I have copies of the above sheet music in the music studio, if anyone wants to play this!
Having trouble counting various note values?
In music notation, a note value indicates the relative duration of a note, using the color or shape of the note head, the presence or absence of a stem, and the presence or absence of flags/beams/hooks/tails.
A rest indicates a silence of an equivalent duration.
Read the article at Note values.
• 1397? ~ Guillaume Du Fay, French composer. Considered the leading composer of the early Renaissance.
More information about Du Fay
• 1694 ~ Leonardo Leo, Italian composer and organist
• 1811 ~ Ambrose Thomas, French composer, primarily of operas
• 1890 ~ Erich Kleiber, Austrian conductor
• 1924 ~ The comic strip Little Orphan Annie debuted in the New York Daily News. Annie and her little dog, Sandy, were creations of cartoonist Harold Gray. His work would come to life in the Broadway and film adaptations of Annie a half-century later, with great success.
• 1926 ~ Jeri Southern (Genevieve Hering), Singer
• 1940 ~ Damita Jo (DuBlanc), Singer
• 1942 ~ Rick Huxley, Bass with Dave Clark Five
• 1943 ~ Sammi Smith, Singer
• 1947 ~ Rick Derringer (Zehringer), Singer, songwriter with The McCoys, record producer
• 1953 ~ Samantha Sang, Singer
• 1957 ~ Dick Clark’s American Bandstand caught the attention of network executives at ABC-TV in New York, who decided to put the show on its afternoon schedule. Many artists, acts and groups of the rock ’n’ roll era debuted on American Bandstand – Simon and Garfunkel, Frankie Avalon, Fabian, Bobby Rydell, Chubby Checker – catapulting Clark into the spotlight as one of TV’s most prolific producers and hosts.
• 1975 ~ Singer Stevie Wonder signed the recording industry’s largest contract: $13 million over a seven-year period. Wonder stayed with his original label, Tamla/Motown, while other major Motown artists, including Diana Ross, Gladys Knight and The Four Tops had left the label over creative differences and financial accounting disputes.
The Piano Puzzlers book is available in the O’Connor Music Studio library if you’d like to give any a try. Piano Puzzlers as heard on American Public Media’s “Performance Today.” Includes 32 tunes with songs by Gershwin, Berlin, Arlen, Porter, Rodgers, Fats Waller, Lennon & McCartney, and others disguised in the styles of Bach, Handel, Haydn, Mozart, Beethoven, Brahms, Schubert, Schumann, Chopin, Janacek, Debussy, Ravel, Rachmaninoff, Stravinsky, Prokofiev, Bartok, and Copland.
Includes an introduction by Fred Child, host of “Performance Today” as well as background info by Bruce Adolphe. “Bruce Adolphe has taken a common musician’s party game and elevated it to high art and truly funny musical slapsticks. The Piano Puzzlers are a unique combination of extraordinary insight into the styles of many composers subtle, expert workmanship and great, great fun!”
From http://jasonmorris.blogsome.com/2008/08/08/piano-puzzlers/
If you’re a music geek (like me), I have a program for you. Now, let me be clear, to fully qualify as a music geek…you must have a fond appreciation for classical music (no, Poison, Quiet Riot, and Zepplin do not count as classical music). So, if you’re a “music geek” without an appreciation for classical music…well, I hate to burst your bubble…but, you’re not truly a music geek. Instead, you’re a music appreciator, but not a geek. So, if you just listen to indie music and scowl at anything on a label larger than Matador…don’t bother following the link I’ll provide…the fun will be lost on you…And, you probably won’t have a chance.
Every Wednesday night, on my way home from WNL, I turn on my local NPR station to listen to Piano Puzzlers on Performance Today. It’s absolutely incredible. A pianist/composer (Bruce Adolphe) takes a familiar folk or pop tune and sets it inside a classical masterpiece (or in the style of a particular composer). Sometimes it’s easy…sometimes it’s ridiculously difficult. There are days when I say, “got it” on the first pass. Then there are days when I say, “what the heck?” And, more often than not, I’m able to get either the popular/folk tune or the composer.
