Christmas Countdown: The Alfred Burt Carols

Alfred Burt Carols

 

I could have turned the Alfred Burt Carols into the next 15 parts of this series but I decided that was a bit too easy on me!

I love this story – it’s a wonderful family tradition from the Burt family.

Starting in 1922, Alfred Burt’s father created a Christmas card for family members and parishioners. On these cards were original Christmas carols, with both the words and music by the Reverend Bates Burt. For the family Christmas card in 1942, Bates asked his son to write the music for that year’s carol, “Christmas Cometh Caroling.”

From then on, Alfred would write the music for the family’s Christmas cards, and the “Alfred Burt carols” were born.

Over the next several years, and as the Burts’ circle of friends grew, the Christmas card list grew from 50 to 450 people. But still, the Alfred Burt Carols remained unknown outside the Burts’ growing mailing list.

That changed with the 1952 carol, “Come, Dear Children”. Burt finished writing the music during a rehearsal with the Blue Reys, the vocal group with Alvino Rey’s orchestra. He asked them to sing it so he could make sure the harmonies worked; they liked it so much that they asked Burt if they could sing it at the annual King Sisters Christmas party. It proved to be a hit among the partygoers, and served to introduce Burt’s carols to Hollywood, California.

More about the Burt family and the Christmas Carol tradition: http://www.alfredburtcarols.com/

Alfred Burt’s Carols:

  1. “Christmas Cometh Caroling” (1942)
  2. “Jesu Parvule” (1943)
  3. “What Are the Signs” (1944)
  4. “Ah, Bleak and Chill the Wintry Wind” (1945)
  5. “All on A Christmas Morning” (1946)
  6. “Nigh Bethlehem” (1947)
  7. “Christ in the Stranger’s Guise” (1948)
  8. “Sleep Baby Mine” (1949)
  9. “This Is Christmas” (also known as “Bright, Bright, the Holly Berries”) (1950)
  10. “Some Children See Him” (1951)
  11. “Come, Dear Children” (1952)
  12. “O, Hearken Ye” (1953)
  13. “Caroling Caroling” (1954)
  14. “We’ll Dress the House” (1954)
  15. “The Star Carol” (1954)

Burt finished the last of his carols, “The Star Carol”, on February 5, 1954. He died less than 24 hours later, at the age of 33.

One of the best known of these today is Caroling Caroling (lyrics by the church organist at his father’s church, Wihla Hutson)

Caroling Caroling

The Salt Lake Vocal Artists perform 2 carols; “Caroling, Caroling” and “We’ll Dress the House” by Alfred Burt live in concert on December 17, 2011 in Holy Family Catholic Church, South Ogden, Utah under the direction of Dr. Brady Allred.

What’s your Christmas tradition?

Christmas Countdown: Still, Still, Still

Still, Still, Still

Still, Still, Still is an Austrian Christmas carol and lullaby. In German its first line is “Still, still, still, weil’s Kindlein schlafen will!” (Hush, hush, hush, for the little child wants to sleep!)

The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum; it has changed slightly over the years but remains attributed to G. Götsch.

The words, which run to six verses in German, describe the peace of the infant Jesus and his mother as they sleep. There are various English translations.  This is one version:

Still, still, still,
One can hear the falling snow.
For all is hushed,
The world is sleeping,
Holy Star its vigil keeping.
Still, still, still,
One can hear the falling snow.

Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.
The night is peaceful all around you,
Close your eyes,
Let sleep surround you.
Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.

Dream, dream, dream,
Of the joyous day to come.
While guardian angels without number,
Watch you as you sweetly slumber.
Dream, dream, dream,
Of the joyous day to come.

Christmas Countdown: O Come, O Come Emmanuel

O Come, O Come Emmanuel

O Come, O Come Emmanuel

O come, O come, Emmanuel is the mid-19th-century translation by John Mason Neale and Henry Sloane Coffin of the Ecclesiastical Latin text “Veni, veni, Emmanuel”.

The text is based on the Biblical prophecy from Isaiah 7:14 that states that God will give Israel a sign that will be called Emmanuel (Literally: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.

