. 1759 ~ George Frideric Handel, organist, violinist and composer, died. Among his best known oratorios are “Saul,” “Israel in Egypt” and the “Messiah”.
. 1900 ~ Salvatore Baccaloni, Opera singer
. 1922 ~ Soprano Jeanette Vreeland sang the first radio concert from an airplane as she flew over New York City.
. 1922 ~ Ali Akbar Khan, Indian composer and maestro sarod player
. 1933 ~ Morton Subotnick, American composer of experimental music
. 1935 ~ Loretta Lynn, American country-music singer, songwriter and guitarist, first woman to earn the CMA’s Entertainer of the Year award; named ACM Artist of the Decade in 1979
. 1941 ~ Hildegarde recorded the standard Darling Je Vous Aime Beaucoup on Decca Records. Hildegarde was the elegant singer with the long white gloves who was accompanied by the Harry Sosnik Orchestra. It took another 14 years, but Nat ‘King’ Cole turned the song into an even bigger hit, landing at number 7 on the pop music charts.
. 1951 ~ Julian Lloyd Webber, British cellist
. 1958 ~ Pianist Van Cliburn was presented on national TV for the first time on NBC’s The Tonight Show with Jack Paar.
. 1958 ~ Laurie London reached the top spot on the music charts with He’s Got theWhole World in His Hands, knocking Perry Como’sCatch a Falling Star down a peg or two.
. 1960 ~ The musical Bye Bye Birdie opened at the Martin Beck Theatre in New York City. Chita Rivera and Dick Van Dyke starred in the Broadway show which ran for 607 performances.
. 1967 ~ Herman’s Hermits, featuring lead singer Peter Noone, went gold with the single, There’s a Kind of Hush. It was a two-sided hit, with the flip-side, NoMilk Today, also receiving considerable play. Hush, however, was a top five song, while the ‘B’ side just made it into the top 40 at number 35.
. 1995 ~ Burl Ives, Oscar-winning actor and singer whose gentle voice helped popularize American folk music, died. He played powerful dramatic roles in movies including “The Big Country,” for which he won an Academy Award for best supporting actor, and “Cat on a Hot Tin Roof.”
At age 104, San Marcos resident Dorothy “Dottie” Coleman is one of about 72,000 centenarians in the U.S. according to the National Center for Health Statistics in a 2014 survey.
But to anyone who knows her, she is one in a million. Ask the members of the Lake San Marcos Kiwanis Club, where she plays the piano to kick off meetings. Or ask teens from the San Marcos Youth Symphony who gave a community concert with her last December at which Coleman received a standing ovation.
“What inspires me and the Kiwanis members is how she takes each day one day at a time — the worries and anxieties that weigh others down just roll off her back,” said Jerry Mason, Lake San Marcos Kiwanis president. “Every time I am with her she uplifts my spirits.”
For her recent 104th birthday, the Lake San Marcos Kiwanis threw a party at which Coleman played the piano. She plays mostly from memory, and her favorites include pieces by Chopin and Claire de Lune along with big band hits of the 1930s and 1940s.
“Ms. Coleman’s mind is clear and her fingers still can dance on top of the keyboard,” said Hurlink Vongsachang, co-president of the San Marcos Youth Orchestra.
Coleman started playing the piano in church nearly a century ago when she was about 7. She was born April 4, 1912, and grew up in a small town in southern Pennsylvania, later attending a teacher’s college and marrying Les Coleman in 1934. The couple was married 62 years and Coleman cared for him when he was ailing in his later years until he died 20 years ago.
Coleman’s first trip to California was a cross-country car journey in a Model A Ford in the mid 1930s. Later she returned when her husband, a lieutenant colonel, was stationed at the former Fort Ord Army Base on Monterey Bay, where she and other teachers helped young soldiers work on their high school diplomas. She and her husband moved to San Marcos in 1996.
With a zest for travel, Coleman went on an African safari when she was 86 and traveled to India at 88. She started writing and publishing stories at age 91 after taking a writing class at the San Marcos Senior Center.
She lives independently and stopped driving voluntarily at age 101 when she broke her hip. She has a daughter, three grandchildren and five great grandchildren, some of whom have taken piano lessons from her.
On her birthday, Coleman said, “The best present I have is that I still have all my marbles.”
