1791 ~ Carl Czerny, Austrian pianist and composer whose vast musical production amounted to over a thousand works.
His books of studies for the piano are still widely used in piano teaching.
More information on Czerny
Czerny is in the center top of this image. He influenced many!
At the age of fifteen, Czerny began a very successful teaching career. Basing his method on the teaching of Beethoven and Muzio Clementi, Czerny taught up to twelve lessons a day in the homes of Viennese nobility.
His ‘star’ pupils included Theodor Döhler, Stephen Heller, Sigismond Thalberg, Leopoldine Blahetka and Ninette de Belleville.In 1819, the father of Franz Liszt brought his son to Czerny.
Liszt became Czerny’s most famous pupil. He trained the child with the works of Beethoven, Clementi, Ignaz Moscheles and Johann Sebastian Bach. The Liszt family lived in the same street in Vienna as Czerny, who was so impressed by the boy that he taught him free of charge. Liszt was later to repay this confidence by introducing the music of Czerny at many of his Paris recitals.
Shortly before Liszt’s Vienna concert of 13 April 1823 (his final concert of that season), Czerny arranged, with some difficulty (as Beethoven increasingly disliked child prodigies) the introduction of Liszt to Beethoven. Beethoven was sufficiently impressed with the young Liszt to give him a kiss on the forehead. Liszt remained close to Czerny, and in 1852 his Études d’exécution transcendente (Transcendental Études) were published with a dedication to Czerny.
Joseph Lamb (1887 to 1960) was an extraordinarily gifted ragtime pianist and composer along with Scott Joplin and James Scott. He differed from them, though, because the art of improvisation completely baffled him. In response to this, Lamb viewed ragtime as an art form written on paper, instead of a spontaneous one. Though his style and approach were markedly different from his peers, he still left behind a rich legacy and remained one of the most influential ragtime composers.
Lehar
Franz Lehar, 1870 to 1948 was the son of a bandmaster serving principally in Hungary. He followed his father’s profession, before winning, in 1902, success in the theatre in Vienna, where he succeeded in the following years in reviving the operetta, providing music of greater distinction, with tenor arias written specifically for Richard Tauber.
The reputation of Franz Lehar as a composer of operetta is assured as he wrote nearly forty of them. Of these by the far the best known is Die lustige Witwe (The Merry Widow), first staged in Vienna in 1905, the favourite operetta of Adolf Hitler.
Lennon
John Lennon, 1940 to 1980,was a pop star, composer, songwriter, and recording artist. He was born in Liverpool, Merseyside, NW England, UK. and was The Beatles rhythm guitarist, keyboard player, and vocalist, and a partner in the Lennon–McCartney song-writing team. He married Japanese artist Yoko Ono in 1969. On the birth of his son, Sean (born in 1975), he retired from music to become a house-husband. Five years later he recorded (Just Like) Starting Over, but he was shot and killed by a deranged fan just before its release. His death affected millions of people, record sales soared, and he continues to be admired by new generations of fans.
Lerner and Lowe
Alan Jay Lerner,
Playwright, born August 31, 1918, New York, New York; died June 14, 1986
Frederick Loewe,
Composer, born June 10, 1904, Vienna, Austria; died February 14, 1988
Frederick Loewe, an unheralded Vienna-born composer, and Alan Jay Lerner, the lyricist-playwright son of the proprietors of an American chain of women’s clothing shops, with sketches and lyrics for two Harvard Hasty Pudding shows among his major credits, met by chance at New York’s Lambs Club in 1942. Had they not, Brigadoon would never have emerged from the mists of the Scottish Highlands to make the world feel “Almost Like Being in Love” . . . no one would have been there to “Paint Your Wagon” . . . My Fair Lady would still be a less than lyrical English girl from George Bernard Shaw’s Pygmalion who couldn’t sing a note. . . we might never have thought to “Thank Heaven for Little Girls” like “Gigi” . . . and Camelot would most likely have stayed within the pages of Arthurian legend.
When the two, who were destined to enrich the American musical theater with some of its most poignant, rousing, and memorable lyrics, engaging books and powerful musical scores, had that chance meeting more than 50 years ago, neither was widely known. Loewe’s Great Lady had had a brief run on Broadway in 1938. Lerner had added radio scripts to his Hasty Pudding Club show credits. But later collaborations after one brief failure, What’s Up? (1943), and the moderately successful The Day Before Spring (1945), which ran five months on Broadway, made musical history.
