Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist.
Most anyone who has ever played piano has a love-hate relationship with the “Hanon”.
The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon’s most well-known work, and is still widely used by piano instructors and pupils although some teachers are getting away from the mechanical playing these can produce.
Personally, I’ve sometimes played these on “auto-pilot” since all one really needs is to get the first pattern going, then move up a step, up a step…
Notes by C. L. Hanon: Preparatory exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers. For studying the 20 exercises, begin with the metronome set at 60, gradually increasing the speed up to 108.
The exercises are intended to address common problems which could hamper the performance abilities of a student. These include “crossing of the thumb”, strengthening of the fourth and fifth fingers, and quadruple- and triple-trills.
The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in.
Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises will also help to increase endurance. The exercises are divided in three parts:
Exercises 1 – 20: Labeled “preparatory exercises”, these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 semiquavers, beginning on C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.
Exercises 21 – 43: Labeled “further exercises for the development of a virtuoso technique.” This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.
Exercises 44 – 60: Labeled “virtuoso exercises for mastering the greatest technical difficulties.” Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes,, and more.
After all three parts are mastered, Hanon recommends all exercises be played through daily to retain technique.
The O’Connor Music Studio has several editions of this work.
On January 18, 1958 Leonard Bernstein began presenting his television series What does music mean? The series ran for 53 programs. Some of the episodes can be found below:
Part 1 What is Classical Music?
Plot: Bernstein conducts Handel’s Water Music and cites it as an indisputable example of classical music. “Exact” is the word that best defines classical music, Bernstein says and he demonstrates with musical illustrations from Bach’s Fourth Brandenburg Concerto, Mozart’s Concerto No. 21 in C Major and The Marriage of Figaro, and Haydn’s Symphony No. 102.
The decline of classical music at the end of the eighteenth century is tied to Beethoven’s innovations and the Romantic movement, and Bernstein conducts Beethoven’s Egmont Overture.
Part 2 What is Melody?
Plot: Bernstein discusses the different forms melody can take, including tune, theme, motive, melodic line and musical phrase. He illustrates by conducting the orchestra in excerpts from Tchaikovsky, Wagner, Hindemith, and Brahms.
Part 3 What is a Mode?
Plot: Bernstein discusses scales, intervals, and tones, and analyzes several pieces, including Debussy’s Fêtes, Rimsky-Korsakov’s Scheherazade, and music from the Kinks and the Beatles, to illustrate different modes.
An excerpt from Bernstein’s ballet Fancy Free is also performed.
. 1835 ~ César Cui, Russian composer and music critic
More information about Cui
1841 ~ Alexis-Emmanuel Chabrier, French composer
More information about Chabrier
. 1913 ~ Danny Kaye (David Daniel Kaminski), Comedian, dancer, singer, actor, entertainer
. 1939 ~ Louis Armstrong and his orchestra recorded Jeepers Creepers on Decca Records. Satchmo lent his vocal talents to this classic jump tune.
. 1941 ~ Bobby Goldsboro, Singer
. 1941 ~ David Ruffin (Davis Eli Ruffin), Lead singer with The Temptations
. 1944 ~ ‘Legs’ Larry Smith, Drummer with The Bonzo Dog Doo-Dah Band and Bob Kerr’s Whoopee Band
. 1944 ~ The first jazz concert was held at the Metropolitan Opera House in New York City. The stars of the concert were Louis Armstrong, Benny Goodman, Lionel Hampton, Artie Shaw, Roy Eldridge and Jack Teagarden. What a ticket!
. 1948 ~ Ted Mack came to television as “The Original Amateur Hour” debuted on the DuMont network. The program continued on different networks for a 22-year run on the tube. Teresa Brewer and Pat Boone got their start on this program.
. 1953 ~ Brett Hudson, Singer, comedian with Hudson Brothers
. 1958 ~ Leonard Bernstein began presenting his television series What does music mean? The series ran for 53 programs.
. 1968 ~ Singer Eartha Kitt made headlines, as she got into a now-famous confrontation with Mrs. Lyndon B. Johnson, wife of the President of the United States, at a White House luncheon to discuss urban crime. Ms. Kitt told Lady Bird (the First Lady) that American youth were rebelling against the war in Vietnam, linking the crime rate with the war escalation. She had a lot to say and it definitely was not “C’est Si Bon”.
