Category Archives: Holidays

Halloween Music: Danse Macabre by Camille Saint-Saëns

Posted by MaryO on

danse-macabre

Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin.

Get a free copy of the sheet music at IMSLP (Look for Arrangements and Transcriptions) or borrow a copy from the O’Connor Music Studio.  I have this arranged for organ, piano, duet, simplified…

Amazon has a great Dover edition for solo piano.  This splendid compilation features a variety of the composer’s best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work “Danse Macabre” (presented here in the brilliant arrangement by Liszt), this collection also includes “Allegro appassionato,” “Album” (consisting of six pieces), “Rhapsodie d’Auvergne,” “Theme and Variations,” plus six etudes, three waltzes, and six etudes for left hand alone.

This video originally aired on PBS in the 1980s:

 

For two pianos:

 

Piano Tutorial:

 

Orchestra:

Halloween Music: Dreams of a Witches’ Sabbath from Symphonie fantastique by Hector Berlioz

Posted by MaryO on

berlioz-symphony-fantastique
The final movement is the best known part of the symphony, thanks to its use in the Julia Roberts movie, Sleeping With The Enemy. It features a four-part structure, which Berlioz described in his own program notes from 1845 as follows:

“He sees himself at a witches’ Sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the Sabbath… Roar of delight at her arrival… She joins the diabolical orgy… The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.”

The Dies irae melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.

The traditional Gregorian melody has also been used as a theme or musical quotation in a number of  classical compositions, notable among them:

Free sheet music from IMSLP for the basic Dies irae

Free sheet music from IMSLP for the basic Symphonie fantastique (look under Arrangements and Transcriptions)

The basic Gregorian Chant

An animated version of the  Dreams of a Witches’ Sabbath from Symphonie fantastique.  Can you hear the Dies irae in this?  It starts around 3:18.

Leonard Bernstein conducts the “Orchestre National de France” in Berlioz’s Symphonie Fantastique
5th Movement

Halloween Music: Funeral March of a Marionette by Charles Gounod

Posted by MaryO on

funeral

 

The Funeral March of a Marionette (Marche funèbre d’une marionnette) is a short piece by Charles Gounod. It was written in 1872 for solo piano and orchestrated in 1879. It is perhaps best known as the theme music for the television program Alfred Hitchcock Presents, which originally aired from 1955 to 1965.

In 1871-72, while residing in London, Gounod started to write a suite for piano called “Suite Burlesque”. After completing one movement, the Funeral March of a Marionette, he abandoned the suite and had the single movement published by Goddard & Co. In 1879 he orchestrated the piece. The instrumentation is: piccolo, flute, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in D, 2 trumpets in A, 3 trombones, ophicleide, timpani, bass drum, triangle, strings. The work is in the key of D minor, with a central section in D major. Various arrangements by other hands exist.

There is a program underlying the Funeral March of a Marionette: The Marionette has died in a duel. The funeral procession commences (D minor). A central section (D major) depicts the mourners taking refreshments, before returning to the funeral march (D minor).
The score contains the following inscriptions in appropriate places:

La Marionnette est cassée!!! (The Marionette is broken!!!)
Murmure de regrets de la troupe (Murmurs of regret from the troupe)
Le Cortège (The Procession)
Ici plusieurs des principaux personnages de la troupe s’arrêtent pour sa rafrâichir (Here many of the principal personages stop for refreshments)
Retour a la maison (Return to the house). (Wikipedia)

Download this music in several versions from IMSLP.  Click on Arrangements and Transcriptions.  There are also some arrangements for piano at the O’Connor Music Studio.

 


On Alfred Hitchcock:


From Faber Piano Adventures Performance Book Level 3B No.7 (Also available in the OCMS Library):

Piano 4-hands:


With animation:


On organ:


Mannheim Steamroller:


And, finally, a light show!

 

Happy Birthday, Franz Liszt

Posted by MaryO on

liszt-quote

 

Franz Liszt was born in Raiding, near Ödenburg, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.

Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccoló Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.

Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.

Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Préludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvorák, Sibelius, and Richard Strauss.


     Liszt’s birthday

     anniversary of Liszt’s death

    Listen to Liszt’s transcription of Meyerbeer’s Hellish Waltz from Robert du Diable, which probably caused more public commotion than any other piano piece in history.