Alan Jay Lerner was one of three sons of Joseph J. Lerner, who founded Lerner Stores, Inc. He was educated in England and at the Choate School in Wallingford, Connecticut, before entering Harvard. He studied at the Juilliard School of Music during vacations from Harvard. After graduating in 1940 with a B.S. degree, he wrote advertising copy and radio scripts for such programs as the “Philco Hall of Fame.”
Frederick “Fritz” Loewe was the son of Edmund Loewe, an eminent operetta tenor. When he was two, Frederick accompanied his father on a tour of the United States. The youngster played piano at four and, at nine, composed the tunes for a music hall sketch in which his father toured Europe. At 15, he wrote “Katrina,” a popular song that sold 3,000,000 copies in Europe. He had begun his own concert career as soloist with some of Europe’s leading symphony orchestras at the age of 13 after having studied with the noted European musician Ferruccio Busoni and Eugene d’Albert. In 1923, young Loewe was awarded the Hollander Medal in Berlin and studied composition and orchestration with Nickolaus von Reznicek.
The following year, the younger Loewe accompanied his father to America. Since neither a concert he gave at New York’s Town Hall, nor a subsequent week’s engagement at the Rivoli Theater led to further concert engagements, he tried teaching music and playing at Greenwich Village night clubs. When music failed to earn him a living, he worked as a busboy in a cafeteria and as a riding instructor at a New Hampshire resort. He took up flyweight boxing and failed, then went West, cowpunching, gold mining, and carrying mail on horseback over the Montana mountains before returning to New York where he found work as a piano player. In 1935, Loewe’s song “Love tiptoes Through My Heart” was accepted for the musical Petticoat Fever. His own musical, Salute to Spring, was presented in St. Louis in 1937. The next year, his Great Lady reached Broadway, but ran for only 20 performances.
The first Lerner-Loewe collaboration was a musical adaptation of Barry Connor’s farce The Patsy for a Detroit stock company in 1942. They called it Life of the Party and it enjoyed a nine-week hit that encouraged them to continue with the musical comedy What’s Up? which opened on Broadway in 1943. Lerner wrote the book and lyrics with Arthur Pierson, and Loewe composed the music. It ran for 63 performances and was followed in 1945 by their The Day Before Spring.
It was when the curtain went up to the haunted strains of bagpipes on the night of March 13, 1947, and the mist-shrouded Scottish Highland village of Brigadoon first appeared, that the team of Lerner and Loewe also emerged as potentially legendary. The musical, which after its original 581 performances on Broadway, toured extensively and has been revived frequently, won the “best musical”award from the New York Drama Critics Circle the year it opened and was hailed as having “evoked magic on Broadway.”
Between Brigadoon and Paint Your Wagon, the next team effort by Lerner and Loewe, Lerner wrote Love Life, with music by Kurt Weill, which was selected as one of the best plays of the 1948-49 Broadway season, plus the story, screenplay and lyrics for the films Royal Wedding and Brigadoon and the story and screenplay for An American in Paris, for which he won an Oscar in 1951.
Paint Your Wagon rolled in in 1951, and then, five years later, on March 15, 1956, My Fair Lady opened and became one of the most spectacular successes–artistic and financial–in the history of the American theater. Playing a record 2,717 performances on Broadway alone, it went on to break all other existing world records. This musicalization of Shaw’s classic Pygmalion was named “outstanding musical of the year” by the New York Drama Critics Circle–and by millions of theater goers.
Lerner and Loewe’s next collaboration was on the film adaptation of the Colette novel Gigi, another success filled with songs destined to become standard.
There was more collaborating to come–the film version of the Antoine de Saint-Exupery fable The Little Prince in 1972, but the 1960 Broadway hit Camelot which brought Arthurian England to life for its most shining hour, rang the curtain down on the phenomenon of Lerner and Loewe. Loewe, who had suffered a heart attack in 1958, went into retirement.
In tribute to his long time former partner, Lerner wrote, “There will never be another Fritz. . . . Writing will never again be as much fun . A collaboration as intense as ours inescapably had to be complex. But I loved him more than I understood or misunderstood him, and I know he loved me more than he understood or misunderstood me.”
Lewis
Jerry Lee Lewis (September 29, 1935 – October 28, 2022) was an American pianist, singer and songwriter. Nicknamed “The Killer”, he was described as “rock ‘n’ roll’s first great wild man”.
Liadov
Anatol Konstantinovich Liadov lived from 1855 until 1914. He was the son of a conductor at the Mariinsky Theatre in St Petersburg, and was trained at the Conservatory, where he was briefly a pupil of Rimsky-Korsakov and later a member of the teaching staff. He was associated with Balakirev and subsequently became a member of Belyayev’s circle, helping, in particular, in the establishment of the publishing-house that Belyayev established for Russian composers.