This is sad to admit, but there are nights when I’ll slow down on the drive home or sit in the car in the driveway to finish an episode. In fact, I get a little worked up if someone stops me after WNL…as I might miss the beginning of Piano Puzzlers (it usually hits around 8:20pm on our local station).
Take a listen to some of the archives and see if you can figure it out! It’s really cool…but probably only appreciated by music geeks (the kind of people that listen to NPR for their musical programs and not just the snipets of cool indie rock between segments on All Things Considered…which is a great show too).
• 1910 ~ William Howard Schuman, Pulitzer Prize-winning American composer, President of Julliard School of Music, Lincoln Center for the Performing Arts, educator and music administrator
• 1921 ~ Herb (Mitchell) Ellis, Guitarist, singer with Soft Winds
• 1927 ~ Radio station 2XAG, later named WGY, the General Electric station in Schenectady, NY, began experimental operations from a 100,000-watt transmitter. Later, the FCC regulated the power of AM radio stations to not exceed 50,000 watts on ‘clear channels’ (where few, if any, stations would cause interference with each other).
• 1927 ~ Singer Jimmie Rodgers recorded his first sides for Victor Records in Bristol, TN. He sang Sleep Baby Sleep and Soldier’s Sweetheart.
• 1929 ~ Gabriella Tucci, Italian soprano
• 1938 ~ Simon Preston, British organist
• 1939 ~ Frankie Ford (Guzzo), Singer
• 1940 ~ Timi (Rosemarie) Yuro, Singer
• 1943 ~ David Carr, Keyboards with The Fortunes
• 1978 ~ Frank Fontaine passed away. He was an American stage, radio, film and television comedian and singer.
• 2000 ~ Jerome Smith, founding guitarist of KC & The Sunshine Band, died after being crushed in a construction accident. He was 47. KC & The Sunshine Band reached the top of Billboard Magazine’s charts in 1975 with Get Down Tonight. Before Smith left the group, it had five No. 1 songs, including Boogie Shoes and That’s the Way (I Like It), and three Grammys.
Louis Teicher, who died Sunday, August 3, 2008 at 83, was half of the piano duo Ferrante & Teicher, which toured for four decades and released 150 albums, some as suitable for elevators as for concert halls.
Scott W. Smith Collection
Arthur Ferrante (standing) and Louis Teicher in 1964.
duo pianists and Juilliard alums
Yet for their fans — and there were enough to purchase 88 million of their records — they were “the grand twins of the twin grands,” virtuoso showmen in the tradition of Liberace and perhaps Liszt.
Ferrante & Teicher were perhaps best-known for their hit instrumental versions of 1960s movie themes, including “The Apartment,” “Exodus,” and “Midnight Cowboy.” In the 1970s, they sent an average of three albums annually up the charts.
Their glistening, Muzak-friendly stylings, some of which today sound of a piece with the cascading strings of Mantovani, did not always appeal to critics, who found them hackneyed or camp.
“Passionless … lifeless … numbing,” sniffed the Washington Post in 1978. The irony in this was that, in the earlier decades, the duo was seen as cutting-edge. In the 1950s, they used prepared piano to create space-age sounds. They continued touring until 1989, and survived to see their music revived by retro-hip audiophiles in recent years.
Born August 24, 1924, in Wilkes-Barre, Pa., Teicher was a child prodigy who began studying at the Juilliard School of Music at age 6. Teicher received his piano diploma at 16, and after further studies he joined the Juilliard theory faculty at 20.
Inspired by the two-piano repertoire they’d studied under Carl Friedberg, Teicher and Arthur Ferrante, also a precocious Juilliard graduate, decided to become a duo in 1946.
“We became professionals out of necessity,” Teicher told the Juilliard Alumni News in 2004. “It was the Depression era, and you did whatever you could to pick up some money.”