. 1986 ~ Dionne Warwick’s single for AID’s research, That’s What Friends are For, became her second #1 song on the music charts. Although Dionne had many hits in the 1960s, singing Burt Bacharach tunes like I Say a Little Prayer and Do You Know the Way to San Jose.
. 2017 ~ Roberta Peters, American operatic soprano (NY Met), died at the age of 86
. 1712 ~ John Stanley, English composer and organist
. 1728 ~ Johann Gottfried Muthel, German composer and noted keyboard virtuoso
. 1734 ~ François-Joseph Gossec, Belgian composer
More information about Gossec
. 1750 ~ Tomaso Albinoni, Italian composer (Adagio in G Minor), died at the age of 78
. 1876 ~ The saxophone was played by Etta Morgan at New York City’s Olympic Theatre. The instrument was little known at the time in the United States.
. 1913 ~ Vido Musso, Reed instruments, played with Benny Goodman, bandleader: Stan Kenton was his pianist
. 1917 ~ Ulysses Simpson Kay, US composer, born in Tucson, Arizona (d. 1995)
. 1920 ~ George Handy (George Joseph Hendleman), Pianist, composer, arranger for the Boyd Raeburn band, Alvino Rey band, Paramount Studios
. 1922 ~ Betty White, Emmy Award-winning actress on The Mary Tyler Moore Show, singer
. 1926 ~ Moira Shearer, Ballerina
. 1927 ~ Eartha Kitt, Singer. Kitt’s birth certificate listing her actual birthdate as 1/17/27 was found in 1997. She has celebrated her birthday as Jan. 26 (1928) all of her life and says, “It’s been the 26th of January since the beginning of time and I’m not going to change it and confuse my fans.”
. 1941 ~ Gene Krupa and his band recorded the standard, Drum Boogie, on Okeh Records. The lady singing with the boys in the band during the song’s chorus was Irene Daye.
. 1944 ~ Chris Montez, Singer
. 1948 ~ Mick Taylor, Singer, rhythm guitar with The Rolling Stones
. 1955 ~ Steve Earle, Songwriter, singer, guitar
. 1956 ~ Paul Young, Singer
. 1959 ~ Susanna Hoffs, Singer, guitar with The Bangles
. 1960 ~ John Crawford, Singer, bass with Berlin
. 1969 ~ Lady Samantha, one of the very first recordings by Reginald Kenneth Dwight (aka Elton John), was released in England on Philips records. The song floundered, then bombed. The rock group, Three Dog Night, however, recorded it for an album.
. 2001 ~ Pianist and singer Emma Kelly, the “Lady of 6,000 Songs” made famous by the book “Midnight in the Garden of Good and Evil,” died from a liver ailment at the age of 82. Kelly’s nightclub act, in which she tapped her vast repertoire of American popular standards five nights a week until she became ill a month ago, was a must-see for Savannah tourists itching to meet a real-life character from author John Berendt’s Southern Gothic best seller. Though the book helped her book performances from New York to Switzerland, Kelly continued to crisscross south Georgia to play church socials and high school graduations, Kiwanis luncheons and wedding receptions. Berendt devoted an entire chapter to Kelly in the 1994 book, describing her as a teetotaling Baptist who would play smoky cocktail lounges Saturday nights and Sunday school classes the next morning. Kelly performed at her own nightclub, Emma’s, in Savannah, for five years in the late 1980s. She then bounced between lounges near the downtown riverfront. She also independently recorded three albums, the last of which were released posthumously, her son said.
. 2001 ~ Jazz musician, composer and conductor Norris Turney, who played alto sax and flute with the Duke Ellington Orchestra and led the Norris Turney Quartet, died of kidney failure at the age of 79. Turney recorded with a number of bands over the years, and toured with Billy Eckstine, Ray Charles and others. He was an original member of the Lincoln Center Jazz Orchestra directed by Wynton Marsalis. Turney’s lone CD as a bandleader, “Big, Sweet ‘N Blue,” was warmly received by jazz critics.
