Tag Archives: piano

November 17 ~ Today in Music

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today

 

• 1726 ~ The first performance of J. S. Bach‘s Sacred Cantata No. 55 Ich armer Mensch, ich Sündenknecht on the 22nd Sunday following Trinity. Was part of Bach’s third annual Sacred Cantata cycle in Leipzig 1725-27

 

• 1848 ~ Frederic Chopin played his final piano concert at a Polish benefit ball at Guildhall in London.

• 1850 ~ Giuseppe Verdi‘s opera Stifellio was first performed at the Teatro Grande in Trieste despite difficulties with the censors which resulted in cuts and changes.

 

• 1861 ~ First Performance of Johannes Brahms‘ Piano Quintet No. 1 in g, Op. 25, at a rehearsal in Hamburg, with pianist Clara Schumann.

• 1862 ~ The work noted above received its official premiere with members of the Hellmesberger Quartet; Brahms at the piano, in Vienna.

• 1870 ~ Birth of Australian composer Alfred Hill in Melbourne. d-Sydney, 30 OCT 1960.

• 1876~ The first performance of Peter Ilyich Tchaikovsky‘s March Slav in Moscow.

• 1877 ~ The first production of Gilbert and Sullivan’s opera, The Sorcerer, was presented, in London.

• 1888~ The first production of Tchaikovsky‘s Fifth Symphony in St. Petersburg.

• 1891 ~ Poland’s premier and premier ivory tickler, Ignace Jan Paderewski, made his American debut at Carnegie Hall in New York City. In later years, Paderewski, who suffered from arthritis, settled in Paso Robles, CA. The hot mineral baths located there eased his pain. He played only Steinway grand pianos custom-built to his specifications. In fact, five were made just for his use.

• 1925 ~ Sir Charles Mackerras, Australian conductor

• 1930 ~ David Amram, American composer and French-horn player

• 1938 ~ Gordon Lightfoot, Canadian folk singer, songwriter and guitarist

• 1938 ~ Orchestra leader Kay Kyser, speaking to an audience at the College of the City of New York (CCNY) told of the “inner workings and artistic features of swing music.” It marked the first of a series of lectures on swing music presented by Kyser, who went on to presentThe Kollege of Musical Knowledge on radio.

• 1941 ~ Gene Clark, Singer, guitar with The Byrds

• 1942 ~ Bob Gaudio, Singer with The Royal Teens; The Four Seasons

• 1946 ~ Martin Barre, Guitarist with Jethro Tull

• 1950 ~ Roberta Peters filled in for the lead in Mozart’s Don Giovanni, making her debut at the Metropolitan Opera in New York City. She would become one of the Met’s most famous stars.

• 1962 ~ The 4 Seasons, with Frankie Valli as lead singer, began a five-week run at the top of the tunedex with Big Girls Don’t Cry.

• 1967 ~ Ronald DeVoe, Singer with New Edition

• 1970 ~ Elton John recorded an album live, on what was WABC-FM in New York City. It marked the first time that a concert was aired live and recorded for release as aired. The LP was titled, 11/17/70.

• 1981 ~ Bob Eberly died

• 2001 ~ Jerry Jerome, a tenor sax player who was a featured soloist with the bands of Glenn Miller and Benny Goodman, died of leukemia. He was 89. One of the big names in the Big Band era, Jerome was a featured soloist with the Glenn Miller, Benny Goodman, Red Norvo and Artie Shaw orchestras. He then became a successful musical director and conductor on radio and television. Jerome also established a music business, scoring and arranging commercial jingles. Three years ago, Arbors Records released Jerome’s “Something Old, Something New.” The sequel recording, “Something Borrowed, Something Blue,” will be released in December. Born in Brooklyn, N.Y., Jerome started playing the sax while in high school. He attended the University of Alabama and went on the medical school, playing gigs at jazz clubs to earn tuition money. He joined Goodman’s orchestra at the height of its popularity in 1938. When Goodman broke up his band in 1940, Jerome joined Shaw. While with Shaw, he appeared in the film “Second Chorus,” with Fred Astaire and Burgess Meredith.