     Read quotes by and about Liszt

     Liszt was the first recitalist

     In Praise of Pianos and the Artists Who Play Them

     History of the Piano

     Franz Liszt

 

 

Birthday of Vladimir Horowitz

Posted by MaryO on

Vladimir Horowitz

 

 

Destined to become one of the world’s greatest pianists, Vladimir Horowitz was born in 1903 in Kiev, Russia. While most young children were playing games, Vladimir was playing with the ivories. His time was well spent as he was fully capable of performing publicly by the time he was sixteen.

Within four years, the young piano virtuoso was entertaining audiences at recitals throughout Leningrad – 23 performances in one year, where he played over 200 different works of music, never repeating a composition. After Leningrad, Horowitz played in concerts in Berlin, Hamburg and Paris.

In 1928, the Russian pianist traveled to the United States to play with the New York Philharmonic Orchestra at Carnegie Hall. Arturo Toscanini chose Horowitz to perform his first solo with the New York Philharmonic. It was there that Horowitz met his bride-to-be, Toscanini’s daughter, Wanda. The two were wed in Milan in 1933. New York became Horowitz’ permanent home in 1940. He became a U.S. citizen a few years later, devoting the rest of his career to benefit performances, and helping young, aspiring artists.

His return to the concert stage in May of 1965 was a triumphant success, as was his television recital, Vladimir Horowitz at Carnegie Hall.

Just three years before his death, Vladimir Horowitz returned to his homeland to perform once again for the Russian people on April 20, 1986. They felt he had been away far too long … close to sixty years.
     Horowitz’s birthday

     anniversary of Horowitz’s death

     History of the Piano

     News Item including Horowitz

 

George Gershwin’s Birthday

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George GershwinGeorge Gershwin lived between September 26, 1898 and July 11, 1937. He is considered to be a twentieth century composer.

If you hate homework but like roller skating, you have something in common with American composer George Gershwin. Born in Brooklyn, New Yord to Russian immigrant parents, George loved to play street hockey, ‘cat’, and punch ball. He didn’t even have an interest in music until his family got him a piano when he was twelve. Nine years later he had his first hit, “Swanee”, with lyrics written by Irving Caesar. No one else in the Gershwin family was musical, but George was fascinated by music. When he heard a schoolmate play the violin, George struck up a friendship with the boym who introduced him to the world of concert music.

Gershwin’s American in Paris and Rhapsody in Blue (featured in Disney’s newly released Fantasia 2000) proved that jazz was powerful enough to combine will with symphonic music. Gershwin was only 26 years old at the time when he composed Rhapsody in Blue. No matter how you hear it, “Rhapsody in Blue” will remain the signature of one of the most influential of composers, songwriters and pianists in American music history.

His play Porgy and Bess has been produced as both a film and an opera.

 

Feel Free to Sing/Play Happy Birthday

Posted by MaryO on

happy birthday

 

You’re legal now!

None of the companies that have collected royalties on the “Happy Birthday” song for the past 80 years held a valid copyright claim to one of the most popular songs in history, a federal judge in Los Angeles ruled on Tuesday.

In a stunning reversal of decades of copyright claims, the judge ruled that Warner/Chappell never had the right to charge for the use of the “Happy Birthday To You” song. Warner had been enforcing a copyright since 1988, when it bought Birch Tree Group, the successor to Clayton F. Summy Co., which claimed the original disputed copyright.

Judge George H. King ruled that a copyright filed by the Summy Co. in 1935 granted only the rights to specific piano arrangements of the music, not the actual song.

Read more at http://www.latimes.com/local/lanow/la-me-ln-happy-birthday-song-lawsuit-decision-20150922-story.html

The following version is in the O’Connor Music Studio library, if you wish to borrow it.  It is also available on amazon.com

Happy Labor Day!

Posted by MaryO on

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Labor Day is a United States federal holiday observed on the first Monday in September celebrating the economic and social contributions of workers.

The first Labor Day holiday was celebrated on Tuesday, September 5, 1882, in New York City, in accordance with the plans of the Central Labor Union. The Central Labor Union held its second Labor Day holiday just a year later, on September 5, 1883.

In 1884 the first Monday in September was selected as the holiday, as originally proposed, and the Central Labor Union urged similar organizations in other cities to follow the example of New York and celebrate a “workingmen’s holiday” on that date. The idea spread with the growth of labor organizations, and in 1885 Labor Day was celebrated in many industrial centers of the country.

It was first nationally recognized in 1894 to placate unionists following the Pullman Strike. With the decline in union membership, the holiday is generally viewed as a time for barbecues and the end of summer vacations – and time to go back to school in Fairfax County – and piano lessons!