Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin.
Get a free copy of the sheet music at IMSLP (Look for Arrangements and Transcriptions) or borrow a copy from the O’Connor Music Studio. I have this arranged for organ, piano, duet, simplified…
Amazon has a great Dover edition for solo piano. This splendid compilation features a variety of the composer’s best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work “Danse Macabre” (presented here in the brilliant arrangement by Liszt), this collection also includes “Allegro appassionato,” “Album” (consisting of six pieces), “Rhapsodie d’Auvergne,” “Theme and Variations,” plus six etudes, three waltzes, and six etudes for left hand alone.
The final movement is the best known part of the symphony, thanks to its use in the Julia Roberts movie, Sleeping With The Enemy. It features a four-part structure, which Berlioz described in his own program notes from 1845 as follows:
“He sees himself at a witches’ Sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the Sabbath… Roar of delight at her arrival… She joins the diabolical orgy… The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.”
The Dies irae melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.
The traditional Gregorian melody has also been used as a theme or musical quotation in a number of classical compositions, notable among them:
The Funeral March of a Marionette (Marche funèbre d’une marionnette) is a short piece by Charles Gounod. It was written in 1872 for solo piano and orchestrated in 1879. It is perhaps best known as the theme music for the television program Alfred Hitchcock Presents, which originally aired from 1955 to 1965.
In 1871-72, while residing in London, Gounod started to write a suite for piano called “Suite Burlesque”. After completing one movement, the Funeral March of a Marionette, he abandoned the suite and had the single movement published by Goddard & Co. In 1879 he orchestrated the piece. The instrumentation is: piccolo, flute, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in D, 2 trumpets in A, 3 trombones, ophicleide, timpani, bass drum, triangle, strings. The work is in the key of D minor, with a central section in D major. Various arrangements by other hands exist.
There is a program underlying the Funeral March of a Marionette: The Marionette has died in a duel. The funeral procession commences (D minor). A central section (D major) depicts the mourners taking refreshments, before returning to the funeral march (D minor).
The score contains the following inscriptions in appropriate places:
La Marionnette est cassée!!! (The Marionette is broken!!!)
Murmure de regrets de la troupe (Murmurs of regret from the troupe)
Le Cortège (The Procession)
Ici plusieurs des principaux personnages de la troupe s’arrêtent pour sa rafrâichir (Here many of the principal personages stop for refreshments)
Retour a la maison (Return to the house). (Wikipedia)
Download this music in several versions from IMSLP. Click on Arrangements and Transcriptions. There are also some arrangements for piano at the O’Connor Music Studio.
On Alfred Hitchcock:
From Faber Piano Adventures Performance Book Level 3B No.7 (Also available in the OCMS Library):
Franz Liszt was born in Raiding, near Ödenburg, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.
Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccoló Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.
Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.
Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Préludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvorák, Sibelius, and Richard Strauss.
Listen to Liszt’s transcription of Meyerbeer’s Hellish Waltz from Robert du Diable, which probably caused more public commotion than any other piano piece in history.
Johann Sebastian Bach (1685-1750) was also apparently a coffee enthusiast. So much so that he wrote a composition about the beverage. Although known mostly for his liturgical music, his Coffee Cantata (AKA Schweigt stille, plaudert nicht, BWV 211) is a rare example of a secular work by the composer. The short comic opera was written (circa 1735) for a musical ensemble called The Collegium Musicum based in a storied Zimmerman’s coffee house in Leipzig, Germany. The whole cantata seems very much to have been written with the local audience in mind.
Coffee Cantata is about a young vivacious woman named Aria who loves coffee. Her killjoy father is, of course, dead set against his daughter having any kind of caffeinated fun. So he tries to ban her from the drink. Aria bitterly complains:
Father sir, but do not be so harsh!
If I couldn’t, three times a day,
be allowed to drink my little cup of coffee,
in my anguish I will turn into
a shriveled-up roast goat.
Ah! How sweet coffee tastes,
more delicious than a thousand kisses,
milder than muscatel wine.
Coffee, I have to have coffee,
and, if someone wants to pamper me,
ah, then bring me coffee as a gift!
The copywriters at Starbucks marketing department couldn’t have written it any better. Eventually, daughter and father reconcile when he agrees to have a guaranteed three cups of coffee a day written into her marriage contract.
1735 ~ Johann Christian Bach, German composer
J.C. Bach was one of Johann Sebastian Bach’s sons. After he moved to London, he became known as the London Bach.
