Tag Archives: piano

From the Way-Back Machine

Posted by MaryO on

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Today, since it’s a “teaching day”, I’m thankful for my piano studio, my students, and my pianos 🙂

When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in.  The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom.  Not the best place for a piano, but I digress.

Since we had the piano already, someone – probably my mom – decided that I would take lessons.  We had the organist from the Baptist church just across the river in Westerly, RI

Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.

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25-centsMiss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.

I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.

From there, it was the Michael Aaron series, and some sheet music.

There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.

My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child.  Later on, she played well enough that she was church organist for a local Roman Catholic Church.

But I digress…

In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout.  Bye, bye Clara.

Girl Scouts didn’t last long but I did play piano in a talent show.  I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover.  (I still have this, too)

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I doubt that I played this well but here’s what it was supposed to sound like:

A few years intervened and we moved to Springfield, MA.  The parsonage piano there was in terrible shape and in the dark, never-used basement.  But I decided to make it mine and cleared up the area around it and started “practicing”.

My Junior or Senior year of High School I decided I wanted to major in music in college.  I decided to learn, on my own, a piano arrangement of Aragonnaise by Jules Massenet.  I have no idea why or where that sheet music came from but I started working furiously on this piece.

aragonnaise

Hopefully, at some point, it should have sounded like this:

I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.

Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory in winter 5 days a week.  AARRGGH!

But I stuck it out.

My wonderful piano teacher, Howard Lebow, was killed in a car accident my sophomore year and I was devastated.  There was about him in a post on January 26, 2018 here: https://oconnormusicstudio.com/2024/01/26/in-memory-howard-lebow/

I took yet another break from piano lessons – but I kept playing.

After DH graduated, we moved to Milwaukee, WI for his graduate school.  Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin.  I also found a teacher at the Schaum School of Music.  She was amazed that I had no piano at home to practice on.

When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano.  The owner had acquired it in a divorce and wanted it gone.  Yesterday.  She even paid to move it out of her apartment.

The new-to-me piano took up half our living room.  When my parents came to visit, their feet were under my piano as they slept on cots.

I found yet another new piano teacher and she is still my best friend to this day.

That piano moved to several locations before I bought a brand new Yamaha grand piano.  The movers accidentally brought in the wrong one and I made them return it.  The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.

I started teaching as a traveling piano teacher in Silver Spring, Maryland.  I continued that in Wilmington, DE.

When we got to Fairfax, VA I decided no more traveling.  Students would come to me.  And so they have since 1973.

What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets, balalaika, electric saxophone, a hand-made (by me!) dulcimer, tenor and soprano recorders, and other musical “stuff”.

Piano playing has gotten me through the worst times of my life.  Teaching has been a lifeline for me, as well.

I am so thankful for the students who have stayed with me over the years.

The Simply Piano App

Posted by MaryO on

Simply-Piano

iOS: Learning to play the piano can be difficult, and even moreso if you don’t have someone there to help you fix your errors and learn good tempo. Simply Piano can do both of those things, and all it takes is your iPhone or iPad. Best of all, it’s free.

Like many “piano-learning” apps, Simply Piano teaches you various pieces of music by essentially displaying sheet music in front of you to play, guiding you to the right keys on your piano or keyboard, and showing you the right order in which to press them and when — that’s all great, and not terribly unique, even if it works well. Where the app shines however is its listening feature. Simply put the phone down near the keyboard, and Simply Piano will “listen” to you play.

As you play, the app identifies what you’re playing and gives you feedback on how to improve. Maybe you need to pick up the tempo, or maybe you missed a few notes here or there — whatever it is, the app can give you a few tips, and encourages you to try again, all while it listens and tries to help.

Simply Piano is free, and available now. It comes bundled with a ton of songs to learn (including classical and pop songs you’ll probably recognise), and is geared to all skill levels — and keyboard types, so you don’t need a fancy piano just to use the app, any keyboard will do. Hit the link below to try it out.

