On January 18, 1958 Leonard Bernstein began presenting his television series What does music mean? The series ran for 53 programs. Some of the episodes can be found below:
Part 1 What is Classical Music?
Plot: Bernstein conducts Handel’s Water Music and cites it as an indisputable example of classical music. “Exact” is the word that best defines classical music, Bernstein says and he demonstrates with musical illustrations from Bach’s Fourth Brandenburg Concerto, Mozart’s Concerto No. 21 in C Major and The Marriage of Figaro, and Haydn’s Symphony No. 102.
The decline of classical music at the end of the eighteenth century is tied to Beethoven’s innovations and the Romantic movement, and Bernstein conducts Beethoven’s Egmont Overture.
Part 2 What is Melody?
Plot: Bernstein discusses the different forms melody can take, including tune, theme, motive, melodic line and musical phrase. He illustrates by conducting the orchestra in excerpts from Tchaikovsky, Wagner, Hindemith, and Brahms.
Part 3 What is a Mode?
Plot: Bernstein discusses scales, intervals, and tones, and analyzes several pieces, including Debussy’s Fêtes, Rimsky-Korsakov’s Scheherazade, and music from the Kinks and the Beatles, to illustrate different modes.
An excerpt from Bernstein’s ballet Fancy Free is also performed.
. 1895 ~ Laurens Hammond, inventor of the Hammond organ. The sound of the Hammond was used by many rock artists including; Procol Harum, Keith Emerson, Led Zeppelin, The Allman Brothers and The Faces. Hammond died on July 3, 1973. There is a Hammond organ in the O’Connor Music Studio.
. 1901 ~ Vasily Sergeyevich Kalinnikov died. Kalinnikov was a Russian composer of two symphonies, several additional orchestral works and numerous songs, all of them imbued with characteristics of folksong.
. 1902 ~ Maurice Duruflé, French organist and composer
. 1924 ~ Don Cherry, Singer with Band of Gold
. 1928 ~ Ol’ Man River was recorded on Victor Records by Paul Whiteman and his orchestra. Bing Crosby crooned as the song’s featured vocalist. The tune came from the Broadway musical, “Showboat”.
. 1930 ~ Jack Nimitz, Jazz ‘reed’ musician, toured with Supersax
. 1933 ~ Goldie Hill, Country entertainer, married to country singer, Carl Smith
. 1946 ~ Naomi (Diane) Judd, Grammy Award-winning singer in the duo, The Judds, mother of singers Wynonna and Ashley
. 1949 ~ Dennis (Frederick) Greene, Singer with Sha-Na-Na
. 1958 ~ Vicki Peterson, Guitarist, singer with The Bangles
. 1980 ~ Rupert Holmes was at the top of the pop music charts, with Escape (The Pina Colada Song).
. 1981 ~ Leonard Bernstein began conducting the BR – Bayerischer Rundfunk Symphony Orchestra in Richard Wagner’s “Tristan und Isolde” in Munich’s Hercules Hall. Performed one act at a time, in January, April, and November of 1981, respectively, Bernstein’s “Tristan und Isolde” was telecast live and later released as an audio recording by Philips–to some controversy.
Karl Böhm remarked, with regards to Bernstein’s exaggeratedly slow tempi, “For the first time, someone dares to perform this music as Wagner wrote it.” Böhm’s own recording of the Prelude was four minutes faster.
Upon completion of the project, Bernstein declared, “My life is complete… I don’t care what happens after this. It is the finest thing I’ve ever done.”
. 2003 ~ Mickey Finn, bongo player with 1970s band T.Rex, died at the age of 55. Formed by flamboyant lead singer Marc Bolan in 1967, T.Rex shot to fame with hits such as Get it On, Hot Love and Children of the Revolution in the early 1970s. The band was originally called Tyrannosaurus Rex but the name was shortened to T.Rex in 1970 after Finn joined, replacing original member Steve Took. The band achieved a huge following in Britain — sparking a period of “T.Rextacy” among devoted fans — but achieved more limited popularity in the United States and elsewhere. Credited with introducing the phenomenon of “glam rock” to pop music and influencing artists such as David Bowie, the band played to crowds of up to 100,000 and sold 39 million albums, according to Rolling Stone music magazine.
