Tag Archives: Christmas

January 23: On This Day in Music

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today

. 1752 ~ Muzio Clementi, Italian pianist and composer
More information about Clementi

. 1837 ~ John Field died.  Field was an Irish pianist, composer, and teacher.

. 1878 ~ Rutland Boughton, English composer

. 1888 ~ Richard Strauss made his conducting debut with the Berliner Philharmoniker.

. 1893 ~ Phillips Brooks passed away.  Brooks was the lyricist of the Christmas hymn, “O Little Town of Bethlehem”

. 1908 ~ Edward Alexander MacDowell, US composer (Indian Suite), died at the age of 47

. 1920 ~ Ray Abrams, Jazz/be-bop tenor saxophonist

. 1925 ~ Marty Paich, Pianist, composer, arranger with/for: Peggy Lee, Shorty Rogers’ Giants, Dorothy Dandridge, Shelley Manne, Art Pepper, Shorty Rogers, Dave Pell, Mel Torme, Ray Brown, Anita O’Day, Stan Kenton, Terry Gibbs, Ella Fitzgerald, and Buddy Rich

. 1928 ~ Ken Errair, Singer with The Four Freshmen

. 1933 ~ Chita Rivera (Conchita del Rivero), Singer, dancer, actress

. 1938 ~ Eugene Church, Singer

. 1941 ~ Artie Shaw and his orchestra recorded Moonglow on Victor Records. In the band were such sidemen as Johnny Guarnieri, Jack Jenney, Billy Butterfield and Ray Conniff on trombone.

. 1943 ~ Duke Ellington and the band played for a black-tie crowd at Carnegie Hall in New York City. It was the first of what was to become an annual series of concerts featuring the Duke.

. 1943 ~ Louis Jordan and His Tympany Five took the song “What’s the Use of Getting Sober” to the top chart spot. It only stayed there for one week.

. 1948 ~ Anita Pointer, Singer with The Pointer Sisters

. 1950 ~ Bill Cunningham, Bass, piano with The Box Tops

. 1950 ~ Patrick Simmons, Singer, guitarist with The Doobie Brothers

. 1974 ~ Mike Oldfield’s Tubular Bells opened the credits of the movie, “The Exorcist”, based on the book by William Peter Blatty. The song received a gold record this day.

. 1977 ~ Carole King’s landmark album, “Tapestry”, became the longest-running album to hit the charts, as it reached its 302nd week on the album lists.

. 1978 ~ Vic Ames killed in car crash

. 1981 ~ Samuel Barber, American composer (School for Scandal), died of cancer at the age of 70

. 1986 ~The first ten musicians were inducted into Rock ‘n’ Roll Hall of Fame including James Brown, Elvis Presley, Ray Charles, Buddy Holly, Chuck Berry, Sam Cooke, Fats Domino, the Everly Brothers, Jerry Lee Lewis and Little Richard.

When Chuck Berry was inducted into the Rock and Roll Hall of Fame in 1986, an all-star band, including John Fogerty, Billy Joel, Jerry Lee Lewis, Keith Richards, Neil Young and Steve Winwood, charged through a raucous “Roll Over Beethoven” with de facto bandleader Chuck Berry guiding the show.

 

. 1993 ~Thomas Gorsey passed away on this day. He was considered to be the “Father of Gospel Music” and had written over a thousand gospel songs in his lifetime.

. 2002 ~ Alfred Glasser, a former director of education for the Lyric Opera of Chicago, died of cancer. He was 70. Glasser held the education post for 30 years before his retirement in 1996. Since 1997, Glasser served as chairman of the board and commentator for Chicago’s concert opera company, da Corneto Opera. For the past decade, he served on the board of Alliance Francaise of Chicago, a French cultural group. Glasser also founded the Lyric Opera Lecture Corps, a community service project.

