Charles Wesley (1707-1788), the younger brother of John Wesley wrote the words to this Christmas Carol.
Charles was a hymn writer and a poet, also known as one of the people who began the Methodist movement in the Church of England. Hark the Herald Angels Sing appeared in 1739 in a book called Hymns and Sacred Poems.
Wesley envisioned this being sung to the same tune as his hymn, Christ the Lord Is Risen Today, and in some hymnals it is included along with the more popular version.
This hymn was regarded as one of the Great Four Anglican Hymns and published as number 403 in “The Church Hymn Book” (New York and Chicago, USA, 1872).
To celebrate the invention of the printing press, Felix Mendelssohn composed a cantata in 1840 called Festgesang or “Festival Song”. The melody of Mendelssohn’s cantata was then used by William H. Cummings and adapted it to the lyrics of Wesley’s “Hark the Herald Angels Sing”.
Hark the herald angels sing “Glory to the newborn King! Peace on earth and mercy mild God and sinners reconciled” Joyful, all ye nations rise Join the triumph of the skies With the angelic host proclaim: “Christ is born in Bethlehem” Hark! The herald angels sing “Glory to the newborn King!”
And, of course, no one can do it better than The Mormon Tabernacle Choir.
Carol of the Bells was composed by Mykola Dmytrovych Leontovych (1877-1921) in 1916. Originally titled Shchedryk, this Ukrainian folk song is sometimes called Ukrainian Bell Carol. “Shchedryk” which was associated with the coming New Year, originally celebrated in April.
Leontovych used this tune in 1904 along with lyrics by Peter J. Wilhousky to create the version that everyone knows today. It gained popularity during the 1920s and 1930s, and was introduced to an even wider audience when it was used in the movie “Home Alone”.
It was first performed in the Ukraine on the night of January 13, 1916, on the Julian calendar this is considered New Year’s Eve. In the United States the song was first performed on October 5, 1921 at Carnegie Hall.
This video is from the Christmas special of the Mormon Tabernacle Choir, presented at the BYU channel. The orchestra and choir produce a very beautiful sound.
Not the standard version –
The O’Connor Music Studio has several versions of this Christmas Carol available for loan, including this version from the Mannheim Steamroller:
Angels we have heard on high
Sweetly singing o’er the plains
And the mountains in reply
Echoing their joyous strains
CHORUS:
Gloria, in excelsis Deo!
Gloria, in excelsis Deo!
Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
Which inspire your heavenly song?
Chorus
Come to Bethlehem and see
Him Whose birth the angels sing;
Come, adore on bended knee,
Christ the Lord, the newborn King.
Chorus
See Him in a manger laid
Jesus Lord of heaven and earth;
Mary, Joseph, lend your aid,
With us sing our Savior’s birth.
Chorus
This is a traditional French carol (Les Anges dans nos Campagnes) that was translated into English by Bishop James Chadwick.
This carol commemorates the story of the birth of Jesus Christ found in the Gospel of Luke, in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child.
This is “Angels We Have Heard on High” with choir and orchestra.
The Piano Guys, Peter Hollens, David Archuleta, and The Mormon Tabernacle Choir get together to sing “Angels We Have Heard On High”
From RevKev, Pender UMC’s Former Associate Pastor – “As it was, so it is, Christmas about Jesus. We are all distracted by the glitz and festivities, but let us hear the sound of Angels and the call to worship our Newborn King.
Just in time for Christmas, a gift from God to you: A baby in a manger who would love us through and through..”
Isaac Watts wrote the words to “Joy to the World” in 1719, based on Psalm 98 in the Bible. The hymn originally glorified Christ’s triumphant return at the end of the age, rather than a song celebrating His first coming. Only the second half of Watts’ lyrics are still used today.
The music was adapted and arranged to Watts’ lyrics by Lowell Mason in 1839 from an older melody which was then believed to have originated from Handel. The name “Antioch” is generally used for the hymn tune.
As of the late 20th century, “Joy to the World” was the most-published Christmas hymn in North America.
There are versions of Joy to the World available at the O’Connor Music Studio for any level of playing, starting with Pre-Reading, all the way up through Advanced and duets.
• 1741 ~ George Frederick Handel completed his The Messiah. It took the composer just 23 days to complete the timeless musical treasure which is still very popular during the Christmas holiday season.
• 1814 ~ Francis Scott Key, an attorney in Washington, DC, was aboard a warship that was bombarding Fort McHenry (an outpost protecting the city of Baltimore, MD). Key wrote some famous words to express his feelings. Those words became The Star-Spangled Banner, which officially became the U.S. national anthem by an act of Congress in 1931.
The poem, originally titled “The Defence of Fort M’Henry,” was written after Key witnessed the Maryland fort being bombarded by the British during the War of 1812. Key was inspired by the sight of a lone U.S. flag still flying over Fort McHenry at daybreak, as reflected in the now-famous words of the “Star-Spangled Banner”: “And the rocket’s red glare, the bombs bursting in air, Gave proof through the night that our flag was still there.”
• 1760 ~ Luigi Cherubini, Italian composer
More information about Cherubini
• 1910 ~ Lehman Engel, American composer, conductor and writer
• 1927 ~ Gene Austin waxed one of the first million sellers. He recorded his composition, My Blue Heaven, for Victor Records.