. 2004 ~ Randy VanWarmer, who recorded the pop hit Just When I Needed You Most and then had a successful career as a songwriter, died. He was 48. Just When I Needed You Most reached No. 4 on Billboard’s pop chart in 1979. VanWarmer, also a guitarist, had written it when he was 18. More recently, VanWarmer wrote I’m in a Hurry (And Don’t Know Why), a No. 1 hit by the country group Alabama in 1992, and I Guess It Never Hurts to Hurt Sometimes, No. 1 by the Oak Ridge Boys in 1984. VanWarmer was born March 30, 1955, in Indian Hills, Colo., and spent much of his childhood in Cornwall, England, after his father died. As a young man he lived in New York City and then Los Angeles before moving to Nashville in 1985. VanWarmer had recently recorded a duet with country singer Razzy Bailey, Sandcastles.
. 2005 ~ Spencer Dryden, drummer for the San Francisco rock band the Jefferson Airplane, died. He was 66.
. 2005 ~ Jimmy Griffin, an Academy Award-winning songwriter and former guitarist for the 1970s pop group Bread, died. He was 61.
. 2016 ~ Gilberto Mendes, Brazilian composer, died at the age of 93
Victor Borge was born in 1909 in Copenhagen, Denmark. He was an entertainer and pianist – a deliciously funny performer. He studied at the Royal Danish Academy of Music, Copenhagen, and in Vienna and Berlin.
He made his debut as a pianist in 1926, and as a revue actor in 1933. From 1940 until his death in 2000 he worked in the USA for radio, television, and theatre, and has performed with leading symphony orchestras on worldwide tours since 1956.
He was best known for his comedy sketches combining music and narrative. He used his classical training to skew serious music and performers.
From his obituary:
Pianist Victor Borge, died in his sleep Dec 23, 2000 at his Greenwich, Connecticut home, was known as the unmelancholy Dane of international show business. He would have turned 92 on Jan. 3, 2001.
“The cause of death was heart failure,” his daughter, Sanna Feirstein, told Reuters.
“He had just returned from a wonderfully successful trip to Copenhagen … and it was really heartwarming to see the love he experienced in his home country,” she said.
Borge was one of five performers selected for the Kennedy Center Honors in 1999.
“He went to sleep, and they went to wake him up this morning, and he was gone,” said his agent, Bernard Gurtman.
“He had so much on the table, and to the day he died he was creative, and practicing piano several hours a day,” Gurtman told Reuters. “He was just a great inspiration.”
Funeral services will be private, his daughter said.
Borge made a career of falling off piano stools, missing the keys with his hands and getting tangled up in the sheet music.
One of his inspirations was a pianist who played the first notes of the GriegA Minor Concerto and then fell on the keys dead.
He said that the only time he got nervous on stage was when he had to play seriously and adds that if it had not been for Adolf Hitler he probably would never have pursued a career as a concert-hall comedian.
Until he was forced to flee Denmark in 1940 he was a stage and screen idol in his native country.
But as a Jew who had lampooned Hitler, Borge — his real name was Boerge Rosenbaum — was in danger and fled first to Sweden and then to the United States, where he arrived penniless and unknown and by a fluke got booked on the Bing Crosby radio show. He was an instant success.
He became an American citizen in 1948, but thought of himself as Danish. It was obvious from the numerous affectionate tributes and standing ovations at his 80th birthday concert in Copenhagen in 1989 that Danes felt the same way.
In the concert at Copenhagen’s Tivoli gardens, Borge played variations on the theme of “Happy Birthday to You” in the styles of Mozart, Brahms, Wagner and Beethoven — all executed with such wit that the orchestra was convulsed with laughter that a woman performing a piccolo solo was unable to draw breath to play.
