Tag Archives: Christmas

Christmas Countdown: Good King Wenceslas

Posted by MaryO on

Good King Wenceslas

“Good King Wenceslas,” a beloved Christmas carol, weaves a tale of kindness, courage, and humanity against a backdrop of a harsh winter. The carol narrates the story of a noble king, Wenceslas, who sets out to help a poor peasant on the Feast of Stephen, braving the biting cold of a deep winter. The song captures the essence of selflessness, as King Wenceslas leads his page through the snowy terrain, his footprints providing a path and hope in the frigid weather. This inspiring narrative is drawn from the life of the real Saint Wenceslaus I, Duke of Bohemia, a figure known for his extraordinary kindness and revered in Czech history as Svatý Václav.

In 1853, the carol was given its poetic form by the English hymn writer John Mason Neale, with musical contributions from his editor, Thomas Helmore. It first appeared in “Carols for Christmas-Tide,” capturing the hearts of many. Neale’s lyrical adaptation was ingeniously set to the melody of a 13th-century spring carol, “Tempus adest floridum” (“The time is near for flowering”), which had been included in the 1582 Finnish collection “Piae Cantiones.”

“Good King Wenceslas” stands out not just as a carol but as a narrative that encapsulates the spirit of giving and the warmth of human kindness, resonating with the message of Christmas. The melody, rooted in history, and the lyrics, brimming with compassion, come together to form a timeless Christmas anthem that continues to inspire and uplift.

Good King Wenceslas looked out
On the feast of Stephen
When the snow lay round about
Deep and crisp and even
Brightly shone the moon that night
Though the frost was cruel
When a poor man came in sight
Gath’ring winter fuel

“Hither, page, and stand by me
If thou know’st it, telling
Yonder peasant, who is he?
Where and what his dwelling?”
“Sire, he lives a good league hence
Underneath the mountain
Right against the forest fence
By Saint Agnes’ fountain.”

“Bring me flesh and bring me wine
Bring me pine logs hither
Thou and I will see him dine
When we bear him thither.”
Page and monarch forth they went
Forth they went together
Through the rude wind’s wild lament
And the bitter weather

“Sire, the night is darker now
And the wind blows stronger
Fails my heart, I know not how,
I can go no longer.”
“Mark my foteps, my good page
Tread thou in them boldly
Thou shalt find the winter’s rage
Freeze thy blood less coldly.”

In his master’s steps he trod
Where the snow lay dinted
Heat was in the very sod
Which the Saint had printed
Therefore, Christian men, be sure
Wealth or rank possessing
Ye who now will bless the poor
Shall yourselves find blessing

A traditional choir:

Jane Seymour and the Mormon Tabernacle Choir:

The Mannheim Steamroller version:

Christmas Countdown: We Three Kings

Posted by MaryO on

we-three

“We Three Kings”, also known as “We Three Kings of Orient Are” or “The Quest of the Magi”, is a Christmas carol written by the Reverend John Henry Hopkins, Jr., who wrote both the lyrics and the music.

we-three-sheet-white

 

We three kings of Orient are
Bearing gifts we traverse afar
Field and fountain, moor and mountain
Following yonder star

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to thy Perfect Light

Born a King on Bethlehem’s plain
Gold I bring to crown Him again
King forever, ceasing never
Over us all to reign

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

Frankincense to offer have I
Incense owns a Deity nigh
Prayer and praising, all men raising
Worship Him, God most high

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

Myrrh is mine, its bitter perfume
Breathes of life of gathering gloom
Sorrowing, sighing, bleeding, dying
Sealed in the stone-cold tomb

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

Glorious now behold Him arise
King and God and Sacrifice
Alleluia, Alleluia
Earth to heav’n replies

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

From Mannheim Steamroller, Chip Davis gives this song an “Arabian Nights” feel. A classic song that tells the story of the Gentiles who were quicker to recognize the significance of Christ’s birth than were His own people. Enjoy, and Merry Christmas!