They booked their own concerts at colleges and universities in Canada and America. Supplied with grand pianos by Steinway, they maintained a fleet of trucks to transport them around the country and sometimes even slept in the van.
They made their mark with a classical repertoire. A 1948 concert at the Town Hall was attended by an audience of 1,400, who heard them play Liszt’s “Concerto Pathétique” and Gershwin’s “Rhapsody in Blue.” But the crowd went nuts for their rendition of the latin-charged “Tico Tico,” then a popular nightclub hit. Their future lay in such crowd-pleasing fare.
They first modified their pianos, Teicher told the Juilliard Alumni News, in order to simulate the percussion in Ravel’s “Bolero.” Later they used chains, cotton balls, and glass, and sometimes strummed the strings to achieve various effects. They seemed to herald what they subtitled their 1956 disk “Soundproof: The Sound of Tomorrow Today.” Though appearing often on the easy-listening, summer pops orchestra circuit, they were smuggling the avant-garde in the back door. They were booked on all the 1950s variety shows.
Humor was an important part of their arsenal, both in terms of repertoire and costume. They dressed in identical flamboyant outfits — “straight from a Liberace fire sale” said one wag — and horn-rim spectacles. It was a kind of running joke that audiences couldn’t tell them apart. Each night, they said, fans backstage would ask whether pianists in a duo required lesser skills than soloists.
Ferrante & Teicher charted 22 gold and platinum records, beginning with the theme from “The Apartment” (1960), and claimed to have played 5,000 concerts attended by 18 million people. If their names evoke blank stares from today’s audiences, it is because, for all their wit, their music was as evanescent as smoke in a summer breeze. Some of their signature pieces can be seen on YouTube.
Teicher died of a heart attack at home in Sarasota, Fla., according to a statement from the duo’s manager, Scott Smith.
He is survived by his wife, Betty, his children Richard, Susan, and David, and several grandchildren.
“Although we were two individuals, at the twin pianos our brains worked as one,” said Mr. Ferrante, who also survives him. “I will miss him dearly, and as pianists it’s ironic how we both ended up living on keys” — in Florida.
http://www.nysun.com/obituaries/louis-teicher-83-half-of-a-virtuoso-pop-piano-duo/83189/
By STEPHEN MILLER, Staff Reporter of the Sun | August 5, 2008
• 1778 ~ La Scala, one of the world’s great opera houses, opened on this day. They premiered William Tell by Gioachino Rossini
• 1823 ~ Francisco Asenjo Babieri, Spanish composer
• 1884 ~ Louis Gruenberg, Polish-born American composer
• 1902 ~ Ray Bloch, Conductor and orchestra leader
• 1917 ~ Charlie Shavers, Trumpeter with the John Kirby Sextet and composer of Undecided
• 1918 ~ Les Elgart, Lead trumpet, bandleader for Les and (brother) Larry Elgart
• 1921 ~ Richard Adler, Broadway Composer, lyricist
• 1926 ~ Tony Bennett (Benedetto), Grammy Award-winning American singer of popular music
• 1941 ~ Beverly Lee, Singer with The Shirelles
• 1949 ~ B.B. (Morris) Dickerson, Bass and singer with War
• 1951 ~ Johnny Graham, Guitarist with Earth, Wind and Fire
• 1963 ~ The Beatles made their final appearance at the Cavern Club in Liverpool, England. The group was about to leave its hometown behind for unprecedented world- wide fame and fortune.
• 1963 ~ The Beach Boys’ Surfer Girl, was released on Capitol Records. It became one of their biggest hits. Surfer Girl made it to number seven on the hit music charts on September 14, 1963
• 1963 ~ Comedian Allan Sherman’s summer camp parody, Hello Mudduh, Hello Fadduh! (A Letter from Camp) was released on Warner Brothers Records. The melody was based on the Dance of the Hours from Ponchielli’s opera La Giaconda. This dance was also performed in the original Disney movie Fantasia.
• 1971 ~ Paul McCartney formed a new band called Wings. Joining McCartney in the group were Denny Laine, formerly of The Moody Blues, Denny Seilwell and McCartney’s wife, Linda.
