Tag Archives: violin

January 1 ~ On This Day in Music

Posted by MaryO on

new-year-ani

Happy New Year!

• 1652 ~ Johann Krieger, German composer and organist

• 1701 ~ Johann Joachim Agrell, Composer
More information about Agrell

• 1735 ~ Paul Revere, American patriot and music engraver

• 1764 ~ In a stunning demonstration of prodigious talent, the Royal Family at Versailles in France was treated to a brilliant recital by an eight-year-old musician. His name was Wolfgang Amadeus Mozart.

• 1782 ~ Johann Christian Bach (“English Bach”), German composer, 11th son of Johann Sebastian Bach, died at the age of 46.

• 1878 ~ Edwin Franko Goldman, Composer

1900 ~ Xavier Cugat (Francisco de Asís Javier Cugat Mingall de Brue y Deulofeo). Spanish violinist, composer and bandleader, married to Abbe Lane and Charo
More information about Cugat

• 1916 ~ Earl Wrightson, Actor, singer

• 1923 ~ Milt Jackson, Vibes with The Modern Jazz Quartet

• 1925 ~ Lucrezia Bori and John McCormack of the famous Metropolitan Opera in New York City made their singing debuts on radio this day. The broadcast over what was WEAF Radio (now WABC) encouraged others to sing on radio. Some of those were Hootie and the Blowfish, and Barry Manilow.

• 1928 ~ Frank Pourcel, Composer, violinist

• 1942 ~ Country Joe McDonald, Singer with Country Joe & the Fish

• 1953 ~ A sad day in country music, as the legendary Hank Williams died at the young age of 29. Undisputedly, the biggest star in the history of country music, Hank Williams’ legacy is being carried on by his son, Hank Williams, Jr.

• 1955 ~ Elvis Presley appeared at The Eagles Hall in Houston Texas. Presley went on to play over 250 shows in 1955.

• 1958 ~ Johnny Cash played his first-ever prison concert —a concert that helped set Merle Haggard, then a 20-year-old San Quentin inmate, on the path toward becoming a country music legend.

• 1962 ~ The Beatles went an audition with Decca Records and are turned down in favor of the Tremeloes.

• 1968 ~ A group known as The Blue Velvets decided to change its name this day and it’s a good thing they did. The new name soon became a national pop music favorite as Creedence Clearwater Revival climbed to stardom.

• 1972 ~ Maurice Chevalier passed away. Chevalier was a French actor, Cabaret singer and entertainer.

• 1981 ~ Hephzibah Menuhin, American-Australian concert pianist, writer, and human rights campaigner died at the age of 61. She was sister to the violinist Yehudi Menuhin and to the pianist, painter, and poet Yaltah Menuhin.

• 1984 ~ Alexis Korner passed away. Korner was a British blues musician and radio broadcaster, who has sometimes been referred to as “a founding father of British blues”.

• 2000 ~ Ray Walston, who found commercial success playing a comical devil in the play “Damn Yankees” and an extraterrestrial on the sitcom “My Favorite Martian,” of natural causes at the age of 86. Walston caught the biggest break of his career when he won a Tony in 1955 for his performance in Broadway’s “Damn Yankees.” The smash musical told the story of a frustrated baseball fan who sells his soul. His screen debut came in the 1957 movie “Kiss Them For Me” with Cary Grant, and the next year he played the devil again in the film version of “Damn Yankees.” Walston snagged the role that would stick with him for a lifetime – that of a lovable alien on the TV show “My Favorite Martian” in 1963. The show was immensely popular, but Walston felt so typecast that he tried to highlight his dramatic abilities by returning to the stage when the TV comedy went off the air in 1966. He stayed in theater for several years before re-emerging with a succession of solid supporting roles in movies and television. Nearly 30 years after the end of the lighthearted “My Favorite Martian,” Walston’s role on “Picket Fences” as acerbic Judge Henry Bone earned Walston successive Emmys in 1995-96.

• 2016 ~ Chart-topping R&B singer Natalie Cole, who followed her famous father in the music business with hits like “This Will Be (An Everlasting Love) and “Unforgettable,” died at age 65.