. 2002 ~ Edouard Nies-Berger, the veteran organist and protege of Albert Schweitzer, died at the age of 98. Nies-Berger, who played with the New York Philharmonic, was a native of Strasbourg in Alsace. His father, a church organist, was an associate of Schweitzer. The doctor, philosopher and Nobel laureate was pastor of a nearby church where the teenage Nies-Berger played occasionally. Nies-Berger moved to New York in 1922 and for the next 15 years played the organ in houses of worship across the country. By the mid-’30s he settled in Los Angeles and performed in the soundtracks of several films, including “The Bride of Frankenstein” and “San Francisco.” He returned to Europe in 1937 to study conducting with Bruno Walter in Salzburg, Austria. After conducting for two years in Latvia and Belgium he returned to the United States. He was named organist of the New York Philharmonic, where he played under the direction of such conductors as Walter, George Szell and Leonard Bernstein. Nies-Berger was reunited with Schweitzer in 1949, when the humanitarian visited the United States. For six years they collaborated on the completion of Schweitzer’s edition of the organ music of Johann Sebastian Bach. After serving at St. Paul’s in Richmond, Nies-Berger returned to Europe for several years to perform as a recitalist and write several books, including a memoir of Schweitzer. In 1991 he was awarded the gold medal of the Art Institute of Alsace, and in 1993 was named a knight of the arts and letters by the French Ministry of Education and Culture.
. 2013 ~ Lizbeth Webb, English soprano, died at the age of 86
. 1864 ~ Anton Schindler, German violinist and Beethoven’s biographer, died at the age of 68
. 1875 ~ First American performance of Johannes Brahms’“Hungarian Dances”
. 1886 ~ Death of Italian opera composer Amilcare Ponchielli, in Milan. He was 51.
. 1891 ~ French Composer Leo Delibes died at the age of 54
. 1905 ~ Ernesto Halffter, Spanish composer and conductor
. 1908 ~ Ethel Merman (Zimmerman), American singer of popular music, Tony Award-winning actress (musical), Musical Theater Hall of Fame. She is most famous for Call Me Madam in 1951, It’s a Mad, Mad, Mad, Mad World, There’s No Business Like Show Business and Alexander’s Ragtime Band
. 1929 ~ Marilyn Horne, American mezzo-soprano
. 1929 ~ G.T. (Granville) Hogan, Jazz drummer who played with Elmo Hope, Earl Bostic
. 1934 ~ Bob Bogle (Robert Lenard Bogle), Guitarist, bass with The Ventures
. 1938 ~ Béla Bartók and his wife, Ditta performed their first public concert featuring his Sonata for Two Pianos and Percussion
. 1938 ~ Benny Goodman and his band, plus a quartet, brought the sound of jazz to Carnegie Hall in New York City. When asked how long an intermission he wanted, he quipped, “I don’t know. How much does Toscanini get?”
. 1942 ~ Bill Francis, Keyboard, singer with Dr. Hook and the Medicine Show
. 1942 ~ Kay Kyser and the band recorded A Zoot Suit for Columbia Records. The tune is about the problems associated with wearing this garish, exaggerated ‘hep’ fashion.
. 1946 ~ Katia Ricciarelli, Italian soprano
. 1946 ~ Ronnie Milsap, Grammy Award-winning singer in 1976, CMA Male Vocalist of the Year (1974, 1976, 1977), CMA Entertainer of the Year (1977), blind since birth, he learned to play several instruments by age 12
. 1957 ~ Conductor Arturo Toscanini died in New York at the age of 89.
. 1957 ~ The Cavern Club opened for business in Liverpool, England. The rock club was just a hangout for commoners. Then, things changed — big time. It all started in the early 1960s when four kids from the neighborhood popped in to jam. They, of course, turned out to be The Beatles.
. 1962 ~ Paul Webb, Bass with Talk Talk
. 1964 ~ “Hello Dolly!” opened at the St. James Theatre in New York City. Carol Channing starred in the role of Mrs. Dolly Levi. The musical was an adaptation of Thornton Wilder’s play, “The Matchmaker”. The show, with an unforgettable title song, was hailed by critics as the “…possible hit of the season.” It was possible, all right. “Hello Dolly!” played for 2,844 performances. And, it returned to Broadway in the 1990s, again starring Carol Channing.
. 1972 ~ David Seville died on this day in Beverly Hills, CA. Born Ross Bagdasarian, the musician was the force, and artist, behind the Alvin and the Chipmunks novelty songs of the 1950s, ’60s and ’70s.
. 1973 ~ Clara Ward passed away. Ward was an American gospel artist who achieved great artistic and commercial success in the 1940s and 1950s.
