Tag Archives: Franz Liszt

Christmas Listening and Coloring Pages

Posted by MaryO on

I have purchased a set of Christmas Shades of Sound Listening & Coloring Book for the studio.

Please let me know if you do not want your student to participate in Christmas activities and I will assign alternate activities.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

Get your piano students listening to great classical music!

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Christmas edition includes 20 pieces of piano and orchestral literature for the Christmas season, from the Baroque to the Modern period. Includes background and historical information on the pieces and the composers, and a beautiful coloring page for each piece.

The Christmas Shades of Sound book includes 20 different pieces, including:

  • In Dulci Jubilo from the Christmas Tree Suite by Liszt
  • Pastorale from the Christmas Oratorio by Bach
  • Jesu, Joy of Man’s Desiring by Bach/Hess
  • Farandole from L’arlesienne Suite #1 by Bizet
  • Christmas Sonatina by Reinecke
  • Elegy #4 by Busoni
  • The Adoration of the Magi by Respighi
  • Winter Sonatina by Rowley
  • Christmas Concerto by Corelli
  • Ave Maria by Schubert/Liszt
  • Sleigh Bells in the Snow by Gillock
  • Diversions by Dello Joio
  • Nuit de Noel by Busoni
  • Sheep May Safely Graze by Bach/Petri
  • Carol Symphony by Hely-Hutchinson
  • Dance of the Sugar Plum Fairy by Tchaikovsky
  • Trepak by Tchaikovsky
  • Arabian Dance by Tchaikovsky
  • Waltz of the Flowers by Tchaikovsky
  • Hallelujah Chorus by Handel

Today is World Pianist Day!

Posted by MaryO on
World Pianist Day, celebrated on November 8, is a symphony of joy for pianists and music lovers alike. It’s a day dedicated to tickling the ivories, embracing the melodies, and having a grand ol’ time celebrating the magic of the piano and the talented souls who make it sing.
In the world of piano, we’re transported on a musical journey, where the notes and chords create a tapestry of emotions that tug at our heartstrings. Pianists, those maestros of the keys, have the power to move us to the rhythm of ultimate joy. And how do we revel in this melodious merriment? Well, we throw a piano party, of course! From dazzling classical compositions to the jazzy, bluesy tunes, pianists have a treasure trove of styles to choose from, and they’re ready to share their musical gifts with the world. And guess what? You don’t have to be a seasoned pianist to join in the fun – it’s the perfect day to tinkle those ivories if you’ve never tried before!
Now, let’s take a little trip down the history of World Pianist Day. Picture the greats like Mozart, Beethoven, Clementi, Liszt, Brahms, Chopin, Mendelssohn, Rachmaninoff, and Schumann. They’re like the rockstars of classical piano, setting stages ablaze with their virtuosity. These ivory-ticklers aren’t just known for their compositions; they were the original piano showstoppers, dazzling audiences far and wide.
And then there’s the fabulous world of jazz pianists, where spontaneity reigns supreme. It’s like a jam session where they dance to the rhythm of their own tune, improvising and weaving musical stories on the spot. Names like Bill Evans, Art Tatum, Duke Ellington, Thelonious Monk, Oscar Peterson, and Baden Powell are the jazz legends who’ve made the keys sing with swing.
So, how can you join the grand celebration of World Pianist Day? Here are some jazzy suggestions:
1. **Concert Time:** Hit up a piano concert and let the melodies sweep you off your feet. It’s like a musical rollercoaster that you won’t want to end.
2. **Movie Magic:** Watch “The Pianist” movie, a deep dive into the intricate and fulfilling life of a pianist and composer. You’ll be mesmerized by the world of music.
3. **Tickle the Ivories:** If you’ve always wanted to try your hand at piano, seize the moment on World Pianist Day. Grab an instrument, play your favorite tune, and let the music flow through your fingertips.
So, here’s to a day of musical wonder, where the piano takes center stage, and joyous melodies fill the air. Whether you’re a seasoned pianist or a newbie, let the piano keys be your guide to an enchanting musical journey.

Music for Halloween: Danse Macabre by Camille Saint-Saëns

Posted by MaryO on

danse-macabre

Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin.

With a title that includes the word “macabre”, you can tell it’s a great piece for Halloween. This is by far the most famous work associated with the holiday, and with good reason. It is a tone poem inspired by a French legend that says “Death” appears at midnight on Halloween to call forth the dead from their graves to dance for him. He plays the fiddle while skeletons dance until dawn.

Get a free copy of the sheet music at IMSLP (Look for Arrangements and Transcriptions) or borrow a copy from the O’Connor Music Studio.  I have this arranged for organ, piano, duet, simplified…

Amazon has a great Dover edition for solo piano.  This splendid compilation features a variety of the composer’s best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work “Danse Macabre” (presented here in the brilliant arrangement by Liszt), this collection also includes “Allegro appassionato,” “Album” (consisting of six pieces), “Rhapsodie d’Auvergne,” “Theme and Variations,” plus six etudes, three waltzes, and six etudes for left hand alone.

This video originally aired on PBS in the 1980s:

 

For two pianos:

 

Piano Tutorial:

 

Orchestra:

Music for Halloween: Dies Irae

Posted by MaryO on

 

Although not technically a “halloween piece” this very old Gregorian Chant (from the 300s!) is used in a lot of music that sounds spooky.  Dies Irae is a Latin term that means “Day of Wrath”.

The words of Dies irae have often been set to music as part of a Requiem service. In some settings, it is broken up into several movements; in such cases, Dies irae refers only to the first of these movements.

The traditional Gregorian melody has been used as a theme or musical quotation in many classical compositions, film scores, and popular works, including:

  • Marc-Antoine Charpentier – Prose des morts – Dies irae H. 12 (1670)
  • Thomas Adès – Totentanz
  • Charles-Valentin Alkan – Souvenirs: Trois morceaux dans le genre pathétique, Op. 15 (No. 3: Morte)
  • Ernest Bloch – Suite Symphonique
  • Hector Berlioz – Symphonie fantastique, Requiem
  • Johannes Brahms – Six Pieces for Piano, Op. 118, No. 6, Intermezzo in E-flat minor
  • Wendy Carlos and Rachel Elkind – Opening theme for The Shining, 1980
  • Mario Castelnuovo-Tedesco – 24 Caprichos de Goya, Op. 195: “XII. No hubo remedio” (plate 24)
  • Michel Chion – “Dies Irae” (on The Roots 2014 album …And Then You Shoot Your Cousin)
  • George Crumb – Black Angels (1970)
  • Michael Daugherty – Metropolis Symphony 5th movement, “Red Cape Tango”; Dead Elvis (1993) for bassoon and chamber ensemble
  • Gerald Fried – Opening theme for The Return of Dracula, 1958
  • Donald Grantham – Baron Cimetiére’s Mambo
  • Jerry Goldsmith – scores for The Mephisto Waltz (1971) and Poltergeist (1982) – quoted during the track “Escape from Suburbia”
  • Charles Gounod – Faust opera, act 4
  • Joseph Haydn – Symphony No. 103, “The Drumroll”
  • Gustav Holst – The Planets, movement 5, “Saturn, the Bringer of Old Age”; Ode to Death for chorus and orchestra (1919)
  • Arthur Honegger – La Danse des Morts, H. 131
  • Gottfried Huppertz – Score for Metropolis (1927)
  • Aram Khachaturian – Symphony No. 2
  • Franz Liszt – Totentanz
  • Robert Lopez and Kristen Anderson-Lopez – Frozen II (soundtrack), “Into the Unknown”
  • Gustav Mahler – Symphony No. 2, movements 1 and 5
  • Ennio Morricone – “Penance” from his score for The Mission
  • Modest Mussorgsky – Songs and Dances of Death, No. 3 “Trepak”
  • Nikolai Myaskovsky – Symphony No. 6, Op. 23
  • Sergei Rachmaninoff – Symphony No. 1, Op. 13; Symphony No. 2, Op. 27; Symphony No. 3, Op. 44; Isle of the Dead, Op. 29; The Bells choral symphony, Op. 35; Rhapsody on a Theme of Paganini, Op. 43; Symphonic Dances, Op. 45, Piano sonata No. 1, Études-Tableaux, Op. 39 No. 2
  • Ottorino Respighi – quoted near the end of the second movement of Impressioni Brasiliane (Brazilian Impressions)[23]
  • Leonard Rosenman – the main theme of The Car (1977)
  • Camille Saint-Saëns – Danse Macabre, Symphony No. 3 (Organ Symphony), Requiem
  • Dmitri Shostakovich – Symphony No. 14; Aphorisms, Op. 13 – No. 7, “Dance of Death”
  • Stephen Sondheim – Sweeney Todd – quoted in “The Ballad of Sweeney Todd” and the accompaniment to “Epiphany”
  • Kaikhosru Shapurji Sorabji – Sequentia cyclica super “Dies irae” ex Missa pro defunctis and nine other works
  • Pyotr Ilyich Tchaikovsky – Manfred Symphony, Orchestral Suite No. 3
  • Eugène Ysaÿe – Solo Violin Sonata in A minor, Op. 27, No. 2 “Obsession”

 

By itself, it sounds like this:

 

See if you can find it in these other places:

 

 

 

 

 

 

When you watch movies or listen to music, see if you can hear a hidden Dies Irae.

 

 

 

 

October 22 ~ On This Day in Music

Posted by MaryO on

today

OCMS 1811 ~ Franz Liszt, Hungarian composer and pianist
Read quotes by and about Franz Liszt
More information about Liszt

• 1885 ~ Giovanni Martinelli, Opera singer, tenor with Metropolitan Opera for 30 seasons

• 1904 ~ Paul Arma, Hungarian composer and theorist

• 1917 ~ Leopold Stokowski led the Philadelphia Orchestra in its first recording session, for Victor Records.

• 1930 ~ Dory Previn, Songwriter with André Previn

• 1939 ~ Ray Jones, Bass with Billy J. Kramer & The Dakotas

• 1943 ~ Paul Zukofsky, American violinist

• 1943 ~ Bobby Fuller, Singer, guitarist with Bobby Fuller Four

• 1945 ~ Leslie West (Weinstein), Singer, musician, guitarist with Mountain

• 1945 ~ Eddie Brigati, Singer, a musician with The (Young) Rascals

• 1959 ~ “Take Me Along” opened on Broadway and quickly became an American classic. Walter Pidgeon starred along with Jackie Gleason.

• 1966 ~ The Supremes rocketed to the top of the pop album charts with “Supremes A’ Go-Go”. They were the first all-female vocal group to hit the top of the LP chart.

• 1969 ~ Giovanni Martinelli passed away on his birthday

• 1969 ~ Michael Tilson Thomas, the 25-year-old assistant conductor of the Boston Symphony Orchestra, took over for ailing conductor William Steinberg in the symphony’s appearance in New York City.

• 1971 ~ Folk singer Joan Baez received a gold record for her hit, The Night They Drove Old Dixie Down. It turned out to be her biggest hit, peaking at #3 on the charts on October 2, 1971.

• 1979 ~ Nadia Boulanger, French composer and conductor (1st woman to conduct Boston Symphony), died at the age of 92

• 1983 ~ Celebrating its 100th anniversary, New York’s Metropolitan Opera featured a daylong concert with some of the world’s greatest opera stars. On stage at the Met were Dame Joan Sutherland, Placido Domingo and Luciano Pavarotti.

• 2001 ~ Tom Baker, one of Australia’s most respected jazz musicians, died of a heart attack while touring in the Netherlands. He was 49. Baker, a native of California, took up residence in Australia 30 years ago. He was a regular at Sydney’s famous jazz club, The Basement. Willie Qua, drummer and co-founder of one of Australia’s best-known jazz bands, Galapagos Duck, said Baker had often played as “a part-time member” of the band and was an icon of the Sydney jazz scene. Baker formed his first band, Tom Baker’s San Francisco Jazz Band, in 1975, earning himself a reputation as one of Australia’s very best jazz musicians. Recently he toured extensively through Europe and America.

Happy Birthday, Franz Liszt!

Posted by MaryO on

liszt-quote

Franz Liszt was born in Raiding, near Ödenburg, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.

Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccoló Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.

Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.

Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Préludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvorák, Sibelius, and Richard Strauss.


Liszt’s birthday

anniversary of Liszt’s death

Listen to Liszt’s transcription of Meyerbeer’s Hellish Waltz from Robert du Diable, which probably caused more public commotion than any other piano piece in history.


Read quotes by and about Liszt

Liszt was the first recitalist

In Praise of Pianos and the Artists Who Play Them

History of the Piano

Franz Liszt

Music for Halloween: Dreams of a Witches’ Sabbath from Symphonie fantastique

Posted by MaryO on

berlioz-symphony-fantastique
The final movement is the best known part of the symphony, thanks to its use in the Julia Roberts movie, Sleeping With The Enemy. It features a four-part structure, which Hector Berlioz described in his own program notes from 1845 as follows:

“He sees himself at a witches’ Sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the Sabbath… Roar of delight at her arrival… She joins the diabolical orgy… The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.”

The Dies irae melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.

The traditional Gregorian melody has also been used as a theme or musical quotation in a number of  classical compositions, notable among them:

Free sheet music from IMSLP for the basic Dies irae

Free sheet music from IMSLP for the basic Symphonie fantastique (look under Arrangements and Transcriptions)

The basic Gregorian Chant

An animated version of the  Dreams of a Witches’ Sabbath from Symphonie fantastique.  Can you hear the Dies irae in this?  It starts around 3:18.

Leonard Bernstein conducts the “Orchestre National de France” in Berlioz’s Symphonie Fantastique
5th Movement

Arranged for piano

A listening guide

Fall 2025 Listening and Coloring Pages

Posted by MaryO on

 

I have purchased a set of Shades of Sound Listening & Coloring Book: Halloween for the studio.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  They are also available in your Parent/Student Portal.   After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Halloween edition includes 13 spooky pieces of piano and orchestral literature, ranging from the Baroque to the Modern period. By spending just 5-10 minutes per day listening for just a few days per week, students can listen to and complete the whole book in a few weeks.

Aspiring pianists need to know the literature, hear the greats perform, and be inspired and excited by the great music that is available! Just as writers need to read, read, read, pianists need to listen! Through this fun curriculum, students will learn about the musical periods and the great composers and their works. Listening repertoire selected includes selections from the standard solo piano literature, as well as solo piano and orchestra literature and orchestral works.

My hope is that students can add just 5-10 minutes of listening per day to their normal practicing. Listening to great music will change their understanding of music and will vastly increase their music history knowledge. It will excite and inspire them, encourage further study and listening, give them new pieces to add to their own repertoire wish list, infuse more great music into their lives, homes and families, and will boost their musicianship and expression to the next level.

The Halloween Shades of Sound book includes 13 different pieces, including:

  • Totentanz by Liszt
  • Le Cimetiere, from Clairs de Lune by Abel Decaux
  • Graceful Ghost Rag by William Bolcom
  • Night on Bald Mountain by Mussorgsky/Rimsky-Korsakov
  • Tarantelle, from Music for Children Op. 65 No. 4 by Prokofiev
  • Tarantella by Albert Pieczonka
  • In the Hall of the Mountain King by Grieg
  • Toccata and Fugue in D minor, BWV 565 by Bach
  • Funeral March, from Piano Sonata No. 2 in B-flat minor by Chopin
  • Danse Macabre by Saint-Saens
  • The Banshee by Henry Cowell
  • Scarbo, from Gaspard de la nuit by Ravel
  • The Sorcerer’s Apprentice by Paul Dukas

Students may use The Playful Piano – Halloween Listening YouTube playlist to listen along with their book using quality recordings. The playlist is ordered to go right along with the book, and also includes 5 extra pieces (some pages include optional “Further Listening” examples students may listen to).

 

Happy Birthday, Clara Schumann!

Posted by MaryO on

cschumann

Clara Schumann (1819-96) was much more than the wife of composer Robert Schumann. She was, quite simply, one of the greatest pianists of all time. A child prodigy, her technique and musicianship as a mature artist led to her being regarded as the equal of giants of the keyboard such a Franz Liszt, Sigismond Thalberg and Anton Rubinstein.

And from her girlhood until the end of her marriage she composed wonderful music, mostly solo piano music, but other works as well, including a concerto, a large number of songs and a sublime piano trio.

In her later years, she was an internationally famous teacher, and her performing career lasted more than six decades. She was, quite simply, a phenomenon.

Infographic: Hands According to Pianists.

Posted by MaryO on

pianist-hands

Redditor NeokratosRed had an idea: depict the hands of great composers and pianists, according to the characteristics of their music. He shared it on the social media site, and also punted for suggestions of more. It has since received over 300,000 images views, and lots of further suggestions from fellow Redditors and piano geeks.

Whisks for Chopin’s elegant pianistic souffles, feather dusters for the gentle impressionism of Debussy, instruments of trade for the composer of the thunderous Hammerklavier sonata.

Piano, and the internet – top marks to the both of you.

via This infographic of composers’ hands is painfully (and hilariously) accurate | Classic FM.