June 26 ~ Daily Listening Assignment

 

 

Finlandia, Op. 26, is a tone poem by the Finnish composer Jean Sibelius. It was written in 1899 and revised in 1900. The piece was composed for the Press Celebrations of 1899, a covert protest against increasing censorship from the Russian Empire, and was the last of seven pieces performed as an accompaniment to a tableau depicting episodes from Finnish history.

In order to avoid Russian censorship, Finlandia had to be performed under alternative names at various musical concerts. Titles under which the piece masqueraded were numerous—famous examples include Happy Feelings at the awakening of Finnish Spring, and A Scandinavian Choral March.

As a hymn, it’s called Be Still My Soul.

A Flashmob

 

Piano solo:

 

Organ:

 

Full orchestra

 

June 16 ~ Daily Listening Assignment

 

“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.

“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.

The entire final movement:

Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.

 

It is often called Joyful, Joyful We Adore Thee (You) in hymbooks.

 

Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.

By now, you know I love flashmobs:

 

And Muppets (note the metronome going wild!):

And Barbershop:

 

An animated score:

 

Boomwhackers:

 

The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:

 

As the European Anthem:

 

And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.

Do a search on youtube – lots and lots of people have played this famous Beethoven melody.

 

June 11 ~ Daily Listening Assignment

 

The other day, a student and I were looking at a piece with a l-o-n-g crescendo marking on it and she wondered how long the longest crescendo was in any piece.

For those who don’t remember, crescendo means to get louder and decrescendo means to get softer.  The sample below gets louder, then softer.

 

But I got a bit off-track.  While my student was trying her hand (no pun intended!) and the long crescendo, I looked up how long the longest one might be and found…

The longest crescendo in music is probably Ravel’s “Bolero,” which is, in fact, one long crescendo. Another very long crescendo occurs in the first movement of Shostakovich’s “Leningrad” Symphony. … “Rossini crescendos” are much shorter but quite effective. Jul 26, 2013

Most everyone, including my student, knows that this is possibly my least favorite piece of music but I still played a bit of it for her anyway.

Although not really a piano piece

From Russia

I like this flashmob version best

In a video that looks just like a segment of Disney’s Silly Symphonies or Fantasia, artist Simon Brethé animates the pentagram, making the notes of Ravel’s Bolero do feats ranging from charming a snake (the oboe) to serenading a girl at her window (the saxophone). At one point of the performance, one member of the string ensemble gets his bow tangled in the pentagram, a distraction that, subsequently, wreaks havoc in the entire orchestra.

 

 

June 10 ~ Daily Listening Assignment

 

It’s wedding season!  Today and tomorrow, we’ll be looking at, and listening to, the music most associated with weddings.

The “Bridal Chorus” from the 1850 opera Lohengrin by German composer Richard Wagner is a march played for the bride’s entrance at many formal weddings throughout the Western world.

The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.

This piece is available in Keyboard Kickoff, Movement 2 and Piano Maestro.

The original from the opera

A piano version (this book is available for loan, if interested)

Handbells (rehearsal)

On accordion

And pipe organ

A very different wedding entrance in Denmark

 

 

Daily Listening Assignment ~ June 11

 

The other day, a student and I were looking at a piece with a l-o-n-g crescendo marking on it and she wondered how long the longest crescendo was in any piece.

For those who don’t remember, crescendo means to get louder and decrescendo means to get softer.  The sample below gets louder, then softer.

 

But I got a bit off-track.  While my student was trying her hand (no pun intended!) and the long crescendo, I looked up how long the longest one might be and found…

The longest crescendo in music is probably Ravel’s “Bolero,” which is, in fact, one long crescendo. Another very long crescendo occurs in the first movement of Shostakovich’s “Leningrad” Symphony. … “Rossini crescendos” are much shorter but quite effective. Jul 26, 2013

Most everyone, including my student, knows that this is possibly my least favorite piece of music but I still played a bit of it for her anyway.

Although not really a piano piece

From Russia

I like this flashmob version best

In a video that looks just like a segment of Disney’s Silly Symphonies or Fantasia, artist Simon Brethé animates the pentagram, making the notes of Ravel’s Bolero do feats ranging from charming a snake (the oboe) to serenading a girl at her window (the saxophone). At one point of the performance, one member of the string ensemble gets his bow tangled in the pentagram, a distraction that, subsequently, wreaks havoc in the entire orchestra.

 

Daily Listening Assignment ~ June 10

 

It’s wedding season!  Today and tomorrow, we’ll be looking at, and listening to, the music most associated with weddings.

The “Bridal Chorus” from the 1850 opera Lohengrin by German composer Richard Wagner is a march played for the bride’s entrance at many formal weddings throughout the Western world.

The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.

This piece is available in Keyboard Kickoff, Movement 2 and Piano Maestro.

The original from the opera

A piano version (this book is available for loan, if interested)

Handbells (rehearsal)

On accordion

And pipe organ

A very different wedding entrance in Denmark