“Playing music and making jokes are as natural to me as breathing,” Borge told Reuters in an interview after that concert.
“That’s why I’ve never thought of retiring because I do it all the time whether on the stage or off. I found that in a precarious situation, a smile is the shortest distance between people. When one needs to reach out for sympathy or a link with people, what better way is there?
“If I have to play something straight, without deviation in any respect, I still get very nervous. It’s the fact that you want to do your best, but you are not at your best because you are nervous and knowing that makes you even more nervous.”
His varied career included acting, composing for films and plays and writing but he was best known for his comic sketches based on musical quirks and oddities.
His routines were unpredictable, often improvised on stage as his quick wit responded to an unplanned event — a noise, a latecomer in the audience — or fixed on an unlikely prop — a fly, a shaky piano stool.
Borge was born in Denmark on January 3, 1909, son of a violinist in the Danish Royal Orchestra.
His parents encouraged him to become a concert pianist, arranging his first public recital when he was 10. In 1927 he made his official debut at the Tivoli Gardens.
Borge’s mischievous sense of humor was manifest from an early age. Asked as a child to play for his parent’s friends he would announce “a piece by the 85-year-old Mozart” and improvise something himself.
When his mother was dying in Denmark during the occupation, Borge visited her, disguised as a sailor.
“Churchill and I were the only ones who saw what was happening,” he said in later years. “He saved Europe and I saved myself.”
From 1953 to 1956, he appeared in New York in his own production “Comedy in Music,” a prelude to world tours that often took him to his native Scandinavia.
On radio and television, Borge developed the comedy techniques of the bungling pianist that won him worldwide fame.
Many of his skits were based on real-life events. One of his classics evolved from seeing a pianist playing a Tchaikovsky concerto fall off his seat.
Borge’s dog joined the show after it wandered on stage while he was at the keyboard — an entrance nobody would believe had been unplanned.
One incident could not be repeated. A large fly flew on to Borge’s nose while he was playing. “How did you get that fly to come on at the right time?” people asked. “Well, we train them,” Borge explained.
Borge’s book, “My Favorite Intervals”, published in 1974, detailed little-known facts of the private lives of composers describing Wagner’s pink underwear and the time Borodin left home in full military regalia but forgot his trousers.
In 1975, Borge was honored in recognition of the 35th anniversary of his arrival in the United States and his work as unofficial goodwill ambassador from Denmark to the United States. He celebrated his 75th birthday in 1984 with a series of concerts at Carnegie Hall and in Copenhagen.
Borge received a host of honors from all four Scandinavian countries for his contributions to music, humor and worthy causes.
Borge, who had lived in Greenwich since 1964, is survived by five children, nine grandchildren, and one great grandchild. His wife of many years, Sanna, died earlier that year.
• 1928 ~ America’s original Funny Girl, Fanny Brice, recorded If You Want the Rainbow, a song from the play, My Man, on Victor Records.
• 1932 ~ Abbe Lane (Lassman), Singer, glamour actress, photographed in a bathtub filled with coffee, bandleader Xavier Cugat’s ex-wife
• 1936 ~ You Can’t Take It with You opened at the Booth Theatre in New York City.
• 1946 ~ Patty Duke, US film actress
• 1947 ~ Christopher Parkening, American guitarist
• 1953 ~ Fred Allen returned from semi-retirement to narrate Prokofiev’s classic, Peter and the Wolf, on the Bell Telephone Hour on NBC radio.
• 1963 ~ Singer Dinah Washington died in Detroit.
• 1970 ~ George Harrison received a gold record for his single, My Sweet Lord.
• 1983 ~ The musical biography of Peggy Lee opened at the Lunt-Fontanne Theatre in New York City. The show was titled Peg.
• 1984 ~ The Cotton Club opened around the U.S. There were nine classic songs by Duke Ellington on the soundtrack of the movie.
