On January 11 in Music History

today

. 1843 ~ Francis Scott Key, American lawyer, poet and composer of the lyrics to “Star Spangled Banner” died at the age of 63

. 1856 ~ Charles (Johann Christian) Sinding, Norwegian composer

. 1875 ~Reinhold Moritsevich Glière Russian composer
More information about Glière

. 1895 ~ Laurens Hammond, inventor of the Hammond organ. The sound of the Hammond was used by many rock artists including; Procol Harum, Keith Emerson, Led Zeppelin, The Allman Brothers and The Faces. Hammond died on July 3, 1973.  There is a Hammond organ in the O’Connor Music Studio.

. 1901 ~ Vasily Sergeyevich Kalinnikov died. Kalinnikov was a Russian composer of two symphonies, several additional orchestral works and numerous songs, all of them imbued with characteristics of folksong.

. 1902 ~ Maurice Duruflé, French organist and composer

. 1924 ~ Don Cherry, Singer with Band of Gold

. 1928 ~ Ol’ Man River was recorded on Victor Records by Paul Whiteman and his orchestra. Bing Crosby crooned as the song’s featured vocalist. The tune came from the Broadway musical, “Showboat”.

. 1930 ~ Jack Nimitz, Jazz ‘reed’ musician, toured with Supersax

. 1933 ~ Goldie Hill, Country entertainer, married to country singer, Carl Smith

. 1946 ~ Naomi (Diane) Judd, Grammy Award-winning singer in the duo, The Judds, mother of singers Wynonna and Ashley

. 1949 ~ Dennis (Frederick) Greene, Singer with Sha-Na-Na

. 1958 ~ Vicki Peterson, Guitarist, singer with The Bangles

. 1980 ~ Rupert Holmes was at the top of the pop music charts, with Escape (The Pina Colada Song).

. 1981 ~ Leonard Bernstein began conducting the BR – Bayerischer Rundfunk Symphony Orchestra in Richard Wagner’s “Tristan und Isolde” in Munich’s Hercules Hall. Performed one act at a time, in January, April, and November of 1981, respectively, Bernstein’s “Tristan und Isolde” was telecast live and later released as an audio recording by Philips–to some controversy.

Karl Böhm remarked, with regards to Bernstein’s exaggeratedly slow tempi, “For the first time, someone dares to perform this music as Wagner wrote it.” Böhm’s own recording of the Prelude was four minutes faster.

Upon completion of the project, Bernstein declared, “My life is complete… I don’t care what happens after this. It is the finest thing I’ve ever done.”

. 2003 ~ Mickey Finn, bongo player with 1970s band T.Rex, died at the age of 55. Formed by flamboyant lead singer Marc Bolan in 1967, T.Rex shot to fame with hits such as Get it On, Hot Love and Children of the Revolution in the early 1970s. The band was originally called Tyrannosaurus Rex but the name was shortened to T.Rex in 1970 after Finn joined, replacing original member Steve Took. The band achieved a huge following in Britain — sparking a period of “T.Rextacy” among devoted fans — but achieved more limited popularity in the United States and elsewhere. Credited with introducing the phenomenon of “glam rock” to pop music and influencing artists such as David Bowie, the band played to crowds of up to 100,000 and sold 39 million albums, according to Rolling Stone music magazine.

. 2004 ~ Randy VanWarmer, who recorded the pop hit Just When I Needed You Most and then had a successful career as a songwriter, died. He was 48. Just When I Needed You Most reached No. 4 on Billboard’s pop chart in 1979. VanWarmer, also a guitarist, had written it when he was 18. More recently, VanWarmer wrote I’m in a Hurry (And Don’t Know Why), a No. 1 hit by the country group Alabama in 1992, and I Guess It Never Hurts to Hurt Sometimes, No. 1 by the Oak Ridge Boys in 1984. VanWarmer was born March 30, 1955, in Indian Hills, Colo., and spent much of his childhood in Cornwall, England, after his father died. As a young man he lived in New York City and then Los Angeles before moving to Nashville in 1985. VanWarmer had recently recorded a duet with country singer Razzy Bailey, Sandcastles.

