. 1788 ~ Charles Wesley, writer of over 5,500 hymns and, with his brother John, the founder of Methodism, died.
. 1871 ~ The Royal Albert Hall in London opened
. 1878 ~ Albert Von Tilzer, Composer. He was the composer of “Take Me out to the Ball Game” among other old favorites.
More information about Von Tilzer
. 1879 ~ “Eugene Onegin”, best-known opera by Russian composer Tchaikovsky, was first performed at the Maliy Theatre in Moscow
. 1947 ~ Bobby Kimball (Toteaux), Singer with Toto
. 1949 ~ Michael Brecker, Jazz musician, reeds with The Brecker Brothers
. 1951 ~ The King and I, the wonderful Rodgers and Hammerstein musical based on Margaret Langdon’s novel, Anna and the King of Siam, opened this night in 1951 on Broadway. The King and I starred Yul Brynner in the role of the King of Siam. The king who, along with his subjects, valued tradition above all else. From this day forward, the role of the King of Siam belonged to Yul Brynner and no other. Brynner appeared in this part in more than 4,000 performances on both stage and screen (the Broadway show was adapted for Hollywood in 1956). Anna, the English governess hired to teach the King’s dozens of children, was portrayed by Gertrude Lawrence. Ms. Lawrence and Mr. Brynner acted, danced and sang their way into our hearts with such memorable tunes as Getting to Know You, Shall We Dance, Hello, Young Lovers, I Whistle a HappyTune, We Kiss in a Shadow, I Have Dreamed, Something Wonderful, A Puzzlement and March of the Siamese Children. The King and I ran for a total of 1,246 outstanding performances at New York’s St. James Theatre.
. 1952 ~ Roy Henderson’s last singing performance was on this date in the role of Christus in Bach’s “St. Matthew Passion” at Southwark Cathedral, the Anglican cathedral on the south bank of the Thames in London.
. 1973 ~ Hommy, the Puerto Rican version of the rock opera Tommy, opened in New York City. The production was staged at Carnegie Hall.
. 1973 ~ After recording On the Cover of ‘Rolling Stone’, Dr. Hook finally got a group shot on the cover of Jann Wenner’s popular rock magazine. Inside, a Rolling Stone writer confirmed that members of the group (Dr. Hook and the Medicine Show) bought five copies of the magazine for their moms – just like in the song’s lyrics!
. 1980 ~ Annunzio Paolo Mantovani, Anglo-Italian conductor and arranger, died. Created the “Mantovani sound” that made him a highly successful recording artist and concert attraction.
. 1982 ~ Carl Orff, German composer of “Carmina Burana,” died.
. 1982 ~ Ray Bloch passed away
. 1999 ~ Legendary U.S. jazz and blues singer Joe Williams died aged 80.
. 2001 ~ John Lewis, a pianist who masterminded one of the most famous ensembles in jazz, the Modern Jazz Quartet, died at the age of 80. The M.J.Q., as the quartet was known, remained mostly unchanged from the mid-1950’s to the 90’s. It began recording in 1952 with Lewis, vibraphonist Milt Jackson, bassist Percy Heath and drummer Kenny Clarke. When Clarke moved to Paris in 1955, Connie Kay replaced him and the quartet continued until Kay’s death in 1994. Lewis contributed the bulk of the group’s compositions and arrangements, including Django and Two Degrees East, Three Degrees West, and he insisted members wear tuxedos to dignify jazz as an art. He was born in LaGrange, Ill., in 1920, and grew up in Albuquerque, N.M. His entree to the jazz world came during World War II, when he met Kenny Clarke, an established drummer in the nascent bebop movement. At Clarke’s urging, Lewis moved to New York after his discharge and eventually replaced Thelonious Monk as Dizzy Gillespie’s pianist. He also performed or recorded with Charlie Parker, Lester Young and Ella Fitzgerald. In 1952 he formed the M.J.Q. with Clarke, Jackson and Heath. The quartet was a steady seller of records and concert tickets well into the 1970’s. Lewis also taught music at Harvard and the City College of New York, and in the late 1950’s helped found the Lenox School of Jazz in Massachusetts.
. 2009 ~ Maurice Jarre, French composer (Doctor Zhivago-Acadamy Award winner in 1966), died at the age of 84
. 1731 ~ Johann Sebastian Bach‘s first performance of the St. Mark Passion. It was Good Friday that year.
. 1743 ~ It was the first London performance of Handel’s “Messiah”, and King King George II was in the audience. In the middle of the “Hallelujah Chorus, the King rose to his feet in appreciation of the great piece! The entire audience followed suit out of respect for the King. And so began the custom of standing during the singing of the “Hallelujah Chorus”.
More about Handel’s Messiah
. 1750 ~ Johann Matthias Sperger, Austrian contrabassist and composer.
. 1878 ~ Franz Schreker, Austrian composer and conductor
. 1887 ~ Anthony von Hoboken, Dutch music bibliographer; cataloguer of the works of Haydn
. 1917 ~ Johnny Guarnieri, Pianist, played with Benny Goodman and Artie Shaw; played at the Tail O’ The Cock in LA for a decade
. 1926 ~ Martha Wright (Wiederrecht), Singer on The Martha Wright Show
. 1927 ~ Régine Crespin, French soprano
. 1949 ~ Ric Ocasek (Richard Otcasek), Guitarist, singer with The Cars
. 1950 ~ Aaron Copland won an Oscar for his score to the movie The Heiress
. 1953 ~ Chaka Khan (Yvette Marie Stevens), Singer
. 1974 ~ Cher reached the top of the music charts as Dark Lady reached the #1 spot for a one-week stay. Other artists who shared the pop music spotlight during that time included: Terry Jacks, John Denver, Blue Swede, Elton John and MFSB.
. 1985 ~ Singer Billy Joel married supermodel Christie Brinkley in private ceremonies held in New York City.
. 1985 ~ Zoot (John Haley) Sims passed away. He was an American jazz saxophonist, playing mainly tenor and soprano.
. 1985 ~ We Are the World, by USA for Africa, a group of 46 pop stars, entered the music charts for the first time at number 21.
. 2000 ~ Ed McCurdy, a leading 1950s folk music figure whose songs were recorded by Johnny Cash, Arlo Guthrie and Joan Baez, in Halifax, Nova Scotia. He was 81.
He’s the master of harmony and counterpoint, he could effortlessly compose an amazing concerto or cantata, but what if Johann Sebastian Bach was on social media?
To celebrate the 339th anniversary of the great composer’s birth (it’s either today or March 31, depending on Old Style and New Style dates), we’ve imagined what his Facebook page might have looked like.
So sit back and enjoy the Baroque master’s status updates and life events in full Instagram, wall-post and emoticon glory.
. 1685 ~ Johann Sebastian Bach, German composer birthday (Old Style)
Bach’s Toccata and Fugue in d minor was featured in the Walt Disney movie Fantasia and the new Fantasia 2000
Listen to Bach’s music
Read quotes by and about Bach.