. 2003 ~ Nell Carter, actress-singer, died at the age of 54. She was best known for her role as the housekeeper in the TV sitcom “Gimme a Break!”. Carter, who was born September 13, 1948, in Birmingham, Alabama, first rose to stardom on the New York stage. After a series of roles on- and off-Broadway — and a short-lived part in the soap opera “Ryan’s Hope” — in 1977 she starred in the show “Ain’t Misbehavin’!”, a revue of the works of composer Fats Waller. She was rewarded for her performance with an Obie Award, and later with a Tony Award when the show moved to Broadway. Several years later, she earned an Emmy for her performance on a television presentation of the musical. Despite her Broadway success, Carter would have preferred to sing opera. “When I was growing up, it was not something you aspired to,” she said in 1988. “I was a weirdo to want to be in show business. Most kids wanted to be teachers or nurses.” “Gimme a Break!” ran from 1981 to 1987. Carter was nominated for two Emmys for her role as housekeeper Nell Harper, who helped run the household of police chief Carl Kanisky, played by Dolph Sweet. She also garnered two Golden Globe nominations for the role.

. 2003 ~ For Sale: One of London’s most famous music venues, which in its heyday in the 1960s played host to The Who, David Bowie and the Rolling Stones, is for sale, its administrators said. The Marquee Club, which in the 1970s was the epicenter of the punk explosion, ran into financial difficulties after its high-profile relaunch last fall, said a spokeswoman for administrator BDO Stoy Hayward. “We’re looking for someone in the music business who can capitalize on the Marquee brand and keep running it as a live venue,” she said. The price tag is at least $200 million. The club opened in London’s Soho district in 1958 and was so cramped and sweaty that, according to legend, Bob Geldof of the Boomtown Rats blacked out on stage. In 1988, it moved to a new location in nearby Charing Cross, but within eight years it had closed down. A high-profile relaunch at a new venue in Islington, north London September 2002 was headlined by the controversial electro-rockers Primal Scream, but according to the club’s administrators, huge start-up costs quickly led to its downfall.

. 2017 ~ Bobby Freeman, American singer (Do You Want to Dance), died at the age of 76

. 2018 ~ Hugh Masekela, South African trumpeter, anti-apartheid activist (I Am Not Afraid), described as the “father of South African jazz,” died at the age of 78

Christmas Countdown Conclusion: Auld Lang Syne

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Auld Lang Syne

“Auld Lang Syne,” a poignant Scots poem penned by the legendary Robert Burns in 1788, is set to the melody of a timeless folk song. Renowned globally, particularly in English-speaking regions, it is traditionally sung to usher in the New Year at midnight. Additionally, the song finds a place in various other settings, including funerals, graduations, and farewells, symbolizing endings and transitions. The Boy Scout movement internationally has adopted it as a ceremonial conclusion to their gatherings and events.
The title, “Auld Lang Syne,” translates from Scots to English as “old long since,” but more colloquially, it means “long long ago,” “days gone by,” or “times of old.” Hence, the phrase “For auld lang syne” in the chorus loosely means “for the sake of old times.”
This song is a treasured Scottish offering to the world, evoking nostalgia and warmth of days past. It not only reminisces about times gone by but also fosters a sense of unity and togetherness for the future.
“Auld Lang Syne” is a gem from the rich Lowland Scots folk tradition, skillfully refined by one of the world’s premier songwriters, Burns. In his final years, Burns dedicated himself to preserving and enhancing the song tradition, often transforming fragments of old ballads into profound love songs or Scots poems. In “Auld Lang Syne,” he found a piece already gleaming with brilliance, as he expressed in an 1788 letter to Mrs. Dunlop.
An intriguing aspect of “Auld Lang Syne” is that the globally sung melody differs from the one Burns originally set the lyrics to. The original tune, still performed by traditionalists, carries a softer, more reflective quality, as showcased in Mairi Campbell’s rendition in the film “Sex and the City.” Regardless of the tune or its global reach, “Auld Lang Syne” maintains the deep emotional impact of the original Scottish folk song. As Burns himself once reflected, the phrase ‘Auld Lang Syne’ powerfully resonates, capturing the soul-stirring essence of an old song and tune.

Fancy singing along yourself? Here are the verses of the words to Auld Lang Syne:

Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne.

Chorus:

For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne,

And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.

Chorus

We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.

Chorus

We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.

Chorus

And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.

Chorus

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And long, long ago.