. 2005 ~ Spencer Dryden, drummer for the San Francisco rock band the Jefferson Airplane, died. He was 66.

. 2005 ~ Jimmy Griffin, an Academy Award-winning songwriter and former guitarist for the 1970s pop group Bread, died. He was 61.

. 2016 ~ Gilberto Mendes, Brazilian composer, died at the age of 93

Victor Borge’s Birthday

Victor BorgeVictor Borge was born in 1909 in Copenhagen, Denmark. He was an entertainer and pianist – a deliciously funny performer. He studied at the Royal Danish Academy of Music, Copenhagen, and in Vienna and Berlin.

He made his debut as a pianist in 1926, and as a revue actor in 1933. From 1940 until his death in 2000 he worked in the USA for radio, television, and theatre, and has performed with leading symphony orchestras on worldwide tours since 1956.

He was best known for his comedy sketches combining music and narrative. He used his classical training to skew serious music and performers.

From his obituary:

Pianist Victor Borge, died in his sleep Dec 23, 2000 at his Greenwich, Connecticut home, was known as the unmelancholy Dane of international show business. He would have turned 92 on Jan. 3, 2001.

“The cause of death was heart failure,” his daughter, Sanna Feirstein, told Reuters.

“He had just returned from a wonderfully successful trip to Copenhagen … and it was really heartwarming to see the love he experienced in his home country,” she said.

Borge was one of five performers selected for the Kennedy Center Honors in 1999.

“He went to sleep, and they went to wake him up this morning, and he was gone,” said his agent, Bernard Gurtman.

“He had so much on the table, and to the day he died he was creative, and practicing piano several hours a day,” Gurtman told Reuters. “He was just a great inspiration.”

Funeral services will be private, his daughter said.

Borge made a career of falling off piano stools, missing the keys with his hands and getting tangled up in the sheet music.

One of his inspirations was a pianist who played the first notes of the Grieg A Minor Concerto and then fell on the keys dead.

He said that the only time he got nervous on stage was when he had to play seriously and adds that if it had not been for Adolf Hitler he probably would never have pursued a career as a concert-hall comedian.

Until he was forced to flee Denmark in 1940 he was a stage and screen idol in his native country.

Lampooned Hitler

But as a Jew who had lampooned Hitler, Borge — his real name was Boerge Rosenbaum — was in danger and fled first to Sweden and then to the United States, where he arrived penniless and unknown and by a fluke got booked on the Bing Crosby radio show. He was an instant success.

He became an American citizen in 1948, but thought of himself as Danish. It was obvious from the numerous affectionate tributes and standing ovations at his 80th birthday concert in Copenhagen in 1989 that Danes felt the same way.

In the concert at Copenhagen’s Tivoli gardens, Borge played variations on the theme of “Happy Birthday to You” in the styles of Mozart, BrahmsWagner and Beethoven — all executed with such wit that the orchestra was convulsed with laughter that a woman performing a piccolo solo was unable to draw breath to play.

“Playing music and making jokes are as natural to me as breathing,” Borge told Reuters in an interview after that concert.

“That’s why I’ve never thought of retiring because I do it all the time whether on the stage or off. I found that in a precarious situation, a smile is the shortest distance between people. When one needs to reach out for sympathy or a link with people, what better way is there?

“If I have to play something straight, without deviation in any respect, I still get very nervous. It’s the fact that you want to do your best, but you are not at your best because you are nervous and knowing that makes you even more nervous.”

His varied career included acting, composing for films and plays and writing but he was best known for his comic sketches based on musical quirks and oddities.

Unpredictable Routine

His routines were unpredictable, often improvised on stage as his quick wit responded to an unplanned event — a noise, a latecomer in the audience — or fixed on an unlikely prop — a fly, a shaky piano stool.

Borge was born in Denmark on January 3, 1909, son of a violinist in the Danish Royal Orchestra.