• 1998 ~ Alfred Schnittke, one of the most original and influential composers to emerge from the Soviet Union, died. He was 63.
• 2001 ~ Jeanne Loriod, the leading performer of an electronic instrument used in film scores and symphonic works to produce mysterious glassy tones, died in southern France. She was 73. Loriod, who played the ondes martenot – invented by the French musician Maurice Martenot – died of a stroke in Juan-les-Pins, Le Monde newspaper reported.
She was the younger sister of pianist Yvonne Loriod, who was married to composer Olivier Messiaen. The three musicians often collaborated.
The ondes martenot – which translates as “Martenot waves” – produces electronic waves from a system of transistors, a keyboard and a ribbon attached to a ring on the performer’s forefinger.
Loriod’s career took her all over the world. She performed with the Boston Symphony Orchestra and the Berlin Philharmonic, among others.
Composers such as Tristan Murail, Jacques Charpentier and Michael Levinas wrote works for her, according to Le Monde. Loriod had also been planning to collaborate with the pop group Radiohead, the paper wrote.
• 2008 ~ Louis Teicher died at 83. He was half of the piano duo Ferrante & Teicher, which toured for four decades and released 150 albums, some as suitable for elevators as for concert halls.
The following ornament table is a transcription of the one appearing in the Clavier-Büchlein vor Wilhelm Friedemann Bach, written by Johann Sebastian Bach for the keyboard instruction of his eldest son.
A scan of the original manuscript appears at Dave’s J.S. Bach Page.
The German title translates as “Explanation of various signs, showing how to play certain ornaments correctly.”{1} Bach gives the sign for each ornament on the upper of the paired staves, while the lower shows its execution directly beneath.
(This blog has) simply modernized the clefs in my transcription, since Bach’s manuscript uses soprano clefs, as several composers continued to do throughout the 18th century in place of the treble clef now used in all keyboard music.
After the transcription graphic showing the table, there appear clickable buttons which are keyed to AU sound files; you can click on any of the ornaments and hear a sound file play its execution.
Read the original blog post with the ornament table and listening files at J.S. Bach’s Ornament Table.
• 1891 ~ Sir Arthur Bliss, British composer
Read quotes by and about Bliss
• 1900 ~ Helen Morgan (Riggins), Pop Singer
• 1905 ~ Karl Amadeus Hartmann, German composer
• 1924 ~ Joe Harnell, Conductor and arranger
• 1925 ~ John Dexter, Opera director, Mid-America Chorale
• 1921 ~ Enrico Caruso, Italian operatic tenor, died in Naples.
• 1926 ~ The first demonstration of the Vitaphone system, that combined picture and sound for movies, was held at the Warner Theatre in New York City. John Barrymore and Mary Astor starred in the demonstration film for the new moving picture projector.
• 1935 ~ Hank Cochran, Pop Singer and songwriter
• 1937 ~ Garth Hudson, Musician, keyboard with The Band
• 1937 ~ Benny Goodman and his quartet recorded Smiles for Victor Records. Playing with Goodman’s clarinet on the famous song were Lionel Hampton, Teddy Wilson and Gene Krupa.
• 1939 ~ Edwin Patten, Singer with Gladys Knight & The Pips
• 1941 ~ Doris Kenner-Jackson (Coley), Singer with The Shirelles
• 1943 ~ Kathy Lennon, Singer with The Lennon Sisters
• 1951 ~ Andrew Gold, Singer, son of composer Ernest Gold
• 1991 ~ Jeri Southern passed away
• 1997 – Nigeria’s musician Fela Anikulapo-Kuti, who popularized the Afro-music beat globally, died of AIDS aged 58.
• 2000 ~ Helen Quinn, who for more than 30 years presided over the Metropolitan Opera patrons who lined up to buy standing-room tickets, died at the age of 76. Often called the Queen of Standees by those who allowed her to take charge of the ticket queue, Quinn was herself a veteran of standing-room lines at the Met, and attended five or six performances a week, almost always as a standee. In 1966, on her own initiative, she imposed a system on the standee process that the throng of regulars was apparently happy to abide by, and to which the Met gave tacit approval.
