Still, Still, Still is an Austrian Christmas carol and lullaby. In German its first line is “Still, still, still, weil’s Kindlein schlafen will!” (Hush, hush, hush, for the little child wants to sleep!)
The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum; it has changed slightly over the years but remains attributed to G. Götsch.
The words, which run to six verses in German, describe the peace of the infant Jesus and his mother as they sleep. There are various English translations. This is one version:
Still, still, still,
One can hear the falling snow.
For all is hushed,
The world is sleeping,
Holy Star its vigil keeping.
Still, still, still,
One can hear the falling snow.
Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.
The night is peaceful all around you,
Close your eyes,
Let sleep surround you.
Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.
Dream, dream, dream,
Of the joyous day to come.
While guardian angels without number,
Watch you as you sweetly slumber.
Dream, dream, dream,
Of the joyous day to come.
Charles Wesley (1707-1788), the younger brother of John Wesley wrote the words to this Christmas Carol.
Charles was a hymn writer and a poet, also known as one of the people who began the Methodist movement in the Church of England. Hark the Herald Angels Sing appeared in 1739 in a book called Hymns and Sacred Poems.
Wesley envisioned this being sung to the same tune as his hymn, Christ the Lord Is Risen Today, and in some hymnals it is included along with the more popular version.
This hymn was regarded as one of the Great Four Anglican Hymns and published as number 403 in “The Church Hymn Book” (New York and Chicago, USA, 1872).
To celebrate the invention of the printing press, Felix Mendelssohn composed a cantata in 1840 called Festgesang or “Festival Song”. The melody of Mendelssohn’s cantata was then used by William H. Cummings and adapted it to the lyrics of Wesley’s “Hark the Herald Angels Sing”.
Hark the herald angels sing
“Glory to the newborn King!
Peace on earth and mercy mild
God and sinners reconciled”
Joyful, all ye nations rise
Join the triumph of the skies
With the angelic host proclaim:
“Christ is born in Bethlehem”
Hark! The herald angels sing
“Glory to the newborn King!”
And, of course, no one can do it better than The Mormon Tabernacle Choir.
Carol of the Bells was composed by Mykola Dmytrovych Leontovych (1877-1921) in 1916. Originally titled Shchedryk, this Ukrainian folk song is sometimes called Ukrainian Bell Carol. “Shchedryk” which was associated with the coming New Year, originally celebrated in April.
Leontovych used this tune in 1904 along with lyrics by Peter J. Wilhousky to create the version that everyone knows today. It gained popularity during the 1920s and 1930s, and was introduced to an even wider audience when it was used in the movie “Home Alone”.
It was first performed in the Ukraine on the night of January 13, 1916, on the Julian calendar this is considered New Year’s Eve. In the United States the song was first performed on October 5, 1921 at Carnegie Hall.
This video is from the Christmas special of the Mormon Tabernacle Choir, presented at the BYU channel. The orchestra and choir produce a very beautiful sound.
Not the standard version –
The O’Connor Music Studio has several versions of this Christmas Carol available for loan, including this version from the Mannheim Steamroller:
Angels we have heard on high
Sweetly singing o’er the plains
And the mountains in reply
Echoing their joyous strains
CHORUS:
Gloria, in excelsis Deo!
Gloria, in excelsis Deo!
Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
Which inspire your heavenly song? ChorusCome to Bethlehem and see
Him Whose birth the angels sing;
Come, adore on bended knee,
Christ the Lord, the newborn King. ChorusSee Him in a manger laid
Jesus Lord of heaven and earth;
Mary, Joseph, lend your aid,
With us sing our Savior’s birth. Chorus
This is a traditional French carol (Les Anges dans nos Campagnes) that was translated into English by Bishop James Chadwick.
This carol commemorates the story of the birth of Jesus Christ found in the Gospel of Luke, in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child.
In 2009, Andrea Bocelli and David Foster collaborated to produce a Christmas album with a number of other music legends. This is “Angels We Have Heard on High” with choir and orchestra.
The Piano Guys, Peter Hollens, David Archuleta, and The Mormon Tabernacle Choir get together to sing “Angels We Have Heard On High”
“I Heard the Bells on Christmas Day” is a Christmas carol based on the 1863 poem “Christmas Bells” by American poet Henry Wadsworth Longfellow. The song tells of the narrator’s despair, upon hearing Christmas bells, that “hate is strong and mocks the song of peace on earth, goodwill to men”. The carol concludes with the bells carrying renewed hope for peace among mankind.
This version is done by Casting Crowns. I chose it because the Pender choir sang this on Christmas Eve with past-Associate Pastor Dan Elmore singing the solo…and I fell in love with this version.
As seen on 2008 TBN Christmas special. “I Heard The Bells On Christmas Day” is available on Casting Crowns’ Christmas album, Peace On Earth.
More traditionally, the Mormon Tabernacle Choir’s version:
I heard the bells on Christmas Day
Their old, familiar carols play,
and wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”
I’ve always liked Leroy Anderson’s Sleigh Ride as a secular Christmas song 🙂 It’s not technically a Christmas song since the words never mention Christmas but it’s often played now so it seems like a way to ease into the season.
Anderson had the original idea for the piece during a heat wave in July 1946; he finished the work in February 1948. Lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.
The orchestral version was first recorded in 1949 by Arthur Fiedler and The Boston Pops Orchestra. The song was a hit record and has become the equivalent of a signature song for the orchestra.
