Technic Series: Scales and Arpeggios

scales

PDF Article on Scales and Arpeggios

In music, a scale is any set of musical notes ordered by fundamental frequency or pitch.

An arpeggio (it. /arˈpeddʒo/) is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than being played together like a chord. This word comes from the Italian word “arpeggiare”, which means “to play on a harp”. An alternative translation of this term is “broken chord”.

Make any scale or chord here

 

Today is Compliment Day

compliment

 

National Compliment Day.  Give an extra compliment on National Compliment Day which is observed annually on January 24.

A compliment has a powerful effect. It can instill confidence in a child, or validate someone’s hard work.

The OCMS has sticker pages you can put in your student’s music or notebooks to remind him or her how well you think they’re doing.

Always find something to praise in your student’s practice and playing.  You’ll see that it makes a world of difference.

 

 

Hanon Piano Exercises

hanon

Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist.

Most anyone who has ever played piano has a love-hate relationship with the “Hanon”.

The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.

First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon’s most well-known work, and is still widely used by piano instructors and pupils although some teachers are getting away from the mechanical playing these can produce.

Personally, I’ve sometimes played these on “auto-pilot” since all one really needs is to get the first pattern going, then move up a step, up a step…

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Notes by C. L. Hanon: Preparatory exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers. For studying the 20 exercises, begin with the metronome set at 60, gradually increasing the speed up to 108.

From Wikipedia:

The exercises are intended to address common problems which could hamper the performance abilities of a student. These include “crossing of the thumb”, strengthening of the fourth and fifth fingers, and quadruple- and triple-trills.

The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in.

Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises will also help to increase endurance. The exercises are divided in three parts:

  1. Exercises 1 – 20: Labeled “preparatory exercises”, these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 semiquavers, beginning on C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.
  2. Exercises 21 – 43: Labeled “further exercises for the development of a virtuoso technique.” This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.
  3. Exercises 44 – 60: Labeled “virtuoso exercises for mastering the greatest technical difficulties.” Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes,, and more.

After all three parts are mastered, Hanon recommends all exercises be played through daily to retain technique.

The O’Connor Music Studio has several editions of this work, including:

Hanon: The Virtuoso Pianist in Sixty Exercises, Complete.  Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist . Millions of copies have been sold of these progressive exercises which guide a player’s technique, building finger independence and strength. This was the first American edition released of this music, and remains a classic at a remarkably affordable price.

Junior Hanon (Alfred Masterwork Edition). A slight condensation of Hanon’s first exercises. The simplification in layout and range make the exercises appear less difficult to a young student. Includes the complete Book 1 and excerpts from Books 2 & 3 of C. L. Hanon’s famous studies, The Virtuoso Pianist in 60 Exercises.

Hanon for Students, Bk 1: 6 Varied Exercises from The Virtuoso Pianist for Late Elementary Pianists. Hanon for Students, Book 1, contains the first six exercises from The Virtuoso Pianist, Book 1. The exercises are notated in eighth notes for one octave so that students may begin to use them effectively at the late-elementary level. Each exercise appears five times to be played with a legato touch, varied articulation, varied dynamics, varied rhythm, and transposed to F or G.

Jazz Hanon. Inspired by Charles-Louis Hanon’s The Virtuoso Pianist the essential technical method for any classical player these new volumes present a modern-day equivalent for the musician seeking to play the key piano styles of the 20th century. Each book develops basic technique and true facility in each genre through authentic, progressive exercises and etudes. The music in these books is fun to play for pianists at every level, building the necessary skills in each style while providing extensive musical and stylistic insight.

The Most Educational Christmas Carol Ever ~ “Intervals Roasting”

music-theory-song

Music theory has never sounded so catchy with this witty remake of the holiday classic The Christmas Song (with apologies to Mel Torme) Try not to laugh at the ending.

Though it is a bit humorous, this version titled ‘Intervals Roasting’, with lyrics by David Rakowski, attempts to encapsulate the fundamentals of music theory in just over two minutes.

It does a good job of explaining the intervals and harmonic structure of the song and also gives you an idea of how to use music theory to analyze or compose music.

The O’Connor Music Studio has a copy if anyone wants to learn this 🙂

December Listening and Coloring Pages 2019

I have purchased a set of Christmas Shades of Sound Listening & Coloring Book for the studio.

Please let me know if you do not want your student to participate in Christmas activities and I will assign alternate activities.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

Get your piano students listening to great classical music!

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Christmas edition includes 20 pieces of piano and orchestral literature for the Christmas season, from the Baroque to the Modern period. Includes background and historical information on the pieces and the composers, and a beautiful coloring page for each piece.

The Christmas Shades of Sound book includes 20 different pieces, including:

  • In Dulci Jubilo from the Christmas Tree Suite by Liszt
  • Pastorale from the Christmas Oratorio by Bach
  • Jesu, Joy of Man’s Desiring by Bach/Hess
  • Farandole from L’arlesienne Suite #1 by Bizet
  • Christmas Sonatina by Reinecke
  • Elegy #4 by Busoni
  • The Adoration of the Magi by Respighi
  • Winter Sonatina by Rowley
  • Christmas Concerto by Corelli
  • Ave Maria by Schubert/Liszt
  • Sleigh Bells in the Snow by Gillock
  • Diversions by Dello Joio
  • Nuit de Noel by Busoni
  • Sheep May Safely Graze by Bach/Petri
  • Carol Symphony by Hely-Hutchinson
  • Dance of the Sugar Plum Fairy by Tchaikovsky
  • Trepak by Tchaikovsky
  • Arabian Dance by Tchaikovsky
  • Waltz of the Flowers by Tchaikovsky
  • Hallelujah Chorus by Handel