O come, O come, Emmanuel
And ransom captive Israel
That mourns in lonely exile here
Until the Son of God appear
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Rod of Jesse, free
Thine own from Satan’s tyranny
From depths of Hell Thy people save
And give them victory o’er the grave
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Day-Spring, come and cheer
Our spirits by Thine advent here
Disperse the gloomy clouds of night
And death’s dark shadows put to flight.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Key of David, come,
And open wide our heavenly home;
Make safe the way that leads on high,
And close the path to misery.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, O come, Thou Lord of might,
Who to Thy tribes, on Sinai’s height,
In ancient times did’nt give the Law,
In cloud, and majesty and awe.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

December 7 ~ On This Day in Music

today

 

Pearl Harbor Day

 

Christmas Countdown: Hark the Herald Angels Sing

• 1637 ~ Bernardo Pasquini, Italian composer of operas, oratorios, cantatas and keyboard music.

• 1840 ~ Hermann Goetz, German Composer

• 1842 ~ The Philharmonic Society of New York, the first permanent orchestra in the U.S., held its first concert. Despite uncomfortable seating, the event was a huge success. They performed works of Beethoven.

• 1863 ~ Pietro Mascagni, Italian composer and conductor
More information about Mascagni

• 1879 ~ Rudolf Friml, Musician, composer

• 1887 ~ Ernst Toch, Austrian-born American composer

• 1899 ~ Antoni de Kontski, Polish pianist and composer, died at the age of 82

• 1911 ~ Louis Prima, Trumpeter, bandleader with Louis Prima and His New Orleans Gang, Gleeby Rhythm Orchestra; songwriter, singer, married to Keely Smith

• 1931 ~ Bobby Osborne, Musician, mandolin, singer with the duo – Osborne Brothers

• 1942 ~ Harry Chapin, American folk-rock singer and songwriter, Recipient of Special Congressional Gold Medal, Worldwide Humanitarian for the Hungry, Needy and Homeless

• 1948 ~ NBC presented Horace Heidt’s Youth Opportunity Program for the first time. The talent show earned Dick Contino, an accordionist, the $5,000 prize as the program’s first national winner.

• 1949 ~ Tom Waits, Singer, songwriter, playwright, married to Kathleen Brennan

• 1954 ~ Mike Nolan, Singer with Bucks Fizz

• 1957 ~ Pat Boone was at the top of the pop charts for the first of six weeks with April Love. His other number one hits included Ain’t That a Shame, I Almost Lost My Mind, Don’t Forbid Me and Love Letters in the Sand.

• 1980, Leonard Bernstein received the Kennedy Center Honors for lifetime contributions to American culture through the performing arts. His co-recipients were James Cagney, Leontyne Price, Lynn Fontanne, and Agnes de Mille.

At the White House reception for the honorees, President Jimmy Carter said:

“Leonard Bernstein single-handedly, or I might say, with both hands and his entire body, as a matter of fact— [laughter] —has brought great music as a vital part of the personal lives of literally millions of Americans and people throughout the world with his deep commitment, his knowledge of communication, his ability as a teacher, and the inner commitment that makes his words and his attitudes a kind of a burning inspiration to those who have admired his own works and the way he interprets and explains the fine works of others. In motion pictures, on Broadway, in the concert hall, and, I am thankful to say, here in The White House, he’s been a favorite of us and of millions of his fellow Americans.”

• 1984 ~ Michael Jackson was in Chicago to testify that the song, The Girl is Mine, was exclusively his and he didn’t swipe the song, Please Love Me Now. It was a copyright infringement case worth five million dollars. He won.

• 1990 ~ Dee (Delectus) Clark passed away

• 2016 ~ Greg Lake, English rock vocalist and bassist (King Crimson, Emerson, Lake & Palmer), died of cancer at the age of 69

Christmas Countdown: Hark the Herald Angels Sing

hark

Charles Wesley (1707-1788),  the younger brother of John Wesley wrote the words to this Christmas Carol.

Charles was a hymn writer and a poet, also known as one of the people who began the Methodist movement in the Church of England. Hark the Herald Angels Sing appeared in 1739 in a book called Hymns and Sacred Poems.

Wesley envisioned this being sung to the same tune as his hymn, Christ the Lord Is Risen Today,  and in some hymnals it is included along with the more popular version.

This hymn was regarded as one of the Great Four Anglican Hymns and published as number 403 in “The Church Hymn Book” (New York and Chicago, USA, 1872).

To celebrate the invention of the printing press, Felix Mendelssohn composed a cantata in 1840 called Festgesang or “Festival Song”. The melody of Mendelssohn’s cantata was then used by William H. Cummings and adapted it to the lyrics of Wesley’s “Hark the Herald Angels Sing”.

Hark the herald angels sing
“Glory to the newborn King!
Peace on earth and mercy mild
God and sinners reconciled”
Joyful, all ye nations rise
Join the triumph of the skies
With the angelic host proclaim:
“Christ is born in Bethlehem”
Hark! The herald angels sing
“Glory to the newborn King!”