• 2018 ~ Robert Mann, American composer and violinist (the founding Violinist of the Juilliard String Quartet), died at the age of 97

maryorhhappynewyear

Giving Thanks for Piano

Posted by MaryO on

ocms-logo

This is from a series which is being posted at http://www.maryo.co/category/thankfulness/

Today, since it’s a “teaching day”, I’m thankful for my piano studio, my students, and my piano 🙂

When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in.  The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom.  Not the best place for a piano, but I digress.

Since we had the piano already, someone – probably my mom – decided that I would take lessons.  We had the organist from the Baptist church just across the river in Westerly, RI

Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.

screenshot-2016-11-04-10-04-33
25-centsMiss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.

I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.

From there, it was the Michael Aaron series, and some sheet music.

There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.

My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child.  Later on, she played well enough that she was church organist for a local Roman Catholic Church.

But I digress…

In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout.  Bye, bye Clara.

Girl Scouts didn’t last long but I did play piano in a talent show.  I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover.  (I still have this, too)

balladeburgmuller

I doubt that I played this well but here’s what it was supposed to sound like:

A few years intervened and we moved to Springfield, MA.  The parsonage piano there was in terrible shape and in the dark, never-used basement.  But I decided to make it mine and cleared up the area around it and started “practicing”.

My Junior or Senior year of High School I decided I wanted to major in music in college.  I decided to learn, on my own, a piano arrangement of Aragonnaise by Jules Massenet.  I have no idea why or where that sheet music came from but I started working furiously on this piece.

aragonnaise

Hopefully, at some point, it should have sounded like this:

I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.

Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory classes in a trailer aka”Parko” in winter 5 days a week.  AARRGGH!

But I stuck it out.

My wonderful piano teacher, Howard Lebow, was killed in a car accident my sophomore year and I was devastated.  There was more about him here:  https://oconnormusicstudio.com/2025/01/26/in-memory-howard-lebow/

I took yet another break from piano lessons – but I kept playing.

After DH graduated, we moved to Milwaukee, WI for his graduate school.  Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin.  I also found a teacher at the Schaum School of Music.  She was amazed that I had no piano at home to practice on.

When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano.  The owner had acquired it in a divorce and wanted it gone.  Yesterday.  She even paid to move it out of her apartment.

The new-to-me piano took up half our living room.  When my parents came to visit, their feet were under my piano as they slept on cots.

I found yet another new piano teacher and she is still my best friend to this day.

That piano moved to several locations before I bought a brand new Yamaha grand piano.  The movers accidentally brought in the wrong one and I made them return it.  The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.

I started teaching as a traveling piano teacher in Silver Spring, Maryland.  I continued that in Wilmington, DE.

When we got to Fairfax, VA I decided no more traveling.  Students would come to me.  And so they have since 1973.

What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets, a hand-made (by me!) dulcimer, a balalaika, autoharp, electric violin, recorders, aerophone (digital saxophone/clarinet/trumpet/other instrument sounds) and other musical “stuff”.

Piano playing has gotten me through the worst times of my life.  Teaching has been a lifeline for me, as well.

I am so thankful for the students who have stayed with me over the years.

Music for Halloween: Danse Macabre by Camille Saint-Saëns

Posted by MaryO on

danse-macabre

Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin.

With a title that includes the word “macabre”, you can tell it’s a great piece for Halloween. This is by far the most famous work associated with the holiday, and with good reason. It is a tone poem inspired by a French legend that says “Death” appears at midnight on Halloween to call forth the dead from their graves to dance for him. He plays the fiddle while skeletons dance until dawn.

Get a free copy of the sheet music at IMSLP (Look for Arrangements and Transcriptions) or borrow a copy from the O’Connor Music Studio.  I have this arranged for organ, piano, duet, simplified…

Amazon has a great Dover edition for solo piano.  This splendid compilation features a variety of the composer’s best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work “Danse Macabre” (presented here in the brilliant arrangement by Liszt), this collection also includes “Allegro appassionato,” “Album” (consisting of six pieces), “Rhapsodie d’Auvergne,” “Theme and Variations,” plus six etudes, three waltzes, and six etudes for left hand alone.

This video originally aired on PBS in the 1980s:

 

For two pianos:

 

Piano Tutorial:

 

Orchestra:

From the Way-Back Machine

Posted by MaryO on

ocms-logo

Today, since it’s a “teaching day”, I’m thankful for my piano studio, my students, and my pianos 🙂

When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in.  The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom.  Not the best place for a piano, but I digress.