He was a thoroughly competent musician, conductor and composer, but did not apply himself constantly to work. His failure to supply music for the Dyagilev ballet in Paris in 1910 allowed Stravinsky his first chance with the Ballets russes. His compositions are characteristic of the period in Russian nationalism, when nationalism was joined with technical competence inculcated at the Conservatories.
The best known orchestral compositions by Liadov are the descriptive Russian fairy-tale pieces Kikimora, Baba-Yaga and Volshebnoye ozero (The Enchanted Lake). His last orchestral work was the symphonic poem Skorbnaya pesn. All are very much in the nationalist tradition exemplified by Rimsky-Korsakov.
Liadov wrote a number of shorter piano pieces, including Fugues and a set of Canons, testimony to his contrapuntal ability. Other pieces have characteristic titles, examples of pleasing and well crafted compositions for which there was a ready market.
Liadov wrote a setting of the final scene of Schiller’s Die Braut von Messina (The Bride from Messina) for his Conservatory graduation. Of some 26 songs, eighteen are Children’s Songs.
Liberace
(Walter) (Wladziu Valentino) Liberace, American pianist and showman. Lee, as he was known, was the master of Las Vegas. Hundreds of thousands flock to his museum there (operated by his brother, George) to see Liberace’s garish suits, trademark candelabra, and learn of the myths behind this hugely successful star of television, stage and concerts the world over.
Ligeti
György Ligeti, a composer, was born in 1923 in Transylvania. He studied and later taught at the Budapest Academy of Music. After leaving Hungary in 1956, he worked at the electronics studio in Cologne, then settled in Vienna, where he developed an experimental approach to composition. His first large orchestral work, Apparitions (1958–9), made his name widely known. In Aventures (1962) he uses his own invented language of speech sounds. He has also written a choral requiem, a cello concerto, and music for harpsichord, organ, and wind and string ensembles.
Lipatti
Dinu Lipatti was born in Bucharest and lived from 1917 until 1950. He was a pianist and composer who studied in Paris with Cortot and Boulanger, and after World War 2 established an international reputation as a gifted pianist, especially in the works of Chopin. His compositions include a Symphonie concertante for two pianos and strings, and a concertino for piano and orchestra. His career was cut short when he died of a rare form of cancer.
Liszt
Franz Liszt was born in Raiding, near Doborján, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.
Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccolò Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling scales, trills, arpeggios, leaps, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.
Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.
Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Pruludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvořák, Sibelius, and Richard Strauss.
Lloyd Webber
British composer Andrew Lloyd Webber is one of the most successful composers of this era with hugely successful commercial hits such as Jesus Christ Superstar, Sunset Boulevard, Cats, Phantom of the Opera and Evita. Cats, the longest-running production in Broadway history, closed after 7,397 performances on June 25, 2000.
Locatelli
Pietro Antonio Locatelli lived from 1695 until 1764. He was born in Bergamo, later moving to Rome, where he might have studied with Corelli, but more probably was a pupil of Valentini. He was an Italian composer of sonatas and concerti, but he was best known as a virtuoso violinist playing mostly in Amsterdam where he settled in 1721. He won a reputation as a virtuoso, performing in Italy, in Bavaria and in Berlin. In 1729 he settled in Amsterdam, where he taught and conducted an amateur orchestra and was able to pursue his wider cultural interests.
Locatelli wrote a number of concerti grossi, following the example of Corelli. The first set, published in Amsterdam in 1720, include twelve fugues. L’arte del violino (The Art of the Violin), published in 1733, contains twelve violin concertos and 24 Caprices, precursors of Paganini’s famous set for unaccompanied violin. A further set of six concertos was published two years later and a set of six, published in 1744, is scored for four violins, two violas and basso continuo. Locatelli combines the Roman style of Corelli with, in his solo concertos, the virtuosity of Vivaldi in Venice.
In his Concerti grossi, works for string orchestra with a smaller group of soloists, Locatelli at first follows the pattern of Corelli, with one or two violas added to Corelli’s solo group of two violins, cello and harpsichord. There is also a Concerto grosso that includes a group of solo wind instruments, in addition to solo violin concertos. Some of these works have programmatic titles. His L’arte del violino (The Art of the Violin) includes 24 Caprices for unaccompanied violin, challenging works that have been regarded by some as foreshadowing the Caprices of Paganini in the following century. Locatelli also published sets of trio sonatas and solo sonatas, including a set of the latter for flute and basso continuo.