. 1377 ~ Guillaume de Machaut died. French poet and musician. Composer of monophonic and polyphonic music. Leading representative of the Ars nova tradition
More information about Machaut
. 1816 ~ Sir William Sterndale Bennett, British pianist, conductor and composer
. 1906 ~ Bud (Lawrence) Freeman, Jazz musician, tenor sax
. 1917 ~ Howard Keel, American singer and actor, born as Harold Clifford Leek. He appeared in singing and acting roles in films from 1948-68 and also appeared on TV in “Dallas.”
. 1928 ~ Teddy Charles, Vibraphonist, songwriter
. 1940 ~ Lester Chambers, Singer, musician, played harmonica
. 1941 ~ Margaret Price, British soprano
. 1944 ~ Jack Casady, Musician, KBC Band, Hot Tuna, Jefferson Airplane
. 1946 ~ Al Green, Singer, songwriter
. 1951 ~ Peabo Bryson, Singer
. 1958 ~ Van Cliburn of Kilgore, TX earned first prize in the Soviet Union’s Tchaikovsky International Piano Contest in Moscow.
. 1961 ~ Carnival opened on Broadway at the Imperial Theatre in New York City. Anna Maria Alberghetti starred in the musical which ran for 719 performances.
. 1963 ~ Jack Cassidy and Barbara Cook starred in She Loves Me, which opened at the O’Neill Theatre in New York City. The Broadway musical ran for 189 performances.
. 1980 ~ Broadway’s longest-running musical closed after eight years. Grease ran for 3,388 performances and earned $8 million. Though the-longest running musical on the Great White Way at the time, Grease was also the third longest-running Broadway show. Other shows in the top five included: The Defiant Ones and Life with Father, Oh! Calcutta, A Chorus Line and Fiddler on the Roof.
. 1985 ~ The Grand Ole Opry, a radio staple from Nashville for 60 years, came to TV. The Nashville Network presented the country music jamboree to some 22-million homes across the U.S.
I’ve been thinking a bit about shoes lately, specifically organ shoes. Many people probably don’t know that organists usually use special shoes to help them play the pedals on an organ. When I was learning a new piece, I would play barefoot to help feel where my feet should go but when playing in church I always had my Organmaster shoes on.
Organmaster Shoes began in 1976 when an organist, Carol Carlson, struggled to find shoes that would work for organ.
Organmaster Shoes began in 1976 when an organist, Carol Carlson, struggled to find shoes that would work for organ pedaling. She knew that many organists, like herself, were playing in bare feet or slippers. Normal dress shoes did not allow the organist to FEELwhat note the foot was touching and were too slippery on the pedals. After years of searching, she finally decided to design the perfect organ shoes and sell them herself!
Her shoes for Toe-Heel Pedal Technique have a FULL HEEL providing solid contact with the pedals and 1 ¼ inches high to avoid injuring a leg muscle.
The shoes are very secure on the foot while playing the pedals. The women’s shoe has an elasticized strap with a buckle and the men’s shoe is a lace-up dress oxford.
However, it is the SUEDE LEATHER SOLES on the bottom of the shoes which make her shoes so special and which her customers rely on to tell what note the foot is touching. The shoes slide over the pedals, but don’t slip off because the suede provides just the right amount of grip allowing the organist to FEEL his or her way across the pedal board. The shoes also play silently on the pedals.
The shoes were an immediate hit producing an overwhelming response by organists. Very soon the shoes were being shipped all over the world. Many organ teachers tell us they require their students to wear our shoes as well.
Organ legend Virgil Fox took organ shoes to the extreme when he studded the heels with diamonds so that they would sparkle as he was playing Bach’s Gigue Fugue, or as he said “…when I dance the gigue.”
Anyway, shortly after Thanksgiving 2010 our church organist, Bob Chiralo AKA “Mr. Bob” to the kids, learned that he had cancer. During his surgery and treatment, his organ shoes sat neatly behind the organ and I would see them every week at choir rehearsal and Sunday services.
His shoes being there always gave me the hope that he might be back to use them soon.
Tuesday, April 12, 2011, Bob lost his battle with cancer and at choir rehearsal I noticed that his shoes were gone, too. That struck me as so final.
Bob won’t be back with us but I’m sure he’s putting those shoes to good use playing in heaven.
Thanks for all those years of service you provided to our church!
Robert Philip Chiralo died on April 12, 2011 of brain cancer. His wife was at his side, as was Father Alexander Drummond, who administered the Sacraments of the Church and a dear family friend, Jeanne Dalaba.
