Category Archives: Parents

School Year Piano Lessons

Posted by MaryO on

Hello everyone!

I hope you are all having an enjoyable summer and that it has been filled with adventures and memory-making.

Wow! What a summer I have had so far! Aside from a ‘little bit’ of relaxing, I’ve also been doing some travel, reading, learning and planning, as I prepare for another exciting year of piano lessons.

A lot of information was given to you in June. I know it was a busy time for everyone so this email is to touch base with you about August Fall Start-Up in the hopes that it arrives when you have a moment to write some things on your calendar.

  1. When do lessons start? Set a reminder and mark your calendar: our fall term of lessons will begin on August 26 – no lessons the first week of school. However, Fairfax County has a holiday on Labor Day, September 2.  If you normally have Monday lessons and want a lesson that first week of September, there is some time available on other days.  Please let me know.
    ​
    For ease of scheduling, I’m keeping the same days/lesson times as last year.  If you need to make a change, please let me know as soon as possible.
    ​
  2. What do your children need? Having your books and notebook ready for the first day of lessons will ensure an efficient start – so please remember to bring them!  A bit of review might be in order.  If you have an iPad, please bring that, too.
  3. Is your piano dusty? Summer is full of family fun and this might mean that your children may not have been practicing as much as they do during the school year. This is understandable.  I can promise, however, that your children will be even more excited about returning to lessons if they feel prepared and ready to learn. Setting up a practice schedule for the weeks leading up to the return of lessons is a great idea. Plan for at least 15 minutes of practice a day during the rest of the summer and, if possible, schedule it in the morning before the day’s activities begin.

In addition to the regular fun we have at the studio, I have been planning some new and exciting ways for your children to enjoy the piano and become even better musicians. Here are just a few things your children can look forward to:

  • New tween and teen piano games! Yes, even the older students in the studio will get off the bench for some hands-on, game-based learning
  • New music! I’ve been busy collecting a lot of repertoire during the summer months and am so excited to share the new music with your children this year.
  • Student Portal: This year I am requiring all students under 17 to log their practice time in our Student Portal.  If you’ve forgotten, there’s more info here.

I can’t wait to reconnect with you soon and I look forward to hearing about your summer fun.

Mary

A Helpful Book For Parents or Adult Students

Posted by MaryO on

 

I have several copies of this book for the music studio so parents can check it out to see if it would be useful for them to buy for home use.  If any of the studio parents have this book already, please let me know what you think.

Some of my adult students have this and have found it helpful in doing theory assignments.

 

From Amazon:

Help Your Kids with Music is a step-by-step visual guide to music theory and is the perfect primer to help students gain a solid foundation in music, no matter their age, skill level, or instrument.

Help Your Kids with Music clearly explains key concepts in five step-by-step chapters:

  • The Basics explains the types of instruments, notation for keyboard and stringed instruments, the “musical alphabet,” and counting a beat.
  • Rhythm covers the length of notes and rests, as well as basic rhythms and meters, phrasing, syncopation, tempo, and using a metronome.
  • Tone and Melody includes everything a student needs to know about tones and how they work together to build a melody.
  • Chords and Harmony shows how intervals work together and includes examples for horn and woodwind instruments.
  • Form and Interpretation helps students understand how musical form can aid appreciation and interpretation for classical, jazz, blues, and other musical styles.

Sample pages:

 

Moving this Summer?

Posted by MaryO on

Many homeowners don’t realize that there are movers available to them who specialize in the transportation and storage of pianos. A piano is a delicate instrument and not something you want to take risks with. By trusting this major job to a piano mover, you can rest easy knowing that one of the most valuable items in your home is being transported with the care it deserves.

