Tag Archives: Beethoven: Exploring His Life and Music

Daily Listening Assignments ~ August 3, 2022

Posted by MaryO on

 

Today’s piece is Beethoven’s Rage Over a Lost Penny found in Piano Pronto Movement 4, Songs I Love to Play 2 and Beethoven: Exploring His Life and Music. The official title is The “Rondo alla ingharese quasi un capriccio” in G major, Op. 129 (Italian for “Rondo in the Hungarian [i.e. gypsy] style, almost a caprice”).

The story goes –

At one point Beethoven was composing this piece, a booming and boisterous piece that exuded energy and vitality.

One night a neighbor heard a loud dispute.

Beethoven was in a rage, accusing a maid of stealing a gold penny. The maid ran out and was never heard from again.

The neighbor then heard furniture crashing, and he could only conclude that the great Maestro was tipping over furniture, madly looking for the lost gold penny.

The story spread through the neighborhood and became part of the legend of Beethoven’s bad moods and curmudgeonly behavior.

 

 

An easier version

A tad faster

 

From Piano Pronto

 

Orchestra

 

Daily Listening Assignments ~ July 8, 2022

Posted by MaryO on

 

Today, we’ll listen to the Symphony No. 5 in C minor, Op. 67, of Ludwig van Beethoven.  It was written between 1804–1808. It is one of the best-known compositions in classical music, and one of the most frequently played symphonies. As is typical of symphonies in the classical period, Beethoven’s Fifth Symphony is in four movements.

I’m sure you’ve heard the first 8 notes before…

 

Since it was written for orchestra, each instrument has its own line:

A piano version, transcribed by Liszt

From Disney’s Fantasia 2000:

Pink learns to play the violin, and interrupts a performance of Beethoven’s Fifth Symphony with the Pink Panther theme played on various instruments.

Beethoven’s Wig:

 

Arrangements of Beethoven’s Fifth Symphony can be found in Piano Maestro and lots of books including Piano Pronto’s Movement 2, Movement 5 (Victory Theme) and Beethoven: Exploring His Life and Music.

Daily Listening Assignments ~ June 19, 2022

Posted by MaryO on

 

Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes.  It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.

This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.

Stay tuned for the other one!

Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.

The very basic melody:

 

 

The actual beginning is a little more involved.

 

And, there’s more!

 

If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.

Follow along:

By Valentina Lisitsa:

 

Ragtime!

 

 

 

The Big Piano at FAO Schwartz in NYC:

 

Glass harp:

 

The Mystery Behind Für Elise:

 

Youtube has many, many more versions.  Beethoven would probably go nuts!

Daily Listening Assignments ~ June 16, 2022

Posted by MaryO on

 

“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.

“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.

The entire final movement:

Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.

 

It is often called Joyful, Joyful We Adore Thee (You) in hymnbooks.

 

Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.

By now, you know I love flashmobs:

 

And Muppets (note the metronome going wild!):

And Barbershop:

 

An animated score:

 

Boomwhackers:

 

The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:

 

As the European Anthem:

 

And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.

Do a search on youtube – lots and lots of people have played this famous Beethoven melody.

 

Daily Listening Assignments ~ June 19, 2020

Posted by MaryO on

 

Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes.  It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.

This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.

Stay tuned for the other one!

Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.

The very basic melody:

 

 

The actual beginning is a little more involved.

 

And, there’s more!

 

If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.

Follow along:

By Valentina Lisitsa:

 

Ragtime!

 

 

 

The Big Piano at FAO Schwartz in NYC:

 

Glass harp:

 

The Mystery Behind Für Elise:

 

Youtube has many, many more versions.  Beethoven would probably go nuts!

Daily Listening Assignments ~ June 16, 2020

Posted by MaryO on

 

“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.

“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.

The entire final movement:

Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.

 

It is often called Joyful, Joyful We Adore Thee (You) in hymnbooks.

 

Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.

By now, you know I love flashmobs:

 

And Muppets (note the metronome going wild!):

And Barbershop:

 

An animated score:

 

Boomwhackers:

 

The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:

 

As the European Anthem:

 

And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.

Do a search on youtube – lots and lots of people have played this famous Beethoven melody.

 

August 7, 2019 ~ Daily Listening Assignment

Posted by MaryO on

Today’s piece is Beethoven’s Rage Over a Lost Penny found in Piano Pronto Movement 4, Songs I Love to Play 2 and Beethoven: Exploring His Life and Music. The official title is The “Rondo alla ingharese quasi un capriccio” in G major, Op. 129 (Italian for “Rondo in the Hungarian [i.e. gypsy] style, almost a caprice”).

The story goes –

At one point Beethoven was composing this piece, a booming and boisterous piece that exuded energy and vitality.

One night a neighbor heard a loud dispute.

Beethoven was in a rage, accusing a maid of stealing a gold penny. The maid ran out and was never heard from again.

The neighbor then heard furniture crashing, and he could only conclude that the great Maestro was tipping over furniture, madly looking for the lost gold penny.

The story spread through the neighborhood and became part of the legend of Beethoven’s bad moods and curmudgeonly behavior.

 

 

An easier version

A tad faster

 

From Piano Pronto

 

Orchestra

 

July 8, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Today, we’ll listen to the Symphony No. 5 in C minor, Op. 67, of Ludwig van Beethoven.  It was written between 1804–1808. It is one of the best-known compositions in classical music, and one of the most frequently played symphonies. As is typical of symphonies in the classical period, Beethoven’s Fifth Symphony is in four movements.

I’m sure you’ve heard the first 8 notes before…

 

Since it was written for orchestra, each instrument has its own line:

A piano version, transcribed by Liszt

From Disney’s Fantasia 2000:

Pink learns to play the violin, and interrupts a performance of Beethoven’s Fifth Symphony with the Pink Panther theme played on various instruments.

Beethoven’s Wig:

 

Arrangements of Beethoven’s Fifth Symphony can be found in Piano Maestro and lots of books including Piano Pronto’s Movement 2, Movement 5 (Victory Theme) and Beethoven: Exploring His Life and Music.

June 19, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes.  It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.

This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.

Stay tuned for the other one!

Fur Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.

The very basic melody:

 

 

The actual beginning is a little more involved.

 

And, there’s more!

 

If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.

Follow along:

By Valentina Lisitsa:

 

Ragtime!

 

 

 

The Big Piano at FAO Schwartz in NYC:

 

Glass harp:

 

The Mystery Behind Für Elise:

 

Youtube has many, many more versions.  Beethoven would probably go nuts!

June 16, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.

“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.

The entire final movement:

Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.

 

It is often called Joyful, Joyful We Adore Thee (You) in hymbooks.

 

Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.

By now, you know I love flashmobs:

 

And Muppets (note the metronome going wild!):

And Barbershop:

 

An animated score:

 

Boomwhackers:

 

The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:

 

As the European Anthem:

 

And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.

Do a search on youtube – lots and lots of people have played this famous Beethoven melody.