Loewe
Frederick “Fritz” Loewe lived from 1904 until 1988. He was a composer, born in Vienna, Austria and at age 13 he was the youngest pianist to solo with the Berlin Symphony. At age 15 he composed Katrina (1919), which sold two million copies of sheet music in Europe. Although he had studied with great European masters of the piano, when he came to the U.S.A. in 1924 he failed as a piano virtuoso. He took up a series of odd jobs–prospecting for gold, professional boxing–but by the mid-1930s he had launched his career as a composer for the musical theater. Not until he teamed up with lyricist Alan Jay Lerner in 1942, however, did he find his true talent; their first big success was Brigadoon (1947) and this was followed by such classic stage and film musical scores as My Fair Lady (1956), Gigi (1958), and Camelot (1960). This last led to their falling-out and they did not collaborate again until in 1973 when they made a stage version of their film musical, Gigi. Their last collaboration was The Little Prince (1974), after which Loewe retired.
If ever I would leave you from Camelot won him a Grammy Award.
Lully
Jean Baptiste Lully lived from about 1632 until 1687 and was considered to be a baroque composer. He was an Italian-born French court composer who molded Italian opera music to suit the French text. He was the first to compose French overtures, which served as model for subsequent composers, especially J. S. Bach. He changed his name from the Italian Giovanni Battista Lulli when he became a French citizen.
Lully was conducting a Te Deum to celebrate Louis XIV’s recovery from illness. He was banging loudly on the floor with a staff when he struck his foot with such force that it developed an abscess, from which the unfortunate Lully died shortly after.
Lunceford
James Melvin Lunceford was born. June 6, 1902, Fulton, Miss., U.S. and died on July 12, 1947, Seaside, Ore. He was an American jazz dance-band leader whose rhythmically appealing, well-disciplined orchestra performed arrangements by trumpeter Sy Oliver and others to popular acclaim from 1934 to 1945 and influenced both swing and post-World War II dance bands.
Lunceford, during his youth, acquired proficiency on all reed instruments, but he seldom played with his band because he preferred to conduct. He taught and organized a student orchestra in a Memphis, Tenn., high school before beginning his professional career as a bandleader in 1929. Practiced showmanship, precise ensembles, and a medium two-beat swing tempo rather than exciting soloists were the Lunceford band’s trademarks. The band’s most popular songs included Organ Grinder’s Swing (1936) and For Dancers Only (1937). The Lunceford band was considered to be on a par with bands led by Duke Ellington, Count Basie, and Benny Goodman during the 1930s, and in 1940 the ensemble won a celebrated “battle of the bands” from a field of 28 groups, among them Basie’s, Goodman’s, and Glenn Miller‘s. Arranger Oliver left Lunceford in 1939, and by 1942 the band’s popularity had declined. Following Lunceford’s death while on tour, pianist Edwin Wilcox and saxophonist Joe Thomas led the band for several years.
Lutoslawski
Witold Lutoslawski lived from 1913 until 1994. He was born and studied in Warsaw, winning a distinguished international reputation particularly from the 1950s onwards, a leading composer among a group of creative artists of outstanding ability, remarkable in his handling of forms and textures of great originality.
The genius of Lutoslawski was early evident in his 1938 Symphonic Variations. The years after the war brought a return to more conventional national modes of composition, heard in his Little Suite and Concerto for Orchestra. Later works have allowed a more experimental approach on a broader palette, to be heard in his Funeral Music of 1958, his Second Symphony and the Prelude and Fugue for thirteen string instruments.
Characteristic works for voice and orchestra include Paroles tissées for tenor and chamber orchestra, and Three Poems by Henri Michaux for twenty voices and orchestra.
Since we had the Bridal Chorus a couple days ago, it’s time to march the bride and groom back up the aisle with the Wedding March by Felix Mendelssohn.
This Wedding March comes from Mendelssohn’s incidental music to A Midsummer Night’s Dream. It became customary to play this at marriage ceremonies from about the mid 19th Century, and particularly after the daughter (also called Victoria) of Queen Victoria chose the piece for her own wedding in 1858.
Notice all the triplets (3)! If you don’t know what they are, be sure to ask at your next lesson.
Find this in Movement 2 and Piano Maestro.
Franz Liszt and Vladimir Horowitz added some variations
National Donald Duck Day is observed annually on June 9th. This day commemorates the birthday of the funny animal cartoon character, Donald Duck. Donald made his first screen debut on June 9, 1934, in The Wise Little Hen.