Chorus

And for long, long ago, my dear
For long, long ago,
We’ll take a cup of kindness yet,
For long, long ago

And surely youll buy your pint-jug!
And surely I’ll buy mine!
And we’ll take a cup of kindness yet,
For long, long ago.

Chorus

We two have run about the hills
And pulled the daisies fine;
But we’ve wandered manys the weary foot
Since long, long ago.

Chorus

We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since long, long ago.

Chorus

And there’s a hand, my trusty friend!
And give us a hand of yours!
And we’ll take a deep draught of good-will
For long, long ago.

Chorus

Check out this vintage kinescope, a blast from over half a century ago! For a century now, the iconic descent of a glowing glass ball from One Times Square in New York City on New Year’s Eve has been a beloved American ritual. Year after year, throngs of people gather to ring in the New Year with jubilation.
Starting in 1956, Guy Lombardo and His Royal Canadians became synonymous with the US’s New Year’s Eve celebrations. They combined melodious tunes with the live spectacle of the Midnight ball drop. Guy spearheaded this tradition until his passing in 1977, and his band continued to grace CBS Television with their New Year’s performances for two more years. Meanwhile, Dick Clark’s Rockin’ New Years Eve kicked off in 1972 on ABC and remains a yearly broadcast. Guy’s show would start right after a 15-minute news segment and would run for an hour. While Guy orchestrated the music, news anchor Robert Trout would herald the onset of the New Year.
If you pay attention, you might spot the sharp-tongued TV figure Henry Morgan amidst the crowd. Television back then, fifty years ago, was a far cry from today’s standards, marked by stark lighting and basic technology, like a simple office clock and a World War II-era searchlight sweeping over the gathered crowd.

I hope you’ll enjoy ringing in the New Year – 1958! Recorded: December 31, 1957

 

Auld Lang Syne played on bagpipes (as it should be)

 

This is from the 2015 Edinburgh Tattoo which we attended:

And, in history:

Christmas Countdown: O Holy Night

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o-holy-night

“O Holy Night” (“Cantique de Noël”) is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem “Minuit, chrétiens” (Midnight, Christians) by Placide Cappeau (1808–1877).

Cappeau, a wine merchant and poet, had been asked by a parish priest to write a Christmas poem. Unitarian minister John Sullivan Dwight, editor of Dwight’s Journal of Music, created a singing edition based on Cappeau’s French text in 1855.

In both the French original and in the two familiar English versions of the carol, the text reflects on the birth of Jesus and of mankind’s redemption.
O Holy Night

O Holy Night sung by the Mormon Tabernacle Choir and the King’s Singers

 

 

Christmas Carols: “Intervals Roasting”

Posted by MaryO on

music-theory-song

Music theory has never sounded so catchy with this witty remake of the holiday classic The Christmas Song (with apologies to Mel Torme) Try not to laugh at the ending.

Though it is a bit humorous, this version titled ‘Intervals Roasting’, with lyrics by David Rakowski, attempts to encapsulate the fundamentals of music theory in just over two minutes.

It does a good job of explaining the intervals and harmonic structure of the song and also gives you an idea of how to use music theory to analyze or compose music.

The O’Connor Music Studio has a copy if anyone wants to learn this 🙂

Christmas Countdown: Johnny Marks

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Who? You might say.

Johnny Marks, born on November 10, 1909, and passing on September 3, 1985, stands out as a remarkable figure in the American songwriting panorama. His legacy is particularly intriguing given that, despite being Jewish, Marks carved out a unique niche for himself as a master composer of Christmas music. His extraordinary talent in this domain led him to pen a series of holiday standards that have become ingrained in the Christmas culture and festivities across the globe.

Marks’ foray into the world of Yuletide melodies brought forth an array of songs that not only captured the essence of Christmas but also transcended cultural and religious boundaries. His work is a testament to the universal appeal of music and its power to unite people from diverse backgrounds in celebration and joy.

Among his numerous contributions, some of his most enduring and beloved songs include classics that have delighted generations and become synonymous with the holiday season. These songs not only showcase his exceptional skill as a composer but also reflect his ability to evoke the warm, festive spirit that characterizes Christmas.

