Pender VBS will run from July 9-13, 9 am to noon.
- Power, and
The final program will be Friday July 13 at 11:30 am.
Pender VBS will run from July 9-13, 9 am to noon.
The final program will be Friday July 13 at 11:30 am.
. 1812 ~ Jan Ladislav Dussek died. He was a Czech composer and pianist.
. 1828 ~ Henrik Ibsen, Norwegian playwright. He wrote Peer Gynt, which Grieg later set to music.
. 1890 ~ Lauritz Melchior, Danish-born American tenor
More information about Melchior
. 1890 ~ Beniamino Gigli, Italian operatic tenor, born; with a repertory of over 60 roles, he retired in 1955 after over 40 years singing.
. 1907 ~ Ozzie Nelson, Bandleader, actor in The Adventures of Ozzie and Harriet. He was married to actress, Harriet Nelson and they were the parents of David and Ricky Nelson.
. 1915 ~ Sviatoslav Richter, Russian pianist
More information about Richter
. 1917 ~ Dame Vera Lynn, English singer and sweetheart of British forces during World War Two
. 1936 ~ Benny Goodman and his orchestra recorded Christopher Columbus on Victor Records in Chicago, IL.
. 1948 ~ Eugene Ormandy and the Philadelphia Symphony Orchestra were featured in the first televised symphonic concert. CBS-TV, with help from its then Philadelphia television station, WCAU-TV 10, carried the program from the Philadelphia Academy of Music, the home of the world- famous orchestra. The concert was televised live, at 5 p.m.
Ninety minutes later, NBC-TV carried TV’s second symphonic concert. This one was from Carnegie Hall in New York City. Arturo Toscanini and the NBC Symphony Orchestra was featured in a presentation of Wagner compositions.
. 1969 ~ Beatle John Lennon married Yoko Ono at the Rock of Gibraltar on this day. Lennon called the location, “quiet, friendly and British.” He was the second Beatle to marry in eight days. Paul McCartney and Linda Eastman were wed a week earlier.
1791 ~ Carl Czerny, Austrian pianist and composer whose vast musical production amounted to over a thousand works.
His books of studies for the piano are still widely used in piano teaching.
More information on Czerny
At the age of fifteen, Czerny began a very successful teaching career. Basing his method on the teaching of Beethoven and Muzio Clementi, Czerny taught up to twelve lessons a day in the homes of Viennese nobility.
His ‘star’ pupils included Theodor Döhler, Stephen Heller, Sigismond Thalberg, Leopoldine Blahetka and Ninette de Belleville.In 1819, the father of Franz Liszt brought his son to Czerny.
Liszt became Czerny’s most famous pupil. He trained the child with the works of Beethoven, Clementi, Ignaz Moscheles and Johann Sebastian Bach. The Liszt family lived in the same street in Vienna as Czerny, who was so impressed by the boy that he taught him free of charge. Liszt was later to repay this confidence by introducing the music of Czerny at many of his Paris recitals.
Shortly before Liszt’s Vienna concert of 13 April 1823 (his final concert of that season), Czerny arranged, with some difficulty (as Beethoven increasingly disliked child prodigies) the introduction of Liszt to Beethoven. Beethoven was sufficiently impressed with the young Liszt to give him a kiss on the forehead. Liszt remained close to Czerny, and in 1852 his Études d’exécution transcendente (Transcendental Études) were published with a dedication to Czerny.
. 1660 ~ Johann Sigismund Kusser (or Cousser), composer of Hungarian parentage active in Germany, France, and Ireland
. 1778 ~ Fernando Sor, Guitar composer
More information about Sor
. 1867 ~ Johann Strauss’ magnificent Blue Danube Waltz was played for the first time at a public concert in Vienna, Austria.
. 1870 ~ Leopold Godowsky, Polish American pianist, composer, and teacher
. 1873 ~ Feodor Chaliapin, Russian Bass
. 1895 ~ France, There’s no business like show business, right? Well, this is where it all started. A patent for a machine “to film and view phronopotographic proofs” (in simpler words, a projector) was assigned to the Lumiere brothers of Paris.
. 1904 ~ Wingy (Joseph Matthews) Manone, Trumpeter, singer, bandleader
. 1914 ~ The American Society of Composers, Authors and Publishers (known as ASCAP) was formed in New York City. The society was founded to protect the copyrighted musical compositions of its members.