• 1361 ~ Philippe de Vitry, French Composer and poet, died at the age of at 69
• 1656 ~ Thomas Tomkins, Composer, died
• 1717 ~ Louis Le Quointe, Composer, died at the age of 64
• 1810 ~ (Carl) Otto (Ehrenfried) Nicolai, Composer
More information about Nicolai
• 1828 ~ Carlo Marsili, Composer
• 1829 ~ Gaetano Braga, Composer
• 1832 ~ Manuel Garcia, Composer, died at the age of 57
• 1849 ~ Joseph Vezina, Composer
• 1849 ~ The term recital used for the first time to describe a solo performance by an instrumental player. The first recitalist was Franz Liszt
• 1865 ~ Carl Nielsen, Danish composer and conductor
More information about Nielsen
• 1865 ~ Alberic Magnard, Composer
• 1870 ~ Erik Drake, Composer, died at the age of 82
• 1879 ~ Oscar Back, Austrian-Dutch viola player
• 1886 ~ Kusaku Yamada, Composer
• 1888 ~ Hugo Kauder, Composer
• 1890 ~ The opera “Robin Hood” premiered in Chicago
• 1891 ~ Cole Porter, American composer and lyricist for the musical theater. His many famous musicals include “Anything Goes”, “Kiss Me Kate” and “Can Can”.
More information about Porter
• 1892 ~ Friedrich Wilhelm Langhans, Composer, died at the age of 59
• 1900 ~ Fred Waring, Musician, conductor and inventor of the Waring Blender
• 1972 ~ Bruce Springsteen signed a record deal with Columbia
• 1975 ~ David Frederick Barlow, Composer, died at the age of 48
• 1975 ~ Tony Orlando and Dawn received gold record for He Don’t Love You
• 1980 ~ Fourteenth Music City News Country Awards, Statler Brothers & Loretta Lynn
• 1984 ~ Cyndi Lauper’s first #1 Time After Times
• 1986 ~ Twentieth Music City News Country Awards, Statler Brothers & Loretta Lynn
• 1990 ~ Michael Jackson was hospitalized with inflamed rib cartilage
• 1991 ~ Claudio Arrau, Chilian/American pianist and composer, died at the age of 88
• 1991 ~ Bruce Springsteen wed his backup singer Patty Scialfa
• 1991 ~ Max van Praag, Dutch singer, died at the age of 77
• 1992 ~ Clarence Miller, Blues/jazz vocalist, died at the age of 69 of a heart attack
• 1993 ~ Arthur Alexander, Singer/songwriter, died at the age of 53
• 1995 ~ Frank Chacksfield, Conductor/arranger, died at the age of 81
• 2000 ~ Jazz bassist Burgher “Buddy” Jones, who played in big bands behind Peggy Lee and Frank Sinatra and toured with Harry James and Tommy Dorsey, died at the age of 76.
A native of Hope, Ark., Jones was a childhood friend of the late Virginia Kelley, mother of President Clinton. At 17, Jones went to the University of Kansas City, where he met and befriended saxophonist Charlie Parker. Jones later introduced Parker to his wife, Chan. Jones played in the Elliot Lawrence band, when its arrangers included Al Cohn, Tiny Kahn and Johnny Mandel. As a staff musician for CBS in New York in the 1950s and 1960s,
Jones played for the Jack Sterling radio show and in bands behind Lee and Sinatra. In 1996, Jones was inducted into the Arkansas Jazz Hall of Fame.
• 2020 ~ Bonnie Pointer, who rose to fame as a member of the Pointer Sisters, died at age 69.
Happy Birthday is a song that I like to have each of my students learn at various levels appropriate to their level. When a friend or family member has a birthday, it’s great to be able to sit down and play.
It’s only been fairly recently that piano students could have this music in their books.
“Happy Birthday to You”, more commonly known as simply “Happy Birthday”, is a song that is traditionally sung to celebrate the anniversary of a person’s birth. According to the 1998 Guinness World Records, “Happy Birthday to You” is the most recognized song in the English language, followed by “For He’s a Jolly Good Fellow”.
The melody, or part you sing, of “Happy Birthday to You” comes from the song “Good Morning to All”, which has traditionally been attributed to American sisters Patty and Mildred J. Hill in 1893, although the claim that the sisters composed the tune is disputed.
Patty Hill was a kindergarten principal and her sister Mildred was a pianist and composer. The sisters used “Good Morning to All” as a song that young children would find easy to sing. The combination of melody and lyrics in “Happy Birthday to You” first appeared in print in 1912, and probably existed even earlier.
“Happy Birthday” in the style of Bach, Mozart, Beethoven, Mendelssohn, Chopin, Liszt, Dvorak, and Stravinsky. Find the melody!