• 1990 ~ Opera lovers were turned into couch potatoes. For four evenings, starting on this day, they watched and listened to an unabridged telecast of Richard Wagner’s marathon-length opera The Ring.
• 2001 ~ Conte Candoli, a Trumpet player and staple of The Tonight Show band during Johnny Carson’s era, died of cancer. He was 74. Candoli was recognized for developing a musical style based on Dizzy Gillespie’s bebop playing, with a touch of Miles Davis and Clifford Brown. The Indiana-born Candoli, grew up surrounded by musical instruments and influences. His father, a factory worker, played the trumpet and wanted Candoli and his brother Pete to become musicians. At 16, he worked in Woody Herman’s orchestra during summer vacations. While playing in California, Candoli began his association with the then New York-based Tonight Show. In 1972, when Carson moved the show to Burbank, Candoli joined the band. He left when Carson retired in 1992.
1917 ~ Dizzy (John Birks) Gillespie, American jazz trumpeter and bandleader Read quotes by and about “Dizzy” Gillespie
More information about Gillespie
• 1921 ~ Sir Malcolm Arnold, Composer of screen scores: “David Copperfield”, “The Chalk “Garden”, “Suddenly, Last Summer”, “Solomon and Sheba”, “Island in the Sun”, “The Bridge on the River Kwai”, “Trapeze”, “I Am a Camera”, “The Belles of St. Trinian’s” “the Eye Witness series”
• 1924 ~ It was a big night for a big band in New York’s Cinderella Ballroom. The crowd loved the Wolverine Orchestra from Chicago and the guy on the cornet, Bix Beiderbecke, the ‘young man with a horn’.
• 1938 ~ Quaker City Jazz was recorded on the Bluebird label by Jan Savitt’s orchestra. The tune would become the theme of the band. It was not, however, recorded in the Quaker City of Philadelphia. The song was waxed in New York City.
• 1940 ~ Manfred Mann (Michael Lubowitz), Singer with Mann-Hugg Blues Brothers
• 1941 ~ Steve Cropper, Guitarist with the groups: Blues Brothers as well as Booker T and The MG’s
• 1942 ~ Elvin Bishop, Guitarist, singer with Paul Butterfield Blues Band
• 1943 ~ Ron Elliott, Guitarist with Beau Brummels
• 1946 ~ Lee Loughnane, Brass with Chicago
• 1953 ~ Charlotte Caffey, Guitar, singer with The Go-Gos
• 1955 ~ Eric Faulkner, Guitarist with Bay City Rollers
• 1957 ~ Julian Cope, Bass, guitar, singer
• 1957 ~ Steve Lukather, Guitarist with Toto
• 1958 ~ Orchestral strings were used for the first time in a rock and roll tune. Buddy Holly recorded It Doesn’t Matter Anymore, written by Paul Anka. Sadly, it would be Holly’s last studio session. The song wasn’t released until after his death in February of 1959.
• 2001 ~ George Feyer, a pianist and entertainer who played at some of New York’s top hotels, died at the age of 92. Feyer, who was known for setting pop lyrics to classical music, entertained the sophisticated Manhattan cafe society for three decades. He played for decades at the Carlyle, the Stanhope and the Waldorf-Astoria. He made many recordings, including his Echoes album series, which featured Echoes of Paris and Echoes of Broadway. Born in Budapest on Oct. 27, 1908, Feyer attended the Franz Liszt Academy of Music, where he studied with composer Sir Georg Solti. One of his first jobs was playing for silent movies. During World War II, the Nazis put Feyer on forced labor details, then imprisoned him in the Bergen-Belsen concentration camp for the final year of the war. Feyer and his family moved to New York in 1951. He stopped working full time in 1982.
Richard Strauss was born June 11, 1864 in Munich, Germany. He died on September 8, 1949 in Garmisch-Partenkirchen, Germany. He was a German composer and conductor known for his intense emotionalism in his symphonic poems. He characterized himself as ‘composer of expression’ which is born out in his colorful orchestration. In his operas he employed Wagnerian principles of music drama, but in a more compact form.