His parents encouraged him to become a concert pianist, arranging his first public recital when he was 10. In 1927 he made his official debut at the Tivoli Gardens.

Borge’s mischievous sense of humor was manifest from an early age. Asked as a child to play for his parent’s friends he would announce “a piece by the 85-year-old Mozart” and improvise something himself.

When his mother was dying in Denmark during the occupation, Borge visited her, disguised as a sailor.

“Churchill and I were the only ones who saw what was happening,” he said in later years. “He saved Europe and I saved myself.”

From 1953 to 1956, he appeared in New York in his own production “Comedy in Music,” a prelude to world tours that often took him to his native Scandinavia.

On radio and television, Borge developed the comedy techniques of the bungling pianist that won him worldwide fame.

Many of his skits were based on real-life events. One of his classics evolved from seeing a pianist playing a Tchaikovsky concerto fall off his seat.

Borge’s dog joined the show after it wandered on stage while he was at the keyboard — an entrance nobody would believe had been unplanned.

One incident could not be repeated. A large fly flew on to Borge’s nose while he was playing. “How did you get that fly to come on at the right time?” people asked. “Well, we train them,” Borge explained.

Borge’s book, “My Favorite Intervals”, published in 1974, detailed little-known facts of the private lives of composers describing Wagner’s pink underwear and the time Borodin left home in full military regalia but forgot his trousers.

In 1975, Borge was honored in recognition of the 35th anniversary of his arrival in the United States and his work as unofficial goodwill ambassador from Denmark to the United States. He celebrated his 75th birthday in 1984 with a series of concerts at Carnegie Hall and in Copenhagen.

Borge received a host of honors from all four Scandinavian countries for his contributions to music, humor and worthy causes.

Borge, who had lived in Greenwich since 1964, is survived by five children, nine grandchildren, and one great grandchild. His wife of many years, Sanna, died earlier that year.

Borge’s birthday

Anniversary of Borge’s death

 

December 14 ~ in Music History

 

Christmas Countdown: O Little Town Of Bethlehem

• 1911 ~ “Spike” (Lindley Armstrong) Jones, American drummer, bandleader of satiric music

• 1913 ~ Dan Dailey, Singer, dancer, actor

• 1914 ~ Rosalyn Tureck, American pianist and harpsichordist

• 1920 ~ Clark Terry, Trumpet, flugelhorn with Lionel Hampton, Count Basie, Duke Ellington, Quincy Jones

• 1928 ~ America’s original Funny Girl, Fanny Brice, recorded If You Want the Rainbow, a song from the play, My Man, on Victor Records.

• 1932 ~ Abbe Lane (Lassman), Singer, glamour actress, photographed in a bathtub filled with coffee, bandleader Xavier Cugat’s ex-wife

• 1936 ~ You Can’t Take It with You opened at the Booth Theatre in New York City.

• 1946 ~ Patty Duke, US film actress

• 1947 ~ Christopher Parkening, American guitarist

• 1953 ~ Fred Allen returned from semi-retirement to narrate Prokofiev’s classic, Peter and the Wolf, on the Bell Telephone Hour on NBC radio.

• 1963 ~ Singer Dinah Washington died in Detroit.

• 1970 ~ George Harrison received a gold record for his single, My Sweet Lord.

• 1983 ~ The musical biography of Peggy Lee opened at the Lunt-Fontanne Theatre in New York City. The show was titled Peg.

• 1984 ~ The Cotton Club opened around the U.S. There were nine classic songs by Duke Ellington on the soundtrack of the movie.

• 1990 ~ Opera lovers were turned into couch potatoes. For four evenings, starting on this day, they watched and listened to an unabridged telecast of Richard Wagner’s marathon-length opera The Ring.