Lots of legal stuff below which you can skip…
None of the early appearances of the “Happy Birthday to You” lyrics included credits or copyright notices. The Summy Company registered a copyright in 1935, crediting authors Preston Ware Orem and Mrs. R. R. Forman. In 1988, Warner/Chappell Music purchased the company owning the copyright for US$25 million, with the value of “Happy Birthday” estimated at US$5 million. Based on the 1935 copyright registration, Warner claimed that the United States copyright will not expire until 2030, and that unauthorized public performances of the song are illegal unless royalties are paid to Warner. In one specific instance in February 2010, these royalties were said to amount to US$700. By one estimate, the song is the highest-earning single song in history, with estimated earnings since its creation of US$50 million.In the European Union, the copyright for the song expired on January 1, 2017.
The American copyright status of “Happy Birthday to You” began to draw more attention with the passage of the Sonny Bono Copyright Term Extension Act in 1998. When the U.S. Supreme Court upheld the Act in Eldred v. Ashcroft in 2003, Associate Justice Stephen Breyer specifically mentioned “Happy Birthday to You” in his dissenting opinion. American law professor Robert Brauneis, who extensively researched the song, concluded in 2010 that “It is almost certainly no longer under copyright.”
In 2013, based in large part on Brauneis’s research, Good Morning to You Productions, a company producing a documentary about “Good Morning to All”, sued Warner/Chappell for falsely claiming copyright to the song. In September 2015, a federal judge declared that the Warner/Chappell copyright claim was invalid, ruling that the copyright registration applied only to a specific piano arrangement of the song, and not to its lyrics and melody.
In 2016, Warner/Chappell settled for US $14 million, and the court declared that “Happy Birthday to You” was in the public domain.
Legal stuff is finished and people can now sing and play “Happy Birthday to You” whenever and wherever they want.
One of my all-time versions of Happy Birthday, in duet form – and I have the music if you want to tackle it.
. 1687 ~ Jean-Baptiste Lully, French composer, died. He was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French baroque style.
. 1840 ~ Clara Wieck wrote a letter dated today to Robert Schumann. Part of it said: “When I heard Liszt for the first time…I was overwhelmed and sobbed aloud, it so shook me.”
. 1842 ~ Carl August Nicolas Rosa, German violinist and composer. In 1873 he founded the Carl Rosa Opera Company.
. 1865 ~ Theophile Ysaye, Belgian composer and pianist
. 1911 ~ Herman Jadlowker became the first opera singer to perform two major roles in the same day at the Metropolitan Opera House in New York City.
. 1920 ~ Fanny Waterman, DBE is a piano teacher and the founder, Chairman and Artistic Director of the Leeds International Pianoforte Competition. She is also president of the Harrogate International Music Festival.
. 1925 ~ The first Japanese radio station, Tokyo Shibaura, began broadcasting.
. 1930 ~ Stephen Sondheim, American composer and lyricist of musicals
More information about Sondheim
. 1936 ~ Glen Campbell, Singer and studio guitarist
. 1937 ~ Johnny Ferguson, Singer
. 1943 ~ Keith Relf, Recording artist of The Yardbirds
. 1943 ~ George Benson, American jazz and pop guitarist and singer
. 1944 ~ Jeremy Clyde, Singer with Chad & Jeremy
. 1947 ~ Harry Vanda, Guitarist with The Easybeats
. 1948 ~ Andrew Lloyd Webber, British composer
More information about Lloyd Webber
. 1948 ~ Randy Hobbs, Bass with The McCoys
. 1948 ~ The Voice of Firestone was the first commercial radio program to be carried simultaneously on both AM and FM radio stations.
. 1956 ~ Sammy Davis, Jr. starred in the play, Mr. Wonderful, in New York City. The critics were unkind, saying that they didn’t care for the production. Audiences, however, gave it ‘thumbs up’ and the show went on to be one of Broadway’s more popular musicals — catapulting Davis into the limelight. His father had already launched him into the vaudeville spotlight when Sammy was just three years old. By the time he was Mr. Wonderful, Sammy Davis, Jr. had played vaudeville and the nightclub circuit singing and dancing his way to the top over a twenty-eight-year period. He entertained us for sixty-two years!
. 1956 ~ Perry Como became the first major TV variety-show host to book a rock and roll act on his program. The ‘Incomparable Mr. C.’ booked Carl Perkins for the show and Perkins sang Blue Suede Shoes. 1962 ~ The play, I Can Get It For You Wholesale, opened on Broadway. It featured a 19-year-old named Barbra Streisand. She stopped the show at the famed Shubert Theatre in New York City. Streisand starred as Miss Marmelstein. Audiences kept coming back for more of Barbra for 300 performances.