Strauss was composing by the age of six, having received basic instruction from his father, a virtuoso horn player. This was, however, his only formal training. The elder Strauss instilled in his son a love of the classical composers, and his early works follow in their path. Strauss’ first symphony premiered when he was seventeen, his second (in New York) when he was twenty. By that time, Strauss had directed his energies toward conducting, and in 1885 he succeeded Hans von Bülow as conductor of the orchestra in Meiningen. For the next forty years, he conducted orchestras in Munich, Weimar, Berlin and Vienna.
As a conductor, Strauss had a unique vantage point from which to study the workings of the orchestra. From this vantage point he developed a sense for orchestration that was unrivaled. He immediately put this sense to use in a series of orchestral pieces that he called “tone poems”, including Macbeth, Don Juan, Tod und Verklärung, Till Eulenspeigels lustige Streiche and Don Quixote. These works are intensely programmatic, and in the last two, Strauss elevated descriptive music to a level not approached since the techniques of text painting during the Renaissance. He also used his knowledge of orchestral techniques to produce a revised version of Hector Berlioz’s important orchestration treatise; this edition remains a standard to this day.
After the turn of the century, Strauss began to shift his focus to opera. With his principal librettist Hugo von Hofmannsthal, he created two forward-looking and shocking works: Salome, based on Oscar Wilde’s controversial play, andElektra, Hoffmannsthal’s version of the classical Greek tragedy. In these works, the intense emotions and often lurid narrative elicited a more daring and demanding musical language full of extreme chromaticism and harsh timbres. But with his next opera, Der Rosenkavalier, Strauss seems to have left this aside, turning to a more focused, almost neoclassical approach in his later works. With this, Strauss settled into a comfortable place in German musical society, perhaps too comfortable, given his willingness to acquiesce to the artistic maneuverings of the rising Nazi regime. In the end, he broke with the Nazis on moral grounds, and died virtually penniless in the aftermath of the Second World War.
Suite from Le Bourgoise gentilhomme, Op.60, Prelude
Also Sprach Zarathustrahttps://youtu.be/3rzDXNQxjHsOne of Richard Strauss’ most popular works is Also Sprach Zarathustra since it was made popular in the 1968 Stanley Kubrick science-fiction movie 2001: A Space Odyssey.Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche’s philosophical treatise of the same name. The composer conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts half an hour.The work has been part of the classical repertoire since its first performance in 1896. The initial fanfare — entitled “Sunrise” in the composer’s program notes — became particularly well known to the general public due to its use in Stanley Kubrick’s 1968 film 2001: A Space Odyssey, and as the theme music of the Apollo program. The fanfare has also been used in many other productions.
The piece starts with a sustained double low C on the double basses, contrabassoon and organ. This transforms into the brass fanfare of the Introduction and introduces the “dawn” motif (from “Zarathustra’s Prologue”, the text of which is included in the printed score) that is common throughout the work: the motif includes three notes, in intervals of a fifth and octave, as C–G–C (known also as the Nature-motif). On its first appearance, the motif is a part of the first five notes of the natural overtone series: octave, octave and fifth, two octaves, two octaves and major third (played as part of a C major chord with the third doubled). The major third is immediately changed to a minor third, which is the first note played in the work (E flat) that is not part of the overtone series.
“Of Those in Backwaters” (or “Of the Forest Dwellers”) begins with cellos, double-basses and organ pedal before changing into a lyrical passage for the entire section. The next two sections, “Of the Great Yearning” and “Of Joys and Passions”, both introduce motifs that are more chromatic in nature.
“Of Science” features an unusual fugue beginning in the double-basses and cellos, which consists of all twelve notes of the chromatic scale. It is one of the very few sections in the orchestral literature where the basses must play a contra-b (lowest b on a piano). “The Convalescent” acts as a reprise of the original motif, and ends with the entire orchestra climaxing on a massive chord. “The Dance Song” features a very prominent violin solo throughout the section. The end of the “Song of the Night Wanderer” leaves the piece half resolved, with high flutes, piccolos and violins playing a B major chord, while the lower strings pluck a C.
