Humoresques Op. 101 (B. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. One writer says “the seventh Humoresque is probably the most famous small piano work ever written after Beethoven’s Für Elise.
Orchestra:
Ragtime:
Jazz with Wynton Marsalis on trumpet
Zez Confrey gave this a makeover and included Way Down Upon the Swanee River:
Find the original Humoresque on IMSLP. The O’Connor Music Studio Lending Library has versions of Humoresque available at several levels and Confey’s Humorestless played in the video above.
Today’s is a cheat post, partly because I ran out of time.
I’ve watched this video several times in the past few days. It’s a great overview of the Beatles music. And, yes, I have books of their music arranged for piano, if you want to play anything.
Today’s is a cheat post, partly because I ran out of time.
I’ve watched this video several times in the past few days. It’s a great overview of the Beatles music. And, yes, I have books of their music arranged for piano, if you want to play anything.
Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means “a little serenade”, though it is often rendered more literally but less accurately as “a little night music.” The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras and there are many arrangements for other instruments as we will see below.
Part of a full orchestral score:
Follow the score…
Easy piano sheet music might look like this:
The first movement of Mozart’s Eine Kleine Nachtmusik, with a graphical score.
One of my favorites, Barbershop-Style. Eine Kleine Not Musik by the Gas House Gang tells the story of The Magic Flute (from June 19) to the music of Eine Kleine Nachtmusik.
A piano transcription
For four recorders, all played by the same person
From the Muppets: The Great Gonzo performing Eine Kleine Nachtmusik on bagpipe while sitting on a ten-foot pole!
When my son and I played Eine Kleine Nachtmusik by Mozart arranged for 2 pianos November 30, 2014 we were the last people to play in the old Steinway Hall. Unfortunately, we didn’t have a good video camera 😦
Find this arranged for piano in Piano Pronto: Movement 2, Movement 3, Encore, Coda and Mozart: Exploring His Life and Music.
Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes. It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.
This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.
Stay tuned for the other one!
Für Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.
The very basic melody:
From Wunderkeys – The Elise Session
The actual beginning is a little more involved.
And, there’s more!
If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.
Follow along:
By Valentina Lisitsa:
Ragtime!
The Big Piano at FAO Schwartz in NYC:
Glass harp:
The Mystery Behind Für Elise:
Youtube has many, many more versions. Beethoven would probably go nuts!
Today’s assignment is Hungarian Rhapsody No. 2 in C-sharp minor. It is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set.
In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.
Above, Danish comedian and pianist Victor Borge gives every impression of having been asked to play a duet with someone whom he not only doesn’t know but doesn’t particularly like. Forced to come up with a mutually agreeable way of sharing the musical workload, he settles on the most difficult route possible.
It’s not clear why two pianists were needed for this performance of Liszt’s Hungarian Rhapsody No.2, S.244/2. I think that they did it just for the fun of it. The result is hilarious.
They’re not the only ones to tackle Liszt’s Hungarian Rhapsody No.2 as a piano duo.
We also have these guys:
The “history” of this piece in several cartoons:
This is very interesting:
As he often did, Horowitz arranged it more for his liking:
An Early Level 1 Piano Book For End-Of-Year Success
In Later Gator and the Time Travel Tunes, a lonely alligator stumbles upon a squeaky duck and suddenly finds himself zipping through time on a wild and hilarious adventure.
From dinosaur stomping grounds to medieval castles, ancient Egyptian pyramids to Viking voyages, your students will tag along with Gator while reinforcing key piano skills:
C 5-finger scales
Hands-together coordination
Staccato and legato articulation
Introductory left-hand accompaniments
This early level 1 piano book is designed to keep lessons exciting while targeting the exact skills students need at this crucial stage.
It’s a story-driven approach that turns essential early learning into an irresistible experience — exactly what students need when attention spans are pulled in a dozen directions.
As always, O’Connor Music Studio students are provided with all books at no charge as appropriate. Later Gator and the Time Travel Tunes is also available on amazon.
Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist.
Most anyone who has ever played piano has a love-hate relationship with the “Hanon”.
The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon’s most well-known work, and is still widely used by piano instructors and pupils although some teachers are getting away from the mechanical playing these can produce.
Personally, I’ve sometimes played these on “auto-pilot” since all one really needs is to get the first pattern going, then move up a step, up a step…
Notes by C. L. Hanon: Preparatory exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers. For studying the 20 exercises, begin with the metronome set at 60, gradually increasing the speed up to 108.
The exercises are intended to address common problems which could hamper the performance abilities of a student. These include “crossing of the thumb”, strengthening of the fourth and fifth fingers, and quadruple- and triple-trills.
The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in.
Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises will also help to increase endurance. The exercises are divided in three parts:
Exercises 1 – 20: Labeled “preparatory exercises”, these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 semiquavers, beginning on C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.
