media’s “Performance Today.” Includes 32 tunes with songs by Gershwin, Berlin, Arlen, Porter, Rodgers, Fats Waller, Lennon & McCartney, and others disguised in the styles of Bach, Handel, Haydn, Mozart, Beethoven, Brahms, Schubert, Schumann, Chopin, Janacek, Debussy, Ravel, Rachmaninoff, Stravinsky, Prokofiev, Bartok, and Copland.

Includes an introduction by Fred Child, host of “Performance Today” as well as background info by Bruce Adolphe. “Bruce Adolphe has taken a common musician’s party game and elevated it to high art and truly funny musical slapsticks. The Piano Puzzlers are a unique combination of extraordinary insight into the styles of many composers subtle, expert workmanship and great, great fun!”

 

From http://jasonmorris.blogsome.com/2008/08/08/piano-puzzlers/

If you’re a music geek (like me), I have a program for you. Now, let me be clear, to fully qualify as a music geek…you must have a fond appreciation for classical music (no, Poison, Quiet Riot, and Zepplin do not count as classical music). So, if you’re a “music geek” without an appreciation for classical music…well, I hate to burst your bubble…but, you’re not truly a music geek. Instead, you’re a music appreciator, but not a geek. So, if you just listen to indie music and scowl at anything on a label larger than Matador…don’t bother following the link I’ll provide…the fun will be lost on you…And, you probably won’t have a chance.

 

Every Wednesday night, on my way home from WNL, I turn on my local NPR station to listen to Piano Puzzlers on Performance Today. It’s absolutely incredible. A pianist/composer (Bruce Adolphe) takes a familiar folk or pop tune and sets it inside a classical masterpiece (or in the style of a particular composer). Sometimes it’s easy…sometimes it’s ridiculously difficult. There are days when I say, “got it” on the first pass. Then there are days when I say, “what the heck?” And, more often than not, I’m able to get either the popular/folk tune or the composer.

 

This is sad to admit, but there are nights when I’ll slow down on the drive home or sit in the car in the driveway to finish an episode. In fact, I get a little worked up if someone stops me after WNL…as I might miss the beginning of Piano Puzzlers (it usually hits around 8:20pm on our local station).

 

Take a listen to some of the archives and see if you can figure it out! It’s really cool…but probably only appreciated by music geeks (the kind of people that listen to NPR for their musical programs and not just the snipets of cool indie rock between segments on All Things Considered…which is a great show too).

 

Play Piano Puzzlers HERE!

Daily Listening Assignments ~ August 6, 2023

Posted by MaryO on

 

 

Today’s piece is Hungarian Dance #5 by Johannes Brahms.  It’s available in Alfred Premier Piano Course Book 4 and many anthologies of classical music.

The Hungarian Dances are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1869.

They vary from about a minute to five minutes in length. They are among Brahms’s most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands and later arranged the first ten dances for solo piano.

Orchestra

 

Piano Duo

This has been embellished quite a bit

 

Violin

Ragtime (Bill Edwards)