One of the major compositional themes of the piece is the contrast between the keys of B major, representing humanity, and C major, representing the universe. Because B and C are adjacent notes, these keys are tonally dissimilar: B major uses five sharps, while C major has none.
Orchestral music, including symphonic poems: Macbeth (1888), Don Juan (1888-1889), Tod und Verklärung (Death and Transfiguration, 1889), Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, 1895), Also sprach Zarathustra (Thus Spake Zarathustra, 1896), Don Quixote (1897) and Ein Heldenleben (A Hero’s Life, 1898); 2 symphonies (Domestic, 1903 and Alpine, 1915); 3 concertos (2 for horn, 1 for oboe)
15 operas, including Salome (1905), Elektra (1909), Der Rosenkavalier (The Cavalier of the Rose, 1911), Ariadne auf Naxos (1912) and Die schweigsame Frau (The Silent Woman, 1935)
Choral works (with and without orchestra), chamber works
• 1984 ~ The Jacksons’ Victory Tour broke the record for concert ticket sales. The group surpassed the 1.1 million mark in only two months.
• 2002 ~ Kay Gardner, whose last musical work with the Bangor Symphony Orchestra memorialized the Sept. 11 terrorist attacks, died of a heart attack. She was in her early 60s.
On hearing of her death, symphony officials scheduled Gardner’s work, “Lament for Thousand,” for the orchestra’s season-opening concert Oct. 13 at the Maine Center for the Arts in Orono.
Gardner was a pianist, flutist and conductor who performed in 46 states and several countries.
More than 20 years ago, she sued the Bangor Symphony, unsuccessfully, for sex discrimination after she had applied for a conducting position and learned that orchestra members had been asked how they felt about working with a female conductor.
In 2000, she was the guest conductor for a 40-member orchestra of women from the Bangor Symphony, playing a repertoire written by women.
Gardner studied music at the University of Michigan and at the State University of New York at Stony Brook. In 1972, she helped found a feminist and openly lesbian women’s band, Lavender Jane.
• 1911 ~ George Liberace, Violinist, conductor; administrator of Liberace Museum; brother of pianist/entertainer Liberace
• 1918 ~ Jan La Rue, American musicologist
• 1918 ~ Hank Jones, Pianist. He accompanied Billy Eckstine and Ella Fitzgerald. He led the Hank Jones Trio
• 1919 ~ Mornam Del Mar, British conductor
• 1923 ~ Ahmet Ertegun, Recording Executive
• 1939 ~ John West, Musician, guitarist with Gary Lewis and the Playboys
• 1942 ~ Harry James and his band recorded the classic I’ve Heard that Song Before, for Columbia Records. Helen Forrest sang on the million-seller.
• 1943 ~ Lobo, Singer
• 1946 ~ Gary Lewis (Levitch), Singer with Gary Lewis and the Playboys, entertainer Jerry Lewis’ son
• 1946 ~ Bob Welch, Guitarist and singer with Fleetwood Mac
• 1947 ~ Karl Green, Musician, guitar and harmonica with Herman’s Hermits
• 1964 ~ Jim Reeves, popular U.S. country music singer, died in an air crash near Nashville.
• 1985 ~ Prince was big at the box office with the autobiographical story of the Minneapolis rock star, Purple Rain. The flick grossed $7.7 million in its first three days of release on 917 movie screens. The album of the same name was the top LP in the U.S., as well.
• 2019 ~ Hal (Harold Smith) Prince died at the age of 91, He was an American theatrical producer and director associated with many of the best-known Broadway musical productions of the 20th century.
Over the span of his career, he garnered 21 Tony Awards, more than any other individual, including eight for directing, eight for producing the year’s Best Musical, two as Best Producer of a Musical, and three special awards.