Christmas Countdown: The First Noel

Posted by MaryO on

first-noel

“The First Nowell,” also known as “The First Noël,” is a carol steeped in the rich tapestry of English musical tradition, a gem that has been passed down through the ages, possibly originating as far back as the 18th century, or even earlier. This carol is not just a song; it’s a historical artifact, echoing the voices and sentiments of generations past.
The title “Nowell” is derived from the French word “Noël,” meaning “Christmas,” which in turn traces its roots back to the Latin “natalis,” signifying “birthday.” This linguistic journey across cultures and times adds a layer of depth to the carol, connecting it to the universal celebration of Christmas and the joy of birth and renewal.
What sets “The First Nowell” apart in the realm of English folk music is its unique melodic structure. It is built on a captivatingly simple yet profound musical pattern: one melodic phrase, so pure and resonant, repeated twice, followed by a reflective refrain. This refrain is not just a repetition but a subtle variation, a creative twist on the original theme. Remarkably, all three phrases culminate on the third of the scale, a musical choice that lends the carol a sense of completion and emotional fulfillment.
This carol is not just a melody but a journey through musical creativity, where simplicity and repetition weave a spell of enchantment. It’s a testament to the timeless beauty of folk music, where less is often more, and where the power of a melody can resonate through centuries, bringing the spirit of Christmas alive in the hearts of all who hear it. “The First Nowell” is not just sung; it is felt and experienced, a classic embodiment of the Christmas spirit.

The first Noel the angel did say
Was to certain poor shepherds in fields as they lay;
In fields where they lay tending their sheep,
On a cold winter’s night that was so deep.

Refrain

Noel, Noel, Noel, Noel,
Born is the King of Israel.

They lookèd up and saw a star
Shining in the east, beyond them far;
And to the earth it gave great light,
And so it continued both day and night.

Refrain

And by the light of that same star
Three Wise Men came from country far;
To seek for a King was their intent,
And to follow the star wherever it went.

Refrain

This star drew nigh to the northwest,
Over Bethlehem it took its rest;
And there it did both stop and stay,
Right over the place where Jesus lay.

Refrain

Then did they know assuredly
Within that house the King did lie;
One entered it them for to see,
And found the Babe in poverty.

Refrain

Then entered in those Wise Men three,
Full reverently upon the knee,
And offered there, in His presence,
Their gold and myrrh and frankincense.

Refrain

Between an ox stall and an ass,
This Child truly there He was;
For want of clothing they did Him lay
All in a manger, among the hay.

Refrain

Then let us all with one accord
Sing praises to our heavenly Lord;
That hath made Heaven and earth of naught,
And with His blood mankind hath bought.

Refrain

If we in our time shall do well,
We shall be free from death and hell;
For God hath prepared for us all
A resting place in general.

Refrain

first-noel-sheet-white

 

On the first Sunday of Advent, December 3, 2023, Pender’s Carillon Ringers  presented “The First Noel” as the Prelude. This rendition of the beloved Christmas carol offers a magical and ethereal experience, prioritizing musical expression over technical complexity. The result is an elegant, moving, and beautifully crafted piece.
Our arrangement arranged was by arr. Sandra Eithun and introduced a simple yet captivating rhythmic motif with  chimes, which resonate throughout the piece, breathing new life into this timeless standard.
“The First Noel” is a cherished holiday carol, hailing from 19th-century Boston, Massachusetts. Traditionally played in churches and festive gatherings during the Christmas season, the song narrates the story of ringing bells to herald the birth of Jesus Christ. Known for inducing feelings of joy, excitement, and embodying the Christmas spirit, “The First Noel” is set in the key of D major and is typically performed at a fast tempo.

 

The University of Utah Singers performed “The First Noel” arr. by Dan Forrest live in concert, December 11th & 12th, 2009 in Libby Gardner concert hall under the direction of Dr. Brady Allred.

Christmas Countdown: O Little Town Of Bethlehem

Posted by MaryO on

 

O Little Town Of Bethlehem

“O Little Town of Bethlehem,” a beloved Christmas carol, resonates with the enchantment and wonder of the festive season. Its creation is a tale of inspiration and artistic collaboration between two remarkable individuals. The carol’s evocative lyrics were penned by the talented Phillips Brooks (1835–1893), an esteemed Episcopal priest and Rector of the Church of the Holy Trinity in Philadelphia. Brooks’ inspiration for this timeless piece stemmed from his profound experience during a visit to the historic and spiritually significant Palestinian city of Bethlehem in 1865.
Three years after his transformative journey, in a burst of creative inspiration, Brooks composed the poem for his congregation. In a splendid collaboration, his organist, Lewis Redner, lent his musical genius to the project, composing a simple yet profoundly moving melody. Named “St. Louis,” this tune has since become synonymous with the carol in the United States, evoking the spirit of Christmas in the hearts of millions.
Together, Brooks’ poignant words and Redner’s melodious tune have created more than just a carol; they have crafted a cherished musical tradition that continues to illuminate the beauty and significance of Christmas, bringing the story of Bethlehem closer to hearts around the world. This carol is not just a song; it’s a journey through time and tradition, echoing the sacred and joyful sentiments of the holiday season.