. 1976 ~ The album, “Frampton Comes Alive”, was released by Herb Alpert’s A&M Records. The double LP soon reached the top spot of the album charts and stayed perched there for 17 weeks. It sold 19 million copies in its first year.
. 1980 ~ Lin Manuel Miranda, American actor, composer, lyricist (Hamilton)
. 1984 ~ Michael Jackson received eight awards at the 11th annual American Music Awards this night.
. 2001 ~ Eleanor Lawrence, a flutist who played often in chamber music performances and with several orchestras in New York City, died of brain cancer at the age of 64. She is credited with transforming a simple newsletter into an important source for flutists. Lawrence studied the flute at the New England Conservatory with the principal flutist of the Boston Symphony Orchestra, James Pappoutsakis. She later studied with flutists from the Philadelphia Orchestra and the Metropolitan Opera orchestra. She joined the American Symphony Orchestra and the Brooklyn Philharmonic after moving to New York in the 1960s. She played periodically with the New York Philharmonic and the Metropolitan Opera. Besides performing, Lawrence taught at the Manhattan School of Music. She served three times as the president of the New York Flute Club. She edited The National Flute Association Newsletter, now The Flutist Quarterly, from the mid-1970s to the early 1980s, expanding it from a brief information sheet to a publication with regular interviews.
. 1775 ~ Giovanni Battista Sammartini, composer, died
. 1890 ~ Premiere of The Sleeping Beauty, ballet by Pyotr Il’yich Tchaikovsky. After the less-than-promising 1877 debut of Swan Lake, marred by a largely amateur production, over a decade elapsed before the composer was commissioned by the Director of the Imperial Theatres in St. Petersburg to supply music for a ballet on the Perrault fairy tale, The Sleeping Beauty. Tchaikovsky threw himself arms-deep into the project. Not only was the composer again on happy turf, he was currently in a state of delight by the occasional presence of a three-year-old little girl; children seemed to tap a joyful vein in Tchaikovsky. The little girl’s proximity fed a spirit of fantasy which transmitted to this most lighthearted of the composer’s scores. Most musicologists and historians concede that Sleeping Beauty is the most perfectly wrought of Tchaikovsky’s three ballet scores, classic in its restraint, yet possessing the right amount of color and panache to render it pure Tchaikovsky; its waltz remains a Pops favorite.
. 1896 ~ Alexander Scriabin made his European debut as a pianist at the Salle Erard in Paris
. 1964 ~ The soundtrack album of the musical, “The King and I”, starring Yul Brynner, earned a gold record.
. 1967 ~ Ed Sullivan told the Rolling Stones to change the lyrics and the title to the song, Let’s Spend the Night Together, so it became Let’s Spend Some Time Together.
. 1972 ~ Elvis Presley, who was also censored from the waist down by Ed Sullivan, reportedly drew the largest audience for a single TV show to that time. Elvis presented a live, worldwide concert from Honolulu on this day.
. 1987 ~ Ray Bolger died. He was an American entertainer of vaudeville, stage and actor, singer and dancer best known for his portrayal of the Scarecrow in The Wizard of Oz.
. 1993 ~ Sammy Cahn passed away. He was an was an American lyricist, songwriter and musician.
. 2018 ~ Edwin Hawkins, American gospel musician, choirmaster and composer (Oh Happy Day), died of pancreatic cancer at the age of 74
. 2019 ~ Carol Elaine Channing died at the age of 98. She was an American actress, singer, dancer and comedian. Notable for starring in Broadway and film musicals, her characters typically radiate a fervent expressiveness and an easily identifiable voice, whether singing or for comedic effect.
. 1956 ~ Rock ‘n’ roller, Little Richard, was singing the newly released Tutti-Frutti. The Pat Boone version became even more popular as a cover record.
. 1964 ~ A hootenanny was held for the first time at the White House, as the NewChristy Minstrels entertained President and Lady Bird Johnson, as well as Italy’s President.
. 1965 ~ Jeanette (Anna) MacDonald passed away. She was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy
. 1968 ~ LL Cool J (James Todd Smith), Rap singer
. 1995 ~ Alexander Gibson, British conductor and founder of the Scottish Opera, died at the age of 68
. 1884 ~ Sophie Tucker (Abuza), Russian-born American burlesque and vaudeville singer
. 1904 ~ Richard Addinsell was born
More information about Addinsell
. 1909 ~ Quentin ‘Butter’ Jackson, Trombonist, played with Duke Ellington
. 1910 ~ Enrico Caruso and Emmy Destinn were heard via a telephone transmitter; rigged by DeForest Radio-Telephone Company to broadcast from the Metropolitan Opera House in New York City.