• 2003 ~ Arthur Conley, a 1960s soul singer and protege of Otis Redding’s, died at his home in the town of Ruurlo, in the eastern Netherlands. He was 57. Conley was born in Atlanta and started his recording career in 1959 as leader of the group Arthur and the Corvets. He was best known for his 1967 hit, Sweet Soul Music, which he co-wrote with Redding based on a number by Sam Cooke. Conley had several minor hits in the following two years. He moved to Europe in the early 1970s after several tours of the continent, deciding that he was “fed up with the pressure” in the United States, said Giesen. In the Netherlands, Conley appeared on television and radio, and ran an independent record label. In the last five years he was an adviser to The Original Sixties R&B and Soul Show, which sought to reproduce the sound and look of the heyday of soul.

Adapted from http://www.oconnormusic.org/month-nov.htm

Dr. Maurice Hinson

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hinson

 

I have always respected Dr. Hinson’s work and his music.  So much so that I went to Connecticut to take a class on Piano Pedagogy with him several years ago.  I have also attended several local piano teacher workshops with him.  At one of them, he claimed to remember me from that Connecticut class.  Whether true or not, I treasure that comment and the signature on a piano book he gave me.

We have several of his books at the O’Connor Music Studio and many are available for loan.  If you are interested in buying any for yourself, amazon.com has a great selection.  In addition to those books he has authored, he has edited the works of many composers.  Amazon lists 270 works edited and annotated by Dr. Hinson.

 

From his page on alfred.com:

One of America’s most respected authorities on piano literature, Dr. Maurice Hinson received the Lifetime Achievement Award from the Music Teachers National Association at its Washington, D.C. convention in the spring of 1994, the Outstanding Alumni Award from the University of Florida in 1990, and the Outstanding Alumni Award from the University of Michigan in the fall of 1995. Hailed as a specialist in American piano music, some of his articles appear in the New Grove Dictionary of American Music in the United States.

Dr. Hinson received his Bachelor of Arts degree from the University of Florida and his Master of Music and Doctor of Musical Arts degrees from the University of Michigan. He also studied at The Juilliard School and the Conservatoire National in Nancy, France.

While a Senior Professor of Piano in the School of Church Music at the Southern Baptist Theological Seminary in Louisville, Kentucky, Dr. Hinson’s curriculum included teaching piano, piano literature, and piano chamber music. He performed, lectured, and gave masterclasses worldwide. His books and editions have become classic standards in the studios of serious piano teachers and students the world over.

From his obituary at legacy.com:

Hinson, Dr. G. Maurice, age 84 died November 11, 2015 in the company of his family. Dr. Hinson was Professor and Senior Professor of Piano at the Southern Baptist Theological Seminary from 1957 to 2015, and a member of Broadway Baptist Church. He was also organist-choirmaster of churches in Florida, Michigan and Kentucky from 1943 to 1980. Dr. Hinson received his BA degree from the University of Florida and his MM and DMA degrees from the University of Michigan, and also studied at The Julliard School and the University of Nancy, France (Conservatoire National).

He was the first president of the Greater Louisville Music Teachers Association, and president of the Kentucky Music Teachers Association as well as the Southern Division of the MTNA. He also taught “The Dorsey Class,” a group of selected piano teachers from 1963 to 2015.

Dr. Hinson is the author of 14 books mostly published by Indiana University Press, plus over 100 articles for music publications. He was a senior editor for The Alfred Publishing Company of California. He edited more than 300 editions of classical piano music and recorded five DVDs of piano music.

As Professor of Piano at the Southern Baptist Theological Seminary for 58 years, he taught and nurtured many pianists who now hold distinguished positions in churches and universities throughout the world.

Dr. Hinson received many awards in piano pedagogy and performance. He was awarded the Liszt Commemorative Medal by the Hungarian Government and the Medal of Excellence by the American Liszt Society for his research on the music of Franz Liszt. He was hailed as a specialist in American Piano music and some of his most recent articles appeared in the NEW GROVE DICTIONARY OF AMERICAN MUSIC. He gave recitals, lectures, and master classes in five continents and 50 states.

Hinson was the founding editor of the JOURNAL OF THE AMERICAN LISZT SOCIETY, past editor of THE AMERICAN MUSIC TEACHER, and contributing editor of THE PIANO QUARTERLY and PIANO AND KEYBOARD.

Thinking of Refinishing Your Own Piano?

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steinway-old

 

Even these days, when cheap secondhand pianos are in plentiful supply, having been tossed aside to make way for compact, sophisticated keyboards, not many people can brag about owning a Steinway. Fewer own one that’s not worth bragging about. And then there’s the guy who actually went out of his way to buy one that’s not worth bragging about.

So gather ’round my 133-year-old Steinway upright, and hear a little ditty about a man with a laptop, a rental van and impulse-spending issues.