• 1947 ~ James Melvin Lunceford, American jazz dance-band leader, passed away
More information about Lunceford
• 1949 ~ John Wetton, Bassist, singer with Asia
• 1952 ~ Liz Mitchell, Singer
• 1953 ~ Marie-Alphonse-Nicolas-Joseph Jongen, Belgian composer, died at the age of 79
• 1956 ~ Sandi Patti, Gospel Singer
• 1958 ~ “Li’l Abner” closed at St James Theater New York City after 693 performances
• 1958 ~ Yakety Yak, by The Coasters, became the number one song in America according to Billboard magazine. It was the first stereo record to reach the top of the chart.
• 1962 ~ The Rolling Stones first performance, at the Marquee Club, London. The lineup featured Mick Jagger, Keith Richards, Brian Jones, bass player Dick Taylor and drummer Mick Avory. Taylor and Avory were soon replaced.
• 1970 ~ Blues-Rock singer Janis Joplin’s debut, in Kentucky
• 1979 ~ Kalervo Tuukkanen, Composer, died at the age of 69
• 1979 ~ Minnie Ripperton (Andrea Davis) Singer, died at the age of 30
• 1985 ~ “Singin’ in the Rain” opened at Gershwin Theater New York City for 367 performances
• 1995 ~ Alan David Marks, Pianist and composer, died at the age of 49
• 1995 ~ Earl Coleman, Singer, died at the age of 69
• 1995 ~ Ernie Furtado, Bassist, died at the age of 72
• 1996 ~ Gottfried von Einem, Composer, died at the age of 78
• 1996 ~ Jonathan Melvoin, Keyboardist with Smashing Pumpkins, died
• 2000 ~ Ras Shorty I, who fused calypso with an up-tempo beat that he said represented the true soul of calypso, died of bone cancer. He was 59. He was born Garfield Blackman and started singing calypso as Lord Shorty. Dozens of musicians later adopted his up-tempo “soca” beat, which he called the “Indianization of calypso,” bringing together the music of his Caribbean nation’s two major ethnic groups, descendants of African slaves and of indentured laborers from India.
• 2001 ~ James Bernard, who composed the eerie musical scores for some of Britain’s most famous horror films, died at the age of 75. The British composer was best known for his work with Hammer Film studios, which made low-budget gothic horror films featuring actors Peter Cushing and Christopher Lee. During his nearly 40-year career, Bernard composed scores for “The Curse of Frankenstein” (1957), “Dracula” (1958) and “The Devil Rides Out” (1968). He won an Academy Award, but not for his music. Bernard shared an Oscar in 1951 with Paul Dehn for best motion picture story for “Seven Days to Noon.” His last work was the score for “Universal Horror” in 1998, a documentary of Universal Studios’ horror films of the 1930s and 1940s.
• 1284 ~ The Pied Piper exacted his revenge upon the German town of Hamelin this day. The townspeople had promised to pay the piper a large fee if he could rid their town the nasty rats running all over the place. He had played his trusty pipe and the rats had followed him out of town and into the River Weser. But once the rodents were eliminated, the local folks decided not to pay after all. The piper was not pleased and repaid the townspeople by playing his pipe for the children of Hamelin, just like he had done for the rats. And just like the rats, the children followed him out of town.
• 1582 ~ Johannes Schultz, Composer
• 1657 ~ Tobias Michael, Composer, died at the age of 65
• 1661 ~ Lazaro Valvasensi, Composer, died at the age of 76
• 1747 ~ Leopold Jan Antonin Kozeluh, Composer
• 1778 ~ Angelo Antonio Caroli, Composer, died at the age of 77
• 1798 ~ Eugene Godecharle, Composer, died at the age of 56
• 1823 ~ Frederick Bowen Jewson, Composer
• 1824 ~ Moritz Furstenau, Composer
• 1836 ~ Claude-Joseph Rouget de Lisle, author and composer of the Marseillaise, died
• 1870 ~ Wagner’s opera “Valkyrie” premiered in Munich
• 1933 ~ Claudio Abbado, Italian conductor
More information about Abbado
• 1933 ~ The Kraft Music Hall debuted. It turned out to be one of radio’s longest-running hits. The first program presented Paul Whiteman and his orchestra. SingerAl Jolson became the host of the show shortly thereafter. Several years later, crooner Bing Crosby was named the host. The Kraft Music Hall continued on NBC radio until 1949 and then on TV for many more years; the first year as Milton Berle Starring in the Kraft Music Hall, then Kraft Music Hall Presents: The Dave King Show followed by Perry Como’s Kraft Music Hall for four seasons. From 1967 on, The Kraft Music Hall featured a different host.