Exercises 21 – 43: Labeled “further exercises for the development of a virtuoso technique.” This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.
Exercises 44 – 60: Labeled “virtuoso exercises for mastering the greatest technical difficulties.” Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes,, and more.
After all three parts are mastered, Hanon recommends all exercises be played through daily to retain technique.
The O’Connor Music Studio has several editions of this work, including:
Hanon: The Virtuoso Pianist in Sixty Exercises, Complete. Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist . Millions of copies have been sold of these progressive exercises which guide a player’s technique, building finger independence and strength. This was the first American edition released of this music, and remains a classic at a remarkably affordable price.
Junior Hanon (Alfred Masterwork Edition). A slight condensation of Hanon’s first exercises. The simplification in layout and range make the exercises appear less difficult to a young student. Includes the complete Book 1 and excerpts from Books 2 & 3 of C. L. Hanon’s famous studies, The Virtuoso Pianist in 60 Exercises.
Hanon for Students, Bk 1: 6 Varied Exercises from The Virtuoso Pianist for Late Elementary Pianists. Hanon for Students, Book 1, contains the first six exercises from The Virtuoso Pianist, Book 1. The exercises are notated in eighth notes for one octave so that students may begin to use them effectively at the late-elementary level. Each exercise appears five times to be played with a legato touch, varied articulation, varied dynamics, varied rhythm, and transposed to F or G.
Jazz Hanon. Inspired by Charles-Louis Hanon’s The Virtuoso Pianist the essential technical method for any classical player these new volumes present a modern-day equivalent for the musician seeking to play the key piano styles of the 20th century. Each book develops basic technique and true facility in each genre through authentic, progressive exercises and etudes. The music in these books is fun to play for pianists at every level, building the necessary skills in each style while providing extensive musical and stylistic insight.
Music theory has never sounded so catchy with this witty remake of the holiday classic The Christmas Song (with apologies to Mel Torme) Try not to laugh at the ending.
Though it is a bit humorous, this version titled ‘Intervals Roasting’, with lyrics by David Rakowski, attempts to encapsulate the fundamentals of music theory in just over two minutes.
It does a good job of explaining the intervals and harmonic structure of the song and also gives you an idea of how to use music theory to analyze or compose music.
The O’Connor Music Studio has a copy if anyone wants to learn this 🙂
I’m thankful for my piano studio, my students, and my piano 🙂 During Covid, I was especially thankful for the Internet!
When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in. The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom. Not the best place for a piano, but I digress.
Since we had the piano already, someone – probably my mom – decided that I would take lessons. We had the organist from the Baptist church just across the river in Westerly, RI
Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.
Miss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.
I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.
From there, it was the Michael Aaron series, and some sheet music.
There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.
My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child. Later on, she played well enough that she was church organist for a local Roman Catholic Church.
But I digress…
In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout. Bye, bye Clara.
Girl Scouts didn’t last long but I did play piano in a talent show. I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover. (I still have this, too)
I doubt that I played this well but here’s what it was supposed to sound like:
A few years intervened and moved to Springfield, MA. The parsonage piano there was in terrible shape and in the dark, never-used basement. But I decided to make it mine and cleared up the area around it and started “practicing”.
My Junior or Senior year of High School I decided I wanted to major in music in college. I decided to learn, on my own, a piano arrangement of Aragonaise by Jules Massenet. I have no idea why or where that sheet music came from but I started working furiously on this piece.
Hopefully, at some point, it should have sounded like this:
I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.
Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory in winter 5 days a week. AARRGGH!
But I stuck it out.
My wonderful piano teacher, Howard Lebow, was killed in a car accident during my sophomore year and I was devastated. There was more about him in a post on January 26, 2022 here on https://atomic-temporary-44596882.wpcomstaging.com
I took yet another break from piano lessons – but I kept playing.
After DH graduated, we moved to Milwaukee, WI for his graduate school. Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin. I also found a teacher at the Schaum School of Music. She was amazed that I had no piano at home to practice on.
When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano. The owner had acquired it in a divorce and wanted it gone. Yesterday. She even paid to move it out of her apartment.
The new-to-me piano took up half our living room. When my parents came to visit, their feet we under my piano as I slept.
I found yet another new piano teacher and she is still my best friend to this day.
That piano moved to several locations before I bought a brand new Yamaha grand piano. The movers accidently brought in the wrong one and I made them return it. The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.
I started teaching as a traveling piano teacher in Silver Spring, Maryland. I continued that in Wilmington, DE.
When we got to Fairfax, VA I decided no more traveling. Students would come to me. And so they have since 1973.
What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets, recorders, a dulcimer and other musical “stuff”.
Piano playing has gotten me through the worst times of my life. Teaching has been a lifeline for me, as well.
I am so thankful for the students who have stayed with me over the years and the new ones I have found…on the internet.
MaryO'Studio 