My tune is not quite a dirge, I suppose, since this piano is actually an improvement on the troll it displaced from my living room. But I’d have endured far less angst, and gotten more piano for my money, if I had listened to the experts before leaping at my “bargain” discovery…

Read the entire article at Thinking of Refinishing Your Own Piano? Don’t. – NYTimes.com.

November 3 ~ Today in Music

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today

 

.1587 ~ Samuel Scheidt, German organist and composer

OCMS 1801 ~ Vincenzo Bellini, Italian composer

OCMS 1911 ~ Vladimir Ussachevsky, Russian-born American composer
More information about Ussachevsky

.1933 ~ John Barry, Academy Award~winning composer

.1941 ~ The classic Jerry Gray arrangement of String of Pearls was recorded by the Glenn Miller Orchestra on Bluebird 78s. The recording featured the trumpet of Bobby Hackett.

.1948 ~ Lulu (Marie McDonald McLaughlin Lawrie), Singer. She changed her name to Lulu (and The Luvvers) in Scotland, early in her career. Married to singer Maurice Gibb

.1954 ~ Adam Ant (Stuart Goddard), Singer

.1956 ~ The classic MGM film, The Wizard of Oz, was first seen on television. The film cost CBS $250,000 to show. The movie was shown 18 times between 1956 and 1976, and you can probably catch it again no matter what year it is.

.1957 ~ Sam Phillips, owner of legendary Sun Records in Memphis, TN, released Great Balls of Fire, by Jerry Lee Lewis. Looking carefully at the original label, one will find credit to Lewis and “his pumping piano.”

.1960 ~ James Prime, Keyboards with Deacon Blue

.1960 ~ “The Unsinkable Molly Brown”, opened on Broadway. The play would become an American theater standard and a smashing career launch for Shirley MacLaine.

.1962 ~ Billboard magazine dropped the “Western” from its chart title. The list has been known as Hot Country Singles ever since.

.1972 ~ Singers Carly Simon and James Taylor were married in Carly’s Manhattan apartment. The couple was said to be the highest-paid couple in the world next toElizabeth Taylor and Richard Burton. Carly and ‘Sweet Baby’ James would divorce years later, but they are still good friends.

.1990 ~ Mary Martin died

.2000 ~ Mary Hunter Wolf, one of the first female directors on Broadway died at the age of 95. Wolf made her Broadway debut directing the 1944 production of Horton Foote’s “Only the Heart.” The following year, she directed the first black Broadway musical, “Carib Song.” After directing a string of successful plays and musicals, Wolf was hired as an associate director for Jerome Robbins’ “Peter Pan,” starring Mary Martin. In 1947 Wolf was tapped to direct a new musical “High Button Shoes,” but was dismissed by the show’s producers before rehearsals began. Wolf sued, charging that her contract had been broken because she was a woman. Two years later the New York Supreme Court ruled in her favor. During her third year at Wellesley College, Wolf visited her aunt, author Mary Austin, in Santa Fe, N.M. where she found herself introduced into the circle of D.H Lawrence, Willa Cather and Sinclair Lewis. She soon abandoned her studies to pursue a directing career.

Upcoming Concert from the Odeon Chamber Music Series

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Odeon chamber Music Series presents: 

Makoto Nakura, marimba  http://makotonakura.com/

Sunday, November 15, 2015 at 4 p.m.

Program:

Cello Suite No.6  / J.S. Bach (arranged by M. Nakura)

The Trees Where I was Born / Jacob Bancks (with The Rev. Bernie Schroeder, narrator)

Prelude and Fugue in E-flat minor / Lane Harder

Irish folk songs / arranged by M. Nakura

“Les bois du paradis” / Benjamin Boyle   (with Mariko Hiller, piano)

 

 

At: St. Patrick’s Episcopal Church

3241 Brush Drive, Falls Church, VA 22042

Donation of $20 is greatly appreciated.

Wine & Cheese reception follows the concert.

Please contact Mariko Hiller at (703)200-7489,  marikohiller@gmail.com or visit our website at: http://odeonchambermusicseries.org/ for more information.

Halloween Music: Toccata and Fugue in d minor by J.S Bach

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toccata-d-minor

 

Johann Sebastian Bach’s towering monument of organ music, with its deep sense of foreboding, will forever be associated with Halloween.