. 1918 ~ Oliver Smith, Scenic designer for Broadway Musicals such as On the Town, Brigadoon, My Fair Lady, Camelot, The Sound of Music, Hello Dolly! and films Guys and Dolls, Oklahoma!, Porgy and Bess, The Band Wagon
. 1919 ~ “Tennessee” Ernie Ford, American country-music singer and songwriter
. 1920 ~ Eileen Farrell, American soprano, San Francisco Opera, Lyric Opera of Chicago, Metropolitan Opera. Also successful in singing and recording popular music and jazz
. 1940 ~ Earl ‘Fatha’ Hines and his orchestra recorded the classic Boogie Woogie on St. Louis Blues on the famous Bluebird record label.
. 1925 ~ Gene Ames, Singer with The Ames Brothers
. 1929 ~ Jesse McReynolds, Guitarist, folk singer with Jim & Jesse
. 1930 ~ Dotty McGuire, Singer with McGuire Sisters
. 1944 ~ Peter Tork (Peter Halsten Thorkelson), Bassist, singer with The Monkees
. 1950 ~ Roger Christian, Singer with The Christians
. 1956 ~ Peter Hook. Bass with Joy Division
. 1957 ~ Tony Butler, Bass with Big Country
. 1971 ~ The Osmonds, a family singing group from Ogden, Utah, began a five-week stay at the top of the pop music charts with the hit, “One Bad Apple”. The song, featuring the voice of little Donny Osmond, also showcased the talent of Alan, Wayne, Merrill and Jay Osmond. The brothers were regulars on Andy Williams’ TV show from 1962 to 1967. The group began as a religious and barbershop quartet in 1959. Together, the Osmonds scored with 10 singles in four years — four of them were top ten hits.
. 1976 ~ Lily (Alice) Pons passed away
. 1990 ~ Musical highlight of glasnost when cellist/conductor Mstislav Rostropovich returned to Russia after a 16 year absence. Russian listeners cheered wildly when he played American favorite march, “Stars and Stripes Forever” by John Phillip Sousa
. 2001 ~ Music critic George T. Simon, the original Glenn Miller Band drummer who swapped his sticks for a pen and eventually earned a Grammy for his acclaimed liner notes, died of pneumonia following a battle with Parkinson’s disease at the age of 88. In 1937 Simon sat in with the fledgling Glenn Miller Band. But he opted for writing over drumming, and became editor-in-chief of Metronome magazine in 1939. As a writer, Simon worked for the New York Post and the now-defunct New York Herald-Tribune. He also served as executive director of the National Academy of Recording Arts and Sciences, the organization behind the Grammy Awards. In 1977, Simon won his Grammy Award for best album notes – his contribution to the collection “Bing Crosby: A Legendary Performer.” Simon was hand-picked by Crosby to write the liner notes for the release.
. 2002 ~ Waylon Jennings, whose rebellious songs and brash attitude defined the outlaw movement in country music, died peacefully at his Arizona home after a long battle with diabetes-related health problems. He was 64. Jennings’ list of hits spans four decades and includes country music standards like Good-Hearted Woman andMammas Don’t Let Your Babies Grow Up to Be Cowboys, both duets with Willie Nelson. Jennings made 60 albums and had 16 country singles that reached No. 1. His “Greatest Hits” album in 1979 sold 4 million – a rare accomplishment in country music for that era. Jennings won two Grammy awards and four Country Music Association awards. Other hits include I’m a Ramblin’ Man, Amanda, Lucille, I’ve Always Been Crazy, and Rose in Paradise. Jennings’ deep, sonorous voice narrated the popular TV show “The Dukes of Hazzard” and sang its theme song, which was a million seller. Jennings had been plagued with health problems in recent years that made it difficult for him to walk. In December 2002, his left foot was amputated. He traditionally wore a black cowboy hat and ebony attire that accented his black beard and mustache. Often reclusive when not on stage, he played earthy music with a spirited, hard edge. Some of Jennings’ album titles nourished his brash persona: “Lonesome, On’ry and Mean,” “I’ve Always Been Crazy,” “Nashville Rebel,” “Ladies Love Outlaws” and “Wanted: The Outlaws.” He often refused to attend music awards shows on the grounds that performers shouldn’t compete against each other. He didn’t show up at his induction into the Country Music Hall of Fame last year. He made occasional forays into TV movies, including “Stagecoach” and “Oklahoma City Dolls,” plus the Sesame Street movie “Follow That Bird” and the B-movie “Nashville Rebel.”
