Category Archives: Music Books

July 2, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Today’s piece is the other one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.

The first was Fur Elise.  This one is Spinning Song by Albert Ellmenreich.  It’s in many, many piano method books.  When I was in 5th or 6th grade, I tore it out of my book, put it in a construction paper cover and played it for some Girl Scout talent show.  I have no idea why I couldn’t leave it in the book.

The left hand is supposed to sound like the foot pumping the wheel to make it move

 

This is part of a larger work called Musikalische Genrebilder, Op.14 which can be downloaded at IMSLP:

Spinnliedchen (Spinning Song), the best known item from the set, seems to be universally referred to as number four. The announcement of the first edition in Hofmeister’s Monatsberichte lists it as the fifth item. In Schirmer’s 1878 edition (see cover: here) of Op.14 it appears that items two and three were possibly combined into one number (entitled Sorrow and Consolation) so that Spinnliedchen became number four. Perhaps, this is the origin of the re-numbering.

To learn this sheet music, it’s available in Piano Pronto Movement 4 and Alfred Premier Piano Course Book 6

Here’s a sample:

 

A tutorial

With scrolling sheet music

For organ

How to conduct(?)

While this piece is not usually popular with other instruments, a trumpet quartet gave it a try

The DMS Percussion Ensemble

Singers from the Londonderry Middle School gave it a try:

The first half of this video is flute tuning. After that is a lovely flute duet.

 

For clarinet “quartet”.  Quartet is in quotes because the performer wrote “This is a ‘cover’ I did of Spinning Song by Albert Ellmenreich. I played all the parts on my clarinet, using the really crappy camera I have. So the sound quality sucks… Also, I don’t have a bass clarinet, so the low part is edited down… and it sounds like a saxophone… oh well. lol!”

I can’t take any more of these!

 

July 1, 2019 ~ Daily Listening Assignment

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Today’s piece is Antonin Dvořák’s Humoresque #7.

Humoresques Op. 101 (B. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. One writer says “the seventh Humoresque is probably the most famous small piano work ever written after Beethoven’s Für Elise.

Yo Yo Ma (cello) and Itzhak Perlman (violin)

Orchestra:

 

Ragtime:

 

Jazz with Wynton Marsalis on trumpet

Zez Confrey gave this a makeover and included Way Down Upon the Swanee River:

 

 

 

Find the original Humoresque on IMSLP. The O’Connor Music Studio Lending Library has versions of Humoresque available at several levels and Confey’s Humorestless played in the video above.

 

June 28, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Korobeiniki is a nineteenth-century Russian folk song that tells the story of a meeting between a peddler and a girl, describing their haggling over goods in a veiled metaphor for courtship.

Outside Russia, “Korobeiniki” is widely known as the Tetris theme.

 

Piano duet:

 

Orchestral version:

 

For Boomwhackers:

Vocal:

 

Ragtime:

 

Balalaika:

 

Two bassoons:

The Red Army Choir:

Korobeiniki/Tetris is available in Piano Maestro on the iPad and I have several levels of sheet music for anyone who is interested.

Enjoy!

June 27, 2019 ~ Daily Listening Assignment

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Today’s listening assignment is a piece from the Piano Pronto book “Prelude” known as On the Bridge of Avignon.

 

The Bridge of Avignon or Pont d’Avignon in French, is a famous medieval bridge in the town of Avignon, in southern France.

 

 

How to do the dance:

 

Orchestra:

Vocal:

 

Barney (remember him?)

 

Piano:

June 26, 2019 ~ Daily Listening Assignment

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Pictures at an Exhibition is a suite of ten pieces (plus a recurring, varied Promenade) composed for the piano by Russian composer Modest Mussorgsky in 1874.

The suite is Mussorgsky’s most famous piano composition and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel’s arrangement being by far the most recorded and performed.

You can download the sheet music at IMSP or I have a copy of the book, as well as simplified sheet music.

 

 

The work opens with a brilliant touch – a “promenade” theme (above) that reemerges throughout as a transition amid the changing moods of the various pictures.

The ten pictures Mussorgsky depicts are:

  • a gnome-shaped nutcracker;
  • a troubadour plaintively singing outside an ancient castle;
  • children vigorously playing and quarreling in a park;
  • a lumbering wooden Polish ox-cart;
  • a ballet of peeping chicks as they hatch from their shells;
  • an argument between two Warsaw Jews, one haughty and vain, the other poor and garrulous;
  • shrill women and vendors in a crowded marketplace;
  • the eerie, echoing gloom of catacombs beneath Paris;
  • the hut of a grotesque bone-chomping witch of Russian folklore named Baba Yaga;
  • and a design for an entrance gate to Kiev.