Get a free copy of the sheet music at IMSLP or borrow a copy from the O’Connor Music Studio.  I have this arranged for organ, piano, duet, 2-piano, simplified…

If you want this in a book with other Bach transcriptions, amazon has this: Toccata and Fugue in D Minor and the Other Bach Transcriptions for Solo Piano, arranged by Ferruccio Busoni.

Here, Virgil Fox performs it on his Allen Digital Touring Organ.

 

Diane Bish plays the Massey Memorial Organ at the Chautauqua Institution and talks about this instrument.

 

Play along with pianist Cyprien Katsaris if you wish!

 

And, the most fun…

Halloween Music: In the Hall of the Mountain King by Edvard Grieg

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hall-mountain

 

“In the Hall of the Mountain King” is a piece of orchestral music composed for the sixth scene of act 2 in Henrik Ibsen’s 1867 play Peer Gynt. It was originally part of Opus 23 but was later extracted as the final piece of Peer Gynt, Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists, including for the piano.

Borrow a copy of the sheet music from the O’Connor Music Studio.  I have this arranged for piano, duet, 2-piano, simplified…

 

8 part vocal orchestra (plus a tiny pair of cymbals)

 

Pianist Paul Barton

 

Solo piano sheet music – Video Score

 

Orchestral version

Halloween Music: Danse Macabre by Camille Saint-Saëns

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danse-macabre

Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin.

Get a free copy of the sheet music at IMSLP (Look for Arrangements and Transcriptions) or borrow a copy from the O’Connor Music Studio.  I have this arranged for organ, piano, duet, simplified…

Amazon has a great Dover edition for solo piano.  This splendid compilation features a variety of the composer’s best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work “Danse Macabre” (presented here in the brilliant arrangement by Liszt), this collection also includes “Allegro appassionato,” “Album” (consisting of six pieces), “Rhapsodie d’Auvergne,” “Theme and Variations,” plus six etudes, three waltzes, and six etudes for left hand alone.

This video originally aired on PBS in the 1980s:

 

For two pianos:

 

Piano Tutorial:

 

Orchestra:

Halloween Music: Funeral March of a Marionette by Charles Gounod

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funeral

 

The Funeral March of a Marionette (Marche funèbre d’une marionnette) is a short piece by Charles Gounod. It was written in 1872 for solo piano and orchestrated in 1879. It is perhaps best known as the theme music for the television program Alfred Hitchcock Presents, which originally aired from 1955 to 1965.

In 1871-72, while residing in London, Gounod started to write a suite for piano called “Suite Burlesque”. After completing one movement, the Funeral March of a Marionette, he abandoned the suite and had the single movement published by Goddard & Co. In 1879 he orchestrated the piece. The instrumentation is: piccolo, flute, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in D, 2 trumpets in A, 3 trombones, ophicleide, timpani, bass drum, triangle, strings. The work is in the key of D minor, with a central section in D major. Various arrangements by other hands exist.

There is a program underlying the Funeral March of a Marionette: The Marionette has died in a duel. The funeral procession commences (D minor). A central section (D major) depicts the mourners taking refreshments, before returning to the funeral march (D minor).
The score contains the following inscriptions in appropriate places:

La Marionnette est cassée!!! (The Marionette is broken!!!)
Murmure de regrets de la troupe (Murmurs of regret from the troupe)
Le Cortège (The Procession)
Ici plusieurs des principaux personnages de la troupe s’arrêtent pour sa rafrâichir (Here many of the principal personages stop for refreshments)
Retour a la maison (Return to the house). (Wikipedia)

Download this music in several versions from IMSLP.  Click on Arrangements and Transcriptions.  There are also some arrangements for piano at the O’Connor Music Studio.

 


On Alfred Hitchcock:


From Faber Piano Adventures Performance Book Level 3B No.7 (Also available in the OCMS Library):

Piano 4-hands:


With animation:


On organ:


Mannheim Steamroller:


And, finally, a light show!

 

Happy Birthday, Franz Liszt

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liszt-quote

 

Franz Liszt was born in Raiding, near Ödenburg, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.

Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccoló Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.

Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.

Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Préludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvorák, Sibelius, and Richard Strauss.


     Liszt’s birthday

     anniversary of Liszt’s death

    Listen to Liszt’s transcription of Meyerbeer’s Hellish Waltz from Robert du Diable, which probably caused more public commotion than any other piano piece in history.


     Read quotes by and about Liszt

     Liszt was the first recitalist

     In Praise of Pianos and the Artists Who Play Them

     History of the Piano

     Franz Liszt