Chopstick Therapy

Chopsticks

Stephen Powers first thought of his grand piano as an impressive piece of furniture.

But he enjoyed listening to music so much when friends played at parties at his home in North Wilmington that he began taking lessons.

“I enjoy having a couple of songs under my belt,” says Powers, a 52-year-old banker. “I play Happy Birthday. I play Getting to Know You for my mom.”

Powers is part of a boomlet of adults who are studying piano. Many took lessons briefly as children and regret giving it up. Some simply enjoy music. Others gravitated toward the keyboard because studies suggest piano improves mental acuity while reducing the odds of dementia.

A Swedish study published in 2014 in the International Journal of Alzheimer’s Disease found that when a twin played a musical instrument later in life, he or she was 64 percent less likely to develop dementia than the twin who did not play.

A study published in Frontiers in Psychology in 2013 evaluated the impact of piano lessons on cognitive function, mood and quality of life in adults age 60 to 84.

The group that studied piano showed significant improvement in tests that measure executive function, controlling inhibitions and divided attention, as well as enhanced visual scanning and motor ability. Piano students also reported a better quality of life.

Some grownups simply relish a challenge.

In the United Kingdom, Alan Rusbridger, editor of the Guardian, took to the keyboard at age 56. He chronicled the year he spent learning Chopin’s demanding No. Ballade 1 in G Minor in the book Play It Again: An Amateur Against the Impossible.

Richard Swarmer, 57, of Lewes, played the trumpet from grade school through college. He has sung in several choirs. This year, he began piano lessons.

Learning the piano isn’t easy even for someone with a musical background. Still, Swarmer appreciates that the creative thought process is different from the focus required by his job for a medical benefits company.

“I have thoroughly enjoyed taking piano lessons as an adult,” he says. “It provides a welcome respite from the demands of my job.”

Ethel Thirtel of North Wilmington is 71 and a student at the Music School of Delaware. She is also taking French lessons to help keep her intellect sharp.

“Both pursuits involve active studying and practice to master new skills,” she says.

To meet rising demand, the Music School of Delaware offers adults-only evening group classes to accommodate working people, says Matthew Smith, student and alumni relations officer. The school also provides instruction for adults 50 and older through the Osher Lifelong Learning Institute at University of Delaware.

“In addition to professionals, we are getting a lot more inquiries from older adults who are retired and have time on their hands,” he says.

Geri Smith, a Julliard-trained singer, musician and composer, has taught piano to children in public schools as well as private arts centers. Her adult students include a 59-year-old writer who took up piano after the death of her husband, a gifted musician.

“Teaching children is a different experience than teaching adults,” says Smith, of Unionville. “Kids pretty much do what you ask them to do but adults ask lots of questions. They want to know why things have to be done a certain way.”

An important part of learning piano is creating new pathways in the brain. A Harvard Medical School study examined the impact of practicing the piano on synapses, the connections between neurons that encode memories and learning.

Volunteers practiced two hours a day for five days, playing a five-finger exercise to the beat of a metronome. To learn how that impacted the neurons scientists used transcranial-magnetic-stimulation (TMS), in which a wire coil sends magnetic impulses to the brain.

They discovered that after a week of practice, the stretch of motor cortex devoted to the finger exercises had expanded like crabgrass.

“Playing the piano creates new synapses,” Smith says. “Think of it as creating a conduit so your right hand can talk to your left hand.”

Meldene Gruber of Rehoboth Beach, who has taught piano for more than 40 years, has seen a surge in adult students in the past two years. Now, half her students are adults.

“A number of my adults say they think playing the piano will help with mental acuity,” she says. “Playing the piano forces you to use both sides of the brain, which is great for neuron firing.”

Most adults have specific goals in mind, such as learning to play Christmas carols or a few favorite pieces.

“You don’t get adults who are focused on becoming concert pianists,” Gruber says. “They come for the joy of playing, not because their mothers made them.”

via Chopstick therapy: how piano lessons could help us age better — NewsWorks.

Liszt: Hungarian Rhapsody no. 2 in c-sharp minor

liszt

Hungarian Rhapsody No. 2, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso, while providing the listener with an immediate and irresistible musical appeal.

In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.

It is probable that you have heard this piece of music somewhere at one time or another because it is perhaps the most prominent piece of classical (romantic, actually) music featured in animated cartoons across the years.

Now, let the anvils fall and dynamite explode!

And, in real life, Valentina Lisitsa plays Liszt’s Hungarian Rhapsody No. 2

This piece is available in Piano Pronto Movement 5 and several anthologies of classical music.

For Parents (or Adult Students)

 

I have several copies of this book for the music studio so parents can check it out to see if it would be useful for them to buy for home use.  If any of the studio parents have this book already, please let me know what you think.

Some of my adult students have this and have found it helpful in doing theory assignments.

 

From Amazon:

Help Your Kids with Music is a step-by-step visual guide to music theory and is the perfect primer to help students gain a solid foundation in music, no matter their age, skill level, or instrument.