A fun arrangement has been made for piano duet. I have copies here for loan and it’s available on amazon (of course! What isn’t?)
“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.
The entire final movement:
Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
It is often called Joyful, Joyful We Adore Thee (You) in hymbooks.
Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.
By now, you know I love flashmobs:
And Muppets (note the metronome going wild!):
And Barbershop:
An animated score:
Boomwhackers:
The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:
As the European Anthem:
And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.
Do a search on youtube – lots and lots of people have played this famous Beethoven melody.
Can it be that not much happened in the world of music today? I’ll be editing this post as I find items!
In the meantime, please enjoy this video:
.1875 ~ The Georges Bizet opera Carmen premiered in Paris.
.1931 ~ The “Star Spangled Banner” was adopted as the American national anthem. The song was originally known as “Defense of Fort McHenry.”
.1931 ~ The first jazz album to sell a million copies was recorded. It was “Minnie The Moocher” by Cab Calloway.
.1940 ~ Artie Shaw and his orchestra recorded “Frenesi”.
.1945 ~ Bing Crosby recorded “Temptation” with John Scott Trotter’s Orchestra. He had recorded it before on October 22, 1933, with Lennie Hayton’s orchestra.
.1957 ~ Samuel Cardinal Stritch banned rock ‘n’ roll from Chicago archdiocese Roman Catholic schools.
. 1889 ~ John Mills, Guitarist, singer, bass with The Mills Brothers. He was father of the four Mills brothers and took youngest son John, Jr.’s place after his death in 1935
. 1938 ~ Larry Clinton and his orchestra recorded Martha on Victor Records. Bea Wain was heard warbling the vocals on the tune.
. 1938 ~ Bobby”Boris” Pickett, American singer-songwriter (Monster Mash), born in Somerville, Massachusetts (d. April 25, 2007)
. 1939 ~ Gerry Goffin, Lyricist with Carole King and with Michael Masser
. 1940 ~ NBC radio presented “The Chamber Music Society of Lower Basin Street” for the first time. The famous Blue network series included several distinguished alumni — among them, Dinah Shore and Zero Mostel. The chairman, or host, of “The Chamber Music Society of Lower Basin Street” was Milton Cross. He would say things like, “A Bostonian looks like he’s smelling something. A New Yorker looks like he’s found it.” The show combined satire, blues and jazz and was built around what were called the three Bs of music: Barrelhouse, Boogie Woogie and Blues.
. 1968 ~ The new 20,000 seat Madison Square Garden officially opened in New York. It was the fourth arena to be named Madison Square Garden. The showplace for entertainment and sports opened with a gala show hosted by Bob Hope and Bing Crosby.
. 1973 ~ Ethan Iverson, US pianist, composer, and critic, born in Menomonie, Wisconsin
. 1982 ~ Eleanor Powell, American actress and tap dancer (Born to Dance), died of cancer at the age of 69
. 1985 ~ Ulysses Simpson Kay, composer, died at the age of 68
. 2001 ~ Dame Sonia Arova, a Bulgarian-born ballerina who danced with Rudolf Nureyev, at his request, in his American debut, died of pancreatic cancer at the age of 74. Arova was knighted by King Olaf V of Norway, only the second woman to receive that distinction. During her years as founding artistic director of the State of Alabama Ballet, Dame Sonia Arova changed the face of dance in Birmingham. Through a stage career that lasted three decades and a teaching career that occupied three more, she lived and breathed ballet. Born in Sofia, Bulgaria, Arova began dancing at age 6. By 8, she was studying ballet intensively in Paris. When war broke out in 1940, she escaped the Nazis’ advance with her English piano teacher in a harrowing flight during which their train was machine-gunned by German troops. Arriving in England, Arova was enrolled in an arts school and later joined the International Ballet. In 1965, Arova became artistic director of the Norwegian National Ballet, moved to California in 1971 to co-direct the San Diego Ballet and in 1975 accepted a teaching position at the Alabama School of Fine Arts. Maintaining her position at ASFA, she took over the newly formed State of Alabama Ballet in 1981 as artistic director, with her husband, Thor Sutowski, as artistic associate and choreographer. In 1996, the couple returned to San Diego, and she spent her last years with the San Diego Ballet.
. 2003 ~ Moses G. Hogan, 45, a pianist and choral conductor known for his contemporary arrangements of spirituals, died of a brain tumor in New Orleans. He was editor of the Oxford Book of Spirituals, published in 2001 by Oxford University Press. The book has become the U.S. music division’s top seller. Mr. Hogan also toured with his own singing groups, the Moses Hogan Chorale and Moses Hogan Singers. His arrangements, more than 70 of which have been published by the Hal Leonard publishing company, were performed by the Mormon Tabernacle Choir, soprano Barbara Hendricks and countertenor Derek Lee Ragin.
. 2003 ~ William L. “Weemo” Wubbena Jr., 72, a retired Army colonel who sang in Washington area barbershop quartets, died of cancer. Col. Wubbena was born in Marquette, Mich., and raised in Washington. He was a member of the Montgomery County chapter of the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America.
Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Psalms. It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Part II of the Messiah covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel, concluded by the “Hallelujah Chorus”.
The Mormon Tabernacle Choir sings the classical and beloved Hallelujah Chorus from Handel’s Messiah.
And also on Nov.13 2010 unsuspecting shoppers got a big surprise while enjoying their lunch. Over 100 participants in this awesome Christmas Flash Mob.
MaryO'Studio 