Simply Piano (Free) [iTunes App Store via JoyTunes]

From http://www.lifehacker.com.au/2015/10/simply-piano-teaches-you-piano-listens-and-corrects-your-mistakes/

Fall 2025 Listening and Coloring Pages

Posted by MaryO on

 

I have purchased a set of Shades of Sound Listening & Coloring Book: Halloween for the studio.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  They are also available in your Parent/Student Portal.   After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Halloween edition includes 13 spooky pieces of piano and orchestral literature, ranging from the Baroque to the Modern period. By spending just 5-10 minutes per day listening for just a few days per week, students can listen to and complete the whole book in a few weeks.

Aspiring pianists need to know the literature, hear the greats perform, and be inspired and excited by the great music that is available! Just as writers need to read, read, read, pianists need to listen! Through this fun curriculum, students will learn about the musical periods and the great composers and their works. Listening repertoire selected includes selections from the standard solo piano literature, as well as solo piano and orchestra literature and orchestral works.

My hope is that students can add just 5-10 minutes of listening per day to their normal practicing. Listening to great music will change their understanding of music and will vastly increase their music history knowledge. It will excite and inspire them, encourage further study and listening, give them new pieces to add to their own repertoire wish list, infuse more great music into their lives, homes and families, and will boost their musicianship and expression to the next level.

The Halloween Shades of Sound book includes 13 different pieces, including:

  • Totentanz by Liszt
  • Le Cimetiere, from Clairs de Lune by Abel Decaux
  • Graceful Ghost Rag by William Bolcom
  • Night on Bald Mountain by Mussorgsky/Rimsky-Korsakov
  • Tarantelle, from Music for Children Op. 65 No. 4 by Prokofiev
  • Tarantella by Albert Pieczonka
  • In the Hall of the Mountain King by Grieg
  • Toccata and Fugue in D minor, BWV 565 by Bach
  • Funeral March, from Piano Sonata No. 2 in B-flat minor by Chopin
  • Danse Macabre by Saint-Saens
  • The Banshee by Henry Cowell
  • Scarbo, from Gaspard de la nuit by Ravel
  • The Sorcerer’s Apprentice by Paul Dukas

Students may use The Playful Piano – Halloween Listening YouTube playlist to listen along with their book using quality recordings. The playlist is ordered to go right along with the book, and also includes 5 extra pieces (some pages include optional “Further Listening” examples students may listen to).

 

October 4 ~ On This Day in Music

Posted by MaryO on

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• 1812 ~ Fanny Perisiani, Italian coloratura soprano

• 1881 ~ The player piano was invented by Edward Leveaux of Sussex, England, who received a patent for it this day. There were many player piano inventions going on throughout the world during this time. Leveaux happened to be the lucky chap who received the patent England was handing out.

• 1929 ~ Leroy Van Dyke, Singer

• 1939 ~ A barber from Canonsburg (near Pittsburgh), PA, who had quite a singing voice, recorded That Old Gang of Mine with the Ted Weems Orchestra. That singer was the feature of the Weems band for many years before going solo as a radio, TV and stage star. You know him as ‘The Incomparable Mr. C.’, Perry Como. His string of hits for RCA Victor spans four decades. He was an NBC mainstay for years and years.

• 1943 ~ Is You is or is You Ain’t My Baby? was the musical question by Louis Jordan and His Tympany Five on this day on Decca Records.

• 1947 ~ James Fielder, Bass with these groups: Buffalo Springfield, Mothers of Invention and Blood, Sweat & Tears

• 1948 ~ Gordon MacRae hosted the premiere of a radio classic. The Railroad Hour debuted on ABC radio. The theme song was I’ve Been Working on the Railroad and the show was sponsored by….America’s Railroads.