Help Your Kids with Music clearly explains key concepts in five step-by-step chapters:

  • The Basics explains the types of instruments, notation for keyboard and stringed instruments, the “musical alphabet,” and counting a beat.
  • Rhythm covers the length of notes and rests, as well as basic rhythms and meters, phrasing, syncopation, tempo, and using a metronome.
  • Tone and Melody includes everything a student needs to know about tones and how they work together to build a melody.
  • Chords and Harmony shows how intervals work together and includes examples for horn and woodwind instruments.
  • Form and Interpretation helps students understand how musical form can aid appreciation and interpretation for classical, jazz, blues, and other musical styles.

Sample pages:

 

July 10 ~ Daily Listening Assignment

 

Today’s piece is Solfeggietto by Carl Philipp Emanuel Bach (aka C.P.E. Bach). The piece is commonly assigned to piano students and appears in many books because it fosters the playing of an even sixteenth note rhythm by alternating hands.

 

 

Bass guitar

Clarinet starting about a minute in:

On harp

Find it on IMSLP,  in several anthologies of music at the O’Connor Music Studio, in Piano Pronto: Encore

July 9 ~ Daily Listening Assignment

 

Today’s Listening Assignment is Country Gardens by Percy Grainger.

“Country Gardens” is an English folk tune collected by Cecil Sharp from the playing of William Kimber and arranged for piano in 1918 by Percy Grainger.

The tune and the Grainger arrangement for piano and orchestra is a favorite with school orchestras, and other performances of the work include morris dancing.

A piano version:

Piano duet (four-hands)

Clarinet solo

 

Orchestra

From the Muppets

And, how a Morris Dance is done:

Find Country Gardens on IMSLP, Piano Maestro (under the method book section) and Piano Pronto: Movement 2

July 7 ~ Daily Listening Assignment

 

Today, we’ll listen to the Symphony No. 5 in C minor, Op. 67, of Ludwig van Beethoven.  It was written between 1804–1808. It is one of the best-known compositions in classical music, and one of the most frequently played symphonies. As is typical of symphonies in the classical period, Beethoven’s Fifth Symphony is in four movements.

I’m sure you’ve heard the first 8 notes before…

 

Since it was written for orchestra, each instrument has its own line:

A piano version, transcribed by Liszt

From Disney’s Fantasia 2000:

Pink learns to play the violin, and interrupts a performance of Beethoven’s Fifth Symphony with the Pink Panther theme played on various instruments.

Beethoven’s Wig:

 

Arrangements of Beethoven’s Fifth Symphony can be found in Piano Maestro and lots of books including Piano Pronto’s Movement 2, Movement 5 (Victory Theme) and Beethoven: Exploring His Life and Music.

July 6 ~ Daily Listening Assignment

 

toccata-d-minor

 

Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.

Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio.  I have this arranged for organ, piano, duet, 2-piano, simplified…

It’s also available in Piano Maestro, Piano Pronto Encore and Coda

If you want this in a book with other Bach transcriptions, amazon has this: Toccata and Fugue in D Minor and the Other Bach Transcriptions for Solo Piano, arranged by Ferruccio Busoni.

Here, Virgil Fox performs it on his Allen Digital Touring Organ.

 

Diane Bish plays the Massey Memorial Organ at the Chautauqua Institution and talks about this instrument.

 

Animated organ:

And, the most fun…

July 4 ~ Daily Listening Assignment

Micky-mouse-4th-of-July-greetings

Today is a great day for patriotic music and there’s nothing better than John Philip Sousa’s Stars and Stripes Forever

A part of every Fourth of July program at the Esplanade in Boston involves a giant American flag unfurling from the ceiling during the Stars and Stripes.  Can you find it?

Piano arrangement by Vladimir Horowitz:

With Horowitz playing:

Marching band:

The Muppets version of Stars and Stripes forever

The animated graphical score:

The Band of the Grenadier Guards

The same melody can be heard with these words:

John Philip Sousa’s Stars and Stripes Forever is never part of a regular circus program. It is reserved for emergency use – sometimes called the “Disaster March”. If a major problem happens — an animal gets loose, a high wind threatens the tent, or a fire breaks out — the band plays the march as a warning signal to every worker on the circus lot that something is wrong.

Find piano arrangements of the Stars and Stripes Forever in Movement 2

Closing out today, enjoy The Year 1812, Festival Overture in E♭ major, Op. 49, popularly known as the 1812 Overture by Peter Ilyich Tchaikovsky

 

 

 

 

 

July 3 ~ Daily Listening Assignment

 

 

“Morning Mood” is part of Edvard Grieg’s Peer Gynt, Op. 23 was written in 1875.

The melody uses the pentatonic (five note) scale, lending itself to beginning piano books.

 

 

Orchestra:

 

Music box:

Cartoon:

 

Morning Mood is available in Piano Maestro, Piano Pronto Prelude (as Morning Theme) and other books.

July 2 ~ Daily Listening Assignment

 

Today’s piece is Antonin Dvořák’s Humoresque #7.

Humoresques Op. 101 (B. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. One writer says “the seventh Humoresque is probably the most famous small piano work ever written after Beethoven’s Für Elise.

Yo Yo Ma (cello) and Itzhak Perlman (violin

Orchestra:

 

Ragtime:

 

Jazz with Wynton Marsalis on trumpet

Zez Confrey gave this a makeover and included Way Down Upon the Swanee River:

 

Find the original Humoresque on IMSLP.. The O’Connor Music Studio Lending Library has versions of Humoresque available at several levels and Confey’s Humorestless played in the video above.