. 1839 ~ Modeste Mussorgsky, Russian composer
More information about Mussorgsky
. 1869 ~ Florenz Ziegfeld, Producer, Ziegfeld Follies ~ annual variety shows famous for the Ziegfeld Girls from 1907 to the 1930s
More information about Ziegfeld
. 1882 ~ Bascom (Lamar) Lunsford, Appalachian folk songwriter, started the first folk music festival in 1928 ~ annual Mountain Dance and Folk Festival at Asheville, N.C. He was responsible for the formation of the National Clogging and Hoedown Council.
. 1921 ~ Arthur Grumiaux, Belgian violinist
. 1921 ~ Astor Piazzolla, Argentinian composer
More information about Piazzolla
. 1934 ~ Franz Schreker, Austrian composer and conductor, died
. 1935 ~ Erich Kunzel, American orchestra conductor. Called the “Prince of Pops” by the Chicago Tribune, he performed with a number of leading pops and symphony orchestras, especially the Cincinnati Pops Orchestra, which he led for 32 years.
. 1936 ~ Alexander Glazunov died. He was a Russian composer of the late Russian Romantic period, music teacher and conductor.
. 1939 ~ God Bless America, written by Irving Berlin back in 1918 as a tribute by a successful immigrant to his adopted country, was recorded by Kate Smith for Victor Records on this day in 1939. Ms. Smith first introduced the song on Armistice Day, November 11, 1938, at the New York World’s Fair. It was a fitting tribute to its composer, who gave all royalties from the very popular and emotional song to the Boy Scouts. The song became Kate Smith’s second signature after When the Moon Comes Over the Mountain and the second national anthem of the United States of America. On several occasions, it has even been suggested that the U.S. Congress enact a bill changing the national anthem to God Bless America.
. 1941 ~ Singer Paula Kelly joined Glenn Miller’s band. Her husband, also a part of the Miller organization, was one of the four singing Modernaires.
. 1955 ~ NBC-TV presented the first “Colgate Comedy Hour”. The show was designed to stop the Sunday popularity of Ed Sullivan’s “Toast of the Town” on CBS. Gordon MacRae, the Gabor sisters and Mama Gabor, in addition to a host of singers and dancers were in the opening program with the gangway of the nation’s biggest ship, the “S.S. United States” as the stage. In addition to MacRae, other hosts of the “Colgate Comedy Hour” included: Fred Allen, Donald O’Connor, Bob Hope, Eddie Cantor and Jimmy Durante.
. 1961 ~ The Beatles made their debut in an appearance at Liverpool’s Cavern Club, where they became regulars in a matter of months.
. 1963 ~ A year after opening in the Broadway show, I Can Get It for You Wholesale, Elliott Gould and Barbra Streisand tied the matrimonial knot.
. 1964 ~ Singer Judy Collins made her debut at Carnegie Hall in New York City and established herself “in the front rank of American balladeers.” She would first hit the Top 40 in 1968 with Both Sides Now, a Joni Mitchell song. Her versions of Amazing Grace and Send In the Clowns also became classics.
. 1970 ~ The Beatles established a new record. Let It Be entered the Billboard chart at number six. This was the highest debuting position ever for a record. Let It Be reached number two a week later and made it to the top spot on April 11, overshadowing Simon & Garfunkel’s Bridge over Troubled Water.
. 1991 ~ Leo Fender, the inventor of The Telecaster and Stratocaster guitars died from Parkinson’s disease. He started mass producing solid body electric guitars in the late 40s and when he sold his guitar company in 1965, sales were in excess of $40 million a year.
. 1998 ~ Galina Ulanova, the leading ballerina at the Bolshoi Theater for nearly two decades, died aged 88.
. 2000 ~ Jean Howard, a Ziegfeld girl-turned-starlet who became known as a legendary Hollywood hostess and photographer, died at the age of 89. She wasn’t interested in becoming a film star. Instead, she came to wield power as favorite Hollywood hostess and photographer, turning her portraits into the books “Jean Howard’s Hollywood” in 1989 and “Travels With Cole Porter” in 1991.
. 2005 ~ Legendary cabaret singer Bobby Short, an icon of old-world style who played for more than three decades at New York’s Carlyle Hotel, died at the age of 80.
.2020 ~ Kenny Rogers died aged 81 peacefully at home from natural causes. Rogers topped pop and country charts during the 1970s and 1980s, and won three Grammy awards. Known for his husky voice and ballads including The Gambler, Lucille and Coward Of The County, his career spanned more than six decades. Rogers began recording with a string of bands, including Kenny Rogers and the First Edition, before launching his solo career in 1976.
1685 ~ Johann Sebastian Bach, German composer birthday (Old Style)
Bach’s Toccata and Fugue in d minor was featured in the Walt Disney movie Fantasia and the new Fantasia 2000
Read quotes by and about Bach
More information about Bach Grammy winner
. 1681 ~ Georg Philipp Telemann, German composer. One of the leading composers of the German Baroque, Georg Philipp Telemann was immensely prolific and highly influential. He wrote an opera at age 12, produced it at school, and sang the lead. His mother put all his instruments away and forbade further music. However, he continued to study and write in secret. He led a remarkably busy life in Hamburg, teaching, composing two cantatas for each Sunday, leading a collegium, and writing immense amounts of additional music. For two centuries musical scholars tended to look down on him by comparison with Bach, but from the midpoint of the twentieth century his reputation soared as musicologists began cataloguing his immense output, uncovering masterpiece after masterpiece.
More information about Telemann
. 1727 ~ Johann Gottlieb Goldberg, German virtuoso harpsichordist, organist, and composer of the late Baroque and early Classical period
. 1804 ~ Johann Strauss, Sr., Austrian composer; “The Father of the Waltz”
Read quotes by and about Strauss
More information about Strauss
. 1864 ~ (John Luther) Casey Jones, railroad engineer, subject of The Ballad of Casey Jones, killed in train crash Apr 30, 1900
. 1879 ~ Albert Einstein, Mathematician and enthusiastic amateur violinist
Read quotes by and about Einstein
. 1885 ~ “The Mikado,’ the comic operetta by Gilbert and Sullivan, premiered at the Savoy Theater, London.
. 1912 ~ Les Brown, Bandleader, Les Brown and His Band of Renown
. 1922 ~ Les Baxter, Bandleader
. 1931 ~ Phil Phillips (Baptiste), Singer
. 1933 ~ Quincy Delight Jones, Jr., American jazz composer, trumpeter, bandleader and pianist. He composed film scores, TV show themes; record producer; arranger; 25 Grammys, Grammy’s Trustees Award in 1989, Grammy’s Legends Award in 1990; Musical Director for Mercury Records, then VP; established Qwest Records
. 1934 ~ Shirley Scott, Swinging, blues-oriented organist, recorded mostly with former husband Stanley Turrentine
. 1941 ~ Years before Desi Arnaz would make the song Babalu popular on the I Love Lucy TV show, Xavier Cugat and his orchestra recorded it with Miguelito Valdes doing the vocal. The song was on Columbia Records, as was the Arnaz version years later.