• 1949 ~ John Aler, American tenor

• 1959 – Chris Lowe, Keyboards with Pet Shop Boys

• 1966 ~ It was, indeed, a Sunny Day for singer Bobby Hebb, who received a shiny gold record award for his song.

• 1967 ~ Woody (Woodrow Wilson) Guthrie passed away

• 1970 ~ Janis Joplin died from a drug overdose. She was 27. Joplin, known for her passionate, bluesy, vocal style, was the lead singer of Big Brother and the Holding Company. She became a superstar with hits like, Down on Me, Pearl (her nickname) and Every Little Piece of My Heart; but Me and Bobby McGee was her only certified top 40 hit. The Bette Midler movie, The Rose, was based on Joplin’s life.

• 1999 ~ Art Farmer passed away

• 2000 ~ International diplomat and Newport Music Festival director David Meredith Evans died at the age of 64.

• 2001 ~ Irmgard Farden Aluli, considered the most prolific female Hawaiian composer since Queen Liliuokalani, died after suffering complications from colon cancer surgery. She was 89. Aluli, affectionately nicknamed “Aunty”, became the first living member to be inducted into the Hawaiian Music Hall of Fame in 1998. In August, the Prince Kuhio Hawaiian Civic Club honored her as a cultural living treasure. She wrote more than 200 songs, including Boy from Laupahoehoe and E maliu Mai. Aluli began performing publicly after graduating from St. Andrew’s Priory in 1929. She was a member of the Annie Kerr Trio in the 1930s. In the late 1960s, Aluli, her daughters and a niece formed the group Puamana.

• 2001 ~ Jazz guitarist John Collins, who played with Nat King Cole for over a decade, died at the age of 83. Collins was born in Montgomery, Ala., and grew up in Chicago. His mother, Georgia Gorham, was a pianist and bandleader. Collins briefly played clarinet before switching to guitar and moving to New York, where he played with prominent jazzmen such as pianist Art Tatum. Collins accompanied singer Billie Holiday and saxophonist Lester Young in the 1940s and played in bands led by Benny Carter and Fletcher Henderson. He served in the Army during World War II, and played in Army bands. Esquire magazine gave Collins its New Star award as best guitarist of 1947, his lone jazz poll honor. Collins’ 14-year association with Cole began in 1951, when he replaced guitarist Oscar Moore. Collins played with Cole until the latter’s death in 1965. Collins went on to tour Europe with his own group. He played occasionally around Southern California in the 1990s but worked mainly as a private teacher.

Ludwig Van Beethoven’s Archduke Trio

Posted by MaryO on

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Beethoven’s first published works—his Opus No.1—were three trios for piano, violin and cello and already they show a marked advance on Haydn’s trios in the comparative interdependence of the three parts. Their freedom from Haydn’s oppressive formality looks forward to the first mature trios, the pair that comprises Opus 70, displaying all sorts of harmonic twists, thematic innovations and structural idiosyncrasies, these trios make much of the piano part and contain plenty of dramatic outbursts that are typical of Beethoven’s middle period.

Even more arresting is the first of the Opus 70 trios (1808) nicknamed ”The Ghost” because of its mysterious and haunting Largo. Its sibling boasts a cheerful bombastic finale that is the most entertaining music that Beethoven composed for this combination of instruments.

The “Archduke” Trio Opus 97 (1811) was Beethoven’s last full-scale work for piano trio and is typically conclusive. The third movement is its center of gravity, a highly moving set of variations with the cello dominating the thematic content. It opens with a hymn-like theme and progresses to a coda which magnificently sums up the movements ideas. The finale might be less powerful than that of Opus 70 No. 2, but it nevertheless has a sweeping rhythmic power. Again, it is beyond the shadow of a doubt that Beethoven defined the piano trio form that it retained throughout the 19th century by allowing the string instruments the status of genuinely equal partners in this superlative performance.

Read more at Ludwig Van Beethoven Piano Trios Opus 70 No. 2, Opus 97 “Archduke” | World Music Report.