• 2001 ~ Conte Candoli, a Trumpet player and staple of The Tonight Show band during Johnny Carson’s era, died of cancer. He was 74. Candoli was recognized for developing a musical style based on Dizzy Gillespie’s bebop playing, with a touch of Miles Davis and Clifford Brown. The Indiana-born Candoli, grew up surrounded by musical instruments and influences. His father, a factory worker, played the trumpet and wanted Candoli and his brother Pete to become musicians. At 16, he worked in Woody Herman’s orchestra during summer vacations. While playing in California, Candoli began his association with the then New York-based Tonight Show. In 1972, when Carson moved the show to Burbank, Candoli joined the band. He left when Carson retired in 1992.

October 21 ~ in Music History

today

• 1885 ~ Egon Wellesz, Austrian composer and musicologist

• 1907 ~ The “Merry Widow” opened in New York. The play starred Ethel Jackson and Donald Brian. The operetta had been introduced in Europe two years before.

• 1908 ~ A Saturday Evening Post advertisement offered a chance to buy, for the first time, a two-sided record. It was on Columbia.

• 1912 ~ Sir Georg Solti, Hungarian-born British conductor, Chicago Symphony Orchestra. He conducted the first complete recording of Wagner’s “Der Ring des Nibelungen”.

OCMS 1917 ~ Dizzy (John Birks) Gillespie, American jazz trumpeter and bandleader Read quotes by and about “Dizzy” Gillespie
More information about Gillespie

• 1921 ~ Sir Malcolm Arnold, Composer of screen scores: “David Copperfield”, “The Chalk “Garden”, “Suddenly, Last Summer”, “Solomon and Sheba”, “Island in the Sun”, “The Bridge on the River Kwai”, “Trapeze”, “I Am a Camera”, “The Belles of St. Trinian’s” “the Eye Witness series”

• 1924 ~ It was a big night for a big band in New York’s Cinderella Ballroom. The crowd loved the Wolverine Orchestra from Chicago and the guy on the cornet, Bix Beiderbecke, the ‘young man with a horn’.

• 1938 ~ Quaker City Jazz was recorded on the Bluebird label by Jan Savitt’s orchestra. The tune would become the theme of the band. It was not, however, recorded in the Quaker City of Philadelphia. The song was waxed in New York City.

• 1940 ~ Manfred Mann (Michael Lubowitz), Singer with Mann-Hugg Blues Brothers

• 1941 ~ Steve Cropper, Guitarist with the groups: Blues Brothers as well as Booker T and The MG’s

• 1942 ~ Elvin Bishop, Guitarist, singer with Paul Butterfield Blues Band

• 1943 ~ Ron Elliott, Guitarist with Beau Brummels

• 1946 ~ Lee Loughnane, Brass with Chicago

• 1953 ~ Charlotte Caffey, Guitar, singer with The Go-Gos

• 1955 ~ Eric Faulkner, Guitarist with Bay City Rollers

• 1957 ~ Julian Cope, Bass, guitar, singer

• 1957 ~ Steve Lukather, Guitarist with Toto

• 1958 ~ Orchestral strings were used for the first time in a rock and roll tune. Buddy Holly recorded It Doesn’t Matter Anymore, written by Paul Anka. Sadly, it would be Holly’s last studio session. The song wasn’t released until after his death in February of 1959.

• 2001 ~ George Feyer, a pianist and entertainer who played at some of New York’s top hotels, died at the age of 92. Feyer, who was known for setting pop lyrics to classical music, entertained the sophisticated Manhattan cafe society for three decades. He played for decades at the Carlyle, the Stanhope and the Waldorf-Astoria. He made many recordings, including his Echoes album series, which featured Echoes of Paris and Echoes of Broadway. Born in Budapest on Oct. 27, 1908, Feyer attended the Franz Liszt Academy of Music, where he studied with composer Sir Georg Solti. One of his first jobs was playing for silent movies. During World War II, the Nazis put Feyer on forced labor details, then imprisoned him in the Bergen-Belsen concentration camp for the final year of the war. Feyer and his family moved to New York in 1951. He stopped working full time in 1982.

