“Intervals Roasting”: The Most Educational Christmas Carol Ever

music-theory-song

Music theory has never sounded so catchy with this witty remake of the holiday classic The Christmas Song (with apologies to Mel Torme) Try not to laugh at the ending.

Though it is a bit humorous, this version titled ‘Intervals Roasting’, with lyrics by David Rakowski, attempts to encapsulate the fundamentals of music theory in just over two minutes.

It does a good job of explaining the intervals and harmonic structure of the song and also gives you an idea of how to use music theory to analyze or compose music.

The O’Connor Music Studio has a copy if anyone wants to learn this 🙂

December Listening and Coloring Pages

I have just purchased a set of Christmas Shades of Sound Listening & Coloring Book for the studio.

Please let me know if you do not want your student to participate in Christmas activities and I will assign alternate activities.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

Get your piano students listening to great classical music!

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Christmas edition includes 20 pieces of piano and orchestral literature for the Christmas season, from the Baroque to the Modern period. Includes background and historical information on the pieces and the composers, and a beautiful coloring page for each piece.

The Christmas Shades of Sound book includes 20 different pieces, including:

  • In Dulci Jubilo from the Christmas Tree Suite by Liszt
  • Pastorale from the Christmas Oratorio by Bach
  • Jesu, Joy of Man’s Desiring by Bach/Hess
  • Farandole from L’arlesienne Suite #1 by Bizet
  • Christmas Sonatina by Reinecke
  • Elegy #4 by Busoni
  • The Adoration of the Magi by Respighi
  • Winter Sonatina by Rowley
  • Christmas Concerto by Corelli
  • Ave Maria by Schubert/Liszt
  • Sleigh Bells in the Snow by Gillock
  • Diversions by Dello Joio
  • Nuit de Noel by Busoni
  • Sheep May Safely Graze by Bach/Petri
  • Carol Symphony by Hely-Hutchinson
  • Dance of the Sugar Plum Fairy by Tchaikovsky
  • Trepak by Tchaikovsky
  • Arabian Dance by Tchaikovsky
  • Waltz of the Flowers by Tchaikovsky
  • Hallelujah Chorus by Handel

 

Giving Thanks

Adapted from a post at http://www.maryo.co/giving-thanks-day-2/

 

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I’m thankful for my piano studio, my students, and my piano 🙂

When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in.  The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom.  Not the best place for a piano, but I digress.

Since we had the piano already, someone – probably my mom – decided that I would take lessons.  We had the organist from the Baptist church just across the river in Westerly, RI

Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.

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25-centsMiss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.

I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.

From there, it was the Michael Aaron series, and some sheet music.

There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.

My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child.  Later on, she played well enough that she was church organist for a local Roman Catholic Church.

But I digress…

In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout.  Bye, bye Clara.

Girl Scouts didn’t last long but I did play piano in a talent show.  I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover.  (I still have this, too)

balladeburgmuller

I doubt that I played this well but here’s what it was supposed to sound like:

A few years intervened and moved to Springfield, MA.  The parsonage piano there was in terrible shape and in the dark, never-used basement.  But I decided to make it mine and cleared up the area around it and started “practicing”.

My Junior or Senior year of High School I decided I wanted to major in music in college.  I decided to learn, on my own, a piano arrangement of Aragonnaise by Jules Massenet.  I have no idea why or where that sheet music came from but I started working furiously on this piece.

aragonnaise

Hopefully, at some point, it should have sounded like this:

I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.

Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory in winter 5 days a week.  AARRGGH!

But I stuck it out.

My wonderful piano teacher, Howard Lebow, was killed in a car accident during my sophomore year and I was devastated.  There will be more about him in a post on January 26, 2019 here on https://oconnormusicstudio.com

I took yet another break from piano lessons – but I kept playing.

After DH graduated, we moved to Milwaukee, WI for his graduate school.  Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin.  I also found a teacher at the Schaum School of Music.  She was amazed that I had no piano at home to practice on.

When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano.  The owner had acquired it in a divorce and wanted it gone.  Yesterday.  She even paid to move it out of her apartment.

The new-to-me piano took up half our living room.  When my parents came to visit, their feet we under my piano as I slept.

I found yet another new piano teacher and she is still my best friend to this day.

That piano moved to several locations before I bought a brand new Yamaha grand piano.  The movers accidently brought in the wrong one and I made them return it.  The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.

I started teaching as a traveling piano teacher in Silver Spring, Maryland.  I continued that in Wilmington, DE.

When we got to Fairfax, VA I decided no more traveling.  Students would come to me.  And so they have since 1973.

What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets and other musical “stuff”.

Piano playing has gotten me through the worst times of my life.  Teaching has been a lifeline for me, as well.

I am so thankful for the students who have stayed with me over the years.

Need a New Piano?

Yamaha pianos used throughout the past year at Merriweather Post Pavillion for both events and visiting artists, as well as pianos used by students throughout Howard County piano teaching studios will be available at substantial savings during a once-a-year event.
The selection includes baby grand, upright,
digital & hybrid pianos, including
Yamaha AvantGrand, Disklavier, Clavinova & More
* Each piano has been professionally maintained
and is in very good to excellent condition
* Each piano features a new factory warranty
* No holds or layaways.  Delivery & financing available on-site.
* Each instrument is first-come, first-served in the order of appointments received.
Yamaha product specialists will be on hand to assist.
Appointments are strongly recommended for the best selection, and are required for event access prior to Sunday.  Register here:
10475 Little Patuxent Parkway
Columbia, MD 21044
Event Appointment Line:
(844) 711-3010

Just in Time for Halloween: Funeral March of a Marionette by Charles Gounod

funeral

The Funeral March of a Marionette (Marche funèbre d’une marionnette) is a short piece by Charles Gounod. It was written in 1872 for solo piano and orchestrated in 1879. It is perhaps best known as the theme music for the television program Alfred Hitchcock Presents, which originally aired from 1955 to 1965.

In 1871-72, while residing in London, Gounod started to write a suite for piano called “Suite Burlesque”. After completing one movement, the Funeral March of a Marionette, he abandoned the suite and had the single movement published by Goddard & Co. In 1879 he orchestrated the piece. The instrumentation is: piccolo, flute, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in D, 2 trumpets in A, 3 trombones, ophicleide, timpani, bass drum, triangle, strings. The work is in the key of D minor, with a central section in D major. Various arrangements by other hands exist.

There is a program underlying the Funeral March of a Marionette: The Marionette has died in a duel. The funeral procession commences (D minor). A central section (D major) depicts the mourners taking refreshments, before returning to the funeral march (D minor).
The score contains the following inscriptions in appropriate places:

La Marionnette est cassée!!! (The Marionette is broken!!!)
Murmure de regrets de la troupe (Murmurs of regret from the troupe)
Le Cortège (The Procession)
Ici plusieurs des principaux personnages de la troupe s’arrêtent pour sa rafrâichir (Here many of the principal personages stop for refreshments)
Retour a la maison (Return to the house). (Wikipedia)

Download this music in several versions from IMSLP.  Click on Arrangements and Transcriptions.  There are also some arrangements for piano at the O’Connor Music Studio.

On Alfred Hitchcock:

From Faber Piano Adventures Performance Book Level 3B No.7 (Also available in the OCMS Library):

Piano 4-hands:

With animation:

On organ:

Mannheim Steamroller:

And, finally, a light show!