Johnny Marks’ music continues to resonate deeply, filling homes with cheer every holiday season and securing his place as an iconic figure in the realm of Christmas music. His legacy is not just a collection of songs but a tapestry of festive joy and communal celebration, cherished by people of all ages and backgrounds.

“Rudolph, the Red-Nosed Reindeer” (a hit for Gene Autry and others)

“Rockin’ Around the Christmas Tree” (a hit for Brenda Lee)

“A Holly Jolly Christmas” (recorded by the Quinto Sisters and later by Burl Ives)

“Silver and Gold” (for Burl Ives)

“Run Rudolph Run” (recorded by Chuck Berry)

 

Enjoy!

Christmas Countdown: Good King Wenceslas

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Good King Wenceslas

“Good King Wenceslas,” a beloved Christmas carol, weaves a tale of kindness, courage, and humanity against a backdrop of a harsh winter. The carol narrates the story of a noble king, Wenceslas, who sets out to help a poor peasant on the Feast of Stephen, braving the biting cold of a deep winter. The song captures the essence of selflessness, as King Wenceslas leads his page through the snowy terrain, his footprints providing a path and hope in the frigid weather. This inspiring narrative is drawn from the life of the real Saint Wenceslaus I, Duke of Bohemia, a figure known for his extraordinary kindness and revered in Czech history as Svatý Václav.

In 1853, the carol was given its poetic form by the English hymn writer John Mason Neale, with musical contributions from his editor, Thomas Helmore. It first appeared in “Carols for Christmas-Tide,” capturing the hearts of many. Neale’s lyrical adaptation was ingeniously set to the melody of a 13th-century spring carol, “Tempus adest floridum” (“The time is near for flowering”), which had been included in the 1582 Finnish collection “Piae Cantiones.”

“Good King Wenceslas” stands out not just as a carol but as a narrative that encapsulates the spirit of giving and the warmth of human kindness, resonating with the message of Christmas. The melody, rooted in history, and the lyrics, brimming with compassion, come together to form a timeless Christmas anthem that continues to inspire and uplift.

Good King Wenceslas looked out
On the feast of Stephen
When the snow lay round about
Deep and crisp and even
Brightly shone the moon that night
Though the frost was cruel
When a poor man came in sight
Gath’ring winter fuel

“Hither, page, and stand by me
If thou know’st it, telling
Yonder peasant, who is he?
Where and what his dwelling?”
“Sire, he lives a good league hence
Underneath the mountain
Right against the forest fence
By Saint Agnes’ fountain.”

“Bring me flesh and bring me wine
Bring me pine logs hither
Thou and I will see him dine
When we bear him thither.”
Page and monarch forth they went
Forth they went together
Through the rude wind’s wild lament
And the bitter weather

“Sire, the night is darker now
And the wind blows stronger
Fails my heart, I know not how,
I can go no longer.”
“Mark my foteps, my good page
Tread thou in them boldly
Thou shalt find the winter’s rage
Freeze thy blood less coldly.”

In his master’s steps he trod
Where the snow lay dinted
Heat was in the very sod
Which the Saint had printed
Therefore, Christian men, be sure
Wealth or rank possessing
Ye who now will bless the poor
Shall yourselves find blessing

A traditional choir:

Jane Seymour and the Mormon Tabernacle Choir:

The Mannheim Steamroller version:

Christmas Countdown: We Three Kings

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we-three

“We Three Kings”, also known as “We Three Kings of Orient Are” or “The Quest of the Magi”, is a Christmas carol written by the Reverend John Henry Hopkins, Jr., who wrote both the lyrics and the music.

we-three-sheet-white

 

We three kings of Orient are
Bearing gifts we traverse afar
Field and fountain, moor and mountain
Following yonder star

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to thy Perfect Light

Born a King on Bethlehem’s plain
Gold I bring to crown Him again
King forever, ceasing never
Over us all to reign

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

Frankincense to offer have I
Incense owns a Deity nigh
Prayer and praising, all men raising
Worship Him, God most high

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

Myrrh is mine, its bitter perfume
Breathes of life of gathering gloom
Sorrowing, sighing, bleeding, dying
Sealed in the stone-cold tomb

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

Glorious now behold Him arise
King and God and Sacrifice
Alleluia, Alleluia
Earth to heav’n replies

O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light

From Mannheim Steamroller, Chip Davis gives this song an “Arabian Nights” feel. A classic song that tells the story of the Gentiles who were quicker to recognize the significance of Christ’s birth than were His own people. Enjoy, and Merry Christmas!