. 1930 ~ Robert ‘Squirrel’ Lester, Singer with The Chi-Lites
. 1938 ~ Singer Allan Jones recorded The Donkey Serenade for Victor Records. The song became the one most often associated with the singer. Allan sang and acted in several Marx Brothers films: “A Night at the Opera”, “A Day at theRaces”, but the film that catapulted him to stardom was the operetta, “Firefly”, with Jeanette MacDonald. Singer Jack Jones is the son of Allan and wife, actress Irene Hervey.
. 1941 ~ The four Modernaires joined to sing with the Glenn Miller Band on a permanent basis beginning this day. They had a ‘solo’ hit in 1946 with To Each His Own.
. 1957 ~ Elvis Presley recorded All Shook Up and That’s When Your Heartaches Begin for Victor Records in Hollywood. The former tune became Elvis’ ninth consecutive gold record.
. 1961 ~ Wayne Marshall, English pianist, organist and conductor
. 1962 ~ Singer Chubby Checker set a record, literally, with the hit, The Twist. The song reached the #1 position for an unprecedented second time – in two years. The Twist was also number one on September 26, 1960.
. 2001 ~ Kenneth Haas, the former general manager of the Boston Symphony Orchestra and the Cleveland Orchestra, died after a long illness at the age of 57. Haas was general manager of the Boston orchestra from 1987 to 1996 and was instrumental in appointing Keith Lockhart conductor of the Boston Pops Orchestra. Haas was general manager of the Cleveland Orchestra from 1976 to 1987 after performing the same job for the Cincinnati Symphony Orchestra in 1975. In Cleveland he established the orchestra’s chamber music and recital series.
. 2001 ~ Michael Cuccione, youngest of the five-member spoof boy band 2gether, died at age 16 from complications from Hodgkin’s disease. The teen played Jason “Q.T.” McKnight on the MTV show “2gether,” which poked fun at the boy band craze. His character had a fictional illness, “biliary thrombosis,” but Cuccione really had suffered from Hodgkin’s disease as a child and underwent five months of chemotherapy. The singer-actor set up a cancer research foundation co-wrote a book with his grandmother and appeared on “Baywatch” as a cancer victim.
. 1715 ~ Jacques Duphly, French harpsichordist and composer.
.1782 ~ On this day Mozart wrote a letter to his father about Muzio Clementi. He said: “Clementi plays well, as far as execution with the right hand goes. His greatest strength lies in his passages in 3rds. Apart from that, he has not a kreuzer’s worth of taste or feeling – in short he is a mere mechanicus.”
. 1876 ~ Ermanno Wolf-Ferrari, Italian Opera Composer
. 1905 ~ Tex (Woodward Maurice) Ritter, Country singer, actor, John Ritter’s father
. 1921 ~ The opening of Town Hall in New York City, an important new concert hall
. 1926 ~ Ray Price, Singer
. 1926 ~ Morton Feldman, American composer, born in NYC, New York
. 1928 ~ Vladimir Horowitz debuted as a soloist with the New York Philharmonic at Carnegie Hall in New York City. It was the very same night that Sir Thomas Beecham gave his first public performance in the United States.
. 1930 ~ Glenn Yarbrough, Singer with The Limeliters
. 1933 ~ Václav Suk, Czech-born Russian composer and violinist, died at the age of 71
. 1939 ~ William Lee Golden, Singer with The Oak Ridge Boys
. 1939 ~ The Ink Spots gained national attention after five years together, as they recorded If I Didn’t Care. Many other standards by the group soon followed.
. 1946 ~ Cynthia Robinson, Singer, trumpeter with Sly and the Family Stone
. 1949 – Arthur Godfrey and His Friends was first seen on CBS-TV this day. The program stayed on the network for seven years.
. 1959 ~ Per Gessle, Guitarist, singer with Roxette
. 1963 ~ Songwriter Bob Dylan sang Blowin’ In the Wind on the BBC radio presentation of “The Madhouse on Castle Street”. The song soon became one of the classics of the 1960s protest movement.
. 1985 ~ After a record 24 weeks as the #1 album in the nation, Prince (now known as The Artist Previously Known as Prince) slipped to the #2 spot with Purple Rain. Replacing Prince at the top spot: ‘The Boss’ Bruce Springsteen’s Born In the USA, which spent 24 weeks waiting for Purple Rain to fall.
. 1995 ~ Laurel McGoff, American singer
. 2001 ~ Luis Floriano Bonfa, the master guitarist and composer who helped found Bossa Nova music, died of cancer at the age of 78. Bonfa, who was born in Rio de Janeiro in Oct. 17, 1922, began composing in the 1940s and launched his career as a solo artist in 1952. Better known abroad than at home, Bonfa became internationally famous for his contributions to the soundtrack of Marcel Camus’ 1959 classic film “Black Orpheus.” The film introduced an international audience to Bossa Nova – a more sophisticated and less percussive samba style – and made Bonfa and fellow composer Antonio Carlos Jobim stars. “Bonfa plays the guitar like no other, in a very personal, charismatic style. His guitar is a little orchestra,” the late composer Jobim once said. His reputation grew further when he was a featured performer at the Bossa Nova festival at Carnegie Hall in New York City in 1962. He was even more famous for his more than 500 compositions especially Manhade Carnaval andSamba de Orpheu. Placido Domingo, Julio Iglesias, Frank Sinatra and Elvis Presley recorded songs written by Bonfa. In recent years, his productivity slowed. His last major label release “The Bonfa Magic,” was recorded in 1991.
. 2001 ~ Opera singer Kyra Vayne, a star of the 1940s and 1950s whose talents were rediscovered in the 1990s, died at age 84. The Russian-born soprano was born in St. Petersburg. Vayne fled the 1917 Bolshevik Revolution with her family and was eight years old when her family settled in London. She began a successful opera career in the 1940s, and sang for allied troops during World War II. She later joined the Russian Opera Company, then based at London’s Savoy Theater. Her career collapsed in 1957 when her agent, Eugene Iskoldoff, committed suicide, and for the next 35 years she worked as a secretary for the British Broadcasting Corp.
In the early 1990s, a music company released four recordings of her voice, leading the U.S. music magazine “Fanfare” to ask, “How is it possible that such a singer has not come down to us as one of the century’s most celebrated sopranos?” Soon afterward, Arcadia Books published her autobiography, “A Voice Reborn,” which tenor Placido Domingo described as having “all the elements of an opera.” At the end of 1999, nearly 80 years after she fled Russia, Vayne was invited to perform at Moscow’s Bolshoi Theater to mark the new millennium – her first public performance in 40 years. “For me to sing at the Bolshoi is beyond any fairy tale,” she said at the time. “I am not worried about singing in public again after so long, but I am fearful of the emotional impact.” Vayne never married and had no children.
. 2003 ~ Maurice Gibb, a member of the famed disco band the Bee Gees, died at a Miami Beach hospital. He was 53. Gibb, joined with his older brother and his twin to harmonize their way to becoming one of the best selling musical groups ever. Gibb played bass and keyboard for the group, whose name is short for the Brothers Gibb. In a 1978 interview with TG Magazine, Gibb lamented the perception that the Bee Gees were only a disco band. “People accuse us of being nothing more than a disco band now,” Gibb said. “But they don’t know what they’re talking about. If you listen to our records, you’ll find that there’s dance music. But there are also ballads like More Than A Woman. And there are some very beautiful, undanceable songs, too.” The Bee Gees – twins Maurice and Robin, and their older brother Barry – have lived in South Florida since the late 1970s. Their younger brother, Andy, who had a successful solo career, died in 1988 at age 30 from a heart ailment. Chris Hutchins, a writer and former press agent for the Bee Gees, said Maurice was “very much a tormented soul.” “He was not the star (of the Bee Gees), and he knew it, he felt it,” Hutchins told British Broadcasting Corp. radio. Known for their close harmonies and original sound, the Bee Gees are members of the Rock and Roll Hall of Fame, and their 1977 contributions to the “Saturday Night Fever” album made it the best selling movie soundtrack ever with more than 40 million copies sold. Among their disco hits on that album are Stayin’ Alive, More Than a Woman and How Deep Is Your Love and Night Fever. The group won seven Grammy Awards. The Bee Gees last album was in 2001, entitled “This Is Where I Came In.” The family emigrated from England to Australia in 1958, and the brothers soon gained fame as a teen pop group. They returned to England in the 1960s, and their first four albums contained hits such as 1941 New York Mining Disaster, To Love Somebody and their first U.S. number one song, 1971’s How Can You Mend A Broken Heart.