Bob was born on May 8, 1949 in Reading, Pennsylvania. He was an honor student throughout his school years there and began studying piano at age 8. At age 16, he was certified by the Lutheran Church to serve as an Organist/Choir Director. He continued his organ studies through his undergraduate years and was a lifetime member of the American Guild of Organists, serving in various capacities in that organization. In his deep devotion as a church musician he continuously served at various churches in Pennsylvania, California and most recently as organist at Pender UMC in Fairfax, Virginia.
He was an active Republican grassroots pro-life volunteer, member of the Fairfax County Republican Committee and spent several years as a tour guide at Manassas Battlefield Park. He was a student of world history, particularly military history.
Bob Chiralo had over thirty-five years of technical, management, and business development experience in intelligence and defense with the Federal Government. This began with his early work at the Aerospace Corporation, continued through his employment at Logicon Geodynamics and Logicon Ultrasystems (both now part of TASC, Inc.), and led to his current position at SRI International. Bob established a professional reputation as a pioneer in the area of Measurement and Signature Intelligence, especially in applying the science of sensors to the growing field of overhead sensing systems support for our national security and intelligence communities. This included extensive involvement in the evaluation of new remote sensing and hyperspectral detection technologies and culminating in his role in helping establish the Spectral Information Technology Applications Center (SITAC) to better formalize the evaluation of various new methods in these arenas. Bob’s expertise also led to one of the more interesting assignments of his professional career, his service as a technical advisor on imagery processing in connection with the House of Representatives 1978 investigation of the assassination of President John F. Kennedy.
Bob joined the Washington Office of SRI in 1998 as Intelligence Community Program Development Manager; his responsibilities included support of the company’s business development efforts and Intelligence Community Program Development, including project and program management spanning nearly the entire spectrum of the intelligence and national security communities. He was also quite active professionally. He was a founding member of the Measurement and Signature Intelligence Association, and an officer and past Chairman of the organization, and played a key role in its 2008 reorganization as the Advanced Technical Intelligence Association (ATIA). He was also an active member of the Institute for Electrical and Electronic Engineers (IEEE), the American Society of Photogrammetry and Remote Sensing (ASPRS), the North American Remote Sensing Industries Association (NARSIA) and the National Military Intelligence Association (NMIA). He held a B.A. in Physics from Wittenberg University (1971) and an MS in Electrical Engineering from the University of Pennsylvania (1973) in addition to other ongoing professional studies connected to his work.
He is survived by his wife of 30 years, Monica Dolle Chiralo of Centreville, VA; daughter and son-in-law Monette and Michael Johnstone with grandchildren Melissa Mae and Maxfield Alexander Johnstone of Seattle, WA; parents Anthony Philip and Mary Jane Chiralo of Reading, PA; and brother Joel Anthony Chiralo of Carney, MD.
The Funeral Mass will be held at Saint Andrew the Apostle Catholic Church in Clifton, VA on Monday morning, April 18 at 11:30 with burial following in the Garden of the Blessed Mother at Fairfax Memorial Park. A celebration of his life and music ministry will follow at Pender United Methodist Church in Fairfax. In lieu of flowers, it was his desire that donations be made toThe Jeanne Bussard Center, 555 South Market St., Frederick, MD 21701. This is a facility which serves mentally and physically handicapped adults. It was dear to his heart.
~~
Addendum:
1) Monica says:
“Bob is, indeed, using them (his shoes) – because he is wearing them, with his black cassock, a rosary in his hands and a Phillies’ hat on his head. Sure hope St. Peter isn’t a Yankees fan!”
2) This interview Virgil Fox shows his shoes even better in the first few minutes.
11200137D HOUSE JOINT RESOLUTION NO. 5031Offered April 25, 2011
Celebrating the life of Robert Philip Chiralo.
