Today’s piece is Beethoven’s Rage Over a Lost Penny found in Piano Pronto Movement 4, Songs I Love to Play 2 and Beethoven: Exploring His Life and Music. The official title is The “Rondo alla ingharese quasi un capriccio” in G major, Op. 129 (Italian for “Rondo in the Hungarian [i.e. gypsy] style, almost a caprice”).
The story goes –
At one point Beethoven was composing this piece, a booming and boisterous piece that exuded energy and vitality.
One night a neighbor heard a loud dispute.
Beethoven was in a rage, accusing a maid of stealing a gold penny. The maid ran out and was never heard from again.
The neighbor then heard furniture crashing, and he could only conclude that the great Maestro was tipping over furniture, madly looking for the lost gold penny.
The story spread through the neighborhood and became part of the legend of Beethoven’s bad moods and curmudgeonly behavior.
Today we listen to Beethoven’s “Moonlight Sonata”. The real name for this work is The Piano Sonata No. 14 in C♯ minor “Quasi una fantasia”, Op. 27, No. 2. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi
The piece is one of Beethoven’s most popular compositions for the piano, and it was a popular favorite even in his own day.
It’s in the Piano Pronto Beethoven book as well as many compilations of classical music.
Arranged for piano and orchestra
An animation
The above were all of the first movement only. Here’s the whole sonata played by Valentina Lisitsa:
Today, we’ll listen to the Symphony No. 5 in C minor, Op. 67, of Ludwig van Beethoven. It was written between 1804–1808. It is one of the best-known compositions in classical music, and one of the most frequently played symphonies. As is typical of symphonies in the classical period, Beethoven’s Fifth Symphony is in four movements.
I’m sure you’ve heard the first 8 notes before…
Since it was written for orchestra, each instrument has its own line:
A piano version, transcribed by Liszt
From Disney’s Fantasia 2000:
Pink learns to play the violin, and interrupts a performance of Beethoven’s Fifth Symphony with the Pink Panther theme played on various instruments.
Beethoven’s Wig:
Arrangements of Beethoven’s Fifth Symphony can be found in Piano Maestro and lots of books including Piano Pronto’s Movement 2, Movement 5 (Victory Theme) and Beethoven: Exploring His Life and Music.
Today’s piece is the other one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.
The first was Fur Elise. This one is Spinning Song by Albert Ellmenreich. It’s in many, many piano method books. When I was in 5th or 6th grade, I tore it out of my book, put it in a construction paper cover and played it for some Girl Scout talent show. I have no idea why I couldn’t leave it in the book.
The left hand is supposed to sound like the foot pumping the wheel to make it move
This is part of a larger work called Musikalische Genrebilder, Op.14 which can be downloaded at IMSLP:
Spinnliedchen (Spinning Song), the best known item from the set, seems to be universally referred to as number four. The announcement of the first edition in Hofmeister’s Monatsberichte lists it as the fifth item. In Schirmer’s 1878 edition (see cover: here) of Op.14 it appears that items two and three were possibly combined into one number (entitled Sorrow and Consolation) so that Spinnliedchen became number four. Perhaps, this is the origin of the re-numbering.
To learn this sheet music, it’s available in Piano Pronto Movement 4 and Alfred Premier Piano Course Book 6
Here’s a sample:
A tutorial
With scrolling sheet music
For organ
How to conduct(?)
While this piece is not usually popular with other instruments, a trumpet quartet gave it a try
The DMS Percussion Ensemble
Singers from the Londonderry Middle School gave it a try:
The first half of this video is flute tuning. After that is a lovely flute duet.
For clarinet “quartet”. Quartet is in quotes because the performer wrote “This is a ‘cover’ I did of Spinning Song by Albert Ellmenreich. I played all the parts on my clarinet, using the really crappy camera I have. So the sound quality sucks… Also, I don’t have a bass clarinet, so the low part is edited down… and it sounds like a saxophone… oh well. lol!”
Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes. It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.
This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.
Stay tuned for the other one!
Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.
The very basic melody:
The actual beginning is a little more involved.
And, there’s more!
If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.
Follow along:
By Valentina Lisitsa:
Ragtime!
The Big Piano at FAO Schwartz in NYC:
Glass harp:
The Mystery Behind Für Elise:
Youtube has many, many more versions. Beethoven would probably go nuts!
“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.
The entire final movement:
Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
It is often called Joyful, Joyful We Adore Thee (You) in hymnbooks.
Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.
By now, you know I love flashmobs:
And Muppets (note the metronome going wild!):
And Barbershop:
An animated score:
Boomwhackers:
The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:
As the European Anthem:
And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.
Do a search on youtube – lots and lots of people have played this famous Beethoven melody.
Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes. It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.
This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.
Stay tuned for the other one!
Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.
The very basic melody:
The actual beginning is a little more involved.
And, there’s more!
If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.
Follow along:
By Valentina Lisitsa:
Ragtime!
The Big Piano at FAO Schwartz in NYC:
Glass harp:
The Mystery Behind Für Elise:
Youtube has many, many more versions. Beethoven would probably go nuts!
“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.
The entire final movement:
Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
It is often called Joyful, Joyful We Adore Thee (You) in hymnbooks.
Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.
By now, you know I love flashmobs:
And Muppets (note the metronome going wild!):
And Barbershop:
An animated score:
Boomwhackers:
The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:
As the European Anthem:
And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.
Do a search on youtube – lots and lots of people have played this famous Beethoven melody.
Today’s piece is Beethoven’s Rage Over a Lost Penny found in Piano Pronto Movement 4, Songs I Love to Play 2 and Beethoven: Exploring His Life and Music. The official title is The “Rondo alla ingharese quasi un capriccio” in G major, Op. 129 (Italian for “Rondo in the Hungarian [i.e. gypsy] style, almost a caprice”).
The story goes –
At one point Beethoven was composing this piece, a booming and boisterous piece that exuded energy and vitality.
One night a neighbor heard a loud dispute.
Beethoven was in a rage, accusing a maid of stealing a gold penny. The maid ran out and was never heard from again.
The neighbor then heard furniture crashing, and he could only conclude that the great Maestro was tipping over furniture, madly looking for the lost gold penny.
The story spread through the neighborhood and became part of the legend of Beethoven’s bad moods and curmudgeonly behavior.
Today we listen to Beethoven’s “Moonlight Sonata”. The real name for this work is The Piano Sonata No. 14 in C♯ minor “Quasi una fantasia”, Op. 27, No. 2. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi
The piece is one of Beethoven’s most popular compositions for the piano, and it was a popular favorite even in his own day.
It’s in the Piano Pronto Beethoven book as well as many compilations of classical music.
Arranged for piano and orchestra
An animation
The above were all of the first movement only. Here’s the whole sonata played by Valentina Lisitsa:
