All About Carnegie Hall

carnegie-hall

You’ve all heard it before.  How do you get to Carnegie Hall?  Practice, practice, practice.

We took the easier route with the tour December 1, 2014.  Unfortunately, I wasn’t posting much on my travel blog yet so I don’t remember everything that happened.  I do highly recommend the tour if you’re in New York City.

If you want to go, other than practicing, Carnegie Hall is a concert venue in Midtown Manhattan located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park.

carnegie-hall-map

The tour was very inexpensive, maybe $10 each.  We were taken by elevator up to the Main Hall (Isaac Stern Auditorium/Ronald O. Perelman Stage) first.  The stories that were told were fascinating!  I don’t remember most but I remember the guide telling us that after renovations audience members complained of a buzzing sound.  The floor had to be removed…

From 1995:

SOURCE OF CARNEGIE HALL COMPLAINTS DISCOVERED: CONCRETE UNDER STAGE
MARY CAMPBELL , Associated Press
Sep. 13, 1995 11:53 PM ET

NEW YORK (AP) _ For nine years, the people who run Carnegie Hall insisted there was nothing wrong with the acoustics at the famed concert hall.

Wednesday, they sang a different tune

This summer, a layer of concrete, apparently left over from a major renovation job in 1986, was discovered under the stage. The concrete was ripped out and a new floor was installed that administrators say should improve acoustics.
Since the renovation, musicians and critics have complained about the acoustics, saying the sound the hall was world famous for wasn’t the same, that the bass had become washed out and the higher instruments harsh.

Executive Director Judith Arron said Wednesday she had been assured there was no concrete under the stage since arriving at the hall in 1986.

But the tongue-in-groove maple stage floor, which usually lasts 20 years, had warped so badly after just nine years, it was difficult to push a piano across it.

The hall closed for repairs after three Frank Sinatra tribute concerts the last week in July. “As we tore the whole floor up,” Arron said, “we learned we had a lot more hard substance than we had anticipated.”

She speculated the concrete was added to reinforce the stage while scaffolding was on it during the 1986 renovation and then simply left there in workers’ haste to finish.

The concrete had been placed under two layers of plywood, on which the maple stage floor rests.

“Concrete retains moisture,” Arron said. “As the moisture collected in the concrete, it went into the plywood, which expands with moisture and pushed up the floor.”

Jim Nomikos, the hall’s director of operations, compared the removal of hundreds of pounds of concrete to “an archeological dig.”

Nomikos said the floor is now constructed the way it was from Carnegie Hall’s opening in 1891 until 1986.

“In my opinion we’re not reconstructing the floor. We just restored it,” he said. “I think what we have now is a floor that will have some resonance, as opposed to a floor that was dead.”

The project cost $180,000.

Aaron said there are no plans to sue anybody for the way the floor was laid in 1986. “We’ve been focused on doing the job right,” she said. “We think this is going to be great.”

The new floor will meet its first test Sept. 26, when the Philadelphia Orchestra plays. The hall’s official gala opening for its 105th season will be Oct. 5 by the Boston Symphony.

I remember the guide not being happy with us because I knew the answers to some of the questions she asked such as Tchaikovsky conducting at the opening.  When she mentioned that Ignacy Jan Paderewski had made his debut there,  Tom piped up that he had lived near Steinway Hall (and that Michael and I had just played there in the final concert in the old building).  She gave us the evil eye and we stopped talking so much 🙂

padereski-me

Plaque on Steinwall Hall (old building). This was just after Michael and I played there.

 

Paderewski

Plaque on Steinwall Hall (old building).

There were many, many pictures on the walls of people who had performed there.  All in all, a fantastic tour.  Take it if you’re in NYC!

1891 Andrew Carnegie’s new Music Hall opened

Andrew Carnegie’s new Music Hall opened with a five-day music festival beginning on May 5.

Guest of honor Pyotr Ilyich Tchaikovsky conducted his Marche Solennelle on Opening Night and his Piano Concerto No. 1 several days later.

William Tuthill’s design reflects Gilded Age architectural tastes and engineering.  Since the Hall was built shortly before the advent of structural steel construction, its walls are made of fairly heavy brick and masonry, to carry the full load of the structure without the lighter support that a steel framework soon made possible. The Italian Renaissance design of the exterior reflects the eclectic architectural tastes of the period, which look to European models of earlier centuries for inspiration.  Tuthill deliberately chose to keep the styling and decorative elements simple, elegant, and functional, focusing his energies on designing an excellent acoustic environment.

I came across this interesting 1947 movie about Carnegie Hall for my Music Studio Blog and I’m posting it here, as well.

Jascha Heifetz (violinist) Tchaikovsky – “Violin Concerto in D, First Movement” – New York Philharmonic, Fritz Reiner, conductor
Harry James (trumpeter)
Vaughn Monroe (band leader)
Jan Peerce (vocalist)
Gregor Piatigorsky (cellist)
Ezio Pinza (vocalist)
Lily Pons (vocalist)
Fritz Reiner (conductor)
Artur Rodzinski (conductor)
Arthur Rubinstein (pianist)
Rise Stevens (vocalist)
Leopold Stokowski (conductor)
Bruno Walter (conductor)
Walter Damrosch (conductor)
Olin Downes (music critic)
New York Philharmonic Quintette (John Corigliano Sr., William Lincer, Nadia Reisenberg, Leonard Rose, Michael Rosenker)
New York Philharmonic

Storyline:
A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe’s orchestra. But Mama’s wishes prevail and the son appears at Carnegie Hall as the composer-conductor-pianist of a modern horn concerto, with Harry James as the soloist. Frank McHugh is along as a Carnegie Hall porter and doorman, and Martha O’Driscoll is a singer who provides the love interest for Prince. Meanwhile and between while a brigade of classical music names from the 1940’s (and earlier and later) appear; the conductors Walter Damrosch, Bruno Walter, Artur Rodzinski, Fritz Reiner and Leopold Stokowski; singers Rise Stevens, Lily Pons, Jan Peerce and Ezio Pinza, plus pianist Arthur Rubinstein, cellist Gregor Piatigorsky and violinist Jascha Heifetz.

Parents! How to Help Your Students Practice ~ Day Eight

We have established that regular practice routines will not happen without proactive piano parents. So, how can parents be proactive practice assistants even if they have never touched a piano?

Day 8. The Timekeeper: Some of the O’Connor Music Studio students are using Andrea And Trevor Dow’s Timed Note Reading Tests For Piano, so their parents can be the timekeeper when it is time for their daily note reading practice.

Andrea And Trevor Dow’s Timed Note Reading Tests For Piano, Book 1: 90 Days Of Exercises In Middle C Position And C Position

and

Andrea And Trevor Dow’s Timed Note Reading Tests For Piano, Book 2: 95 Days Of Exercises In Treble C Position And G Position

5 Things Parents Should Do Before Driving To Piano Lessons

  1. Don’t Make Piano Lessons The Bad Guy: While not always possible, it is best if parents attempt to keep “Piano Lesson Day” as “Piano Lesson Day” only. They should avoid pulling their children away from another beloved activity, interrupting playdates, packing up from a picnic, leaving early from other extracurricular activities, and even abruptly turning off a favorite TV show. All of these situations cause children to feel as though they are missing out on something by attending piano lessons. If, however, piano lessons are the chosen activity for the day, they become the opportunity for fun and excitement.
  2. Don’t “Rush and Cram”: Parents should avoid having their children cram in a rushed practice session right before a piano lesson. Children won’t have adequate time for the practice session process, making their mistakes seem magnified under a ticking time-limit and causing stress. Children who haven’t already just spent 30 minutes at the piano at home are more focused students in lessons.
  3. Set Them Up For Success: Children who are well-rested and well-fed learn best. When possible, parents should allow after-school time for their children to decompress, eat a healthy, protein-filled snack and receive one-on-one parental attention. A physically, mentally and emotionally balanced child is a happy piano student.
  4. Keep Up With Current Events: Before leaving for piano lessons, parents should remind their children of all the fun things that will be happening in their lessons. To be able to accomplish this task, parents need to read their children’s lesson notes and weekly communications to gain insight into studio activities.
  5. Address Unrelated Anxieties: Unaddressed anxiety can be debilitating for a child and confusing for an uninformed teacher. If piano parents have children who experience separation anxiety, school-based stress, or family-related challenges, it is important that these issues are addressed prior to a piano lesson. Bringing calm and clear children to the studio is essential for musical development. And, if calm and clear children are not always a possibility, then piano parents should inform the teacher of problems and challenges so support and understanding is easier to provide.

Adapted from https://www.teachpianotoday.com/2018/03/19/5-things-piano-parents-should-do-before-driving-to-piano-lessons/

Parents! How to Help Your Students Practice ~ Day Seven

We have established that regular practice routines will not happen without proactive piano parents. So, how can parents be proactive practice assistants even if they have never touched a piano?

Day 7. The Concert Promoter: As a parent myself, I know that showing off our kids comes naturally. For this reason, proactive parents can take on the role of home practice concert promoter. This job involves getting their children to perform when friends, grandparents, and aunts and uncles come over for a visit, or sending videos and initiating FaceTime performances.

Parents! How to Help Your Students Practice ~ Day Six

We have established that regular practice routines will not happen without proactive piano parents. So, how can parents be proactive practice assistants even if they have never touched a piano?

Day 6. The Piano Studio Janitor: Parents are the ultimate, and original, janitors. While it is important that students learn to organize their own practice spaces, if parents are looking for a simple task to get involved in practice sessions, getting the home piano space in order before each practice session can be very helpful.

Parents! How to Help Your Students Practice ~ Day Five

We have established that regular practice routines will not happen without proactive piano parents. So, how can parents be proactive practice assistants even if they have never touched a piano?

Day 5. The Youtube Liaison: As students get older, it can get harder for piano parents to be active in the home practice process. By transitioning from an authoritative role to an assistant role, parents can be supportive by performing simple tasks such as searching out quality Youtube performances of pieces their children are playing. It can be a really useful experience for teen piano players to see and hear performances of the pieces they are about to play.

Parents! How to Help Your Students Practice ~ Day Four

We have established that regular practice routines will not happen without proactive piano parents. So, how can parents be proactive practice assistants even if they have never touched a piano?

Day 4. The Lead Vocalist: Most people are not too comfortable with breaking out into song in public, but they will happily sing in front of their own children. Parents of your littlest piano students should be encouraged to sing along with song lyrics. Just make sure that the sing-alongs happen with songs their children already know quite well. Sing-alongs do not work when a song is first being learned.

Parents! How to Help Your Students Practice ~ Day Three

We have established that regular practice routines will not happen without proactive piano parents. So, how can parents be proactive practice assistants even if they have never touched a piano?

Day 3. The Piano Piece Request Line: The most accomplished piano students always revisit pieces from their past to brush up on skills and to simply revisit some old favorites. During practice sessions, parents can get involved by requesting their children to perform some pieces that they have enjoyed hearing from past recitals, playing classes or just for fun.