———-Patron– Hugo———-Unanimous consent to introduce———-WHEREAS, Robert Philip Chiralo of Centreville, a highly respected professional who played a pioneering role in the development of measurement and signature intelligence, died on April 12, 2011; and
WHEREAS, a native of Pennsylvania, Robert “Bob” Chiralo received a bachelor’s degree from Wittenberg University and a master’s degree from the University of Pennsylvania; and
WHEREAS, Bob Chiralo enjoyed a successful career that spanned more than three decades and involved technical, management, and business development work in intelligence and defense with the federal government; and
WHEREAS, Bob Chiralo began his distinguished career at the Aerospace Corporation before moving to Logicon Geodynamics and Logicon Ultrasystems (both now part of TASC, Inc.); in 1998 he joined the Washington Office of SRI International; and
WHEREAS, a brilliant innovator, Bob Chiralo recognized the role that the science of sensors could play in the growing field of overhead sensing systems support for the national security and intelligence communities; and
WHEREAS, Bob Chiralo became actively involved in the evaluation of new remote sensing and hyperspectral detection technologies, eventually helping to establish the Spectral Information Technology Applications Center; and
WHEREAS, highly regarded for his technical expertise, Bob Chiralo proudly served his country in a variety of ways, including working as a technical advisor on imagery processing during the investigation of the assassination of President John F. Kennedy; and
WHEREAS, Bob Chiralo made numerous contributions to his profession through his affiliation with different organizations; he was a founding member of the Measurement and Signature Intelligence Association and played a key role in its 2008 reorganization as the Advanced Technical Intelligence Association; and
WHEREAS, Bob Chiralo was also an active member of the Institute for Electrical and Electronics Engineers, the American Society of Photogrammetry and Remote Sensing, the North American Remote Sensing Industries Association, and the National Military Intelligence Association; and
WHEREAS, Bob Chiralo was a gifted musician who learned to play the organ as a young boy; at the age of 16, he received certification from the Lutheran church as an organist/choir director and continued his organ studies as an undergraduate; and
WHEREAS, a lifetime member of the American Guild of Organists, Bob Chiralo took great pride in serving as a church musician, most recently at Pender United Methodist Church in Fairfax; and
WHEREAS, an active member of the community, Bob Chiralo was a stalwart member of the Fairfax County Republican Committee and spent several years as a tour guide at Manassas National Battlefield Park; and
WHEREAS, a devoted family man, Bob Chiralo will be greatly missed by his wife of 30 years, Monica; daughter, Monette and her family, including two grandchildren; parents, Anthony Philip and Mary Jane; and numerous other family members, friends, and admirers; now, therefore, be it
RESOLVED by the House of Delegates, the Senate concurring, That the General Assembly hereby note with great sadness the loss of a pioneering leader in the intelligence community and respected community supporter, Robert Philip Chiralo; and, be it
RESOLVED FURTHER, That the Clerk of the House of Delegates prepare a copy of this resolution for presentation to the family of Robert Philip Chiralo as an expression of the General Assembly’s respect for his memory.
. 1905 ~ The Hippodrome opened in New York City with the gala musical revue, A Yankee Circus on Mars.
. 1913 ~ Lionel Hampton, American jazz vibraphonist, pianist, drummer and bandleader; played with Benny Goodman and recorded with Louis Armstrong. He was responsible for introducing the vibraphone into jazz.
. 1914 ~ George Bernard Shaw’s play “Pygmalion” opened in London with Mrs. Patrick Campbell as Eliza Doolittle and Sir Herbert Tree as Professor Higgins. This would later become the musical My Fair Lady by Lerner and Loewe.
. 1931 ~ Billy (Richard) Vaughn, Musician, orchestra leader, music director
. 1932 ~ Tiny Tim (aka Darry Dover, Larry Love) (Herbert Khaury), Ukulele playing, falsetto singer, best known for Tiptoe Through the Tulips
. 1933 ~ Monserrat Caballé (1933) Spanish opera singer and a leading Verdi and Donizetti soprano
. 1938 ~ Fedor Chaliapin, foremost Russian operatic bass singer and one of opera’s greatest performers, died.
. 1939 ~ One of the classic theme songs of the Big Band era was recorded for Decca. Woody Herman’s orchestra recorded Woodchopper’s Ball.
. 1940 ~ Herbie Hancock, Oscar-winning American jazz/fusion musician, pianist and composer
. 1950 ~ David Cassidy, Singer
1954 ~ Bill Haley and His Comets recorded Rock Around the Clock for Decca Records. The song was recorded at the Pythian Temple, “a big, barnlike building with great echo,” in New York City. “Rock Around the Clock” was formally released a month later. It sold an estimated 25 million copies worldwide, making it the second biggest-selling single at the time behind Bing CrosbyWhite Christmas
More information about Rock Around the Clock
. 1999 ~ BoxCar Willie, Country singing star, who blended a mellow voice with a rough- hewn hobo persona, died. He was 67.