September 18: On This Day in Music

Posted by MaryO on

today

• 1763 ~ An instrument named the spinet was mentioned in The Boston Gazette newspaper on this day. John Harris made the spinet, a small upright piano with a three to four-octave range. There is no verifiable evidence to support the rumor that a man named Spinetti made the first spinet.

• 1809 ~ The Theatre Royal at Covent Garden re-opened after being destroyed by fire the year before. The Theatre Royal at Covent Garden began in Bow Street in 1732. It was designed by E.M. Barry in classical style. He also built for the theatre’s management the Floral Hall next door in glass and iron, meant to be a straightforward rival to the Bedford’s flower market. Both of Barry’s buildings are now part of the rebuilt Royal Opera House at Covent Garden complex.

• 1838 ~ Emil Scaria, Austrian bass-baritone

• 1899 ~ Scott Joplin was granted copyright for his “Maple Leaf Rag”, the most famous ragtime composition, by the US Copyright Office

• 1910 ~ Josef Tal, Polish-born Israeli composer and pianist

• 1917 ~ The Honolulu Ad Club registered a patent for the ukulele.

• 1927 ~ The Columbia Broadcasting System was born on this day, although its rival, NBC, had been on the air for some time. The Tiffany Network, as CBS was called, broadcast an opera, The King’s Henchman, as its first program. William S. Paley put the network together, purchasing a chain of 16 failing radio stations. The controlling interest cost between $250,000 and $450,000. The following year, the 27-year-old Paley became President of CBS. It only took one more year for him to profit 2.35 million dollars as the network grew to over 70 stations. In 1978 Paley received the First Annual ATAS (Academy of Television Arts and Sciences) Governor’s Award as Chairman of the Board of CBS.

• 1929 ~ Teddi King, Singer

• 1933 ~ Jimmie Rodgers, Singer

• 1939 ~ Frankie (Frances) Avalon (Avellone), American rock-and-roll singer

• 1947 ~ Country singers Ernest Tubb and Roy Acuff performed at Carnegie Hall in New York City. It was the first country show for the NYC venue.

• 1948 ~ The Original Amateur Hour returned to radio on ABC, two years after the passing of the program’s originator and host, Major Bowes. Bowes brought new star talent into living rooms for 13 years. Ted Mack, the new host, had also started a TV run with The Original Amateur Hour on the DuMont network in January of 1948.

• 1949 ~ Kerry Livgren, Guitar, keyboards with Kansas

• 1952 ~ Dee Dee Ramone (Douglas Colvin), Drummer with The Ramones

• 1955 ~ What had been The Toast of the Town on CBS Television (since 1948) became The Ed Sullivan Show. This “rilly big shew” remained a mainstay of Sunday night television until June 6, 1971. Sullivan was a newspaper columnist/critic before and during the early years of this pioneering TV show.

• 1957 ~ The Big Record, hosted by ‘the singing rage’, Miss Patti Page, debuted on CBS-TV. The Big Record was a live musical showcase featuring established artists singing their big songs. The Big Record lasted one big season.

• 1962 ~ Joanne Catherall, Singer with Human League

• 1967 ~ Ricky Bell, Singer with New Edition

• 1969 ~ Tiptoeing through late night TV, Tiny Tim announced his engagement to Miss Vicki Budinger. Johnny Carson, host of The Tonight Show, was so enthralled with the falsetto-voiced singer that he invited the couple to get married on the show. They did on December 17, 1969 and TV history was made.

• 1970 ~ Rock radio mourned the loss of rock music legend, Jimi Hendrix. He died at age 27 of an overdose of sleeping pills. His Purple Haze and Foxy Lady became anthems for a generation at war in Vietnam.