. 1980 ~ The first CD (compact disc) was put on sale by RCA. The first major artist to have his entire catalog converted to CD was David Bowie, whose 15 studio albums were made available by RCA Records in February 1985, along with four greatest hits albums.
. 1980 ~ Pink Floyd started a 4-week run in the #1 slot on the pop charts with their smash, Another Brick in the Wall. When the boys popped open their gold record and threw it on the stereo, they heard Flowers on the Wall by the Statler Brothers.
. 2015 ~ Norman O. Scribner, founder and artistic director of the Choral Arts Society of Washington, one of the region’s preeminent symphonic choirs, died
. 1714 ~ Carl Phillip Emanuel (C.P.E.) Bach, German composer
More information on C. P. E. Bach
. 1857 ~ Ruggero Leoncavallo, Italian composer
More information about Leoncavallo
. 1866 ~ “It is possible to be as much of a musician as Saint-Saëns; it is impossible to be more of one!” ~ Franz Liszt on meeting fellow composer Camille Saint-Saëns in Paris.
. 1869 ~ Hector Berlioz, French composer (Symphony Fantastic), died at the age of 65
. 1889 ~ John Thompson, Piano educator
. 1911 ~ Alan Hovhaness, American composer
More information about Hovhaness
. 1922 ~ Cyd Charisse, Dancer
. 1927 ~ Dick Hyman, Pianist and music director for Arthur Godfrey
. 1961 ~ Conductor, Sir Thomas Beecham died at the age of 81.
. 1962 ~ The Beatles performed for the first time on the BBC in Great Britain. John, Paul, George and … Pete Best sang Dream Baby on the show, “Teenager’s Turn” on ‘Auntie Beeb’ (as the BBC was known).
. 1993 ~ Billy Eckstine, jazz singer (Fools Rush In), died at the age of 78 of stroke
. 1983 ~ William T Walton, English composer (Belhazzar’s feast), died at the age of 80
. 2001 ~ Ballet Legend Dame Ninette De Valois died at the age of 102. She was the founder of Britain’s Royal Ballet who launched dancer Margot Fonteyn on the road to stardom. De Valois, a strict and demanding disciplinarian with her pupils, was a gifted and theatrical choreographer who almost single-handedly put British ballet on the international stage. The doyenne of dance helped to nurture the talents of unknowns like Fonteyn and courted controversy in the 1960’s at the height of the Cold War when she invited Russian dancer Rudolph Nureyev to appear with her company. De Valois always gave credit to Russian impresario Sergei Diaghilev for teaching her all she knew. “Everything,” she once said of the Ballet Russe legend. “Diaghilev just managed the whole company. He knew all about the different teachers. He knew the types of teachers he wanted, he knew the type of ballet he wanted. He was a musician.” Born Edris Stannus in 1898 in the Irish county of Wicklow, she graduated from Irish jig to the ballet, worked with the writer W.B. Yeats at Dublin’s Abbey Theater and then, almost single-handedly, brought ballet to the fore in Britain. The famed diva, who adopted her professional name from an ancestor who had married into a French family, was first inspired at the age of 11 when she watched Anna Pavlova dancing The Dying Swan. In 1923, she joined Diaghilev’s troupe in Monte Carlo and began to lay the foundations of her own ballet empire. She gave up dancing herself after discovering that she had been suffering for years from polio. “It was no tragedy. I wasn’t that great,” she once said. In 1926, she opened her own ballet school in London. From the tiniest beginnings, she built up the Sadlers Wells Ballet in less than a decade. At the end of World War II, the company moved triumphantly into the Royal Opera House. A ballet dynasty was born. De Valois retired in 1963 but remained intimately involved in the ballet school, forever the sharp-tongued martinet who could strike terror in tomorrow’s ballet hopefuls.
. 2001 ~ Maude Rutherford, a singer and dancer in the glory days of black theater during the 1920s, died. She was believed to have been 104. Rutherford was billed as the Slim Princess when she worked with entertainers such as Fats Waller, Josephine Baker and Pearl Bailey. She was a featured performer and favorite at Harlem’s Cotton Club. Rutherford’s theater credits include: “Dixie to Broadway,” (1924), “Chocolate Sandals,” (1927), and “Keep Shufflin”‘ (1928). She retired from show business in 1950 and worked as a switchboard operator at an Atlantic City hotel.