It was 77 years ago this weekend that 26 men showed up at the Tulsa Club for a night of singing. They’d been invited by “Rupert Hall, Royal Keeper of the Minor Keys” and “O.C. Cash, Third Assistant Temporary Vice Chairman” of the Society for the Preservation and Propagation of Barber Shop Quartet Singing in the United States (sic), who noted:
In this age of Dictators and Government control of everything, about the only privilege guaranteed by the Bill of Rights not in some way supervised and directed, is the art of Barber Shop Quartet singing. Without doubt we still have the right of “peaceable assembly” which I am advised by competent legal authority includes quartet singing. The writers of this letter have for a long time thought that something should be done to encourage the enjoyment of this last remaining vestige of human liberty. Therefore, we have decided to hold a songfest on the Roof Garden of the Tulsa Club on Monday, April 11, at six-thirty p.m.
1819 ~ Sir Charles Halle, German-born British pianist and conductor He settled in Manchester after being driven to England by the 1848 Revolution and in 1858 founded the famous Halle Orchestra.
. 1938 ~ O.C. Cash founded SPEBSQS (The Society for the Preservation of Barbershop-Quartet Singing)
. 1956 ~ Elvis Presley reached the top spot on the Billboard music chart with his first double-sided hit. The disk featured Heartbreak Hotel and I Was theOne. The RCA Victor record stayed at number one for eight weeks. Elvis also made the country and R&B charts, as well.
. 1961 ~ Bob Dylan made his professional singing debut in Greenwich Village’s Gerde’s Folk City. He sang Blowin’ in the Wind.
Student recitals can be lots of fun and create valuable experiences for pianists. Unfortunately, they can also be a source of anxiety or stress if students aren’t ready and/or guidelines aren’t followed.
There are guidelines and rules of behavior all performers and audience members should follow during recitals, concerts or other performances.
Audience members must remember the reason for their visit to the recital hall – to listen quietly, actively and appreciatively to the music being offered by the performers.
For the performer:
1. Dress appropriately. Performers being nicely dressed (or following the recital theme) shows respect for the audience, the teacher and themselves!
Girls in knee-length or longer skirts/dresses or slacks. No spaghetti straps, no platform shoes, flip-flops, bedroom slippers or athletic footwear.
Do not wear dangling, jingling jewelry – especially bracelets. You may need to remove rings if they twist around easily.
Boys in dress pants and buttoned dress shirts with ties preferred, or suits.
IMPORTANT: Remember to practice several times in your outfit, shoes included. You don’t want to get to the recital and find that you can’t use the pedal properly because of your shoes.
2. Clean hands! Dirty, sticky, or oily fingers can hurt your performance and bother the next pianist. If you complete a long piece and notice some keys are slippery with sweat (a very common issue), notify your instructor so they can clean the keyboard before the next performer.
2. When it is your turn, stand quickly and walk up to the stage. Do not run!
Bow before you perform to acknowledge the applause. Audiences used to know that it was appropriate to clap for the musician who was entering the stage to perform. This now isn’t always the case (I will start clapping if it doesn’t happen automatically). Students should bow to their applauding audience before they sit down at the bench (not acknowledging applause is generally considered to be rude).
2. Enter the bench from the side furthest from your audience. This was a biggie for my former piano teacher and I’m reminded of it every time I see a student slink in from the “front side”… or climb over the top. I used to think this was awfully stuffy – but when you see a student do it, it just looks right.
3. Hands in your lap before you begin. I use this with my students to give them a moment to hear the first few measures in their mind before they begin. Once fingers are on the keys it means you’re ready to play. If the bench needs adjusting it should be done first… and then hands should be placed in your lap before beginning to play.
Play the scale of the piece in your head and think over tempo, markings, etc. Then arch your hands onto the piano and position feet on the pedals or flat on the floor–NEVER under the stool. Proceed to play!
3. Should you make a mistake while performing, you should try to continue playing without starting over or repeating. This makes sufficient practice before the recital very Very VERY important!
If playing more than one piece, you should acknowledge applause in between with a nod or smile.
4. Hands in lap after you finish. So many piano students are already lifting themselves off the bench as they play the final note (perhaps really eager to return to their seat in the audience!?) Learning to place your hands in your lap after finishing gives the audience a moment to truly relish what they just heard.
5. Rise and stand at the edge of the piano (with left hand on the wood). Bow from the hips, don’t curtsey. Bowing nicely takes practice! In handbells, we bow towards the table and say silently “I love handbells”. The same can be said in piano recitals – “I LOVE Piano”.