But It Weighs 1500 Pounds. How Delicate Can It Be? 

pianomovingThis is exactly where many homeowners go wrong. Sure, that piano in your living room is heavy enough to throw out the backs of four or five of your best buddies as you wrestle it out the door and up into the truck, but don’t let that fool you. Despite its bulky appearance, it is also a precision musical instrument with over 1000 moving parts and 200 finely-tuned strings, any number of which can be damaged and require repair if your piano isn’t handled properly in a move.

Your Piano Mover Understands Pianos

These intricate inner workings of a piano are exactly why hiring an expert in piano moving is so important. These professionals understand pianos and moving them, from the safest way to lift and twist a standard upright piano to get it out the door, to how to properly disassemble a grand piano and transport it without causing any damage. And even more importantly, a piano mover understands that when your piano is delivered to your new home, you expect to be able to sit down and play it right away. It’s why many piano movers keep tuners and repairmen on staff, and why the rest will have a trusted list of professionals available on request if you need it.

From: http://www.homeadvisor.com/article.show.Don-t-Take-Risks-Moving-Your-Piano-Hire-an-Expert.14222.html#ixzz39Gny25qc

Daily Listening Assignments ~ June 5, 2025

Posted by MaryO on

Happy Birthday is a song that I like to have each of my students learn at various levels appropriate to their level. When a friend or family member has a birthday, it’s great to be able to sit down and play.

It’s only been fairly recently that piano students could have this music in their books.

“Happy Birthday to You”, more commonly known as simply “Happy Birthday”, is a song that is traditionally sung to celebrate the anniversary of a person’s birth. According to the 1998 Guinness World Records, “Happy Birthday to You” is the most recognized song in the English language, followed by “For He’s a Jolly Good Fellow”.

The melody, or part you sing, of “Happy Birthday to You” comes from the song “Good Morning to All”, which has traditionally been attributed to American sisters Patty and Mildred J. Hill in 1893, although the claim that the sisters composed the tune is disputed.

Patty Hill was a kindergarten principal and her sister Mildred was a pianist and composer.  The sisters used “Good Morning to All” as a song that young children would find easy to sing.  The combination of melody and lyrics in “Happy Birthday to You” first appeared in print in 1912, and probably existed even earlier.

“Happy Birthday” in the style of Bach, Mozart, Beethoven, Mendelssohn, Chopin, Liszt, Dvorak, and Stravinsky.  Find the melody!

Lots of legal stuff below which you can skip…

None of the early appearances of the “Happy Birthday to You” lyrics included credits or copyright notices. The Summy Company registered a copyright in 1935, crediting authors Preston Ware Orem and Mrs. R. R. Forman. In 1988, Warner/Chappell Music purchased the company owning the copyright for US$25 million, with the value of “Happy Birthday” estimated at US$5 million. Based on the 1935 copyright registration, Warner claimed that the United States copyright will not expire until 2030, and that unauthorized public performances of the song are illegal unless royalties are paid to Warner. In one specific instance in February 2010, these royalties were said to amount to US$700. By one estimate, the song is the highest-earning single song in history, with estimated earnings since its creation of US$50 million.In the European Union, the copyright for the song expired on January 1, 2017.

The American copyright status of “Happy Birthday to You” began to draw more attention with the passage of the Sonny Bono Copyright Term Extension Act in 1998. When the U.S. Supreme Court upheld the Act in Eldred v. Ashcroft in 2003, Associate Justice Stephen Breyer specifically mentioned “Happy Birthday to You” in his dissenting opinion. American law professor Robert Brauneis, who extensively researched the song, concluded in 2010 that “It is almost certainly no longer under copyright.”

In 2013, based in large part on Brauneis’s research, Good Morning to You Productions, a company producing a documentary about “Good Morning to All”, sued Warner/Chappell for falsely claiming copyright to the song.  In September 2015, a federal judge declared that the Warner/Chappell copyright claim was invalid, ruling that the copyright registration applied only to a specific piano arrangement of the song, and not to its lyrics and melody.

In 2016, Warner/Chappell settled for US $14 million, and the court declared that “Happy Birthday to You” was in the public domain.

Legal stuff is finished and people can now sing and play “Happy Birthday to You” whenever and wherever they want.

Students in Wunderkeys may play this version from Remix: Teen Hits from Kids Tunes

One of my all-time versions of Happy Birthday, in duet form – and I have the music if you want to tackle it.

Daily Listening Assignments ~ June 4, 2025

Posted by MaryO on

I’m sure many have you have learned Twinkle, Twinkle Little Star by now.  Did you know its’ the same melody as the ABC Song?  You know…

Don’t believe it? Sing them both in your head or out loud.

The French melody first appeared in 1761, and has been used for many children’s songs, such as “Twinkle, Twinkle, Little Star”, “Baa, Baa, Black Sheep” and the “Alphabet Song”.

This is one of the first pieces a student learns in piano methods, since it has them reach just a bit outside their accustomed hand position on the word “little”.

Twinkle

I try to remember to let students know that Wolfgang Amadeus Mozart composed a set of twelve variations on the theme “Ah, vous dirai-je, Maman” for the piano and it started as the same basic Twinkle tune.

The sheet music is available at the O’Connor Music Studio if you want to borrow it or download it here about 1/3 of the way down the page under “Scores”.

Students in Wunderkeys may play this version from Remix: Teen Hits from Kids Tunes:

I always enjoy these graphical scores.  Watch the colors as the melody gets more and more complex:

Who knew?  There’s an accordion version.

Have a great day!

Daily Listening Assignments ~ June 3, 2025

Posted by MaryO on

 

Today we’re going to listen and learn about the opera Carmen.

I chose this for today since it’s the anniversary of French composer Georges Bizet‘s death.

Georges Bizet was born in Paris, France. Both his parents were musicians, and they actually wanted their son to become a composer when he grew up! Bizet loved music, but he also loved to read books. His parents wound up hiding his books so that he would spend more time on his music.

When Georges was 10 years old, his father enrolled him in the Paris Conservatory. While he was there, he wrote his only symphony, but it wasn’t performed until many years after he died. Bizet graduated from the Conservatory with awards in both composition and piano.

Bizet also composed operas. His most famous opera is Carmen. When Carmen first opened in Paris, the reviews were terrible. Many critics said there were no good tunes in it, so audiences stayed away.

In the middle of the night during the first round of Carmen performances, Bizet died. He was only 36. Four months later, Carmen opened in Vienna, Austria, and was a smash hit. It is now one of the most popular operas ever written. Bizet never knew that audiences would come to consider it his masterpiece.

 

Vladimir Horowitz made Carmen his own by turning it into a fantasy (or the more musical spelling – fantasie).

The fantasia (Italian; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with its roots in the art of improvisation. Because of this, like the impromptu, it seldom approximates the textbook rules of any strict musical form.

When you play wrong notes for an audience, just tell the audience it’s a “Fantasie”, not the original work!

As you can see, Carmen is a popular work. Here it is for two pianos, played by Anderson and Roe.

The Canadian Brass tell the story of Carmen in their own humorous words.

If you want to learn this, just let me know!

Daily Listening Assignments 2025

Posted by MaryO on

This summer, I’ve decided to add a new feature to piano lessons.  I know that many families travel during the summer months and it’s sometimes difficult to practice.

These daily assignments, June through August will help you and your students learn a bit more about the pieces they’re learning during the year – or maybe give ideas for something that they’d like to learn.

Each piece has a bit of composer info and several different interpretations, some of which are very humorous.  Some of the assignments appear in Piano Maestro so be sure to have that handy, if your student uses that.

Some days give hints that the assignment of the day may be played (or reviewed) at the next lesson so please be sure that your student takes note of that (no pun intended!)

Find them here, under Daily Listening Assignment starting June 1 at 9:00 am.

Have a safe and musical summer!

Today is National Buy a Musical Instrument Day

Posted by MaryO on

Piano 8

 

 

Each year on May 22 we observe National Buy a Musical Instrument Day.  The day is all about playing music.  If you are a musician, it might be time for a new instrument.  Maybe you can learn to play a second or third one.  If you have never played an instrument before, National Buy A Musical Instrument Day might be the motivation you need to start.

Naturally, here at the O’Connor Music Studio, a piano, keyboard with weighted keys (and 88 of them!) or organ is recommended but this day is for all types of instruments and is for people of all ages.  Grandpa can play his ukulele while the grandkids play the drums, trombone, and flute. Together they can all make terrific music!

Adapted from http://www.nationaldaycalendar.com/national-buy-a-musical-instrument-day-may-22/

 

Why Bi-weekly Lessons Don’t Work

Posted by MaryO on

Every now and then, I get asked if I offer bi-weekly lessons. Theoretically, it makes sense that if you take a piano lesson every other week, you have half the number of trips into the studio, you have double the amount of time to practice, and you can save some money, right?

WRONG.

Aside from the fact that it is a scheduling nightmare for the teacher and studio, I’d like to outline a few reasons why (in most cases) bi-weekly lessons do not work.

1) **Playful Piano Planning!** 🎹✨
Okay, picture this: Your piano lesson gets zapped by life’s little hiccups – a sneeze fest, a car with an attitude, surprise overtime, the school bus doesn’t show up, or a snow-in. Our studio is all about the makeup magic, but hey, not everyone’s as cool with rescheduling. Miss a beat with last-minute changes and you could be on a piano-less streak for a whole month!

2) **Dodge the Oops-Did-It-Again Dilemma** 🎶😅
Usually, MrsO is there to catch those sneaky wrong notes before they move in and get cozy in your practice. Skip a week, and you might find those wrong notes have thrown a two-week house party in your head. Breaking up that party? Twice as tricky!

3) **The Practice Time Warp** ⏳🔄
Got two weeks until the next lesson? Time to double down on practice, right? But somehow, time turns sneaky, and suddenly it’s a mad dash to remember what you’re even supposed to be playing right before you’re back on the bench. Binge-practicing is like cramming for a test – and trust me, it’s not a chart-topper.

4) **Keep the Piano Momentum Rolling** 🚀🎹
Weekly lessons are like a rhythm – learn, practice, show off, repeat! Cut that down to bi-weekly, and you’re halving your chances to hit those high notes of progress over a year. Who wants to slow-mo their piano prowess?

5) **Stay Tuned In!** 📅🎼
When piano lessons are a regular event, they’re like your favorite weekly show – you can’t wait for the next episode. Stretch it out, and the storyline starts to get fuzzy. Keep the tempo up, and stay keyed into your music mission.

6) **No More Calendar Chaos!** 📆🎉
Juggling bi-weekly lessons can turn your schedule into a game of musical chairs, where everyone’s scrambling for a seat. Studios might do the time-tango, fitting in other students to fill the gaps, but it’s a dance best avoided if you want to keep the beat.

7) **Plan Like a Piano Prodigy** 📝🎶
Riding the bi-weekly wave? Get your planner game strong. Stay in sync with MrsO and don’t let any holidays or special days sneak up on you.

Teachers, on their part, turn into maestros of lesson planning, ensuring every note and nuance is clear for the two-week solo ahead. They’ll balance the scales perfectly so you won’t be yawning or yelping in practice frustration.

**And If You’re Still All for Bi-Weekly:** 🌟👇
– Master the art of organization. Sync those calendars with your studio like a pro.
– Treat practice like your favorite habit. Daily doses, no matter the next lesson date.
– Scribble down the wisdom your teacher drops – and drop into practice pronto. OR, check your lesson notes in your Practice Portal.
– Post-lesson practice is your golden hour. What you play today, you slay tomorrow!

So, whether it’s a bi-weekly fiesta or a weekly wonder, keep those keys singing and the fun flinging!