And, of course, no one can do it better than The Mormon Tabernacle Choir.

 

 

Christmas Countdown: Carol of the Bells

Carol of the Bells

Carol of the Bells was composed by Mykola Dmytrovych Leontovych (1877-1921) in 1916. Originally titled Shchedryk, this Ukrainian folk song is sometimes called Ukrainian Bell Carol. “Shchedryk” which was associated with the coming New Year, originally celebrated in April.

Leontovych used this tune in 1904 along with lyrics by Peter J. Wilhousky to create the version that everyone knows today. It gained popularity during the 1920s and 1930s, and was introduced to an even wider audience when it was used in the movie “Home Alone”.

It was first performed in the Ukraine on the night of January 13, 1916, on the Julian calendar this is considered New Year’s Eve. In the United States the song was first performed on October 5, 1921 at Carnegie Hall.

This video is from the Christmas special of the Mormon Tabernacle Choir, presented at the BYU channel. The orchestra and choir produce a very beautiful sound.

Not the standard version –

The O’Connor Music Studio has several versions of this Christmas Carol available for loan, including this version from the Mannheim Steamroller:

Christmas Countdown: Angels We Have Heard On High

 

Angels We Have Heard On High

Angels we have heard on high
Sweetly singing o’er the plains
And the mountains in reply
Echoing their joyous strains
CHORUS:
Gloria, in excelsis Deo!
Gloria, in excelsis Deo!
Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
Which inspire your heavenly song?
Chorus
Come to Bethlehem and see
Him Whose birth the angels sing;
Come, adore on bended knee,
Christ the Lord, the newborn King.
Chorus
See Him in a manger laid
Jesus Lord of heaven and earth;
Mary, Joseph, lend your aid,
With us sing our Savior’s birth.
Chorus

This is a traditional French carol (Les Anges dans nos Campagnes) that was translated into English by Bishop James Chadwick.

This carol commemorates the story of the birth of Jesus Christ found in the Gospel of Luke, in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child.

This is “Angels We Have Heard on High” with choir and orchestra.

The Piano Guys, Peter Hollens, David Archuleta, and The Mormon Tabernacle Choir get together to sing “Angels We Have Heard On High”

Christmas Countdown: Just In Time For Christmas

From RevKev, Pender UMC’s Former Associate Pastor – “As it was, so it is, Christmas about Jesus. We are all distracted by the glitz and festivities, but let us hear the sound of Angels and the call to worship our Newborn King.

Just in time for Christmas, a gift from God to you: A baby in a manger who would love us through and through..”

Christmas Countdown: I Heard The Bells on Christmas Day

I Heard the Bells on Christmas Day

“I Heard the Bells on Christmas Day” is a Christmas carol based on the 1863 poem “Christmas Bells” by American poet Henry Wadsworth Longfellow. The song tells of the narrator’s despair, upon hearing Christmas bells, that “hate is strong and mocks the song of peace on earth, goodwill to men”. The carol concludes with the bells carrying renewed hope for peace among mankind.

This version is done by Casting Crowns.  I chose it because the Pender choir sang this on Christmas Eve with past-Associate Pastor Dan Elmore singing the solo…and I fell in love with this version.

As seen on 2008 TBN Christmas special. “I Heard The Bells On Christmas Day” is available on Casting Crowns’ Christmas album, Peace On Earth.

More traditionally, the Mormon Tabernacle Choir’s version:

I heard the bells on Christmas Day
Their old, familiar carols play,
and wild and sweet
The words repeat
Of peace on earth, good-will to men!

And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!

Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!

Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!

And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”

Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”

Christmas Countdown: Joy To The World

 

 

Joy_To_The_World-Antioch

Joy To The World

Joy to the World, the Lord is come!

Let earth receive her King.

Isaac Watts wrote the words to “Joy to the World” in 1719, based on Psalm 98 in the Bible. The hymn originally glorified Christ’s triumphant return at the end of the age, rather than a song celebrating His first coming. Only the second half of Watts’ lyrics are still used today.

The music was adapted and arranged to Watts’ lyrics by Lowell Mason in 1839 from an older melody which was then believed to have originated from Handel. The name “Antioch” is generally used for the hymn tune.

As of the late 20th century, “Joy to the World” was the most-published Christmas hymn in North America.

 

There are versions of Joy to the World available at the O’Connor Music Studio for any level of playing, starting with Pre-Reading, all the way up through Advanced and duets.