6. Walk calmly off the stage or away from the piano. No running… no matter how badly you want to get back to your seat!
For the audience:
Recitals are a special occasion and so it is customary to dress nicely.
• Please arrive a little early in order to find a comfortable place to sit.
• Make sure all your invited guests understand the importance of arriving on time. If they arrive late, it makes it difficult for those performing.
• Please invite as many friends and family members as you’d like. Our recital hall has lots of room, and can accomodate likely as many as you’d like to invite. And if not, then a standing room only crowd would be a fantastic crowd to have, and a wonderful problem to deal with!
• Turn off all cell phones and any electrical devices that may produce sound.
• Once the recital begins, please listen and be quiet. Crying babies should be taken out. They are not happy, and neither is the audience or the performer!
• If you arrive late, please wait to enter between pieces when you hear applause. Do not enter the recital hall or switch seats while someone is performing.
• The soloist will bow and your response is to applaud politely!
• No whistling, yelling, or other loud methods of congratulation. While boisterous congratulations are meant to show support for the performer, it may actually cause unintended problems instead. The best way to show appreciation for the performance is with thunderous applause, and an occasional “bravo” at the end of an especially great performance.
• Compositions that have movements or suites are, in general, performed without applause in the middle.
• Respect the performers. Unnecessary noise from whispering, talking, candy wrappers, etc. during a program is not acceptable. Reading, studying, and writing letters during a program are also inappropriate.
• Please stay until the performance or event is completely over. Attending a recital so that other families will serve as audience to your student, and then leaving before the other performers have finished is rude, inconsiderate and unacceptable. If you have other obligations or matters to attend to before the recital is over, please do not attend.
• Flash photography is not appropriate during a performance. The flash can disrupt the performer’s concentration.
• Enjoy! Your presence is the greatest affirmation!
For Everyone:
No Perfume! Your perfume or cologne will linger around the piano after you leave the stage (especially under hot lights), and it might give the next pianist some sinus or eye irritation; or, at the very least, create a distraction that can prevent them from getting “in the zone.”
. 1864 ~ Eugen d’Albert, British-born German pianist and composer
. 1885 ~ Sigmund Spaeth, American music scholar
. 1921 ~ Martin Denny, Composer, arranger, pianist
1930 ~ Claude Bolling, French jazz pianist and composer
More information about Bolling
. 1927 ~ Ballet Macanique was presented for the first time at Carnegie Hall in New York City. This was the first symphonic work that called for an airplane propeller and other mechanical contraptions not normally associated with the ballet.
. 1953 ~ Eddie Fisher was discharged from the Army and arrived home to a nice paycheck of $330,000 in record royalties. Fisher sold 7 million records for RCA Victor while on furloughs. Anytime was just one of several hits recorded during his stint in the Army.
. 1970 ~ Officially resigning from The Beatles, Paul McCartney disbanded the most influential rock group in history at a public news conference. The Beatles hit, Let It Be, was riding high on the pop charts. The last recording for the group, The Long and Winding Road (also from the documentary film Let It Be), would be number one for two weeks beginning on June 13, bringing to a close one of contemporary music’s greatest dynasties.
Imagine sixty kids singing and playing music to the Lord. What a glorious sound it would be, right? This is the ministry of Music Camp… to give children a chance to see how fun using music to praise the Lord can be! Like Vacation Bible School, which is held the same week in the mornings, this venue encourages the participation of children in a week-long camp format.
Music Ministry staff and volunteers work together each year to organize and orchestrate a summer music camp. It’s an opportunity for students and parents alike to experience the joy of praising God through music. Musical experience is not necessary to participate!
At Pender’s Music Camp, rising second through sixth graders sing in choir, play Orff instruments, ring handbells, experiment with rhythm in a percussion class, learn to read music, and make crafts. Older youth are always welcome to help out as teaching assistants.
Friday afternoon traditionally concludes with a musical performance, complete with costumes and choreography, which our campers perform for friends and family!
Please Read:
Online registration is open
Please fill out a separate form for each child.
There is a total limit of 60 children.
Be sure to register your child, not yourself. Click “Register Additional Individuals/Family”
The charge will be $30 per child and $60 max per family. NOTE: Be sure to check the box that asks if you are registering 3 or more siblings to get a refund (Are you registering 3 or more siblings (brothers or sisters))
The Closing Program will be at 4:00PM. This is a change from previous years.
Payment Options:
Fees must be paid online during registration by check or debit/credit card
1954 ~ 
MaryO'Studio 