10 Pianos – 80 Fingers

 

From October 5, 2010

There will be $1.6 million worth of piano on stage at the City Recital Hall on Friday night. With their legs and lids removed for transport, eight Steinway grand pianos will be trucked to the venue.

There they will be reassembled on stage and tuned, ready for eight of Australia’s finest classical pianists.

In The Steinway Spectacular 16 hands and 80 fingers will play some of classical music’s greatest hits.

Conducted by Guy Noble, the pianists will work as an ensemble to perform works by composers such as Ravel, Saint-Saens and George Gershwin. ”It’s a very large affair,” says Noble. ”Logistically, it’s a nightmare.” The piano technician Ara Vartoukian will spend hours tuning the instruments.

For past concerts in Melbourne the process sometimes took all night. ”The pianos all, in essence, sound the same, so they have to be absolutely in tune with each other.”

Even after the most careful tuning, things can go awry.

The pianists – Anthony Halliday, Roger Heagney, Clemens Leske, Tamara Smolyar, Mikhail Solovei, Evgeny Ukhanov, Gerard Willems and Alexey Yemtsov – usually perform as soloists. Every now and again, Noble says, one of them ”goes rogue”.

”One will suddenly break out and play their own thing,” he says. ”I have to herd them back into the pride, glaring at them with eyes of death. It’s one of the hardest things I’ve ever had to conduct. It’s like herding cats.”

There is no repertoire for an ensemble of pianists, so Noble has created new arrangements.

His favourite is a rendition of the children’s staple Chopsticks. ”That just goes wild,” he says.

The segment titled So You Think You Can Play Scales is also a crowd pleaser. ”It’s like Piano Idol. People get voted off if they go off the rails.”

Other pieces will feature the organist Calvin Bowman and the soprano Shu-Cheen Yu. Bowman, who usually plays above the stage in a loft, will join the other performers on stage on an electronic organ.

”It’s a relief for him to be down on stage because he suffers terribly from vertigo,” Noble says. ”He’s been terrified in organ lofts all over Australia.”

More boisterous extravaganza than a recital for purists, the performance will appeal to an eclectic crowd.

”We get classical music lovers, as well as people who are just curious. It’s pure fun and enjoyment.”

The Steinway Spectacular is at the City Recital Hall on Friday.

From http://www.smh.com.au/entertainment/music/a-piano-spectacular-for-80-fingers-20101004-164ac.html

Playing the Piano is Hard?

Try to find an American Fotoplayer!

fotoplayer

The American Fotoplayer is a type of photoplayer developed by the American Fotoplayer Company between the years of 1912 and 1925. The Fotoplayer is a type of player piano specifically developed to provide music and sound effects for silent movies.

The appeal of the Fotoplayer to theatre owners was the fact that it took no musical skill to operate. The Fotoplayer would play the piano and pipe organ mechanically using an electric motor, an air pump, and piano rolls while the user of the Fotoplayer would follow the onscreen action while pulling cords, pushing buttons, and pressing pedals to produce relatable sounds to what was occurring onscreen. These actions could create sounds such as a steamboat whistle, a bird chirp, wind, thunder, a telephone bell, as well as many others. On Fotoplayers specifically, most effects were created using leather cords with wooden handles on the ends which the effects were directly connected to. For example, the steamboat whistle sound effect was created using a household bellows with a whistle at the end. Pulling the cord compressed the bellows, delivering a gust of air into the whistle. Creating a drum roll on the other hand was a bit more complicated. A clockwork device was needed to time the strikes of the drum which required constant winding.

Adapted from https://en.wikipedia.org/wiki/The_American_Fotoplayer

 

Super Mario Bros Piano

super-mario

Pianist and composer Sonya Belousova celebrated 30 years of Super Mario Bros. with an epic piano medley on the world’s coolest piano.

YouTube channel Player Piano had Belousova play the tribute to the late Nintendo president Satoru Iwata on a piano styled after a classic Nintendo Entertainment System. While the medley is good, it’s the amazingly detailed piano that stands out.

The bench looks like a Nintendo controller, while the piano itself is modeled after the console. It comes complete with power and reset buttons as well as connection cords. The flip top door can cover the keys, which Belousova appropriately takes the time to blow on at the end!

From http://www.dailydot.com/geek/nintendo-super-mario-bros-player-piano/

How do they make Steinway Pianos?

 

Steinway Place, Queens, New York, 11105. steinway.com or 718-721-2600.

It all begins with bare wood, rough and fragrant.

Skilled craftsmen then use muscle, fine motor skills and magic to transform simple planks into magnificent instruments. In the bridge-notching process, the “bellymen” use tools they’ve constructed themselves, the better to execute this highly skilled operation.

Alaskan Sitka Spruce becomes a soundboard, with ribs of Sugar Pine.

Eighty-eight keys, 88 hammers, more than 230 strings — all are carefully created, installed and tested in every piano.

All in all, it takes about 11 months to make a Steinway grand piano.

Steinway & Sons has been located in the same spot in the Astoria section of Queens since the early 1870s. Founded in 1853 in a loft on Varick Street in Manhattan, the company’s reputation grew quickly, and the company needed space to expand their operations.

Factory tours are offered from September through the end of June. (Factory tours are not available in July and August.) Tours are scheduled from 9:30 a.m. to noon on Tuesdays, for a maximum of 15 people.

Needless to say, tours fill up quickly and must be booked in advance. Steinway currently has no openings for the rest of 2017 and is not yet taking reservations for 2018. Plan way ahead, and check for updates by emailing tours@steinway.com or by calling 718-721-2600.

Adapted from http://www.app.com/story/entertainment/events/2017/08/18/factory-tours-made-usa/530543001/

Mary and Michael playing in the original Steinway Hall

A Piano’s Voice

Picture a seven-foot grand piano in a studio. The lid’s missing, so you can see all the strings. Researchers suspend a rod embedded with 32 microphones over the piano’s body.

“We played this middle C at a very soft level, a medium level, and a very loud level,” says Agnieszka Roginska, a professor in NYU’s music technology program. She says using a pianist to play middle C over and over wouldn’t be scientific. So they’re using a disklavier, a fancy player piano triggered by electronics. “So we could hit the same note, with the same velocity, thousands of times,” she says.

They’d record the piano in one spot. Then move the microphones eight inches. Record the note. Move the mics again. Record the note. Over and over and over, until they reach the back of the piano. At the end, they get “what is basically a very dense acoustical scan of the radiation pattern of the grand piano,” Roginska says.

Read the entire article here: http://www.pri.org/stories/2014-08-10/science-tries-understand-what-gives-piano-its-voice

July 9 ~ Daily Listening Assignment

 

Today’s Listening Assignment is Country Gardens by Percy Grainger.

“Country Gardens” is an English folk tune collected by Cecil Sharp from the playing of William Kimber and arranged for piano in 1918 by Percy Grainger.

The tune and the Grainger arrangement for piano and orchestra is a favorite with school orchestras, and other performances of the work include morris dancing.

A piano version:

Piano duet (four-hands)

Clarinet solo

 

Orchestra

From the Muppets

And, how a Morris Dance is done:

Find Country Gardens on IMSLP, Piano Maestro (under the method book section) and Piano Pronto: Movement 2