. 1945 ~ Walter Parazaider, Reeds with Chicago
. 1955 ~ Boon Gould, Guitarist with Level 42
. 1958 ~ The Recording Industry Association of America (RIAA) certified the first gold record. It was Perry Como’s Catch A Falling Star on RCA Victor Records. The tune became the first to win million-seller certification, though other songs dating as far back as the 1920s may have sold a million records or more. Due to lack of a certification organization like the RIAA, they weren’t awarded the golden platter. The next three gold records that were certified after Perry Como’s million seller were the 45 rpm recordings of He’s Got the Whole World in His Hands by Laurie London, Patricia, an instrumental by the ‘Mambo King’, Perez Prado and Hard Headed Woman by Elvis Presley. The first gold-album certification went to the soundtrack of the motion picture, Oklahoma!, featuring Gordon MacRae. Is there really a gold record inside the wooden frame presented to winners? Those who know say, “No.” Its a gold-leaf veneer of maybe 18 kt. gold and/or it is a record painted gold. Yes, the song earning the award is supposed to be the one making up the gold record, but this is not always the case, according to several artists who have tried to play theirs.
. 1959 ~ Elvis Presley made the album charts, but no one would have known by the title of the disk. For LP Fans Only was the first LP ever issued without the artist’s name to be found anywhere on the cover — front or back.
. 1976 ~ Busby Berkeley, U.S. director and choreographer, died. He was best known for his lavish mass choreography in the films “42nd Street,” “Gold Diggers of 1933” and “Roman Scandals.”
. 1985 ~ Bill Cosby captured four People’s Choice Awards for The Cosby Show. The awards were earned from results of a nationwide Gallup Poll. Barbara Mandrell stunned the audience by announcing that she was pregnant while accepting her second award on the show. Bob Hope won the award as All-Time Entertainer beating Clint Eastwood and Frank Sinatra for the honor.
. 2016 ~ Sir Peter Maxwell Davies died. He was an English composer and conductor.
Edgard Varèse was born in Paris, December 22, 1885 and died in New York, November 6, 1965. Although born in France, Varèse lived and worked most of his life in the United States. A pioneer of the avant-garde movement in music, Varèse experimented with electronic music, musique concréte;, and some highly original experimentation in the uses and organization of rhythm. The works for which he is best known are those in which he completely rejects traditional melody and harmony, instead building these compositions from blocks of sounds, relying on tone color, texture and rhythm. Varèse’s most original work exemplifying this technique is probably Ionisation, which is scored for a huge percussion ensemble, piano, and sirens.
Vaughan Williams
Ralph Vaughan Williams lived between 1872 and 1958. He is considered to be a romantic composer. His works include Fantasia on Greensleeves, The Pilgrim’s Progress, Fantasia on a Theme of Tallis and Mass in G Minor.
Verdi
Giuseppe Verdi lived between 1813 and 1901. He is considered to be a romantic composer. He was an Italian operatic composer who achieved his first major success with Nabucco (1842). He was the leading figure of Italian music in the nineteenth century and made important contributions to the development of opera.
The singing melodies of his popular operas, like Rigoletto, La Traviata, Il Trovatore, Aida, have come to represent Italian opera to much of the world. The late operas Otello and Falstaff crowned his achievement.
de Victoria
One of the works of Tomás Luis de Victoria was chosen in Best 100 Classical Pieces of the Millenium.
Vivaldi
Antonio Vivaldi lived from 1678 until 1741 and was considered to be a baroque composer. He was an Italian composer of instrumental music and opera. He was important in the development of the concerto. Vivaldi was ordained as a priest in 1703, but gave up saying Mass due to a chest illness. From 1704 until 1740, he taught violin at an orphanage, gave recitals, played the violin in operatic performances and produced some operas of his own.
The concertos that Vivaldi wrote helped define the genre in the Baroque and into the Classical era. These normally comprised three movements (fast, slow, fast); the fast movement regularly employed a ritornello form. In this form, an orchestral melody alternates with the freer sections that feature the soloist or soloists. The repetition of the ritornello provides a point of reference for the listener, allowing the soloist to stand out. It also allows the composer a greater degree of freedom in how the soloist’s material is treated.
Vivaldi’s concertos also stand out for the degree of inventiveness that he brought to them. While challenging the player, they also engage the listener. One of his most famous groups of concertos, The Four Seasons, demonstrates this well, and shows the more dramatic and colorful potential of the genre. Each concerto represents a different season, and the music illustrates in sound a picture created by an accompanying poem. Vivaldi uses his ingenuity to take the mundane sounds of daily life (the barking of a dog, the buzzing of flies), along with more dramatic sounds (a violent spring storm), and portray them in purely musical language that stands on its own merit. These early examples of program music well deserve their place in the popular canon of classical music.
Works:
Orchestral music, including over 239 violin concertos, including Le quattro stagioni (The Four Seasons), Op.8, Nos.1-4, c.1725), other solo concertos (bassoon, cello, oboe, flute, recorder), double concertos, ensemble concertos, sinfonias
Chamber music, including sonatas for violin, cello and flute, trio sonatas
Vocal music, including oratorios (Juditha triumphans, 1716), Mass movements (Gloria), Magnificat, psalms, hymns and motets
Secular vocal music, including solo cantatas and operas
His most famous work, The Four Seasons, was written in 1725.
Joseph Lamb (1887 to 1960) was an extraordinarily gifted ragtime pianist and composer along with Scott Joplin and James Scott. He differed from them, though, because the art of improvisation completely baffled him. In response to this, Lamb viewed ragtime as an art form written on paper, instead of a spontaneous one. Though his style and approach were markedly different from his peers, he still left behind a rich legacy and remained one of the most influential ragtime composers.
Lehar
Franz Lehar, 1870 to 1948 was the son of a bandmaster serving principally in Hungary. He followed his father’s profession, before winning, in 1902, success in the theatre in Vienna, where he succeeded in the following years in reviving the operetta, providing music of greater distinction, with tenor arias written specifically for Richard Tauber.
The reputation of Franz Lehar as a composer of operetta is assured as he wrote nearly forty of them. Of these by the far the best known is Die lustige Witwe (The Merry Widow), first staged in Vienna in 1905, the favourite operetta of Adolf Hitler.
Lennon
John Lennon, 1940 to 1980,was a pop star, composer, songwriter, and recording artist. He was born in Liverpool, Merseyside, NW England, UK. and was The Beatles rhythm guitarist, keyboard player, and vocalist, and a partner in the Lennon–McCartney song-writing team. He married Japanese artist Yoko Ono in 1969. On the birth of his son, Sean (born in 1975), he retired from music to become a house-husband. Five years later he recorded (Just Like) Starting Over, but he was shot and killed by a deranged fan just before its release. His death affected millions of people, record sales soared, and he continues to be admired by new generations of fans.