The Mormon Tabernacle Choir sings O Little Town Of Bethlehem

 

Christmas Countdown: The Alfred Burt Carols

Posted by MaryO on

Alfred Burt Carols

 

I could have turned the Alfred Burt Carols into the next 15 parts of this series but I decided that was a bit too easy on me!

I love this story – it’s a wonderful family tradition from the Burt family.

Starting in 1922, Alfred Burt’s father created a Christmas card for family members and parishioners. On these cards were original Christmas carols, with both the words and music by the Reverend Bates Burt. For the family Christmas card in 1942, Bates asked his son to write the music for that year’s carol, “Christmas Cometh Caroling.”

From then on, Alfred would write the music for the family’s Christmas cards, and the “Alfred Burt carols” were born.

Over the next several years, and as the Burts’ circle of friends grew, the Christmas card list grew from 50 to 450 people. But still, the Alfred Burt Carols remained unknown outside the Burts’ growing mailing list.

That changed with the 1952 carol, “Come, Dear Children”. Burt finished writing the music during a rehearsal with the Blue Reys, the vocal group with Alvino Rey’s orchestra. He asked them to sing it so he could make sure the harmonies worked; they liked it so much that they asked Burt if they could sing it at the annual King Sisters Christmas party. It proved to be a hit among the partygoers, and served to introduce Burt’s carols to Hollywood, California.

More about the Burt family and the Christmas Carol tradition: http://www.alfredburtcarols.com/

Alfred Burt’s Carols:

  1. “Christmas Cometh Caroling” (1942)
  2. “Jesu Parvule” (1943)
  3. “What Are the Signs” (1944)
  4. “Ah, Bleak and Chill the Wintry Wind” (1945)
  5. “All on A Christmas Morning” (1946)
  6. “Nigh Bethlehem” (1947)
  7. “Christ in the Stranger’s Guise” (1948)
  8. “Sleep Baby Mine” (1949)
  9. “This Is Christmas” (also known as “Bright, Bright, the Holly Berries”) (1950)
  10. “Some Children See Him” (1951)
  11. “Come, Dear Children” (1952)
  12. “O, Hearken Ye” (1953)
  13. “Caroling Caroling” (1954)
  14. “We’ll Dress the House” (1954)
  15. “The Star Carol” (1954)

Burt finished the last of his carols, “The Star Carol”, on February 5, 1954. He died less than 24 hours later, at the age of 33.

One of the best known of these today is Caroling Caroling (lyrics by the church organist at his father’s church, Wihla Hutson)

Caroling Caroling

The Salt Lake Vocal Artists perform 2 carols; “Caroling, Caroling” and “We’ll Dress the House” by Alfred Burt live in concert on December 17, 2011 in Holy Family Catholic Church, South Ogden, Utah under the direction of Dr. Brady Allred.

What’s your Christmas tradition?

Christmas Countdown: Still, Still, Still

Posted by MaryO on

Still, Still, Still

Still, Still, Still is an Austrian Christmas carol and lullaby. In German its first line is “Still, still, still, weil’s Kindlein schlafen will!” (Hush, hush, hush, for the little child wants to sleep!)

The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum; it has changed slightly over the years but remains attributed to G. Götsch.

The words, which run to six verses in German, describe the peace of the infant Jesus and his mother as they sleep. There are various English translations.  This is one version:

Still, still, still,
One can hear the falling snow.
For all is hushed,
The world is sleeping,
Holy Star its vigil keeping.
Still, still, still,
One can hear the falling snow.

Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.
The night is peaceful all around you,
Close your eyes,
Let sleep surround you.
Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.

Dream, dream, dream,
Of the joyous day to come.
While guardian angels without number,
Watch you as you sweetly slumber.
Dream, dream, dream,
Of the joyous day to come.