Since we had the piano already, someone – probably my mom – decided that I would take lessons.  We had the organist from the Baptist church just across the river in Westerly, RI

Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.

screenshot-2016-11-04-10-04-33
25-centsMiss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.

I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.

From there, it was the Michael Aaron series, and some sheet music.

There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.

My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child.  Later on, she played well enough that she was church organist for a local Roman Catholic Church.

But I digress…

In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout.  Bye, bye Clara.

Girl Scouts didn’t last long but I did play piano in a talent show.  I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover.  (I still have this, too)

balladeburgmuller

I doubt that I played this well but here’s what it was supposed to sound like:

A few years intervened and we moved to Springfield, MA.  The parsonage piano there was in terrible shape and in the dark, never-used basement.  But I decided to make it mine and cleared up the area around it and started “practicing”.

My Junior or Senior year of High School I decided I wanted to major in music in college.  I decided to learn, on my own, a piano arrangement of Aragonnaise by Jules Massenet.  I have no idea why or where that sheet music came from but I started working furiously on this piece.

aragonnaise

Hopefully, at some point, it should have sounded like this:

I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.

Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory in winter 5 days a week.  AARRGGH!

But I stuck it out.

My wonderful piano teacher, Howard Lebow, was killed in a car accident my sophomore year and I was devastated.  There was about him in a post on January 26, 2018 here: https://oconnormusicstudio.com/2024/01/26/in-memory-howard-lebow/

I took yet another break from piano lessons – but I kept playing.

After DH graduated, we moved to Milwaukee, WI for his graduate school.  Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin.  I also found a teacher at the Schaum School of Music.  She was amazed that I had no piano at home to practice on.

When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano.  The owner had acquired it in a divorce and wanted it gone.  Yesterday.  She even paid to move it out of her apartment.

The new-to-me piano took up half our living room.  When my parents came to visit, their feet were under my piano as they slept on cots.

I found yet another new piano teacher and she is still my best friend to this day.

That piano moved to several locations before I bought a brand new Yamaha grand piano.  The movers accidentally brought in the wrong one and I made them return it.  The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.

I started teaching as a traveling piano teacher in Silver Spring, Maryland.  I continued that in Wilmington, DE.

When we got to Fairfax, VA I decided no more traveling.  Students would come to me.  And so they have since 1973.

What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets, balalaika, electric saxophone, a hand-made (by me!) dulcimer, tenor and soprano recorders, and other musical “stuff”.

Piano playing has gotten me through the worst times of my life.  Teaching has been a lifeline for me, as well.

I am so thankful for the students who have stayed with me over the years.

Ludwig Van Beethoven’s Archduke Trio

Posted by MaryO on

beethoven

Beethoven’s first published works—his Opus No.1—were three trios for piano, violin and cello and already they show a marked advance on Haydn’s trios in the comparative interdependence of the three parts. Their freedom from Haydn’s oppressive formality looks forward to the first mature trios, the pair that comprises Opus 70, displaying all sorts of harmonic twists, thematic innovations and structural idiosyncrasies, these trios make much of the piano part and contain plenty of dramatic outbursts that are typical of Beethoven’s middle period.

Even more arresting is the first of the Opus 70 trios (1808) nicknamed ”The Ghost” because of its mysterious and haunting Largo. Its sibling boasts a cheerful bombastic finale that is the most entertaining music that Beethoven composed for this combination of instruments.

The “Archduke” Trio Opus 97 (1811) was Beethoven’s last full-scale work for piano trio and is typically conclusive. The third movement is its center of gravity, a highly moving set of variations with the cello dominating the thematic content. It opens with a hymn-like theme and progresses to a coda which magnificently sums up the movements ideas. The finale might be less powerful than that of Opus 70 No. 2, but it nevertheless has a sweeping rhythmic power. Again, it is beyond the shadow of a doubt that Beethoven defined the piano trio form that it retained throughout the 19th century by allowing the string instruments the status of genuinely equal partners in this superlative performance.

Read more at Ludwig Van Beethoven Piano Trios Opus 70 No. 2, Opus 97 “Archduke” | World Music Report.

Happy Birthday, George Gershwin!

