Since we had the Bridal Chorus a couple days ago, it’s time to march the bride and groom back up the aisle with the Wedding March by Felix Mendelssohn.
This Wedding March comes from Mendelssohn’s incidental music to A Midsummer Night’s Dream. It became customary to play this at marriage ceremonies from about the mid 19th Century, and particularly after the daughter (also called Victoria) of Queen Victoria chose the piece for her own wedding in 1858.
Notice all the triplets (3)! If you don’t know what they are, be sure to ask at your next lesson.
Find this in Movement 2 and Piano Maestro.
Franz Liszt and Vladimir Horowitz added some variations
It’s wedding season! Today and tomorrow, we’ll be looking at, and listening to, the music most associated with weddings.
The “Bridal Chorus” from the 1850 opera Lohengrin by German composer Richard Wagner is a march played for the bride’s entrance at many formal weddings throughout the Western world.
The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.
This piece is available in Keyboard Kickoff, Movement 2 and Piano Maestro.
The original from the opera
A piano version (this book is available for loan, if interested)
The clever arranger has woven together 57 famous classical melodies by 33 composers. You’ve learned about most in the last 3 months. How many can you identify?
Answers below
We didn’t listen to all these this summer. For those we didn’t hear, the numbers after the title are the time you can hear the melody on the video clip.
Since we had the Bridal Chorus a couple days ago, it’s time to march the bride and groom back up the aisle with the Wedding March by Felix Mendelssohn.
This Wedding March comes from Mendelssohn’s incidental music to A Midsummer Night’s Dream. It became customary to play this at marriage ceremonies from about the mid 19th Century, and particularly after the daughter (also called Victoria) of Queen Victoria chose the piece for her own wedding in 1858.
Notice all the triplets (3)! If you don’t know what they are, be sure to ask at your next lesson.
Find this in Movement 2 and Piano Maestro.
Franz Liszt and Vladimir Horowitz added some variations
It’s wedding season! Today and tomorrow, we’ll be looking at, and listening to, the music most associated with weddings.
The “Bridal Chorus” from the 1850 opera Lohengrin by German composer Richard Wagner is a march played for the bride’s entrance at many formal weddings throughout the Western world.
The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.
This piece is available in Keyboard Kickoff, Movement 2 and Piano Maestro.
The original from the opera
A piano version (this book is available for loan, if interested)
The clever arranger has woven together 57 famous classical melodies by 33 composers. You’ve learned about most in the last 3 months. How many can you identify?
Answers below
We didn’t listen to all these this summer. For those we didn’t hear, the numbers after the title are the time you can hear the melody on the video clip.
Since we had the Bridal Chorus a couple days ago, it’s time to march the bride and groom back up the aisle with the Wedding March by Felix Mendelssohn.
This Wedding March comes from Mendelssohn’s incidental music to A Midsummer Night’s Dream. It became customary to play this at marriage ceremonies from about the mid 19th Century, and particularly after the daughter (also called Victoria) of Queen Victoria chose the piece for her own wedding in 1858.
Notice all the triplets (3)! If you don’t know what they are, be sure to ask at your next lesson.
Find this in Movement 2 and Piano Maestro.
Franz Liszt and Vladimir Horowitz added some variations
It’s wedding season! Today and tomorrow, we’ll be looking at, and listening to, the music most associated with weddings.
The “Bridal Chorus” from the 1850 opera Lohengrin by German composer Richard Wagner is a march played for the bride’s entrance at many formal weddings throughout the Western world.
The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.
This piece is available in Keyboard Kickoff, Movement 2 and Piano Maestro.
The original from the opera
A piano version (this book is available for loan, if interested)
Felix Bartholdy Mendelssohn lived between 1809 and 1847. He is considered to be a romantic composer and pianist best known for his symphonies and concert overtures. Mendelssohn played the piano in public by the age of nine, so he was often compared to Mozart.
He composed works for solo instruments and orchestra, and German songs. Some of his better known works are the Wedding March, Elijah and Fingal’s Cave. Felix Mendelssohn, along with Hector Berlioz was one of the first conductors of a large orchestra.
Mendelssohn harmonized the works of other composers, including Johann Crüger. Listen to Mendelssohn’s harmonization of Now Thank We All our God:
One of my favorites, Mendelssohn’s Piano Concerto No. 1 in g minor, op. 25:
Since we had the Bridal Chorus a couple days ago, it’s time to march the bride and groom back up the aisle with the Wedding March by Felix Mendelssohn.
This Wedding March comes from Mendelssohn’s incidental music to A Midsummer Night’s Dream. It became customary to play this at marriage ceremonies from about the mid 19th Century, and particularly after the daughter (also called Victoria) of Queen Victoria chose the piece for her own wedding in 1858.
Notice all the triplets (3)! If you don’t know what they are, be sure to ask at your next lesson.