In Memory of Richard Strauss

richard-strauss

 

Richard Strauss was born June 11, 1864 in Munich, Germany. He died on September 8, 1949 in Garmisch-Partenkirchen, Germany. He was a German composer and conductor known for his intense emotionalism in his symphonic poems. He characterized himself as ‘composer of expression’ which is born out in his colorful orchestration. In his operas he employed Wagnerian principles of music drama, but in a more compact form.

Strauss was composing by the age of six, having received basic instruction from his father, a virtuoso horn player. This was, however, his only formal training. The elder Strauss instilled in his son a love of the classical composers, and his early works follow in their path. Strauss’ first symphony premiered when he was seventeen, his second (in New York) when he was twenty. By that time, Strauss had directed his energies toward conducting, and in 1885 he succeeded Hans von Bülow as conductor of the orchestra in Meiningen. For the next forty years, he conducted orchestras in Munich, Weimar, Berlin and Vienna.

As a conductor, Strauss had a unique vantage point from which to study the workings of the orchestra. From this vantage point he developed a sense for orchestration that was unrivaled. He immediately put this sense to use in a series of orchestral pieces that he called “tone poems”, including Macbeth, Don Juan, Tod und Verklärung, Till Eulenspeigels lustige Streiche and Don Quixote. These works are intensely programmatic, and in the last two, Strauss elevated descriptive music to a level not approached since the techniques of text painting during the Renaissance. He also used his knowledge of orchestral techniques to produce a revised version of Hector Berlioz’s important orchestration treatise; this edition remains a standard to this day.

After the turn of the century, Strauss began to shift his focus to opera. With his principal librettist Hugo von Hofmannsthal, he created two forward-looking and shocking works: Salome, based on Oscar Wilde’s controversial play, andElektra, Hoffmannsthal’s version of the classical Greek tragedy. In these works, the intense emotions and often lurid narrative elicited a more daring and demanding musical language full of extreme chromaticism and harsh timbres. But with his next opera, Der Rosenkavalier, Strauss seems to have left this aside, turning to a more focused, almost neoclassical approach in his later works. With this, Strauss settled into a comfortable place in German musical society, perhaps too comfortable, given his willingness to acquiesce to the artistic maneuverings of the rising Nazi regime. In the end, he broke with the Nazis on moral grounds, and died virtually penniless in the aftermath of the Second World War.

Musical Examples:

  • Don Quixote
  • Suite from Le Bourgoise gentilhomme, Op.60, Prelude
  • Also Sprach Zarathustrahttps://youtu.be/3rzDXNQxjHsOne of Richard Strauss’ most popular works is Also Sprach Zarathustra since it was made popular in the 1968 Stanley Kubrick science-fiction movie 2001: A Space Odyssey.

    Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche’s philosophical treatise of the same name. The composer conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts half an hour.

    The work has been part of the classical repertoire since its first performance in 1896. The initial fanfare — entitled “Sunrise” in the composer’s program notes — became particularly well known to the general public due to its use in Stanley Kubrick’s 1968 film 2001: A Space Odyssey, and as the theme music of the Apollo program. The fanfare has also been used in many other productions.

    The piece starts with a sustained double low C on the double basses, contrabassoon and organ. This transforms into the brass fanfare of the Introduction and introduces the “dawn” motif (from “Zarathustra’s Prologue”, the text of which is included in the printed score) that is common throughout the work: the motif includes three notes, in intervals of a fifth and octave, as C–G–C (known also as the Nature-motif). On its first appearance, the motif is a part of the first five notes of the natural overtone series: octave, octave and fifth, two octaves, two octaves and major third (played as part of a C major chord with the third doubled). The major third is immediately changed to a minor third, which is the first note played in the work (E flat) that is not part of the overtone series.

    “Of Those in Backwaters” (or “Of the Forest Dwellers”) begins with cellos, double-basses and organ pedal before changing into a lyrical passage for the entire section. The next two sections, “Of the Great Yearning” and “Of Joys and Passions”, both introduce motifs that are more chromatic in nature.

