Halloween Themes in a Major Key

Classic horror themes are ominous and generally dread-inspiring for a reason: They are written in minor keys. Find a nifty melody, go minor, and watch the goosebumps pile up. For composers, sometimes it’s almost too easy.

To prove that it’s the minor key and not the melody that is eerily accenting the work of cinema’s most murderous villains, musician/writer/filmmaker Ian Gordon re-recorded five iconic themes in major keys. What comes next will definitely not frighten you.

A quick rundown:

The X-Files theme sounds like the beginning of an inspirational journey across side-scrolling Nintendo worlds. (One where you’re searching for a magic flute.)

Halloween sounds like the side A, track one of an indie-pop outfit’s meadow-frolicking breakout record.

Saw recalls the music that scores when the football game is getting out of hand and only the underdog protagonist can bring you back.

The Exorcist sounds like a Styx breakdown.

Nightmare on Elm Street sounds like you’re at Sea World, and Shamu is doing a night show. (The ones with lasers.)

via Horror themes re-recorded in a major key will make you feel all warm and fuzzy.

Exercises – Scales and Arpeggios

scales

PDF Article on Scales and Arpeggios

In music, a scale is any set of musical notes ordered by fundamental frequency or pitch.

An arpeggio (it. /arˈpeddʒo/) is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than being played together like a chord. This word comes from the Italian word “arpeggiare”, which means “to play on a harp”. An alternative translation of this term is “broken chord”.

Make any scale or chord here

 

Now that Halloween is About Over…

Classic horror themes are ominous and generally dread-inspiring for a reason: They are written in minor keys. Find a nifty melody, go minor, and watch the goosebumps pile up. For composers, sometimes it’s almost too easy.

To prove that it’s the minor key and not the melody that is eerily accenting the work of cinema’s most murderous villains, musician/writer/filmmaker Ian Gordon re-recorded five iconic themes in major keys. What comes next will definitely not frighten you.

A quick rundown:

The X-Files theme sounds like the beginning of an inspirational journey across side-scrolling Nintendo worlds. (One where you’re searching for a magic flute.)

Halloween sounds like the side A, track one of an indie-pop outfit’s meadow-frolicking breakout record.

Saw recalls the music that scores when the football game is getting out of hand and only the underdog protagonist can bring you back.

The Exorcist sounds like a Styx breakdown.

Nightmare on Elm Street sounds like you’re at Sea World, and Shamu is doing a night show. (The ones with lasers.)

via Horror themes re-recorded in a major key will make you feel all warm and fuzzy.

Scales and Arpeggios

scales

PDF Article on Scales and Arpeggios

In music, a scale is any set of musical notes ordered by fundamental frequency or pitch.

An arpeggio (it. /arˈpeddʒo/) is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than being played together like a chord. This word comes from the Italian word “arpeggiare”, which means “to play on a harp”. An alternative translation of this term is “broken chord”.

Make any scale or chord here

In the O’Connor Music Studio, we have started using some newer books with beginning students:  Piano Adventures Scale and Chord Book, Book 1 (5 finger) and 2 (Full scales).

Cheering up Halloween: Horror Themes Re-Recorded In a Major Key Will Make You Feel All Warm And Fuzzy

Classic horror themes are ominous and generally dread-inspiring for a reason: They are written in minor keys. Find a nifty melody, go minor, and watch the goosebumps pile up. For composers, sometimes it’s almost too easy.

To prove that it’s the minor key and not the melody that is eerily accenting the work of cinema’s most murderous villains, musician/writer/filmmaker Ian Gordon re-recorded five iconic themes in major keys. What comes next will definitely not frighten you.

A quick rundown:

The X-Files theme sounds like the beginning of an inspirational journey across side-scrolling Nintendo worlds. (One where you’re searching for a magic flute.)

Halloween sounds like the side A, track one of an indie-pop outfit’s meadow-frolicking breakout record.

Saw recalls the music that scores when the football game is getting out of hand and only the underdog protagonist can bring you back.

The Exorcist sounds like a Styx breakdown.

Nightmare on Elm Street sounds like you’re at Sea World, and Shamu is doing a night show. (The ones with lasers.)

via Horror themes re-recorded in a major key will make you feel all warm and fuzzy.

Exercises: Scales and Arpeggios

scales

PDF Article on Scales and Arpeggios

In music, a scale is any set of musical notes ordered by fundamental frequency or pitch.

An arpeggio (it. /arˈpeddʒo/) is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than being played together like a chord. This word comes from the Italian word “arpeggiare”, which means “to play on a harp”. An alternative translation of this term is “broken chord”.

Make any scale or chord here

 

Horror Themes Re-Recorded In a Major Key Will Make You Feel All Warm And Fuzzy

Classic horror themes are ominous and generally dread-inspiring for a reason: They are written in minor keys. Find a nifty melody, go minor, and watch the goosebumps pile up. For composers, sometimes it’s almost too easy.

To prove that it’s the minor key and not the melody that is eerily accenting the work of cinema’s most murderous villains, musician/writer/filmmaker Ian Gordon re-recorded five iconic themes in major keys. What comes next will definitely not frighten you.

A quick rundown:

The X-Files theme sounds like the beginning of an inspirational journey across side-scrolling Nintendo worlds. (One where you’re searching for a magic flute.)

Halloween sounds like the side A, track one of an indie-pop outfit’s meadow-frolicking breakout record.

Saw recalls the music that scores when the football game is getting out of hand and only the underdog protagonist can bring you back.

The Exorcist sounds like a Styx breakdown.

Nightmare on Elm Street sounds like you’re at Sea World, and Shamu is doing a night show. (The ones with lasers.)

via Horror themes re-recorded in a major key will make you feel all warm and fuzzy.