Posted by MaryO on

George Gershwin lived between September 26, 1898 and July 11, 1937. He is considered to be a twentieth century composer.

If you hate homework but like roller skating, you have something in common with American composer George Gershwin. Born in Brooklyn, New York to Russian immigrant parents, George loved to play street hockey, ‘cat’, and punch ball. He didn’t even have an interest in music until his family got him a piano when he was twelve. Nine years later he had his first hit, “Swanee”, with lyrics written by Irving Caesar. No one else in the Gershwin family was musical, but George was fascinated by music. When he heard a schoolmate play the violin, George struck up a friendship with the boy who introduced him to the world of concert music.

Gershwin’s American in Paris and Rhapsody in Blue (featured in Disney’s newly released Fantasia 2000) proved that jazz was powerful enough to combine will with symphonic music. Gershwin was only 26 years old at the time when he composed Rhapsody in Blue. No matter how you hear it, “Rhapsody in Blue” will remain the signature of one of the most influential of composers, songwriters and pianists in American music history.

His play Porgy and Bess has been produced as both a film and an opera.

NoteRush App

Posted by MaryO on

 

We often use this app in the O’Connor Music Studio.  There is a new update coming very soon that looks like it will be even better.

Note Rush boosts your note reading speed and accuracy, building a strong mental model of where each written note is on your instrument.

Note Rush 2nd Edition: What’s New?

  1. Refreshed user interface: Note Rush 2nd Edition boasts a modern, colorful new interface that is visually appealing and user-friendly.
  2. Extended instrument support offering an expanded library of built-in levels designed for various instruments, including piano, guitar, violin, flute, and more.
  3. Enhanced level designer system with support for Treble and Bass clefs as well as Grand Staff (Tenor and Alto coming soon) and up to 6 ledger lines!
  4. Save custom levels within the app for easy access: No more hunting through the camera roll!
  5. Unique landmarks-based hints system! Landmark notes are a great way to get a firm grasp of the staff, and now Note Rush brings this approach into the learning experience. Learn more
  6. New themes including Fruit Smash and Cute Bird, and a new scrolling theme selector, making it quicker to select a theme and get playing.
  7. New Audio Recognition Engine to make gameplay faster and more reliable.

How it Works

Note Rush is like a virtual flash card deck for all ages that listens to you play each note, giving instant feedback and awarding stars based on speed and accuracy.

Race against the clock to improve your performance or hide the timer to gently engage those just starting out with the staff.

Includes built-in levels for piano and a range of other instruments as well as custom level design.

 

If you want to use it at home, the current cost is only $4.99 (not a subscription, one-time only) but it will be going up soon to 8.99.

More info at https://www.noterush.app/

 

Violin Sonata No. 5 in F major, Op. 24 by Ludwig van Beethoven from Concert for Ukraine

Posted by MaryO on

 

 

Liz Sellers, Pianist/Organist at Pender UMC in Fairfax, VA, and violinist Anthony Shields  performed Violin Sonata No. 5 in F major, Op. 24 by Ludwig van Beethoven during Pender’s new Concert Series which began on April 23, 2022.

The Violin Sonata No. 5 in F major, Op. 24, is a four movement work for violin and piano by Ludwig van Beethoven. It was first published in 1801. The work is commonly known as the Spring Sonata (Frühlingssonate), although the name “Spring” was apparently given to it after Beethoven’s death.

Liz and Anthony played the first movement.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

Harp: En bateau (Sailing) from Concert for Ukraine

Posted by MaryO on

 

 

Brian Stevenson, Director of Music Ministries at Pender UMC in Fairfax, VA,  performed En bateau (Sailing) from The Petite Suite, L 65, by Claude Debussy on the harp during Pender’s new Concert Series which began on April 23, 2022.

Debussy’s music captures perfectly a mood of water-borne serenity and languor, opening with a kind of musical sigh that made the Petite Suite immediately popular with a wide audience.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

The Widor Toccata Organ Symphony Movement V from Concert for Ukraine

Posted by MaryO on

 

Sylvia Mulherin, organist at St. George’s UMC in Fairfax, VA,  performed Toccata Organ Symphony Movement V by Charles-Marie Widor at Pender’s new Concert Series which began on April 23, 2022.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!