Lerner and Lowe
Alan Jay Lerner,
Playwright, born August 31, 1918, New York, New York; died June 14, 1986
Frederick Loewe,
Composer, born June 10, 1904, Vienna, Austria; died February 14, 1988
Frederick Loewe, an unheralded Vienna-born composer, and Alan Jay Lerner, the lyricist-playwright son of the proprietors of an American chain of women’s clothing shops, with sketches and lyrics for two Harvard Hasty Pudding shows among his major credits, met by chance at New York’s Lambs Club in 1942. Had they not, Brigadoon would never have emerged from the mists of the Scottish Highlands to make the world feel “Almost Like Being in Love” . . . no one would have been there to “Paint Your Wagon” . . . My Fair Lady would still be a less than lyrical English girl from George Bernard Shaw’s Pygmalion who couldn’t sing a note. . . we might never have thought to “Thank Heaven for Little Girls” like “Gigi” . . . and Camelot would most likely have stayed within the pages of Arthurian legend.
When the two, who were destined to enrich the American musical theater with some of its most poignant, rousing, and memorable lyrics, engaging books and powerful musical scores, had that chance meeting more than 50 years ago, neither was widely known. Loewe’s Great Lady had had a brief run on Broadway in 1938. Lerner had added radio scripts to his Hasty Pudding Club show credits. But later collaborations after one brief failure, What’s Up? (1943), and the moderately successful The Day Before Spring (1945), which ran five months on Broadway, made musical history.
Alan Jay Lerner was one of three sons of Joseph J. Lerner, who founded Lerner Stores, Inc. He was educated in England and at the Choate School in Wallingford, Connecticut, before entering Harvard. He studied at the Juilliard School of Music during vacations from Harvard. After graduating in 1940 with a B.S. degree, he wrote advertising copy and radio scripts for such programs as the “Philco Hall of Fame.”
Frederick “Fritz” Loewe was the son of Edmund Loewe, an eminent operetta tenor. When he was two, Frederick accompanied his father on a tour of the United States. The youngster played piano at four and, at nine, composed the tunes for a music hall sketch in which his father toured Europe. At 15, he wrote “Katrina,” a popular song that sold 3,000,000 copies in Europe. He had begun his own concert career as soloist with some of Europe’s leading symphony orchestras at the age of 13 after having studied with the noted European musician Ferruccio Busoni and Eugene d’Albert. In 1923, young Loewe was awarded the Hollander Medal in Berlin and studied composition and orchestration with Nickolaus von Reznicek.
The following year, the younger Loewe accompanied his father to America. Since neither a concert he gave at New York’s Town Hall, nor a subsequent week’s engagement at the Rivoli Theater led to further concert engagements, he tried teaching music and playing at Greenwich Village night clubs. When music failed to earn him a living, he worked as a busboy in a cafeteria and as a riding instructor at a New Hampshire resort. He took up flyweight boxing and failed, then went West, cowpunching, gold mining, and carrying mail on horseback over the Montana mountains before returning to New York where he found work as a piano player. In 1935, Loewe’s song “Love tiptoes Through My Heart” was accepted for the musical Petticoat Fever. His own musical, Salute to Spring, was presented in St. Louis in 1937. The next year, his Great Lady reached Broadway, but ran for only 20 performances.
The first Lerner-Loewe collaboration was a musical adaptation of Barry Connor’s farce The Patsy for a Detroit stock company in 1942. They called it Life of the Party and it enjoyed a nine-week hit that encouraged them to continue with the musical comedy What’s Up? which opened on Broadway in 1943. Lerner wrote the book and lyrics with Arthur Pierson, and Loewe composed the music. It ran for 63 performances and was followed in 1945 by their The Day Before Spring.
It was when the curtain went up to the haunted strains of bagpipes on the night of March 13, 1947, and the mist-shrouded Scottish Highland village of Brigadoon first appeared, that the team of Lerner and Loewe also emerged as potentially legendary. The musical, which after its original 581 performances on Broadway, toured extensively and has been revived frequently, won the “best musical”award from the New York Drama Critics Circle the year it opened and was hailed as having “evoked magic on Broadway.”
Between Brigadoon and Paint Your Wagon, the next team effort by Lerner and Loewe, Lerner wrote Love Life, with music by Kurt Weill, which was selected as one of the best plays of the 1948-49 Broadway season, plus the story, screenplay and lyrics for the films Royal Wedding and Brigadoon and the story and screenplay for An American in Paris, for which he won an Oscar in 1951.
Paint Your Wagon rolled in in 1951, and then, five years later, on March 15, 1956, My Fair Lady opened and became one of the most spectacular successes–artistic and financial–in the history of the American theater. Playing a record 2,717 performances on Broadway alone, it went on to break all other existing world records. This musicalization of Shaw’s classic Pygmalion was named “outstanding musical of the year” by the New York Drama Critics Circle–and by millions of theater goers.
Lerner and Loewe’s next collaboration was on the film adaptation of the Colette novel Gigi, another success filled with songs destined to become standard.
There was more collaborating to come–the film version of the Antoine de Saint-Exupery fable The Little Prince in 1972, but the 1960 Broadway hit Camelot which brought Arthurian England to life for its most shining hour, rang the curtain down on the phenomenon of Lerner and Loewe. Loewe, who had suffered a heart attack in 1958, went into retirement.
In tribute to his long time former partner, Lerner wrote, “There will never be another Fritz. . . . Writing will never again be as much fun . A collaboration as intense as ours inescapably had to be complex. But I loved him more than I understood or misunderstood him, and I know he loved me more than he understood or misunderstood me.”
Lewis
Jerry Lee Lewis (September 29, 1935 – October 28, 2022) was an American pianist, singer and songwriter. Nicknamed “The Killer”, he was described as “rock ‘n’ roll’s first great wild man”.
Liadov
Anatol Konstantinovich Liadov lived from 1855 until 1914. He was the son of a conductor at the Mariinsky Theatre in St Petersburg, and was trained at the Conservatory, where he was briefly a pupil of Rimsky-Korsakov and later a member of the teaching staff. He was associated with Balakirev and subsequently became a member of Belyayev’s circle, helping, in particular, in the establishment of the publishing-house that Belyayev established for Russian composers.
He was a thoroughly competent musician, conductor and composer, but did not apply himself consistently to work. His failure to supply music for the Dyagilev ballet in Paris in 1910 allowed Stravinsky his first chance with the Ballets russes. His compositions are characteristic of the period in Russian nationalism, when nationalism was joined with technical competence inculcated at the Conservatories.
The best known orchestral compositions by Liadov are the descriptive Russian fairy-tale pieces Kikimora, Baba-Yaga and Volshebnoye ozero (The Enchanted Lake). His last orchestral work was the symphonic poem Skorbnaya pesn. All are very much in the nationalist tradition exemplified by Rimsky-Korsakov.