. 2003 ~ Adam Faith, a square-jawed British singer who was briefly a Cockney challenger to Elvis Presley’s rock ‘n’ roll crown, died of a heart attack. He was 62. Born Terry Nelhams in west London in 1940, Faith was a handsome teenager who was playing with a skiffle music group – a mixture of jug band, acoustic, folk, blues and country and western styles – when he was spotted by producers of a British Broadcasting Corp. music program. Adopting the stage name Adam Faith, he became – alongside Cliff Richard, Tommy Steele and Billy Fury – a pop star of the pre-Beatles era. Developing a hiccuping delivery reminiscent of Buddy Holly, Faith had more than 20 British hits, including the chart-topping What Do You Want? and Poor Me. Faith also was a versatile actor, appearing in films like Beat Girl,Mix Me A Person and 1975’s Stardust opposite David Essex. In the 1970s he played a Cockney ex-con in the TV series Budgie.
. 2015 ~ Lew Soloff, American jazz trumpeter (Blood, Sweat and Tears), died at the age of 71
. 1809 ~ Johann Georg Albrechtsberger passed away. He was was an Austrian musician.
. 1824 ~ “I am convinced that the soul and spirit of Mozart have passed into the body of young Liszt” ~ Review of a concert given on this day by Franz List in Paris.
. 1875 ~ Maurice Ravel, French composer
More information on Ravel
. 1907 ~ Victor Alphonse Duvernoy, French piano virtuoso, composer and professor of piano at the Conservatoire de Paris, died at the age of 64
. 1917 ~ In the United States, RCA released the first jazz record ever: The Dixie Jazz Band One Step by Nick LaRocca’s Original Dixieland Jazz Band.
. 1917 ~ Robert Erickson, American composer
. 1939 ~ Guy Lombardo and his Royal Canadians recorded one of the most popular songs of the century. The standard, “Auld Lang Syne”, was recorded for Decca Records.
. 1955 ~ “Peter Pan”, with Mary Martin as Peter and Cyril Richard as Captain Hook, was presented as a television special for the first time.
. 1969 ~ The Apollo astronauts began this day of their space voyage by singing Happy Birthday.
. 1985 ~ The song We Are the World, from the album of the same name, was played on the radio for the first time. Forty-five of pop music’s top stars gathered together to combine their talents to record the music of Lionel Richie and Michael Jackson. Richie and Jackson sang, too, while Quincy Jones did the producing of the USA for Africa record. The proceeds of the multimillion-selling recording went to aid African famine victims. The project, coordinated by Ken Kragen, was deemed a huge success.
. 2001 ~ Frankie Carle, a big-band leader best known for Sunrise Serenade, at the age of 97. Carle, who died in Mesa, Ariz., reached the high point of his popularity during World War II, when he was the focus of a bidding war among bands. His repertory was wide, ranging from classics like a revival of Stephen Foster’sSwanee River, to a World War II release that anticipated the Allied victory called I’m Going to See My Baby. Although Carle’s music did not rank high on record industry charts after the 1940s, he still toured and played concerts into the 1980s, some 70 years after he began his musical career.
. 2015 ~ Steve Zegree died. He was a legendary jazz educator and former Western Michigan University Gold Company director.
1791 ~ Carl Czerny, Austrian pianist and composer whose vast musical production amounted to over a thousand works.
His books of studies for the piano are still widely used in piano teaching.
More information on Czerny
Czerny is in the center top of this image. He influenced many!
At the age of fifteen, Czerny began a very successful teaching career. Basing his method on the teaching of Beethoven and Muzio Clementi, Czerny taught up to twelve lessons a day in the homes of Viennese nobility.
His ‘star’ pupils included Theodor Döhler, Stephen Heller, Sigismond Thalberg, Leopoldine Blahetka and Ninette de Belleville.In 1819, the father of Franz Liszt brought his son to Czerny.
Liszt became Czerny’s most famous pupil. He trained the child with the works of Beethoven, Clementi, Ignaz Moscheles and Johann Sebastian Bach. The Liszt family lived in the same street in Vienna as Czerny, who was so impressed by the boy that he taught him free of charge. Liszt was later to repay this confidence by introducing the music of Czerny at many of his Paris recitals.
Shortly before Liszt’s Vienna concert of 13 April 1823 (his final concert of that season), Czerny arranged, with some difficulty (as Beethoven increasingly disliked child prodigies) the introduction of Liszt to Beethoven. Beethoven was sufficiently impressed with the young Liszt to give him a kiss on the forehead. Liszt remained close to Czerny, and in 1852 his Études d’exécution transcendente (Transcendental Études) were published with a dedication to Czerny.
1829 ~ Louis Moreau Gottschalk, American pianist and composer
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