The Bee Gees followed “Saturday Night Fever” with the 1978 album “Spirits Having Flown” which sold 20 million copies. The brothers wrote and produced songs for Barbra Streisand, Diana Ross and Dionne Warwick in the 1980s. They also wrote the Kenny Rogers and Dolly Parton hit Islands in the Stream. The Bee Gees released three studio albums and went on a world tour in the 1990s. The live album from the tour “One Night Only,” sold more than 1 million albums in the United States. The Bee Gees run a music production company in Miami called Middle Ear Studios. Gibb’s first wife was British singer Lulu. He and his second wife, Yvonne, were married for more than 20 years and had two children.
These are some examples of pedal marks in piano music:
An older style of pedaling. The symbols can be between or below the staves.
This type of pedaling is more commonly used today.
Another type of pedaling
Pedals on a grand piano:
There are two standard foot pedals on the piano: on the left side is the una corda pedal and on the right side is the sustain (damper) pedal.
The middle sostenuto pedal is only standard on the American grand piano, and is very rarely used.
With pedals, the pianist can add resonance and color to the music and thereby bring out its inherent emotion. At the same time, over-pedaling or improper pedaling can drown the listener and the performer in a miasma of overlapping sounds.
This pedal has various names. It is sometimes called the damper pedal (because it lifts all the dampers inside the piano), or the forte pedal (because the result of lifting all the dampers is a fuller sound), or the tre corde pedal (because it allows the three strings of each key to vibrate), or the sustaining pedal (because when you depress it the note will continue to sound even if you take your fingers off the keys).
Damper Pedaling Guidelines
Here are some guidelines pedaling. As with everything in art, they can be ignored under certain circumstances.
Avoid pedaling notes that move in a stepwise or scalar pattern. Adjacent notes are dissonant, and when pedaled, they sound smudged.
Do pedal notes that skip and form a nice harmony.
Change your pedal (i.e., lift it up and put it down again) at each change of harmony.
Avoid pedaling through rests (i.e., silence), at ends of phrases (at which point we would need to breathe and that split second of silence takes care of that), or staccato notes—although this is commonly ignored, because we actually can hear the disconnection through the pedal. This is why we do not depend on the pedal to achieve a beautiful legato.
Keep your heel planted firmly on the floor, and pedal with either toes or the ball of foot, depending on your shoe size.
There are several manipulations possible with the damper pedal, each affecting the sound slightly differently.
Syncopated Pedaling
For the cleanest sound, the syncopated (or legato) pedal will give you the most control. This is an action where the foot is put down immediately after the note is played. This may take some getting used to, but you can practice it by playing a C scale.
Play C, and then lower the damper pedal.
Hold the pedal down until you are just about ready to play the D.
As the D’s finger goes down, the foot goes up, and then down again immediately after the D is struck.
The sound is clean. Continue up the scale the same way.
As an experiment, try putting the pedal down as you play a note, and notice the difference in the sound. Since the damper pedal lifts all the dampers, when you strike the D, not only are the three strings of that note free to vibrate but so do all the other strings vibrate sympathetically. You have a sound that is full of overtones.
There are times when you will want that effect and so will keep your foot down until the accumulated sound needs to breathe.
You can practice the syncopated pedal away from the piano by sitting on the bench or a chair and lifting your right knee at exactly the same time as your right hand goes down to tap the rising knee. This is the same action at the keyboard. The foot goes up when the hand goes down and then returns to the pedal.
Partial Pedals
There are half and quarter pedals too, which are used when you don’t want full vibrato. Rather than depressing the pedal all the way down, you lower your foot halfway so that the dampers are lifted only slightly off the strings, without allowing them to vibrate fully.
The quarter pedal gives even just a hint of pedal. It will take a while to feel these various distances on your piano. Also, you will find that each piano has its own pedal feel, which you must get used to before attempting to perform on that instrument.
Flutter Pedal
Then there are times, usually in scale passages, where touches of pedal can be very appealing and then the foot goes up and down rapidly and shallowly, and that is called the “flutter” pedal.
Choosing the Pedaling
The different types of damper pedaling techniques are for you, the pianist, to decide. But what determines which choice you will make?
Two things will control that: your very important ear, and your understanding of the music—the composer and the era in which the music was composed.