Liadov wrote a number of shorter piano pieces, including Fugues and a set of Canons, testimony to his contrapuntal ability. Other pieces have characteristic titles, examples of pleasing and well crafted compositions for which there was a ready market.
Liadov wrote a setting of the final scene of Schiller’s Die Braut von Messina (The Bride from Messina) for his Conservatory graduation. Of some 26 songs, eighteen are Children’s Songs.
Liberace
(Walter) (Wladziu Valentino) Liberace, American pianist and showman. Lee, as he was known, was the master of Las Vegas. Hundreds of thousands flock to his museum there (operated by his brother, George) to see Liberace’s garish suits, trademark candelabra, and learn of the myths behind this hugely successful star of television, stage and concerts the world over.
Ligeti
György Ligeti, a composer, was born in 1923 in Transylvania. He studied and later taught at the Budapest Academy of Music. After leaving Hungary in 1956, he worked at the electronics studio in Cologne, then settled in Vienna, where he developed an experimental approach to composition. His first large orchestral work, Apparitions (1958–9), made his name widely known. In Aventures (1962) he uses his own invented language of speech sounds. He has also written a choral requiem, a cello concerto, and music for harpsichord, organ, and wind and string ensembles.
Lipatti
Dinu Lipatti was born in Bucharest and lived from 1917 until 1950. He was a pianist and composer who studied in Paris with Cortot and Boulanger, and after World War 2 established an international reputation as a gifted pianist, especially in the works of Chopin. His compositions include a Symphonie concertante for two pianos and strings, and a concertino for piano and orchestra. His career was cut short when he died of a rare form of cancer.
Liszt
Franz Liszt was born in Raiding, near Doborján, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.
Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccolò Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling scales, trills, arpeggios, leaps, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.
Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.
Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Pruludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvořák, Sibelius, and Richard Strauss.
Lloyd Webber
British composer Andrew Lloyd Webber is one of the most successful composers of this era with hugely successful commercial hits such as Jesus Christ Superstar, Sunset Boulevard, Cats, Phantom of the Opera and Evita. Cats, the longest-running production in Broadway history, closed after 7,397 performances on June 25, 2000.
Locatelli
Pietro Antonio Locatelli lived from 1695 until 1764. He was born in Bergamo, later moving to Rome, where he might have studied with Corelli, but more probably was a pupil of Valentini. He was an Italian composer of sonatas and concerti, but he was best known as a virtuoso violinist playing mostly in Amsterdam where he settled in 1721. He won a reputation as a virtuoso, performing in Italy, in Bavaria and in Berlin. In 1729 he settled in Amsterdam, where he taught and conducted an amateur orchestra and was able to pursue his wider cultural interests.
Locatelli wrote a number of concerti grossi, following the example of Corelli. The first set, published in Amsterdam in 1720, include twelve fugues. L’arte del violino (The Art of the Violin), published in 1733, contains twelve violin concertos and 24 Caprices, precursors of Paganini’s famous set for unaccompanied violin. A further set of six concertos was published two years later and a set of six, published in 1744, is scored for four violins, two violas and basso continuo. Locatelli combines the Roman style of Corelli with, in his solo concertos, the virtuosity of Vivaldi in Venice.
In his Concerti grossi, works for string orchestra with a smaller group of soloists, Locatelli at first follows the pattern of Corelli, with one or two violas added to Corelli’s solo group of two violins, cello and harpsichord. There is also a Concerto grosso that includes a group of solo wind instruments, in addition to solo violin concertos. Some of these works have programmatic titles. His L’arte del violino (The Art of the Violin) includes 24 Caprices for unaccompanied violin, challenging works that have been regarded by some as foreshadowing the Caprices of Paganini in the following century. Locatelli also published sets of trio sonatas and solo sonatas, including a set of the latter for flute and basso continuo.
Loewe
Frederick “Fritz” Loewe lived from 1904 until 1988. He was a composer, born in Vienna, Austria and at age 13 he was the youngest pianist to solo with the Berlin Symphony. At age 15 he composed Katrina (1919), which sold two million copies of sheet music in Europe. Although he had studied with great European masters of the piano, when he came to the U.S.A. in 1924 he failed as a piano virtuoso. He took up a series of odd jobs–prospecting for gold, professional boxing–but by the mid-1930s he had launched his career as a composer for the musical theater. Not until he teamed up with lyricist Alan Jay Lerner in 1942, however, did he find his true talent; their first big success was Brigadoon (1947) and this was followed by such classic stage and film musical scores as My Fair Lady (1956), Gigi (1958), and Camelot (1960). This last led to their falling-out and they did not collaborate again until in 1973 when they made a stage version of their film musical, Gigi. Their last collaboration was The Little Prince (1974), after which Loewe retired.
If ever I would leave you from Camelot won him a Grammy Award.
Lully
Jean Baptiste Lully lived from about 1632 until 1687 and was considered to be a baroque composer. He was an Italian-born French court composer who molded Italian opera music to suit the French text. He was the first to compose French overtures, which served as model for subsequent composers, especially J. S. Bach. He changed his name from the Italian Giovanni Battista Lulli when he became a French citizen.
Lully was conducting a Te Deum to celebrate Louis XIV’s recovery from illness. He was banging loudly on the floor with a staff when he struck his foot with such force that it developed an abscess, from which the unfortunate Lully died shortly after.
Lunceford
James Melvin Lunceford was born. June 6, 1902, Fulton, Miss., U.S. and died on July 12, 1947, Seaside, Ore. He was an American jazz dance-band leader whose rhythmically appealing, well-disciplined orchestra performed arrangements by trumpeter Sy Oliver and others to popular acclaim from 1934 to 1945 and influenced both swing and post-World War II dance bands.
Lunceford, during his youth, acquired proficiency on all reed instruments, but he seldom played with his band because he preferred to conduct. He taught and organized a student orchestra in a Memphis, Tenn., high school before beginning his professional career as a bandleader in 1929. Practiced showmanship, precise ensembles, and a medium two-beat swing tempo rather than exciting soloists were the Lunceford band’s trademarks. The band’s most popular songs included Organ Grinder’s Swing (1936) and For Dancers Only (1937). The Lunceford band was considered to be on a par with bands led by Duke Ellington, Count Basie, and Benny Goodman during the 1930s, and in 1940 the ensemble won a celebrated “battle of the bands” from a field of 28 groups, among them Basie’s, Goodman’s, and Glenn Miller‘s. Arranger Oliver left Lunceford in 1939, and by 1942 the band’s popularity had declined. Following Lunceford’s death while on tour, pianist Edwin Wilcox and saxophonist Joe Thomas led the band for several years.
Lutoslawski
Witold Lutoslawski lived from 1913 until 1994. He was born and studied in Warsaw, winning a distinguished international reputation particularly from the 1950s onwards, a leading composer among a group of creative artists of outstanding ability, remarkable in his handling of forms and textures of great originality.