• 2001 ~ Ron Townson, the portly centerpiece singer for the Grammy-winning pop group The 5th Dimension, died of renal failure after a four-year battle with kidney disease. He was 68. Other members of the reconstituted group – known for such 1960s hits as Aquarius/Let the Sun Shine In, Wedding Bell Blues and Stoned Soul Picnic – performed at the Capitol Fourth music and fireworks show on July 4 in Washington, D.C. Declining health had forced Townson to retire from The 5th Dimension in 1997, bringing to an end a career that saw him tour with such music legends as Nat ‘King’ Cole and Dorothy Dandridge, appear in operas and direct choirs. He helped front The 5th Dimension when the group’s smooth mixture of pop, jazz, gospel, and rhythm and blues won it four Grammys in 1968 for the Jimmy Webb song Up Up and Away. Other hits included One Less Bell to Answer and Sweet Blindness. As various members left The 5th Dimension in the 1970s to pursue solo projects, Townson formed the group Ron Townson and Wild Honey. Later, he reunited with McLemore and LaRue in a new version of The 5th Dimension that included Phyllis Battle and Greg Walker. He also appeared on television and in films, including the 1992 movie The
Mambo Kings.
• 2002 ~ Freidann Parker, co-founder of the Colorado Ballet, died at the age of 77. Colorado Ballet co-founder Lillian Covillo met Parker in the late 1940s in a dance class taught by Martha Wilcox. The two began the Covillo-Parker School of Dance, and then a fledgling ballet company.After an ambitious double bill in 1961, they created Colorado Concert Ballet, which presented Denver’s first Nutcracker the following season. Every performance sold out. By 1978, the board of directors more than doubled its budget to $100,000, and Colorado Ballet was born. Today its budget has grown to $7 million with a roster of 40 dancers. Parker’s first dance lessons were with Iris Potter. She later trained with modern-dance pioneer Hanya Holm.
Stephen Powers first thought of his grand piano as an impressive piece of furniture.
But he enjoyed listening to music so much when friends played at parties at his home in North Wilmington that he began taking lessons.
“I enjoy having a couple of songs under my belt,” says Powers, a 52-year-old banker. “I play Happy Birthday. I play Getting to Know You for my mom.”
Powers is part of a boomlet of adults who are studying piano. Many took lessons briefly as children and regret giving it up. Some simply enjoy music. Others gravitated toward the keyboard because studies suggest piano improves mental acuity while reducing the odds of dementia.
A Swedish study published in 2014 in the International Journal of Alzheimer’s Disease found that when a twin played a musical instrument later in life, he or she was 64 percent less likely to develop dementia than the twin who did not play.
A study published in Frontiers in Psychology in 2013 evaluated the impact of piano lessons on cognitive function, mood and quality of life in adults age 60 to 84.
The group that studied piano showed significant improvement in tests that measure executive function, controlling inhibitions and divided attention, as well as enhanced visual scanning and motor ability. Piano students also reported a better quality of life.
Some grownups simply relish a challenge.
In the United Kingdom, Alan Rusbridger, editor of the Guardian, took to the keyboard at age 56. He chronicled the year he spent learning Chopin’s demanding No. Ballade 1 in G Minor in the book Play It Again: An Amateur Against the Impossible.
Richard Swarmer, 57, of Lewes, played the trumpet from grade school through college. He has sung in several choirs. This year, he began piano lessons.
Learning the piano isn’t easy even for someone with a musical background. Still, Swarmer appreciates that the creative thought process is different from the focus required by his job for a medical benefits company.
“I have thoroughly enjoyed taking piano lessons as an adult,” he says. “It provides a welcome respite from the demands of my job.”
Ethel Thirtel of North Wilmington is 71 and a student at the Music School of Delaware. She is also taking French lessons to help keep her intellect sharp.