    “Of Science” features an unusual fugue beginning in the double-basses and cellos, which consists of all twelve notes of the chromatic scale. It is one of the very few sections in the orchestral literature where the basses must play a contra-b (lowest b on a piano). “The Convalescent” acts as a reprise of the original motif, and ends with the entire orchestra climaxing on a massive chord. “The Dance Song” features a very prominent violin solo throughout the section. The end of the “Song of the Night Wanderer” leaves the piece half resolved, with high flutes, piccolos and violins playing a B major chord, while the lower strings pluck a C.

    One of the major compositional themes of the piece is the contrast between the keys of B major, representing humanity, and C major, representing the universe. Because B and C are adjacent notes, these keys are tonally dissimilar: B major uses five sharps, while C major has none.

Works:

  • Orchestral music, including symphonic poems: Macbeth (1888), Don Juan (1888-1889), Tod und Verklärung (Death and Transfiguration, 1889), Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, 1895), Also sprach Zarathustra (Thus Spake Zarathustra, 1896), Don Quixote (1897) and Ein Heldenleben (A Hero’s Life, 1898); 2 symphonies (Domestic, 1903 and Alpine, 1915); 3 concertos (2 for horn, 1 for oboe)
  • 15 operas, including Salome (1905), Elektra (1909), Der Rosenkavalier (The Cavalier of the Rose, 1911), Ariadne auf Naxos (1912) and Die schweigsame Frau (The Silent Woman, 1935)
  • Choral works (with and without orchestra), chamber works

     Strauss’s birthday

     anniversary of Strauss’s death

     Read quotes by and about Strauss

 

August 28 ~ in Music History

• 1826 ~ Walter Cecil Macfarren, English pianist and composer, born in London

• 1850 ~ Wagner’s opera, Lohengrin, was performed for the first time.

• 1894 ~ Karl Böhm, Austrian conductor

OCMS   1913 ~ Richard Tucker, American tenor
More information about Tucker

• 1924 ~ Dinah Washington, American rhythm-and-blues singer. She popularized many, many great songs, including What a Diff’rence a Day Makes, Unforgettable, and several hits with Brook Benton.

• 1925 ~ Billy (William Wayne) Grammer, Singer

• 1931 ~ You Rascal You was recorded by Henry Allen, with the Luis Russell Band, for the Victor label.

• 1939 ~ Clem Cattini, Drummer with Tornados

• 1948 ~ Daniel Seraphine, Drummer with Chicago

• 1951 ~ Wayne Osmond, Singer with The Osmond Brothers

• 1964 ~ The Beatles appeared on the cover of LIFE magazine.

• 1965 ~ Shania Twain (Eilleen Regina Edwards), Grammy Award-winning singer

• 1984 ~ The Jacksons’ Victory Tour broke the record for concert ticket sales. The group surpassed the 1.1 million mark in only two months.

• 2002 ~ Kay Gardner, whose last musical work with the Bangor Symphony Orchestra memorialized the Sept. 11 terrorist attacks, died of a heart attack. She was in her early 60s.
On hearing of her death, symphony officials scheduled Gardner’s work, “Lament for Thousand,” for the orchestra’s season-opening concert Oct. 13 at the Maine Center for the Arts in Orono.
Gardner was a pianist, flutist and conductor who performed in 46 states and several countries.
More than 20 years ago, she sued the Bangor Symphony, unsuccessfully, for sex discrimination after she had applied for a conducting position and learned that orchestra members had been asked how they felt about working with a female conductor.
In 2000, she was the guest conductor for a 40-member orchestra of women from the Bangor Symphony, playing a repertoire written by women.
Gardner studied music at the University of Michigan and at the State University of New York at Stony Brook. In 1972, she helped found a feminist and openly lesbian women’s band, Lavender Jane.

August 25 ~ Daily Listening Assignment

 

Today is the last one!

The clever arranger has woven together 57 famous classical melodies by 33 composers. You’ve learned about most in the last 3 months.  How many can you identify?

 

Answers below

 

We didn’t listen to all these this summer.  For those we didn’t hear, the numbers after the title are the time you can hear the melody on the video clip.