The genius of Lutoslawski was early evident in his 1938 Symphonic Variations. The years after the war brought a return to more conventional national modes of composition, heard in his Little Suite and Concerto for Orchestra. Later works have allowed a more experimental approach on a broader palette, to be heard in his Funeral Music of 1958, his Second Symphony and the Prelude and Fugue for thirteen string instruments.
Characteristic works for voice and orchestra include Paroles tissées for tenor and chamber orchestra, and Three Poems by Henri Michaux for twenty voices and orchestra.
Giuseppe Tartini was born in Pirano, Italy and lived from 1692 until 1770. He was a violinist and composer, who also had studied law and divinity at Padua, and was an accomplished fencer. He secretly married a proteg?e of the Archbishop of Padua, for which he was arrested. He fled to Assisi but, after attracting the archbishop’s attention by his violin playing, he was invited back to his wife. Perhaps one of the greatest violinists of all time, he was also an eminent composer. His best-known work is the Trillo del Diavolo (c.1735, Devil’s Trill).
Tavener, John
John Taverner lived from about 1490 until 1545. He was employed as master of the choristers at Cardinal College (Christ Church), Oxford, in its early heyday, retiring, on Cardinal Wolsey’s fall from power, to Boston, where he was held in considerable regard until his death in 1545. The popular, if mistaken, account of his life is the subject of the opera by Peter Maxwell Davies, Taverner.
Taverner wrote Latin Mass settings, Magnificat settings and motets. Of the first of these the Western Wynde Mass, using the melody of a popular song of that name, is among the better known. From his Mass Gloria tibi Trinitas came the fragment of a theme that served later generations as the basis of an English genre of consort music, the In nomine.
Taverner himself began the tradition of the In nomine, an instrumental arrangement of part of the Benedictus of his Mass Gloria tibi Trinitas.
Taverner, John Keith
John Kenneth Tavener, born in 1944 in London, England is a composer. He studied at the Royal Academy of Music, London and has been professor of music at Trinity College of Music since 1969. He was still at college when he won the prestigious Prince Rainier of Monaco Prize in 1965 with his cantata, Cain and Abel. His music is predominantly religious, and includes the cantata The Whale (1966), Ultimos ritos (1972, Last Rites) for soloists, chorus, and orchestra, and a sacred opera Therese (1979). He was converted to the Russian Orthodox faith in 1976.
His work, Eternity’s Sunrise, won a Grammy Award. His sacred work, Song for Athene, was sung at the funeral ceremony of Princes Diana.
Tchaikovsky
Piotr Ilyich Tchaikovsky lived between 1840 and 1893. He is considered to be a romantic composer. He was a Russian composer who was a master of melancholy moods, emotional outbursts and dramatic climaxes in his music.
“Worthless, vulgar, derivative, unplayable” were a few of the adjectives that pianist and conductor Nicholas Rubinstein used to describe Tchaikovsky’s Piano Concerto in b-flat minor, when he first heard it on Christmas Eve, 1874. Ironically, Tchaikovsky had arranged the piece as a gift for Rubinstein, to whom he intended to dedicate it. Furious, Tchaikovsky re-dedicated the piece to pianist Hans von Bülow, who was the first to perform it.
Within a few yers, Rubinstein’s distaste for the concerto mellowed and he became one of its principal interpreters.
Tchaikovsky read Goethe’s novel Wilhelm Meisters Lehrjahre in the 1860’s and set its melancholy poem “None but the Lonely Heart” to music.
Tchaikovsky found one of his greatest successes with his lovely waltz from the “Serenade for Strings” which he composed in 1880. He was also composing the 1812 Overture at the same time. He conducted several early performances of the Serenade himself, but he had no formal conducting training and became so nervous that he sometimes lost the place in his own music.
Shakespeare’s Romeo and Juliet inspired the melancholy Tchaikovsky to write his own version, using musical themes to suggest various themes from the play.
On his way to New York in 1891 to participate in the opening of Carnegie Hall, Tchaikovsky stopped in Paris and discovered the celesta, The celesta is a small keyboard with tiny silver bars which sound like bells when struck. He ordered one to be sent to Moscow in strict secrecy so that he could be the first to use it. His ballet The Nutcracker included the “Dance of the Sugar Plum Fairy” which has several wonderfully shimmering phrases for the celesta.
Tchaikovsky’s Nutcracker was featured in the Walt Disney movie Fantasia.
The first performance of the Sixth Symphony was only a mild success. By the time of the next performance a few weeks later – which was a tremendous success – Tchaikovsky was dead of cholera. It’s title Pathétique – is characteristic of the composer, who always was afraid that his creativity would suddenly stop.
Teagarden
Weldon Leo ‘Jack’ Teagarden was a Jazz musician, born in Vernon, Texas and he lived from 1905 until 1964. He came from a musical family with his mother, Helen, playing piano and his father,Charles, trumpet. His two brothers, Charlie (trumpet) and Clois (drums) were also talented musicians as was his sister Norma (piano). Jack started on piano at the age of five and two years later learned to play the baritone horn, bought for him by his father. By the age of ten Jack was playing trombone.
The family moved from Vernon to Chappell, Nebraska in 1918 and Jack was soon playing in local theatres accompanied by his mother on piano. From here his travels become a little blurred but we know that he lived for a while in 1919 in Oklahoma City then with his uncle in San Angelo and started playing with local bands. He then played with a quartet at the Horn Palace Inn, San Antonio led by drummer Cotton Bailey,from late 1920 until September 1921 except for a summer season in Shreveport.
It was from Cotton Bailey that the young Weldon received his nickname, “Jack”. From then until the spring of 1923 he played with the legendary Peck Kelly’s Bad Boys. Dropped out of music in Wichita Falls in the summer of ’23 then joined Marin’s Southern Serenaders before rejoining Peck Kelly.
His recording debut came with Johnny Johnson and his Statler Pennsylvanians in early December 1927 when they cut two sides for Victor, “Thou Swell”/”My One and Only”. Jack was twenty-two years old. Two months with the Tommy Gott Orchestra then a major move to Ben Pollack where he remained from June 1928 until May 1933. This period with Pollack was extremely productive in recording terms as he led his own recording groups as well as playing as a sideman with Louis Armstrong, Benny Goodman, Red Nichols, Eddie Condon, and many other famous musicians of the day.
He took part in the first ‘mixed’ recording session with Louis which produced the majestic blues “Knockin’ a Jug”. In October 1928 Jack cut “Makin’ Friends” with Eddie Condon and made history by using a water glass as a substitute for a mute, removing the bell of the trombone and holding the glass over the open end of the tubing producing a unique sound.