Your pedaling approach following the composer’s style depends on your knowledge of what instruments were available during the composer’s lifetime and how the pedal or lack of pedals would have made the music sound. This way, your interpretation will have authenticity.
Position of the Sustain Pedal:
Right pedal
The Sustain Pedal is Played With:
Right foot
Also Called:
Damper pedal, forte pedal, loud pedal
Effects of the Sustain Pedal:
The sustain pedal allows all of the notes on the piano to resonate after the keys have been lifted, for as long as the pedal is depressed. It creates a legato effect, forcing all of the notes to echo and overlap.
History of the Sustain Pedal:
The sustain pedal was originally operated by hand, and an assistant was required to operate it until the knee lever was created. The creators of the sustain foot pedal are unknown, but it is believed to have been invented around the mid-1700s.
Use of the sustain was uncommon until the Romantic Period, but is now the most commonly used piano pedal.
How the Sustain Pedal Works:
The sustain pedal lifts the dampers off of the strings, allowing them to vibrate until the pedal is released.
Sustain Pedal Marks:
In piano notation, use of the sustain pedal begins with Ped., and ends with a large asterisk.
Variable pedal marks, seen as __/\_/\__, are placed under notes, and define the precise pattern in which the sustain pedal is depressed and released.
Horizontal lines show when the sustain pedal is depressed.
Diagonal lines indicate a quick, temporary release of the sustain pedal.
Position of the Una Corda Pedal:
Left pedal
The Una Corda is Played With:
Left foot
Also Called:
Soft pedal, “piano” pedal
Effects of the Una Corda Pedal:
The una corda pedal is used to enhance the timbre of softly played notes, and exaggerate a low volume. The soft pedal should be used with notes that are already played softly, and will not produce the desired effect on louder notes.
History of the Una Corda Pedal:
The una corda was the first mechanism to modify the piano’s sound, and was originally operated by hand. It was invented in 1722 by Bartolomeo Cristofori, and quickly became a standard addition to the piano.
How the Una Corda Pedal Works:
Most treble keys are attached to two or three strings. The una corda shifts the strings so that the hammers only strike one or two of them, creating a softened sound.
Some bass keys are only attached to one string. In this case, the pedal creates a shift so that the hammer strikes on a lesser-used portion of the string.
Una Corda Pedal Marks:
In piano notation, use of the soft pedal begins with the words una corda (meaning “one string”), and is released by the words tre corde (meaning “three strings”).
Interesting Facts About the Una Corda Pedal:
Most upright pianos use a “piano” pedal instead of a true una corda pedal. The piano pedal moves the hammers closer to the strings, preventing them from striking with full force
Position of the Sostenuto Pedal:
Usually the middle pedal, but is often omitted.
The Sostenuto is Played With:
Right foot
Originally Called:
Tone-sustaining pedal
Effects of the Sostenuto Pedal:
The sostenuto pedal allows certain notes to be sustained while other notes on the keyboard are unaffected. It is used by hitting the desired notes, then depressing the pedal. The selected notes will resonate until the pedal is released. This way, sustained notes can be heard alongside notes played with a staccato effect.
History of the Sostenuto Pedal:
The sostenuto pedal was the last addition to the modern piano. Boisselot & Sons first showcased it in 1844, but the pedal didn’t gain popularity until Steinway patented it in 1874. Today, it’s primarily found on American grand pianos, but is not considered a standard addition since it is very rarely used.
How the Sostenuto Pedal Works:
When the sostenuto pedal is depressed, it keeps the dampers off the selected strings, allowing them to resonate while the rest of the keys’ dampers remain down.
Sostenuto Pedal Marks:
In piano music, use of the sostenuto pedal begins with Sost. Ped., and ends with a large asterisk. Notes meant to be sustained are sometimes marked by hollow, diamond-shaped notes, but there are no strict rules for this pedal since it is hardly ever used.
Interesting Facts About the Sostenuto Pedal:
Sostenuto is Italian for “sustaining,” although this incorrectly describes the pedal’s function.
On some pianos, the sostenuto pedal only affects the bass notes.
The middle pedal is sometimes built as a “practice rail” pedal instead of a sostenuto. A practice rail muffles notes with felt dampers, allowing for quiet play.
Sostenuto pedal markings are rarely seen in sheet music, but can be found in the works of Claude Debussy.
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