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1791 ~ Giacomo Meyerbeer, German Composer
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1912 ~ John Cage, American avant-guarde composer, pianist and writer
Read quotes by and about Cage
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• 1934 ~ Carol Lawrence (Laraia), Singer, actress
• 1939 ~ John Stewart, Singer with The Kingston Trio; songwriter
• 1945 ~ Al Stewart, Singer, guitarist with Time Passages
• 1946 ~ Freddie Mercury (Bulsara), singer, Queen, (1975 UK No.1 single ‘Bohemian Rhapsody’ also UK No.1 in 1991, plus over 40 other UK Top 40 singles. 1980 US No.1 single ‘Crazy Little Thing Called Love’). Solo, (1987 UK No. 4 single ‘The Great Pretender’). Mercury died of bronchio-pneumonia on November 24th 1991 aged 45, just one day after he publicly announced he was HIV positive.
• 1946 ~ Loudon Wainwright III, Songwriter, singer
• 1956 ~ Johnny Cash hit the record running with I Walk the Line. Cash’s debut hit song climbed to #17 on the pop music charts.
• 1969 ~ Dweezil Zappa, Musician: guitar: MTV; son of musician Frank Zappa, brother of singer Moon Unit Zappa
• 1972 ~ Roberta Flack and Donny Hathaway won a gold record for their duet, Where is the Love. The song got to number five on the pop music charts and was one of two songs that earned gold for the duo. The other was The Closer I Get To You in 1978.
• 2002 ~ Florence Lessing, a dancer who performed in films, nightclubs and Broadway musicals died. She was 86. Lessing worked with the famous jazz-dance choreographer Jack Cole, who spotted her as a teenager in an East Indian dance class. Lessing, Cole, and the teacher of the class, Anna Austin, formed a trio that performed at the Rainbow Room in 1938 and in the musical “Moon Over Miami” in 1939. Lessing went on to perform in many Broadway shows, including “Windy City,” choreographed by Katherine Dunham, and “Sailor Beware” and “Kismet,” both choreographed by Cole. She appeared in the 1952 film musical “Just for You,” which was choreographed by Helen Tamiris and starred Bing Crosby and Jane Wyman. Lessing, who studied a wide variety of dance forms, choreographed two of her own nightclub acts in the mid-1940s and taught dance at several schools.
• 2003 ~ Gisele MacKenzie, a singer-actress who became one of early television’s biggest stars through her appearances on “Your Hit Parade,” died. She was 76. Once known as Canada’s first lady of song, MacKenzie moved to Los Angeles with her family in 1951. In 1952 and 1953 she toured with Jack Benny, who recommended her for a spot on “Your Hit Parade.” In 1957, she left the show to headline her own musical variety program, “The Gisele MacKenzie Show.” It lasted half a year. She returned to weekly television in 1963 as a regular on “The Sid Caesar Show.” She also appeared on radio in Los Angeles with Edgar Bergen and Morton Downey. She was a regular on Bob Crosby’s Club 15 show and a featured performer on radio’s “The Mario Lanza Show.” She continued to appear regularly on television into the 1990s, on such shows as “Studio One,” “The Hollywood Squares,” “Murder, She Wrote,” “MacGyver” and “Boy Meets World.”
• 1875 ~ Donald Francis Tovey, English, musicologist and composer
• 1876 ~ Vittorio Gnecchi, Composer
• 1878 ~ Henri Zagwijn, Composer
• 1885 ~ Benjamin James Dale, Composer
• 1904 ~ Jef Alpaerts, Flemish pianist and conductor
• 1908 ~ Rudolf Petzold, Composer
• 1913 ~ Everett Helm, Composer
• 1915 ~ Esther Williamson Ballou, Composer
• 1916 ~ Eleanor Steber, American soprano. She was an internationally acclaimed Metropolitan Opera diva, appeared in 50 different leading operatic roles, heard in more premiers at the Met than any other artist.
• 1928 ~ Vince Guaraldi, Pianist on the Charlie Brown TV specials
• 1933 ~ Mimi Hines, Pop singer in Ford & Hines (with husband, Phil Ford) and Broadway singer
• 1939 ~ Spencer Davis, Musician with Spencer Davis Group
• 1939 ~ Charlie Barnet and his orchestra recorded Cherokee for Bluebird Records. Listen carefully and you’ll hear the horn of Billy May on the piece.