• 1934 ~ Dave Grusin, Composer of film scores
• 1934 ~ Luis Felipe Pires, Composer
• 1940 ~ Billy Davis, Jr., Singer with The 5th Dimension
• 1942 ~ Larry Taylor, Musician, bass with Canned Heat
• 1943 ~ John Allen Strang, Composer
• 1943 ~ Georgie Fame (Clive Powell), Singer
• 1945 ~ Barry Schrader, Composer
• 1945 ~ Erno Rapee, Composer, died at the age of 54
• 1945 ~ Nikolay Nikolayevich Tcherepnin, Composer, died at the age of 72
• 1953 ~ Ralph Ezell, American singer
• 1954 ~ Robert Davi, American opera singer/actor
• 1956 ~ Clifford Brown, American jazz trumpeter, died at the age of 25
• 1964 ~ A Hard Day’s Night was released by United Artists Records. The album featured all original material by The Beatles and became the top album in the country by July 25, 1964.
• 1965 ~ Mr. Tambourine Man, by The Byrds, reached the number one spot on the pop music charts. The song was considered by many to be the first folk-rock hit. The tune was written by Bob Dylan, as were two other hits for the group: All I Really Wantto Do and My Back Pages. The group of James Roger McGinn, David Crosby, Gene Clark, Chris Hillman and Mike Clarke charted seven hits. The Byrds were inducted into the Rock and Roll Hall of Fame in 1991.
• 1966 ~ “Time for Singing” closed at Broadway Theater New York City after 41 performances
• 1971 ~ Inia Te Wiata, opera singer, died
• 1971 ~ Juan Manen, Composer, died at the age of 88
• 1971 ~ “Man of La Mancha” closed at ANTA Washington Square Theater New York City after 2329 performances
• 1972 ~ David Lichine (Lichtenstein), Russian/American choreographer, died at the age of 61
• 1973 ~ Arnold Richardson, Composer, died at the age of 59
• 1973 ~ London production of “Grease” premiered
• 1977 ~ Lou Reizner, Rock vocalist/producer, died at the age of 43
• 1977 ~ Elvis Presley sang the last performance of his career, in Indianapolis. He died two months later.
• 1981 ~ Peter Kreuder, German composer, died
• 1982 ~ André Tchaikowsy, Pianist and composer, died
• 1983 ~ Walter O’Keefe, Songwriter and TV host, died at the age of 82
• 1983 ~ “Show Boat” closed at Uris Theater New York City after 73 performances
• 1984 ~ Barbra Streisand recorded Here We Are at Last
• 1991 ~ Carmine Coppola, Composer and conductor (Godfather II), died at the age of 80
• 1994 ~ Thomas Henry Wait Armstrong, Organist, died at the age of 96
• 2001 ~ French soprano Gina Cigna, famed for singing Puccini’s “Turandot”, died at the age of 101. Born in Paris in 1900, Cigna made her stage debut at Milan’s La Scala opera house at age 27 under the name Ginette Sens. Her breakthrough came two years later when she performed in Mozart’s “Don Giovanni” at La Scala under her own name. Arturo Toscanini, the conductor, was particularly fond of Cigna’s expressive voice, which received widespread acclaim. An auto accident ended Cigna’s performing career in 1947. Until 1965, she coached opera singers in Milan, Siena and Canada.