Christmas Countdown: Ding Dong! Merrily On High

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Ding Dong! Merrily On High

Ding Dong! Merrily On High

“Ding Dong Merrily on High” first appeared as a secular dance tune known as “le branle de l’Official” in a dance book written by Jehan Tabourot (1519–1593). The lyrics are from English composer George Ratcliffe Woodward (1848–1934), and it was first published in 1924 in his The Cambridge Carol-Book: Being Fifty-two Songs for Christmas, Easter, And Other Seasons. Woodward had an interest in church bell ringing, which no doubt helped inspire this carol

Ding dong! merrily on high
In heav’n the bells are ringing:
Ding dong! verily the sky
Is riv’n with Angel singing.
REFRAIN

Gloria,
Hosanna in excelsis!
Gloria,
Hosanna in excelsis!
E’en so here below, below,
Let steeple bells be swungen,
And “Io, io, io!”
By priest and people sungen.
REFRAIN

Pray you, dutifully prime
Your matin chime, ye ringers;
May you beautifully rime
Your eventime song, ye singers.
REFRAIN

Note: “Swungen” and “Sungen” in the second verse are archaic English verb forms.

Christmas Countdown: O Come, O Come Emmanuel

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O Come, O Come Emmanuel

O Come, O Come Emmanuel

O come, O come, Emmanuel is the mid-19th-century translation by John Mason Neale and Henry Sloane Coffin of the Ecclesiastical Latin text “Veni, veni, Emmanuel”.

The text is based on the Biblical prophecy from Isaiah 7:14 that states that God will give Israel a sign that will be called Emmanuel (Literally: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.

O come, O come, Emmanuel
And ransom captive Israel
That mourns in lonely exile here
Until the Son of God appear
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Rod of Jesse, free
Thine own from Satan’s tyranny
From depths of Hell Thy people save
And give them victory o’er the grave
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Day-Spring, come and cheer
Our spirits by Thine advent here
Disperse the gloomy clouds of night
And death’s dark shadows put to flight.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Key of David, come,
And open wide our heavenly home;
Make safe the way that leads on high,
And close the path to misery.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, O come, Thou Lord of might,
Who to Thy tribes, on Sinai’s height,
In ancient times did’nt give the Law,
In cloud, and majesty and awe.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

Christmas Countdown: Mary Did You Know

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Mary Did You Know

The Pender Choir sang an arrangement of this Christmas Carol December 2, 2012 and as part of the 2015 Christmas Cantata.

Mark Lowry wrote the words in 1984 when his pastor asked him to write the program for the living Christmas tree choir presentation. The music was written by Buddy Greene.

Mary did you know that your baby boy would some day walk on water?
Mary did you know that your baby boy would save our sons and daughters?
Did you know that your baby boy has come to make you new?
This child that you’ve delivered, will soon deliver you.

Mary did you know that your baby boy would give sight to a blind man?
Mary did you know that your baby boy would calm a storm with his hand?
Did you know that your baby boy has walked where angels trod?
And when your kiss your little baby, you have kissed the face of God.

Oh Mary did you know

The blind will see, the deaf will hear, the dead will walk again.
The lame will leap, the dumb will speak, the praises of the lamb

Mary did you know that your baby boy is Lord of all creation?
Mary did you know that your baby boy would one day rule the nations?
Did you know that your baby boy is heaven’s perfect Lamb?
This sleeping child you’re holding is the great I AM

Christmas Countdown: It Came Upon A Midnight Clear

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It Came Upon A Midnight Clear

In 1850, Richard Storrs Willis, a composer who trained under Felix Mendelssohn, wrote the melody called “Carol.” This melody is most often set in the key of B-flat major in a six-eight time signature. “Carol” is the most widely known tune to the song in the United States.

It came upon the midnight clear,
That glorious song of old,
From angels bending near the earth,
To touch their harps of gold:
“Peace on the earth, goodwill to men,
From heaven’s all-gracious King.”
The world in solemn stillness lay,
To hear the angels sing.

Still through the cloven skies they come,
With peaceful wings unfurled,
And still their heavenly music floats
O’er all the weary world;
Above its sad and lowly plains,
They bend on hovering wing,
And ever o’er its Babel sounds
The blessèd angels sing.

Yet with the woes of sin and strife
The world has suffered long;
Beneath the angel-strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song which they bring;
O hush the noise, ye men of strife,
And hear the angels sing.

And ye, beneath life’s crushing load,
Whose forms are bending low,
Who toil along the climbing way
With painful steps and slow,
Look now! for glad and golden hours
come swiftly on the wing.
O rest beside the weary road,
And hear the angels sing!

For lo!, the days are hastening on,
By prophet bards foretold,
When with the ever-circling years
Comes round the age of gold
When peace shall over all the earth
Its ancient splendors fling,
And the whole world give back the song
Which now the angels sing.

 

Another version: