Local Music Camp – Pender!

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Imagine sixty kids singing and playing music to the Lord. What a glorious sound it would be, right? This is the ministry of Music Camp… to give children a chance to see how fun using music to praise the Lord can be! Like Vacation Bible School, which is held the same week in the mornings, this venue encourages the participation of children in a week-long camp format.

Music Ministry staff and volunteers work together each year to organize and orchestrate a summer music camp.  It’s an opportunity for students and parents alike to experience the joy of praising God through music. Musical experience is not necessary to participate! 

At Pender’s Music Camp, rising second through sixth graders sing in choir, play Orff instruments, ring handbells, experiment with rhythm in a percussion class, learn to read music, and make crafts. Older youth are always welcome to help out as teaching assistants.

Friday afternoon traditionally concludes with a musical performance, complete with costumes and choreography, which our campers perform for friends and family!

Please Read: 

  • Online registration is open
  • Please fill out a separate form for each child.
  • There is a total limit of 60 children.
  • Be sure to register your child, not yourself.  Click “Register Additional Individuals/Family”
  • The charge will be $30 per child and $60 max per family.  NOTE:  Be sure to check the box that asks if you are registering 3 or more siblings to get a refund (Are you registering 3 or more siblings (brothers or sisters))
  • The Closing Program will be at 4:00PM.  This is a change from previous years.

Payment Options:

  • Fees must be paid online during registration by check or debit/credit card

Register here: http://www.penderumc.org/musiccamp

April 9 in Music History

today

. 1886 ~ Enrique Granados, Spanish pianist and composer, performed his debut piano concert in Barcelona.

. 1888 ~ Sol Hurok, Impresario

OCMS 1890 ~ Efram Zimbalist, Russian-born American violinist and composer
More information about Zimbalist

. 1898 ~ Paul Robeson, American bass. Known for his sympathy for Russia he had his passport revoked for many years. The song Ole Man River, whose words he changed to fit his views, became his signature song.

. 1906 ~ Antal Dorati, Hungarian-born American conductor and composer. He was the first conductor to record all of Haydn’s symphonies.

. 1916 ~ Julian Dash, Jazz musician, tenor sax

. 1928 ~ Tom Lehrer, Songwriter

. 1932 ~ Carl Perkins, early American rock ‘n’ roll figure who originally recorded Blue Suede Shoes. Inducted into the Rock and Roll Hall of Fame in 1987

. 1940 ~ Jimmy Dorsey and his orchestra, along with singer Helen O’Connell, recorded Six Lessons from Madame La Zonga for Decca Records.

. 1950 ~ Bob Hope hosted a Star-Spangled Review on NBC-TV. Hope became the highest- paid performer for a single show on TV. The Star-Spangled Review was a musical special.

. 1970 ~ Paul McCartney sought a High Court writ to wind up the Beatles business partnership, effectively ending the group’s career.

. 1977 ~ The Swedish pop group Abba made its debut at number one on the American pop charts, as Dancing Queen became the most popular record in the U.S.

. 1988 ~ Brook Benton passed away.  He was an American singer and songwriter who was popular with rock and roll, rhythm and blues, and pop music audiences.

. 2001 ~ Graziella Sciutti, an Italian soprano and opera director best known for her interpretations of Mozart, died at the age of 68. Born in Turin, northern Italy, in 1932, Sciutti made her first operatic appearance at the Aix-en-Provence Festival in France in 1951. She went on to perform under Herbert von Karajan at Milan’s La Scala. She was lead soprano at a smaller theatre at La Scala called La Piccola Scala for eight years from its inception in 1955. She became a member of the Vienna State Opera in 1960 and the following year made her debut in San Francisco in one of her most celebrated roles, as Susanna in The Marriage of Figaro. She began her directing career at Covent Garden in London and at the Glyndebourne Festival in England, where she directed and performed in Poulenc’s La Voix Humaine in 1977. She then went on to direct in Canada and for the opera companies in San Francisco, Chicago, New York, Dallas and Miami, as well as in Britain, Germany and Italy. She joined London’s Royal College of Music in the mid 1980s and continued to teach there until shortly before her death.