. 2015 ~ John McCabe died. He was an English composer and pianist. He was a prolific composer from an early age but first became known as a pianist. He created works in many different forms, including symphonies, ballets, and solo works for the piano.
I think the first time I ever came across anything related to Calloway was in the late 1960s when I was watching That Girl on TV – Ann’s father (Lew Parker) sang Minnie the Moocher for a talent show. The song stuck in my head. I wish I could find a video of that performance.
“Minnie the Moocher” is a jazz song first recorded in 1931 by Cab Calloway and His Orchestra, selling over a million copies. “Minnie the Moocher” is most famous for its nonsensical ad-libbed (“scat”) lyrics (for example, “Hi De Hi De Hi De Hi”).
In performances, Calloway would have the audience participate by repeating each scat phrase in a form of call and response. Eventually, Calloway’s phrases would become so long and complex that the audience would laugh at their own failed attempts to repeat them.
“Minnie the Moocher” was inducted into the Grammy Hall of Fame in 1999.
Lots of others have sung this song, as well including Stephen Fry and Hugh Laurie in “Jeeves and Wooster”.
and the Three Mo’ Tenors performed it in 2001
Calloway appeared in the 1980 film The Blues Brothers and sang a shortened version “Minnie The Moocher” in the film, in the original style of big band.
Cabell “Cab” Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was strongly associated with the Cotton Club in Harlem, New York City, where he was a regular performer.
Calloway was a master of energetic scat singing and led one of the United States’ most popular big bands from the start of the 1930s through to the late 1940s. Calloway’s band featured performers including trumpeters Dizzy Gillespie and Adolphus “Doc” Cheatham, saxophonists Ben Webster and Leon “Chu” Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86.
An old Paramount short film of Cab Calloway singing many of his hits.
“The Old Man of The Mountain” is non-stop Cab from beginning to end. He appears first as an owl, singing the title song. The words have been changed for the cartoon, in which the Old Man is a villain. In the original song, the Old Man is a benevolent character. Next we see Cab as the Old Man himself, rotoscoped and singing, “You Gotta Hi-De-Hi,” followed by “The Scat Song.”
The cartoon begins with live footage of Cab and his Orchestra playing around with the tune of Minnie the Moocher while Cab scats mildly and grins at the camera. Whereas Cab may have been caught by surprise when they used live footage of him in the earlier cartoon, “Minnie the Moocher”, this time he is ready. He and his band are in dress white uniforms, Cab’s hair is slicked back, and he pays attention to the camera. (The drummer, Leroy Maxey, is still playing with his drumsticks, though!)
Of the three cartoons starring Cab Calloway, this one has the least interesting and least surreal plot, and the animation is the crudest. Never-the-less, the very early live footage of Cab is a treasure, and this cartoon showcases his music from beginning to end, featuring three of his songs. He does some of his most remarkable ever scat singing in this version of The Scat Song.
In all of the Fleisher cartoons, Cab’s characters are set in caves with menacing and ominous background illustrations: skeletons, skulls, ghosts, leering faces, and gambling, alcohol and drug paraphernalia. People have claimed that the Fleischers were unaware of the drug references in Cab’s songs (for example, “kicking the gong around” meaning “smoking opium”), but the imagery in the animations suggests otherwise.
Cab’s scat singing, dancing, comedic personality and flashy elegance had made him a star and a million-selling recording artist. He continued to perform right up until his death in 1994 at the age of 88.
Gunther Schuller sums up Calloway’s brilliance as an entertainer: “People still remember Cab Calloway as a dancer and vaudevillian with his wonderful white tuxedos and all of that — and, as a great, great showman.”
Time Magazine Milestones: Jan. 26, 1968
Died. Howard Lebow, 32, U.S. concert pianist; of injuries suffered in an automobile accident; in Amherst, Mass. One of the youngest and most promising of U.S. pianists, Lebow toured 15 countries after his 1963 Manhattan solo debut, played the works of such modern composers as Edward Levy and Erich Kahn with an adventurousness that sometimes startled the critics but more often won their applause.