• 1985 ~ “Song & Dance” opened at Royale Theater NYC for 474 performances

• 1997 ~ Jimmy Witherspoon passed away

A Manuscript of Mozart’s Piano Sonata K331 was Discovered in Budapest in 2014

Posted by MaryO on

mozart-sonata-k331

The manuscript of Mozart’s A major piano sonata K331 has been discovered in Budapest. Having spent the majority of its life in the Budapest’s National Széchényi Library for decades, the coveted manuscript was rediscovered by Haydn scholar Balazs Mikusi.

“When I first laid eyes upon the manuscript, the handwriting already looked suspiciously ‘Mozartish’,” said Mikusi, who is the head of the music collection at National Szechenyi Library. “Then I started reading the notes, and realised it is the famous A Major sonata … My heart rate shot up.”

The piece was composed in 1783 and contains Mozart’s most popular jam, “Turkish March,” which has become a piano lesson staple all over the world.

Although, unfortunately, Mikusi can’t say how or when these pages found their way to Hungary; they reveal subtle differences from the published editions of the sonata. The key variances are seen in the phrasing, dynamics and occasionally the notes themselves.

“It is very rare that a Mozart manuscript pops up. Moreover the A Major Sonata had no known manuscript, so it is a really big discovery,” he said.

The library has only released teasing images of the manuscript, nothing more.

From Manuscript of Mozart’s Piano Sonata K331 Discovered in Budapest’s National Széchényi Library : Classical : Classicalite.

The whole sonata:

Infographic: Hands According to Pianists.

Posted by MaryO on

pianist-hands

Redditor NeokratosRed had an idea: depict the hands of great composers and pianists, according to the characteristics of their music. He shared it on the social media site, and also punted for suggestions of more. It has since received over 300,000 images views, and lots of further suggestions from fellow Redditors and piano geeks.

Whisks for Chopin’s elegant pianistic souffles, feather dusters for the gentle impressionism of Debussy, instruments of trade for the composer of the thunderous Hammerklavier sonata.

Piano, and the internet – top marks to the both of you.

via This infographic of composers’ hands is painfully (and hilariously) accurate | Classic FM.

What Age Should A Child Begin Music Lessons?

Posted by MaryO on

child-piano

These days, there is much pressure for parents to begin their children in activities from an early age.  We know that children tend to pick up new skills easily and we want for them to have an opportunity to become experts at these new skills.  We also see curiosity, desire and eagerness to learn in our children and want to capitalize on that.

Music lessons are no exception.  We often get calls asking the question, “When is the best time to enroll my child in piano lessons?”  The answer to that is a tricky one, and varies for each child.  The right age for one may not be the right age for another.  Here are a few questions to ask yourself if you are considering enrolling your child in music lessons:

1.   Does my child have an attention span to sit still for chunks of time and listen to instruction?

Many teachers today are very creative in using off-bench activities during lessons and have a plethora of activities to make lessons fun and engaging.  However, the fact remains that your child will need to sit at the piano for some periods of time during the lesson.  It is important that your child have the attention span to do this.

Read more at  How do we know if children are ready to begin music lessons? « Piano Pedagogy @ The New School for Music Study.

What Gives a Piano its Voice?

Posted by MaryO on

 

 

Picture a seven-foot grand piano in a studio. The lid’s missing, so you can see all the strings. Researchers suspend a rod embedded with 32 microphones over the piano’s body.

“We played this middle C at a very soft level, a medium level, and a very loud level,” says Agnieszka Roginska, a professor in NYU’s music technology program. She says using a pianist to play middle C over and over wouldn’t be scientific. So they’re using a disklavier, a fancy player piano triggered by electronics. “So we could hit the same note, with the same velocity, thousands of times,” she says.

They’d record the piano in one spot. Then move the microphones eight inches. Record the note. Move the mics again. Record the note. Over and over and over, until they reach the back of the piano. At the end, they get “what is basically a very dense acoustical scan of the radiation pattern of the grand piano,” Roginska says.

Read the entire article here: http://www.pri.org/stories/2014-08-10/science-tries-understand-what-gives-piano-its-voice