• 1952 ~ Phoebe Snow, American singer of popular music
• 1952 ~ Nicolette Larson, Singer
• 1954 ~ The first Newport Jazz Festival was held on the grass tennis courts of the Newport Casino in Newport RI. Eddie Condon and his band played Muskrat Ramble as the opening number of the world’s first jazz fest.
• 1961 ~ Rocker Bobby Lewis was starting week #2 of a seven-week stay at number one (one, one, one) on the pop-music charts with his smash, Tossin’ and Turnin’. Lewis, who grew up in an orphanage, learned to play the piano at age 5. He became popular in the Detroit, MI area before moving on to fame and fortune with Beltone Records.
• 1967 ~ Monkees performed at Forest Hills NY as Jimi Hendrix’s opening act
• 1968 ~ The Beatles’ feature-length cartoon, Yellow Submarine, premiered at the London Pavilion. The song, Yellow Submarine, had been a #2 hit for the supergroup (9/17/66) and was the inspiration for the movie.
• 1987 ~ “Les Miserables” opened at Imperial Theatre in Tokyo
• 2002 ~ Lee Maye, a singer who played in the Milwaukee Braves outfield with Hank Aaron in the 1960s, died. He was 67. Maye began his 13-year major league career in 1959 and played with the Braves from 1959 to 1965. He later played for the Houston Astros, Cleveland Indians, Washington Senators and Chicago White Sox before retiring in 1971. Maye had a lifetime average of .274 and was admired for his ability to juggle his baseball and music careers. He performed with two doo-wop groups – Arthur Lee Maye and the Crowns, and Country Boys & City Girls – and sometimes sang with The Platters. He produced several popular singles during his 1960s recording career, including Gloria, Cool Loving and I Wanna Love.
On July 4, 1776 the Continental Congress adopted the Declaration of Independence. This declaration announced to the world that the 13 colonies would no longer be held by British rule. Today Americans celebrate by the flying of a flag, cooking at home (usually a cookout, also known as a barbecue), and watching a brilliant fireworks display.
• 1826 ~ Stephen Foster, American composer of songs
More information about Foster
• 1832 ~ It was on this day that America was sung in public for the first time — at the Park Street Church in Boston, MA. Dr. Samuel Francis Smith wrote the words, borrowing the tune from a German songbook. Ironically, and unknown to Dr. Smith at the time, the melody is the same as the British national anthem.
• 1895 ~ America the Beautiful, the famous song often touted as the true U.S. national anthem, was originally a poem written by Katherine Lee Bates. The Wellesley College professor’s poem was first published this day in the Congregationalist, a church newspaper.
• 1898 ~ Michael Aaron, Piano Educator
• 1900 ~ Louis “Satchmo” Armstrong, American jazz trumpeter, singer and bandleader Read quotes by and about Armstrong
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• 1909 ~ Alec Templeton, Pianist
• 1911 ~ Mitch Miller, American conductor, oboist, record company executive, producer, arranger for the Sing Along with Mitch LPs and TV show
• 1937 ~ Ray Pillow, Singer
• 1938 ~ Bill Withers, Grammy Award-winning songwriter, singer
• 1942 ~ The Irving Berlin musical, This is the Army, opened at New York’s Broadway Theatre. Net profits of the show were $780,000.
• 1943 ~ Al ‘Blind Owl’ Wilson, Musician, guitarist, harmonica, singer with Canned Heat
• 1943 ~ The Rhythm Boys, Bing Crosby, Al Rinker and Harry Barris, were reunited for the first time since the 1930s on Paul Whiteman Presents on NBC radio.
• 1948 ~ Jeremy Spencer, Musician, guitarist with Fleetwood Mac
• 1955 ~ John Waite, Singer
• 1958 ~ Kirk Pengily, Rock Musician
• 1985 ~ A crowd, estimated at one million, gathered in Philadelphia to celebrate the 209th anniversary of America’s independence. The Beach Boys were joined by Mr. T. on drums to really add some fireworks to the festivities. The Oak Ridge Boys, Joan Jett and Jimmy Page joined in the celebration.
• 2001 ~ Maceo Anderson, a tap dancer and founding member of the Four Step Brothers, died in Los Angeles at the age of 90. The group tap danced all over the world, performing for the queen of England and the emperor of Japan. The Four Step Brothers also performed at Radio City Music Hall. The group started as a trio. In the mid-1920s, the group performed at the Cotton Club with Duke Ellington, who wrote The Mystery Song for them. Anderson began dancing as a child in the South. When he was six, he and his mother moved to a basement apartment in Harlem. He taught tap dance at his own school in Las Vegas and across the country until 1999.