1. Mozart Eine Kleine Nachtmusik K525 This first melody was on June 22

2. Haydn Symphony 94 “Surprise” II ~ You heard it here.

3. Beethoven Symphony 9 IV (Ode to Joy) ~  It was this day

4. Mendelssohn Wedding March in Midsummer Night’s Dream, second theme ~ June 12!

5. Dvorak Humoresque No.7  July 2

6. Wagner Lohengrin, Bridal Chorus Way back on June 10

7. Tchaikovsky Piano Concerto 1 0:19

8. Saint-Saens Carnival of Animals: Swan 0:19

9. Bach Well-Tempered Clavier Book 1 Prelude 1 0:19

10. Tchaikovsky 1812 Overture 0:29

11. Bach Cello Suite No. 1 0:32

12. Mendelssohn Song without Words “Spring” 0:33

13. Schubert Ave Maria 0:40

14. Schubert Symphony 8 “Unfinished” 0:46

15. Verdi “La Donna è Mobile” in Rigoletto 0:51

16. Boccherini String Quartet in E, Op.11 No.5, III. Minuetto 0:55

17. Beethoven Für Elise was June 20

18. CPE Bach Solfeggietto on July 10

19. Paganini Capriccio 24 1:11

20. Mozart Piano Sonata No.11 III (Turkish March) was on June 23

21. Grieg Piano Concerto 1:22

22. Mozart Requiem Lacrimosa 1:26

23. Schubert Serenade 1:30

24. Chopin Prelude in C minor 1:35

25. Strauss II Overture from Die Fledermaus (Bat) 1:46

26. Brahms 5 Lieder Op.49, IV. Wiegenlied (Lullaby) 1:46

27. Satie Gymnopedie 1:56

28. Debussy Arabesque 2:00

29. Holst Planets, Jupiter 2:05

30. Schubert Trout 2:14

31. Liszt Hungarian Rhapsody No.2  Fun with cartoons – and more!

32. Mozart Variation on Twinkle Twinkle Little Star (AND the Alphabet song)  Find it here.

33. Schumann Op.68, No.10 Merry Peasant 2:47

34. Schubert Military March in D 2:54

35. Bach* (could be Petzold) Minuet in G 3:00

36. Mozart Piano Sonata No.16 in C, K545 3:07

37. Offenbach Can-Can in “Orpheus in the underworld”  The Can-Can was on June 21

38. Beethoven Piano Sonata No.8 “Pathetique” II 3:18

39. Mozart Die Zauberflöte Overture  Find it here, on June 19

40. Tchaikovsky Romeo and Juliet Overture 3:31

18′. CPE Bach Solfeggietto 3:44

41. Beethoven Symphony 5 “Fate” Was on July 7

6′. Wagner Wedding March June 10

42. Rachmaninoff Prelude Op.3 No.2 in C# minor 3:53

18′. CPE Bach Solfeggietto 3:56

43. Chopin Piano Sonata No. 2 III. Funeral March 4:11

44. Williams Imperial March in Star Wars 4:19

45. Tchaikovsky Marche Slave 4:25

46. Smetana Ma Vlast II. Moldau 4:38

47. Tchaikovsky Nutcracker – Flower Waltz (not the main theme!) 4:45

48. Borodin Polovtsian Dances 4:45

49. Strauss II Blue Danube 4:58

50. Vivaldi Four Seasons I. Spring 5:03

51. Handel Messiah, Hallelujah 5:03

52. Handel The Entrance of the Queen of Sheba 5:08

53. Elgar Pomp and Circumstance Marches No. 1 Part of the Graduation post.

54. Pachelbel Canon in D.  It was June 18

55. Mozart Symphony No. 35 in D major (Haffner) K. 385, IV. Finale, Presto 5:27

56. Chopin Etude Op.25 No.9 in G flat, “Butterfly” 5:34

57. Bach Gavotte from French Suite No. 5 in G Major, BWV 816 5:42

 

Enjoy!