Howard Lebow The University of Massachusetts Department of Music has established a trust fund for scholarships to assist both graduate and undergraduate music students in memory of the late Howard M. Lebow, professor of piano and concert artist whose untimely death in an automobile accident in January cut short a brilliant musical career. The scholarships will be awarded to students, selected by a special music committee, who demonstrate musical potential according to the ideals and standards of excellence that Lebow set for himself and for his students.
Lebow was graduated from the Juilliard School of Music in 1957, received his master’s degree in 1959, and was the winner of the school ‘ s highest pianistic honor, the Morris Loeb Memorial Prize. He studied at the State Academy of Music in Hamburg, Germany; the International Institute for New Music in Darmstadt, Germany; and the Mozarteum Summer Academy in Salzburg, Austria.
He studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and became well-known for his performances of Busoni ‘ s works. Lebow came to the University of Massachusetts in 1965 to assume his position as Assistant Professor of Piano. Internationally acclaimed as a remarkable pianist by music critics, Lebow was widely recognized as having a faultless technique, a richly varied touch, and a distinctive feeling for style. ” It is only Lebow, ” said the Darmstaedter Echo, ” who puts every fiber of his body and soul into the keys and truly performs with the utmost clarity, transparentness and plasticity. ” Dr. Philip Bezanson, head of the department said, ” The music department feels this memorial fund is a most fitting way to perpetuate the memory of Howard Lebow. He was actively interested in trying to develop scholarships for the music department. Because of his genuine interest in talented students it is most fitting that talented students should continue to receive help in his name. ”
Howard Miles Lebow was an accomplished concert pianist and composer who was first celebrated during his tenure as a student at Julliard School of Music where he earned both his BA and MFA. While at Julliard, Lebow studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and was acclaimed for his performances of Busoni’s works. Lebow exceled as a pianist, performing in fifteen countries across Europe and the Americas. Appointed to the post of Assistant Professor of Piano at the University of Massachusetts in September 1965, Lebow lectured and performed until his untimely death in 1968 at age 32. Although known for his interpretations of contemporary music, Lebow was equally at home in the entire piano literature; one of his last and most memorable recitals was devoted to the music of Franz Liszt, another artist whom he had studied and whom he greatly admired. After his death, the Howard M. Lebow Scholarship Fund was established (1968).
The University of Massachusetts Department of
Music has established a trust fund for
scholarships to assist both graduate and
undergraduate music students in memory of
the late Howard M. Lebow, professor of piano
and concert artist whose untimely death in an
automobile accident in January cut short a
brilliant musical career. The scholarships
will be awarded to students, selected by a
special music committee, who demonstrate
musical potential according to the ideals
and standards of excellence that Lebow set
for himself and for his students.
Lebow was graduated from the Juilliard School
of Music in 1957, received his master’s
degree in 1959, and was the winner of the
school’s highest pianistic honor, the
Morris Loeb Memorial Prize. He studied at
the State Academy of Music in Hamburg,
Germany; the International Institute for New
Music in Darmstadt, Germany; and the
Mozarteum Summer Academy in Salzburg, Austria.
He studied under Edward Steuermann, a pupil
of composer Ferruccio Busoni, and became
well-known for his performances of Busoni’s
Lebow came to the University of Massachusetts
in 1965 to assume his position as Assistant
Professor of Piano.
Internationally acclaimed as a remarkable
pianist by music critics, Lebow was widely
recognized as having a faultless technique,
a richly varied touch, and a distinctive
feeling for style. “It is only Lebow,” said
the Darmstaedter Echo, “who puts every fiber
of his body and soul into the keys and truly
performs with the utmost clarity,
transparentness and plasticity.”
Dr. Philip Bezanson, head of the department said, “The music department feels this memorial fund is a most fitting way to perpetuate the memory of Howard Lebow. He was actively interested in trying to develop scholarships for the music department. Because of his genuine interest in talented students it is most fitting that talented students should continue to receive help in his name.”
Howard Lebow was my piano teacher my freshman year at UMass. I was devastated over Christmas break to learn that he had died in a car crash. He had been walking on campus and was hit by a driver. 😦