In December 1933 he made his big move to join Paul Whiteman. He stayed with Whiteman’s star-studded aggregation until December 1938. His stay with Whiteman brought him financial security but we will never know if this residency was a good move or a bad one. Opinions differ strongly. It has been surmised that Benny Goodman would have offered Jack the trombone chair in his new orchestra as featured soloist.
After leaving Whiteman, Jack started up his own big band which he led until from February 1939 until November 1946. Musically the band was a success but financially a disaster. When the band was finally broken up, Jack gigged around, recorded as a freelance and played at the ‘Esquire’ jazz concert in January 1944 at the Metropolitan Opera House with Armstrong, Eldridge, Tatum, Hawkins. He led his own sextet until joining Louis Armstrong’s All Stars where he stayed from July 1947 until August 1951.
When he left Louis he formed his own All Stars and toured with them until he disbanded in 1956 when he played with Ben Pollack for a few months. He co-led another all-star group with Earl Hines which visited Britain and Europe in the fall of 1957 which was raptuorously received. Jack led another group on a State Department sponsored tour of Asia from September 1958 until January 1959.
Jack was a mainstay of late 1920s New York Jazz scene, a trombonist and singer whose relaxed, melodic instrumental style was highly influential. He was also one of the best White Jazz singers, particularly when he sang the Blues on songs like Makin’ Friends.
He continued playing and leading a group until his death on January 15, 1964. He played his last engagement at The Dream Room in New Orleans while suffering from bronchial pneumonia, returned to the Prince Conti Motor Hotel, just three blocks from Basin Street, after the gig and was found by the room-maid the next afternoon, dead on the floor clad in his dress shirt and shorts. He was 58 years old. The New Orleans “Times-Picayune” published his obituary on January 16, 1964. Jack was buried at Forest Lawn Memorial Park, Los Angeles, Plot # 7281. The headstone reads “Where there is Hatred, Let Me Sow Love”
Tebaldi
Renata Tebaldi is an Operatic soprano, born in Pesaro, Italy in 1922. She studied at Parma Conservatory, made her debut at Rovigo in 1944, and was invited by Toscanini to appear at the re~opening of La Scala, Milan, in 1946, where she sang until 1954. She then sang in many opera houses, including several seasons at the Metropolitan Opera, New York City, and made many recordings.
Tebaldi had one of the most beautiful Italian voices of the century. Although her rivalry with Maria Callas attracted much attention, it was her singing that captivated her fans.
Her breakthrough came in 1946 when she auditioned in Milan for the great conductor Toscanini and from then until the late 1970s she performed across Europe and the United States.
When she made her debut at the city’s La Scala opera house in late 1946, the maestro dubbed her “The Voice of an Angel.”
Singing the soprano part in Giuseppe Verdi’s “Te Deum,” the concert marked the reopening of the theater after the end of World War II. It also branded Tebaldi in Italian minds as part of the country’s post-war renaissance.
She went on to perform at London’s Covent Garden, the San Francisco Opera and appeared regularly at the Metropolitan Opera (news – web sites) in New York taking the lead roles in “La Boheme,” “Madam Butterfly,” “Tosca” and “La Traviata.”
“I started my career at 22 and finished it at 54. 32 years of success, satisfaction and sacrifices. Singing was my life’s scope to the point that I could never have a family,” she wrote in a preface to her official Web site.
Tebaldi was born in the Italian seaside town of Pesaro on Feb. 1, 1922. Stricken with polio at the age of 3, she was unable to partake in strenuous activities and instead became interested in music.
In her early teens, she began studying music at the Conservatory of Parma.
“I started singing when I was a young girl but my family wanted me to study piano but my overwhelming need to express myself with my voice made me choose the art of singing,” she once told her fans.
Tebaldi has left a huge legacy of complete operas on disc with other famous singers including Mario del Monaco, Giulietta Simionato, and Carlo Bergonzi.
Her recordings include Verdi’s “Otello” and “Aida” and Puccini’s “La Boheme” and “Madama Butterfly.”
She last performed on the opera stage in 1973, and her last concert took place in 1976.
Tebaldi was a Knight Commander of the Order of Merit of the Italian Republic and had received a Commander, Order of Arts and Letters from France.
Te Kanawa
Dame Kiri Te Kanawa, born in 1944 in Gisborne, New Zealandin, is an Operatic soprano. After winning many awards in New Zealand and Australia she came to London, where she made her debut with the Royal Opera Company in 1970. She has since taken a wide range of leading roles, and in 1981 sang at the wedding of the Prince and Princess of Wales. She was made a dame in 1982 and has produced many non-classical recordings. In 1989 she published Land of the Long White Cloud: Maori Myths and Legends.
Teleman
Georg Philipp Telemann, born in 1681 in Magdeburg, Germany, was a very prolific late Baroque era composer, composing 600 overtures in the Italian style, 44 Passions, 40 operas, innumerable trio sonatas, suites and flute quartets. He was a self-taught composer and organist. When he died in 1767, his organist post in Leipzig went to Johann Sebastian Bach.
Tilson Thomas
Michael Tilson Thomas is the Music Director of the San Francisco Symphony, the Founder and Artistic Director of the New World Symphony, and the Principal Guest Conductor of the London Symphony Orchestra. He is currently Artistic Director of the Pacific Music Festival in Sapporo, Japan, which he and Leonard Bernstein inaugurated in 1990. Born in Los Angeles, he is the third generation of his family to follow an artistic career. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra where he worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions. He was also Assistant Conductor at the Bayreuth Festival. Noted for his commitment to music education, Michael Tilson Thomas founded the New World Symphony in 1988, to be a national orchestra for the most gifted graduates of America’s music conservatories. In addition to their regular season in Miami, they have toured France, Great Britain, South America, Japan, Israel and the United States, and in 1998 celebrated their 10th anniversary with concerts in New York, London, Paris, Amsterdam and Vienna.
Tilson Thomas has recently completed a very successful tour of Europe with the San Francisco Symphony and back at home in June 1999, they present a festival of Stravinsky’s music, some of which they have recently recorded together.
With the London Symphony Orchestra, Tilson Thomas has toured in Israel, Japan, the USA, as well as in Europe including an appearance at the Salzburg Festival. In London, he and the orchestra have mounted major festivals focusing on the music of Brahms, Mahler, Rimsky-Korsakov, Gershwin, Reich and Takemitsu.
Tilson Thomas’ recordings have received many awards and cover a wide range of repertoire including Bach, Beethoven, Mahler and Prokofiev as well as his pioneering work with the music of Ives, Ruggles, Reich, Cage and Gershwin. In 1994 Michael Tilson Thomas received the Ditson Award for contributions to American Music, was named Musical America’s Conductor of the Year and received five Grammy nominations and two Gramophone awards for his recordings. He has been an exclusive BMG Classics/RCA Victor Red Seal recording artist since 1995 and his most recent releases include the disc “New World Jazz” with the New World Symphony Orchestra.