“Both pursuits involve active studying and practice to master new skills,” she says.
To meet rising demand, the Music School of Delaware offers adults-only evening group classes to accommodate working people, says Matthew Smith, student and alumni relations officer. The school also provides instruction for adults 50 and older through the Osher Lifelong Learning Institute at University of Delaware.
“In addition to professionals, we are getting a lot more inquiries from older adults who are retired and have time on their hands,” he says.
Geri Smith, a Julliard-trained singer, musician and composer, has taught piano to children in public schools as well as private arts centers. Her adult students include a 59-year-old writer who took up piano after the death of her husband, a gifted musician.
“Teaching children is a different experience than teaching adults,” says Smith, of Unionville. “Kids pretty much do what you ask them to do but adults ask lots of questions. They want to know why things have to be done a certain way.”
An important part of learning piano is creating new pathways in the brain. A Harvard Medical School study examined the impact of practicing the piano on synapses, the connections between neurons that encode memories and learning.
Volunteers practiced two hours a day for five days, playing a five-finger exercise to the beat of a metronome. To learn how that impacted the neurons scientists used transcranial-magnetic-stimulation (TMS), in which a wire coil sends magnetic impulses to the brain.
They discovered that after a week of practice, the stretch of motor cortex devoted to the finger exercises had expanded like crabgrass.
“Playing the piano creates new synapses,” Smith says. “Think of it as creating a conduit so your right hand can talk to your left hand.”
Meldene Gruber of Rehoboth Beach, who has taught piano for more than 40 years, has seen a surge in adult students in the past two years. Now, half her students are adults.
“A number of my adults say they think playing the piano will help with mental acuity,” she says. “Playing the piano forces you to use both sides of the brain, which is great for neuron firing.”
Most adults have specific goals in mind, such as learning to play Christmas carols or a few favorite pieces.
“You don’t get adults who are focused on becoming concert pianists,” Gruber says. “They come for the joy of playing, not because their mothers made them.”
via Chopstick therapy: how piano lessons could help us age better — NewsWorks.
• 1779 ~ Francis Scott Key, born
More information about Key
Listen to Francis Scott Key’s Star Spangled Banner
Read about the Star Spangled Banner
• 1877 ~ Angela Diller, American pianist and educator
• 1919 ~ Oscar Hammerstein I passed away
• 1930 ~ Lionel Bart, Broadway Composer
• 1930 ~ Geoffrey Holder, Dancer
• 1939 – American band leader Glenn Miller recorded In the Mood which later became his theme tune.
• 1942 ~ Jerry Garcia, American rock guitarist, banjo, lyricist and singer with The Grateful Dead
• 1942 ~ Jimmy Dorsey and his orchestra recorded Charleston Alley, on Decca Records.
• 1942 ~ The American Federation of Musicians went on strike. Union president James C. Petrillo told musicians that phonograph records were “a threat to members’ jobs.” As a result, musicians refused to perform in recording sessions over the next several months. Live, musical radio broadcasts continued, however.
• 1947 ~ Rick Anderson, Musician, bass with The Tubes
• 1947 ~ Rick Coonce, Singer, drummer with The Grassroots
• 1953 ~ Robert Cray, Guitar
• 1960 ~ Chubby Checker’s The Twist was released. The song inspired the dance craze of the 1960s.
• 1971 ~ The Concert for Bangladesh was held at Madison Square Garden in New York City. George Harrison, Ringo Starr, Eric Clapton, Bob Dylan, Leon Russell, Ravi Shankar and Billy Preston performed. A multirecord set commemorating the event was a super sales success. Together, the concert and the album raised over $11 million to help the starving minions of Bangladesh.
• 1981 ~ MTV (Music Television) made its debut at 12:01 a.m.
• 1984 ~ Singer Jermaine Jackson made a guest appearance on the TV soap opera, As the World Turns.
• 1997 ~ Russian pianist Sviatoslav Richter died of a heart attack in a Moscow hospital. He was 82.
MaryO'Studio 