 

The whole piece for piano.  See if you can tell which pictures are which.

 

Orchestrated, with the full score:

 

Just the Baba Yaga section:

The Emerson, Lake and Palmer version:

June 24, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Today’s is a cheat post, partly because I ran out of time.

I’ve watched this video several times in the past few days.  It’s a great overview of the Beatles music.  And, yes, I have books of their music arranged for piano, if you want to play anything.

 

June 22, 2019 ~ Daily Listening Assignment

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Today we listen to the third movement Mozart’s Piano Sonata No.11 III (Turkish March) with just a bit of the first movement near the end.

The Turkish influence on western music came through the Turkish military band music (Mehter), which was at the time was the only military band in Europe. It was once popular among western composers like Mozart to write Turkish-style (alla Turca) works, Turkish music being known at that time as Turkish band music. That’s why the Turkish-influenced music works by Mozart, Beethoven or Strauss are in march rhythm as they are called march.

A rondo is a piece of music where the musical material stated at the beginning of the piece keeps returning. This opening music can be called either the theme or the refrain; they are the same thing.  The form can be A, B, A or A, B, C, A – anything as long as the “A” theme returns

The Turkish March movement:

 

 

 

On guitar:

 

Harmonica, anyone?

Vocal:

Find the Turkish march movement of this sonata in these Piano Pronto books: Encore,  Mozart: Exploring His Life and Music,

The first movement can be found in Keyboard Kickoff, Movement 2

June 21, 2019 ~ Daily Listening Assignment

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Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means “a little serenade”, though it is often rendered more literally but less accurately as “a little night music.” The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras and there are many arrangements for other instruments as we will see below.

Part of a full orchestral score:

 

Follow the score…

Easy piano sheet music might look like this:

 

The first movement of Mozart’s Eine Kleine Nachtmusik, with a graphical score.

 

One of my favorites, Barbershop-Style.  Eine Kleine Not Musik by the Gas Houe Gang tells the story of The Magic Flute (from June 19) to the music of Eine Kleine Nachtmusik.

 

A piano transcription

For four recorders, all played by the same person

From the Muppets: The Great Gonzo performing Eine Kleine Nachtmusik on bagpipe while sitting on a ten-foot pole!

 

When my son and I played Eine Kleine Nachtmusik by Mozart arranged for 2 pianos November 30, 2014 we were the last people to play in the old Steinway Hall.  Unfortunately, we didn’t have a good video camera 😦

2014-08-10 12.49.02 2014-08-09 12.20.39 2014-08-09 12.16.45 2014-08-09 12.15.17

 

Find this arranged for piano in Piano Pronto: Movement 2, Movement 3, Encore, Coda and Mozart: Exploring His Life and Music,

June 20, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Today’s listening assignment is  Can-can from “Orpheus in the Underworld” by Jacques Offenbach.  This piece is very often in early method books because of the descending C Major scale.  Can you find it?

The can-can (or cancan as in the original French) is a high-energy, physically demanding dance that became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the vigorous manipulation of skirts and petticoats, along with high kicks, splits, and cartwheels.

Many composers have written music for the cancan. Today’s selection is the most famous of these.

A ‘follow-along” video.  This key has 6 flats, so the scale will be in what key?

 

Flute ensemble:

The original, for full orchestra

An animation

 

A dog barking the can-can?

 

Find this in many student books including Piano Pronto: Movement 1

Have you ever noticed the rug by the piano?

 

June 19, 2019 ~ Daily Listening Assignment

Posted by MaryO on

 

Today’s piece is one of those that piano students often try to learn on their own – or a friend will teach them the first 9 notes.  It’s usually played too fast and, often in the wrong octave, or the first couple notes are repeated too many times.

This is one of two pieces that are so often played incorrectly that they have the distinction of being banned from competition in Northern Virginia Piano Teacher competitions.

Stay tuned for the other one!

Fur Elise was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.

The very basic melody:

 

 

The actual beginning is a little more involved.

 

And, there’s more!

 

If you’d like to learn to play this piece correctly, find the sheet music at IMSLP, Beethoven: Exploring His Life and Music, and countless compilations of classical music available at the O’Connor Music Studio.

Follow along:

By Valentina Lisitsa:

 

Ragtime!

 

 

 

The Big Piano at FAO Schwartz in NYC:

 

Glass harp:

 

The Mystery Behind Für Elise:

 

Youtube has many, many more versions.  Beethoven would probably go nuts!