Tilson Thomas has also worked extensively for television including educational broadcasts with the New York Philharmonic, a BBC series with the London Symphony Orchestra including programmes on Strauss, Sibelius and Beethoven, and other television productions celebrating works by Gershwin and Bernstein.
Von Tilzer, Albert
Albert Von Tilzer (Albert Gumm) (1878 – 1956) was born in Indianapolis, Indiana on Mar. 29, 1878. He was the younger brother of Harry Von Tilzer. He was a vaudeville performer and composer and wrote many hit tunes. Some of them were: Carrie (Carrie Marry Harry), Give Me the Moonlight, Give Me the Girl, I’ll Be with You in Apple Blossom Time, Put Your Arms Around Me Honey and Take Me Out to the Ball Game
Overview Composer Albert Von Tilzer was an important songwriter most active from the early 1900’s into the 1920’s. He was the younger brother of composer Harry Von Tilzer.
Albert went to work in his father’s Indianapolis shoe store after graduating from high school. He learned to play the piano by ear and did have some lessons in harmony before he joined a vaudeville troupe.
In 1899, he went to Chicago, and worked briefly for his older brother’s music publishing firm, Shapiro, Bernstein and Von Tilzer. Albert then traveled to New York City, and found work as a shoe salesman in a large Department store.
In 1900, he published his first song “The Absent Minded Beggar Waltz”, a piano instrumental. In 1903 he wrote “That’s What the Daisy Said”, with his own lyric. This was published by his brother’s firm.
In 1903, he formed York Music Company, his own publishing house, which would thereafter publish all of his own music.
All the while Albert was composing and publishing, he was also working as a vaudeville performer. He was a headliner on the Orpheum circuit. In 1930, he settled in Hollywood and worked in a few motion pictures. He was elected to the Songwriter’s Hall of Fame. Albert Von Tilzer died in L.A., in 1956, at age 78.
Von Tilzer, Harry
Harry Von Tilzer (Harry Gummbinsky -the family later shortened the name to “Gumm”.) lived from 1872 until 1946. He was born in Detroit, Michigan and was the older brother of Albert Von Tilzer. He was an entertainer and common laborer who turned to music composition and formed the Harry Von Tilzer Music Company in 1902. He wrote many hit tunes. Some of them are: (She was only a) Bird in a Gilded Cage; I Want a Girl (Just Like the Girl That Married Dear Old Dad); I’d Leave My Happy Home for You; Take Me Back to New York Town; Wait ‘Til the Sun Shines Nellie; When My Baby Smiles at Me and Why Do They Always Pick on Me?
Harry, one of six children, was to find a career in music as did his younger brother Albert. (Apparently, two of the children, a boy and an girl, perished in childhood.) When Harry was still a child, his family moved to Indianapolis, IN, where he father acquired a shoe store. A theatrical company gave performances in the loft above the store, and that’s where Harry learned to love show business.
His career really started in 1886 when, at age 14, he ran away from home and joined the Cole Brothers Circus. By 1887, he was playing piano, composing songs, and acting in a traveling repertory company. He changed his name at that time. His mother’s maiden name was Tilzer, and he ‘gussied’ it up by adding the ‘Von’. Thereafter he would be called Harry Von Tilzer, and later his younger brother would adopt the name also, Albert Von Tilzer.
Harry met Lottie Gilson when the burlesque troupe with which he was working reached Chicago. The popular vaudevillian took an interest, and induced him to go to New York. In 1892, Harry, working as a groom on a trainload of horses, arrived in New York, with just $1.65 in his pocket. He rented a room near the Brooklyn Bridge and became a $15.00 per week saloon pianist. He left New York briefly to work in a traveling medicine show, but returned to again work in saloons and later as a vaudevillian in a ‘Dutch’ act with George Sidney.
At this time, Harry was writing songs, literally hundreds of songs that were never published. He would sell them outright to other entertainers for $2.00 each. Even Tony Pastor sang a few of his songs in his theater. But the tide was about to turn for Harry.
One of his songs was published, “My Old New Hampshire Home”, lyric by Andrew B. Sterling. William C. Dunn, owner of a small print shop, purchased it outright for $15.00, and issued it in 1898. It was a hit that sold more than 2 million copies.
There is an interesting historical note connected with Harry Von Tilzer. In the Early 1900’s, Von Tilzer kept an upright piano in his publishing firm. Harry kept pieces of paper stuffed between the strings of the piano’s harp. It gave the piano a tinny sort of sound to which Von Tilzer was partial. One day, the lyricist and newspaper journalist Monroe Rosenfeld was in Harry’s office and heard him playing the tinny sounding piano. The sound suggested a title for a piece he was writing, – Tin Pan Alley.
Harry’s last years were spent in retirement, while living in the Hotel Woodward, in New York City. He died in 1946, at age 74.
Tippett
Sir Michael (Kemp) Tippett is a Composer, born in London, England, UK in 1905. He studied at the Royal College of Music, London, and became director of music at Morley College from 1940 until 1951. His oratorio, A Child of Our Time (1941), reflecting the problems of the 1930s and 1940s, won him wide recognition. A convinced pacifist, he was imprisoned for three months as a conscientious objector during World War 2. He scored a considerable success with his operas The Midsummer Marriage (1952) and King Priam (1961), and among his other works are four symphonies, a piano concerto, and string quartets. He was knighted in 1966, and received the Order of Merit in 1983.
Toscanini
Arturo Toscanini, 1867 to 1957, was a conductor who born in Parma, Italy. He was a cellist before the night in 1886 when he took over the baton from an indisposed conductor in Rio de Janeiro and stayed on the podium for the rest of his career. After years of journeyman work in Italian opera houses, he became conductor of Milan’s La Scala in 1898. In 1909 he came to the USA to lead the Metropolitan Opera orchestra; his subsequent career took him to positions in Europe, England, and the USA, including the podium of the New York Philharmonic from 1928 to 1936. In 1937 the NBC Symphony, primarily a broadcasting and recording orchestra, was created for Toscanini; he led it until 1954, cementing his reputation as one of the most revered conductors in the world. He helped pioneer a new performance tradition that proclaimed an end to Romantic interpretive excesses and substituted absolute fidelity to the score; in practice, that made for clean, sinewy performances, achieved partly by his legendary tantrums in rehearsals. He was equally admired for his performances of Beethoven and other 19th-century classics and of modern composers including Stravinsky, Debussy, and Richard Strauss.
Townshend
Born Peter Dennis Blandford Townshend on May 19, 1945, as a member of The Who, he wrote nearly all of the songs and sang “The Acid Queen” and “Sensation”. for the double album Tommy. Tommy is a deaf, dumb, and blind kid who becomes a Messiah and later is forsaken by his followers. Tommy is based, in part, on the spiritual teachings of Indian mystic Meher Baba, of whom Townshend had become a devotee. Read the rest of this biography at http://www.petetownshend.net
Tucker
There is a statue of Richard Tucker, an opera singer, in New York.
Grammy winner
MaryO'Studio 