Christmas Countdown: The First Noel

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first-noel

“The First Nowell,” also known as “The First Noël,” is a carol steeped in the rich tapestry of English musical tradition, a gem that has been passed down through the ages, possibly originating as far back as the 18th century, or even earlier. This carol is not just a song; it’s a historical artifact, echoing the voices and sentiments of generations past.
The title “Nowell” is derived from the French word “Noël,” meaning “Christmas,” which in turn traces its roots back to the Latin “natalis,” signifying “birthday.” This linguistic journey across cultures and times adds a layer of depth to the carol, connecting it to the universal celebration of Christmas and the joy of birth and renewal.
What sets “The First Nowell” apart in the realm of English folk music is its unique melodic structure. It is built on a captivatingly simple yet profound musical pattern: one melodic phrase, so pure and resonant, repeated twice, followed by a reflective refrain. This refrain is not just a repetition but a subtle variation, a creative twist on the original theme. Remarkably, all three phrases culminate on the third of the scale, a musical choice that lends the carol a sense of completion and emotional fulfillment.
This carol is not just a melody but a journey through musical creativity, where simplicity and repetition weave a spell of enchantment. It’s a testament to the timeless beauty of folk music, where less is often more, and where the power of a melody can resonate through centuries, bringing the spirit of Christmas alive in the hearts of all who hear it. “The First Nowell” is not just sung; it is felt and experienced, a classic embodiment of the Christmas spirit.

The first Noel the angel did say
Was to certain poor shepherds in fields as they lay;
In fields where they lay tending their sheep,
On a cold winter’s night that was so deep.

Refrain

Noel, Noel, Noel, Noel,
Born is the King of Israel.

They lookèd up and saw a star
Shining in the east, beyond them far;
And to the earth it gave great light,
And so it continued both day and night.

Refrain

And by the light of that same star
Three Wise Men came from country far;
To seek for a King was their intent,
And to follow the star wherever it went.

Refrain

This star drew nigh to the northwest,
Over Bethlehem it took its rest;
And there it did both stop and stay,
Right over the place where Jesus lay.

Refrain

Then did they know assuredly
Within that house the King did lie;
One entered it them for to see,
And found the Babe in poverty.

Refrain

Then entered in those Wise Men three,
Full reverently upon the knee,
And offered there, in His presence,
Their gold and myrrh and frankincense.

Refrain

Between an ox stall and an ass,
This Child truly there He was;
For want of clothing they did Him lay
All in a manger, among the hay.

Refrain

Then let us all with one accord
Sing praises to our heavenly Lord;
That hath made Heaven and earth of naught,
And with His blood mankind hath bought.

Refrain

If we in our time shall do well,
We shall be free from death and hell;
For God hath prepared for us all
A resting place in general.

Refrain

first-noel-sheet-white

 

On the first Sunday of Advent, December 3, 2023, Pender’s Carillon Ringers  presented “The First Noel” as the Prelude. This rendition of the beloved Christmas carol offers a magical and ethereal experience, prioritizing musical expression over technical complexity. The result is an elegant, moving, and beautifully crafted piece.
Our arrangement arranged was by arr. Sandra Eithun and introduced a simple yet captivating rhythmic motif with  chimes, which resonate throughout the piece, breathing new life into this timeless standard.
“The First Noel” is a cherished holiday carol, hailing from 19th-century Boston, Massachusetts. Traditionally played in churches and festive gatherings during the Christmas season, the song narrates the story of ringing bells to herald the birth of Jesus Christ. Known for inducing feelings of joy, excitement, and embodying the Christmas spirit, “The First Noel” is set in the key of D major and is typically performed at a fast tempo.

 

The University of Utah Singers performed “The First Noel” arr. by Dan Forrest live in concert, December 11th & 12th, 2009 in Libby Gardner concert hall under the direction of Dr. Brady Allred.