Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.
Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, 2-piano, simplified…
Today’s piece is based on a collection of tales known as the One Thousand and One Nights or Arabian Nights.
The story, which was written many hundreds of years ago, tells of a Persian king who married a young girl every night. Every morning he would send his new wife to have her head chopped off. He had already killed 3000 women in this way.
When Scheherazade heard about this, she wanted to spend the night with him. She spent all night telling him a story. At the end of the night, she stopped the story at an exciting moment, like a modern-day soap opera.
The next night she finished the story and began another one, which she again stopped when it was dawn. The king had to wait another night to hear the rest of the story. Scheherazade kept this up for 1001 nights. By then, the king had fallen in love with Scheherazade and he let her live.
Rimsky-Korsakov’s best-known work is Scheherazade, an orchestral piece which describes in music the stories told by Scheherazade.
The work consists of four movements:
The Sea and Sinbad’s Ship
The Kalandar Prince
The Young Prince and The Young Princess
Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman
Today, we’re focusing on The Young Prince and The Young Princess which can be found in Piano Pronto Movement 4
Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.
Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, 2-piano, simplified…
It’s also available in Piano Maestro, Piano Pronto Encore and Coda
Korobeiniki is a nineteenth-century Russian folk song that tells the story of a meeting between a peddler and a girl, describing their haggling over goods in a veiled metaphor for courtship.
Outside Russia, “Korobeiniki” is widely known as the Tetris theme.
Piano duet:
Orchestral version:
For Boomwhackers:
Vocal:
Ragtime:
Balalaika:
Two bassoons:
The Red Army Choir:
Korobeiniki/Tetris is available in Piano Maestro on the iPad and I have several levels of sheet music for anyone who is interested.
Today’s assignment is Hungarian Rhapsody No. 2 in C-sharp minor. It is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set.
In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.
Above, Danish comedian and pianist Victor Borge gives every impression of having been asked to play a duet with someone whom he not only doesn’t know but doesn’t particularly like. Forced to come up with a mutually agreeable way of sharing the musical workload, he settles on the most difficult route possible.
It’s not clear why two pianists were needed for this performance of Liszt’s Hungarian Rhapsody No.2, S.244/2. I think that they did it just for the fun of it. The result is hilarious.
They’re not the only ones to tackle Liszt’s Hungarian Rhapsody No.2 as a piano duo.
We also have these guys:
The “history” of this piece in several cartoons:
This is very interesting:
As he often did, Horowitz arranged it more for his liking:
Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.
Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, 2-piano, simplified…
Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.
Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, 2-piano, simplified…
It’s also available in Piano Maestro, Piano Pronto Encore and Coda
Today’s assignment is Hungarian Rhapsody No. 2 in C-sharp minor. It is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set.
In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.
Above, Danish comedian and pianist Victor Borge gives every impression of having been asked to play a duet with someone whom he not only doesn’t know but doesn’t particularly like. Forced to come up with a mutually agreeable way of sharing the musical workload, he settles on the most difficult route possible.
It’s not clear why two pianists were needed for this performance of Liszt’s Hungarian Rhapsody No.2, S.244/2. I think that they did it just for the fun of it. The result is hilarious.
They’re not the only ones to tackle Liszt’s Hungarian Rhapsody No.2 as a piano duo.
We also have these guys:
The “history” of this piece in several cartoons:
This is very interesting:
As he often did, Horowitz arranged it more for his liking:
Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.
Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, 2-piano, simplified…
I have loved this version of Sleigh Ride since I first saw it on YouTube:
When I found out it was available in sheet music, I rushed to amazon to buy several copies for myself, my son, my friend, basically, everyone I thought could play it.
Leroy Anderson’s “Sleigh Ride” is a holiday favorite, and this setting for advanced piano duet gives it a fresh twist. It begins with Anderson’s jingling melody and some musical “banter” between the Primo and Secondo players, and then it launches into a series of variations which take the listener on a journey through a variety of styles—from gently swirling, impressionistic arpeggios to a triumphant coda with brilliant, virtuosic passagework. Audiences will enjoy a number of other musical surprises along the way.
If you want to borrow it, let me know early because someone at the studio may already be playing it!
