A helpful guide to reading sheet music created by an unqualified individual.
Let’s face it. Most kids don’t want to practice the piano. And if they do find the time to practice, it’s usually because their parent kept nagging them. How frustrating!
Piano teachers are frustrated too. It’s nearly impossible to teach students new concepts when they don’t understand the old ones–all because of a lack of practice.
If you’re a parent in this situation, I have just the solution you’re looking for.
In this upbeat book, I share all the tips I’ve discovered in my 14 years of teaching piano. You’ll learn fun, practical ways to get your kids to the keyboard.
But this easy-to-read guide goes one step further. I’ll show you simple ways to encourage better quality practice. Even if you’ve never had a music lesson in your life!
I wrote this book for kids of all ages. There are creative ideas for elementary students and also a section for teens.
There’s even a section for what to do if your child wants to stop taking piano lessons. That’s right, there is hope and my book will show you exactly how to get them interested in piano again.
Don’t be the kind of parent who sits on the sidelines waiting until their child wants to practice. Piano lessons are too expensive for you to let another “no-practice” day go by.
This book is your answer to get your child to the keyboard, have good quality practice and develop a life-long love of music.
Get it on Amazon
When my students are first working with the Grand Staff, they are often confused about the placement of the various clefs.
In piano music, we generally use only the G-clef (Treble clef – not “trouble clef” as some think!) and the F-clef (Bass clef) I try to show students how the curvy part of the G-clef wraps around the G above middle C and the F-clef looks sort of like an F marking the F below middle C. I draw out G and F on the staff to show how these could have looked.
Originally, instead of a special clef symbol, the reference line of the staff was simply labeled with the name of the note it was intended to bear: F and C and, more rarely, G. These were the most often-used ‘clefs’ in Gregorian chant notation. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Over time the shapes of these letters became stylized, leading to their current versions.
Student books in 6 different categories are available now in both digital and hardcopy. There is now “To the Lake”, “Outdoor Adventure”, “To the Farm”, “Country Carnival” and two levels of “Rockstar Rally”.
Two levels of Roadtrip! are currently available in Piano Maestro.
Register for Roadtrip! Students (ages 4-5) are scheduled for half-hour lessons with their parents present.
I have several copies of this book for the music studio so parents can check it out to see if it would be useful for them to buy for home use. If any of the studio parents have this book already, please let me know what you think.
Some of my adult students have this and have found it helpful in doing theory assignments.
From Amazon:
Help Your Kids with Music is a step-by-step visual guide to music theory and is the perfect primer to help students gain a solid foundation in music, no matter their age, skill level, or instrument.
Help Your Kids with Music clearly explains key concepts in five step-by-step chapters:
Sample pages:
Stephen Powers first thought of his grand piano as an impressive piece of furniture.
But he enjoyed listening to music so much when friends played at parties at his home in North Wilmington that he began taking lessons.
“I enjoy having a couple of songs under my belt,” says Powers, a 52-year-old banker. “I play Happy Birthday. I play Getting to Know You for my mom.”
Powers is part of a boomlet of adults who are studying piano. Many took lessons briefly as children and regret giving it up. Some simply enjoy music. Others gravitated toward the keyboard because studies suggest piano improves mental acuity while reducing the odds of dementia.
A Swedish study published in 2014 in the International Journal of Alzheimer’s Disease found that when a twin played a musical instrument later in life, he or she was 64 percent less likely to develop dementia than the twin who did not play.
A study published in Frontiers in Psychology in 2013 evaluated the impact of piano lessons on cognitive function, mood and quality of life in adults age 60 to 84.
The group that studied piano showed significant improvement in tests that measure executive function, controlling inhibitions and divided attention, as well as enhanced visual scanning and motor ability. Piano students also reported a better quality of life.
Some grownups simply relish a challenge.
In the United Kingdom, Alan Rusbridger, editor of the Guardian, took to the keyboard at age 56. He chronicled the year he spent learning Chopin’s demanding No. Ballade 1 in G Minor in the book Play It Again: An Amateur Against the Impossible.
Richard Swarmer, 57, of Lewes, played the trumpet from grade school through college. He has sung in several choirs. This year, he began piano lessons.
Learning the piano isn’t easy even for someone with a musical background. Still, Swarmer appreciates that the creative thought process is different from the focus required by his job for a medical benefits company.
“I have thoroughly enjoyed taking piano lessons as an adult,” he says. “It provides a welcome respite from the demands of my job.”
Ethel Thirtel of North Wilmington is 71 and a student at the Music School of Delaware. She is also taking French lessons to help keep her intellect sharp.
“Both pursuits involve active studying and practice to master new skills,” she says.
To meet rising demand, the Music School of Delaware offers adults-only evening group classes to accommodate working people, says Matthew Smith, student and alumni relations officer. The school also provides instruction for adults 50 and older through the Osher Lifelong Learning Institute at University of Delaware.
“In addition to professionals, we are getting a lot more inquiries from older adults who are retired and have time on their hands,” he says.
Geri Smith, a Julliard-trained singer, musician and composer, has taught piano to children in public schools as well as private arts centers. Her adult students include a 59-year-old writer who took up piano after the death of her husband, a gifted musician.
“Teaching children is a different experience than teaching adults,” says Smith, of Unionville. “Kids pretty much do what you ask them to do but adults ask lots of questions. They want to know why things have to be done a certain way.”
An important part of learning piano is creating new pathways in the brain. A Harvard Medical School study examined the impact of practicing the piano on synapses, the connections between neurons that encode memories and learning.
Volunteers practiced two hours a day for five days, playing a five-finger exercise to the beat of a metronome. To learn how that impacted the neurons scientists used transcranial-magnetic-stimulation (TMS), in which a wire coil sends magnetic impulses to the brain.
They discovered that after a week of practice, the stretch of motor cortex devoted to the finger exercises had expanded like crabgrass.
“Playing the piano creates new synapses,” Smith says. “Think of it as creating a conduit so your right hand can talk to your left hand.”
Meldene Gruber of Rehoboth Beach, who has taught piano for more than 40 years, has seen a surge in adult students in the past two years. Now, half her students are adults.
“A number of my adults say they think playing the piano will help with mental acuity,” she says. “Playing the piano forces you to use both sides of the brain, which is great for neuron firing.”
Most adults have specific goals in mind, such as learning to play Christmas carols or a few favorite pieces.
“You don’t get adults who are focused on becoming concert pianists,” Gruber says. “They come for the joy of playing, not because their mothers made them.”
via Chopstick therapy: how piano lessons could help us age better — NewsWorks.

