Today we listen to the third movement Mozart’s Piano Sonata No.11 III (Turkish March) with just a bit of the first movement near the end.
The Turkish influence on western music came through the Turkish military band music (Mehter), which was at the time was the only military band in Europe. It was once popular among western composers like Mozart to write Turkish-style (alla Turca) works, Turkish music being known at that time as Turkish band music. That’s why the Turkish-influenced music works by Mozart, Beethoven or Strauss are in march rhythm as they are called march.
A rondo is a piece of music where the musical material stated at the beginning of the piece keeps returning. This opening music can be called either the theme or the refrain; they are the same thing. The form can be A, B, A or A, B, C, A – anything as long as the “A” theme returns
The Turkish March movement:
Find the Turkish march movement of this sonata in these Piano Pronto books: Encore, Mozart: Exploring His Life and Music,
The first movement can be found in Keyboard Kickoff, Movement 2
Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means “a little serenade”, though it is often rendered more literally but less accurately as “a little night music.” The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras and there are many arrangements for other instruments as we will see below.
Part of a full orchestral score:
Follow the score…
Easy piano sheet music might look like this:
The first movement of Mozart’s Eine Kleine Nachtmusik, with a graphical score.
One of my favorites, Barbershop-Style. Eine Kleine Not Musik by the Gas House Gang tells the story of The Magic Flute (from June 19) to the music of Eine Kleine Nachtmusik.
A piano transcription
For four recorders, all played by the same person
From the Muppets: The Great Gonzo performing Eine Kleine Nachtmusik on bagpipe while sitting on a ten-foot pole!
When my son and I played Eine Kleine Nachtmusik by Mozart arranged for 2 pianos November 30, 2014 we were the last people to play in the old Steinway Hall. Unfortunately, we didn’t have a good video camera 🙁
Find this arranged for piano in Piano Pronto: Movement 2, Movement 3, Encore, Coda and Mozart: Exploring His Life and Music.
Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes. It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.
This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.
Stay tuned for the other one!
Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.
The very basic melody:
The actual beginning is a little more involved.
And, there’s more!
If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.
By Valentina Lisitsa:
The Big Piano at FAO Schwartz in NYC:
The Mystery Behind Für Elise:
Youtube has many, many more versions. Beethoven would probably go nuts!
Today’s assignment is a very popular piece by Johann Pachelbel called Canon in D.
A canon is a technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader, while the imitative melody, which is played in a different voice, is called the follower. The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—”Row, Row, Row Your Boat” and “Frère Jacques” are popular examples.
The original version:
Can you see why the cellist is bored?
Here’s what his music looks like
And that repeats over and over for the whole piece!
“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.
The entire final movement:
Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
It is often called Joyful, Joyful We Adore Thee (You) in hymnbooks.
Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.
By now, you know I love flashmobs:
And Muppets (note the metronome going wild!):
An animated score:
The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:
As the European Anthem:
And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.
Do a search on youtube – lots and lots of people have played this famous Beethoven melody.
Today’s assignment is Hungarian Rhapsody No. 2 in C-sharp minor. It is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set.
In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.
Above, Danish comedian and pianist Victor Borge gives every impression of having been asked to play a duet with someone whom he not only doesn’t know but doesn’t particularly like. Forced to come up with a mutually agreeable way of sharing the musical workload, he settles on the most difficult route possible.
It’s not clear why two pianists were needed for this performance of Liszt’s Hungarian Rhapsody No.2, S.244/2. I think that they did it just for the fun of it. The result is hilarious.
They’re not the only ones to tackle Liszt’s Hungarian Rhapsody No.2 as a piano duo.
We also have these guys:
The “history” of this piece in several cartoons:
This is very interesting:
As he often did, Horowitz arranged it more for his liking:
Today’s Daily Listening Assignment is a little different. Pop Goes the Weasel was chosen today because somehow, somewhere someone chose today as National Pop Goes the Weasel Day.
June 14 is set aside to observe National Pop Goes the Weasel Day. On this day people dig back into their memories to the nursery rhymes they learned as children and celebrate the day singing “Pop Goes the Weasel”.
The origins of this nursery rhyme are believed to date back to the 1700′s.
The following lyric was printed in Boston in 1858:
All around the cobbler’s house,
The monkey chased the people.
And after them in double haste,
Pop! goes the weasel.
In 1901 in New York the opening lines were:
All around the chicken coop,
The possum chased the weasel.
The most common recent version was not recorded until 1914. In addition to the three verses above, American versions often include some of the following:
All around the mulberry bush,
The monkey chased the weasel.
The monkey stopped to pull up his sock, (or The monkey stopped to scratch his nose)
Pop! goes the weasel.
Half a pound of tuppenny rice,
Half a pound of treacle.
Mix it up and make it nice,
Pop! goes the weasel.
A Piano Version:
And another one…
‘Pop Goes the Weasel’ is played by the oboe while Elgar’s ‘Enigma’ Theme is performed on piano.
If you want to play it, you know where to find it 🙂