The manuscript of Mozart’s A major piano sonata K331 has recently been discovered in Budapest. Having spent the majority of its life in the Budapest’s National Széchényi Library for decades, the coveted manuscript was rediscovered by Haydn scholar Balazs Mikusi.
The piece was composed in 1783 and contains Mozart’s most popular jam, “Turkish March,” which has become a piano lesson staple all over the world.
Although, unfortunately, Mikusi can’t say how or when these pages found their way to Hungary; they reveal subtle differences from the published editions of the sonata. The key variances are seen in the phrasing, dynamics and occasionally the notes themselves.
“It is very rare that a Mozart manuscript pops up. Moreover the A Major Sonata had no known manuscript, so it is a really big discovery,” he said.
The library has only released teasing images of the manuscript, nothing more.
Writer and neurologist Oliver Sacks, who died on Sunday, August 30, 2015 at age 82, spent his life wondering on the myriad connections among biology, thought, emotion and perception.
For those of us who obsess over the how and why of music, Sacks’ work on sound and its effects on the brain – and vice versa – was particularly illuminating. His book on the subject, “Musicophilia: Tales of Music and the Brain,” remains essential reading for those who want to understand the mechanics of music.
Through bountiful research and mesmerizing case studies, Sacks addressed topics including music and amnesia, music therapy, musical prodigies and those who suffer from debilitating aural hallucinations.
Vivaldi, one of the greatest baroque composers, has a very interesting story. He ran an orphanage in the 18th century in Italy that became famous all over the western world for its musically talented children. A lot of his pieces were written for specific children in his school. Vivaldi learned the violin from his father, and was trained as a priest. He was nicknamed “the red priest” for his red hair and was apparently somewhat sure of himself, having claimed once he can compose a concerto faster than it can be copied.
Vivaldi wrote over 500 pieces, most of which are lost today. He is considered one of the greatest musical landmarks in history, having inspired many composers that followed him, including J.S.Bach and others.
This is another piece I just like to listen to, partly because of the bagpipes. I do have sheet music, but it’s not quite the same!
This melody was composed by German musicians Ulrich Roever and Michael Korb in 1982 for a Highland games held in Germany. It has been proposed as the Scottish national anthem to replace unofficial anthems Scotland the Brave and/or Flower of Scotland.
Student books in 6 different categories are available now in both digital and hardcopy. There is now “To the Lake”, “Outdoor Adventure”, “To the Farm”, “Country Carnival” and two levels of “Rockstar Rally”.
Ideal for students ages 4 and up.
On the staff from the start
Music is a mix of familiar tunes and original pieces
18 songs that can be learned by note or rote
Clean easy-to-follow pages (great for special needs students!)
Two levels of Roadtrip! are currently available in Piano Maestro.
When my students are first working with the Grand Staff, they are often confused about the placement of the various clefs.
In piano music, we generally use only the G-clef (Treble clef – not “trouble clef” as some think!) and the F-clef (Bass clef) I try to show students how the curvy part of the G-clef wraps around the G above middle C and the F-clef looks sort of like an F marking the F below middle C. I draw out G and F on the staff to show how these could have looked.
Originally, instead of a special clef symbol, the reference line of the staff was simply labeled with the name of the note it was intended to bear: F and C and, more rarely, G. These were the most often-used ‘clefs’ in Gregorian chant notation. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Over time the shapes of these letters became stylized, leading to their current versions.
To a Wild Rose is the first piece from Ten Woodland Sketches, Op. 51, by the American composer Edward MacDowell. It was completed in 1896, Numerous arrangements of the piece have been made. Though the original was for solo piano, it has been arranged for two sopranos, alto and piano.
It has been said that the piece is best played by children, as they wouldn’t embellish it heavily but perform it quite simply. Find it in Piano Pronto Movement 4 and other books.