This is another piece I just like to listen to, partly because of the bagpipes. I do have sheet music, but it’s not quite the same!
This melody was composed by German musicians Ulrich Roever and Michael Korb[1] in 1982 for a Highland games held in Germany. It has been proposed as the Scottish national anthem to replace unofficial anthems Scotland the Brave and/or Flower of Scotland.
I heard it first here, at the Edinburgh Tattoo
One of my favorite versions
And, from the Mormon Tabernacle Choir
From the Red Hot Chili Pipers


To a Wild Rose is the first piece from Ten Woodland Sketches, Op. 51, by the American composer Edward MacDowell. It was completed in 1896, Numerous arrangements of the piece have been made. Though the original was for solo piano, it has been arranged for two sopranos, alto and piano.
It has been said that the piece is best played by children, as they wouldn’t embellish it heavily but perform it quite simply. Find it in Piano Pronto Movement 4 and other books.
Chamber Orchestra
A beginning band
Flute
Harp
Tuba


Today’s piece is Hungarian Dance #5 by Johannes Brahms. It’s available in Alfred Premier Piano Course Book 4 and many anthologies of classical music.
The Hungarian Dances are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1869.
They vary from about a minute to five minutes in length. They are among Brahms’s most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands and later arranged the first ten dances for solo piano.
Orchestra
Piano Duo
This has been embellished quite a bit
Violin
Ragtime (Bill Edwards)

Today’s piece is Beethoven’s Rage Over a Lost Penny found in Piano Pronto Movement 4, Songs I Love to Play 2 and Beethoven: Exploring His Life and Music. The official title is The “Rondo alla ingharese quasi un capriccio” in G major, Op. 129 (Italian for “Rondo in the Hungarian [i.e. gypsy] style, almost a caprice”).
The story goes –
At one point Beethoven was composing this piece, a booming and boisterous piece that exuded energy and vitality.
One night a neighbor heard a loud dispute.
Beethoven was in a rage, accusing a maid of stealing a gold penny. The maid ran out and was never heard from again.
The neighbor then heard furniture crashing, and he could only conclude that the great Maestro was tipping over furniture, madly looking for the lost gold penny.
The story spread through the neighborhood and became part of the legend of Beethoven’s bad moods and curmudgeonly behavior.

An easier version
A tad faster
From Piano Pronto
Orchestra