• 1941 ~ Priscilla Mitchell, Singer
• 1946 ~ Pete Agnew, Bass, singer with Nazareth
• 1947 ~ Jon ‘Bowzer’ Bauman, Singer with Sha Na Na
• 1950 ~ Paul Kossoff, Guitarist with Free
• 1954 ~ Barry Cowsill, Singer with The Cowsills
• 1959 ~ Morten Harket, Singer with a-ha
• 1964 ~ Mary Howe, American composer and pianist (Sand), died at the age of 82
• 1973 ~ Donny Osmond received a gold record for his hit single, The Twelfth of Never. The song, released in March of 1973, was one of five which turned gold for the young Osmond. His other solo successes were Sweet & Innocent, Go Away Little Girl, Hey Girl and Puppy Love.
• 1985 ~ The first MTV Video Music Awards were presented at Radio City Music Hall in New York City. The Cars won Best Video honors for You Might Think and Michael Jackson won Best Overall Performance and Choreography for his Thriller video.
• 2002 ~ Jazz saxophonist and bandleader Paul Williams, whose 1949 Rhythm and Blues hit, The Huckle-Buck, was covered by Frank Sinatra, died, at the age of 87. Williams scored one of the first big hits of the R&B era in 1949 with The Huckle-Buck, based on Charlie Parker’s “Now’s the Time.” It was the biggest-selling record in the Savoy label’s 60-year history, topping the R&B charts for 14 weeks, and spawned vocal versions by Sinatra and others. The Huckle-Buck was one of three Top 10 and five Top 20 R&B hits Williams scored for Savoy in 1948 and 1949. Other Top 10 hits were 35-30 in 1948 and Walkin’ Around in 1949. Williams was later part of Atlantic Records’ house band in the ’60s and directed the Lloyd Price and James Brown orchestras until 1964. After leaving the music business temporarily, he opened a booking agency in New York in 1968. Born July 13, 1915, in Birmingham, Alabama, Williams played with Clarence Dorsey in 1946, and then made his recording debut with King Porter in 1947 for Paradise before forming his own band later that year. Saxophonists Noble “Thin Man” Watts and Wild Bill Moore, trumpeter Phil Guilbeau, and vocalists Danny Cobb, Jimmy Brown, Joan Shaw, and Connie Allen were among Williams’ band members.
• 2009 ~ Patrick Swayze, American actor, dancer, and songwriter (Dirty Dancing), died at the age of 57
“Ode to Joy” was written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
“Ode to Joy” is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. This was Beethoven’s final symphony and lasts over an hour for the whole thing.
The entire final movement:
Beethoven’s text is not based entirely on Schiller’s poem, and introduces a few new sections. His melody (but not Schiller’s words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
If your student is in Wunderkeys, this is a classical pop piano solo based on Beethoven’s 9th Symphony. This Level 4 piano solo is from the book The Beethoven Sessions; a collection of 7 classical pop piano solos inspired by the music of Beethoven.
It is often called Joyful, Joyful We Adore Thee (You) in hymnbooks.
Find Ode to Joy in Piano Maestro, Prelude, Beethoven: Exploring His Life and Music and several hym books.
By now, you know I love flashmobs:
And Muppets (note the metronome going wild!):
And Barbershop:
An animated score:
Boomwhackers:
The Piano Guys combined Ode to Joy with Joy to the World for a new Christmas arrangement:
As the European Anthem:
And, finally Joyful, Joyful we Adore Thee by the Mormon Tabernacle Choir.
Do a search on youtube – lots and lots of people have played this famous Beethoven melody.
. 1941 ~ Artie Shaw and his orchestra recorded Moonglow on Victor Records. In the band were such sidemen as Johnny Guarnieri, Jack Jenney, Billy Butterfield and Ray Conniff on trombone.
. 1943 ~ Duke Ellington and the band played for a black-tie crowd at Carnegie Hall in New York City. It was the first of what was to become an annual series of concerts featuring the Duke.
. 1943 ~ Louis Jordan and His Tympany Five took the song “What’s the Use of Getting Sober” to the top chart spot. It only stayed there for one week.
. 1948 ~ Anita Pointer, Singer with The Pointer Sisters
. 1950 ~ Bill Cunningham, Bass, piano with The Box Tops
. 1950 ~ Patrick Simmons, Singer, guitarist with The Doobie Brothers
. 1974 ~ Mike Oldfield’sTubular Bells opened the credits of the movie, “The Exorcist”, based on the book by William Peter Blatty. The song received a gold record this day.
. 1977 ~ Carole King’s landmark album, “Tapestry”, became the longest-running album to hit the charts, as it reached its 302nd week on the album lists.
. 1978 ~ Vic Ames killed in car crash
. 1981 ~ Samuel Barber, American composer (School for Scandal), died of cancer at the age of 70
. 1986 ~The first ten musicians were inducted into Rock ‘n’ Roll Hall of Fame including James Brown, Elvis Presley, Ray Charles, Buddy Holly, Chuck Berry, Sam Cooke, Fats Domino, the Everly Brothers, Jerry Lee Lewis and Little Richard.
When Chuck Berry was inducted into the Rock and Roll Hall of Fame in 1986, an all-star band, including John Fogerty, Billy Joel, Jerry Lee Lewis, Keith Richards, Neil Young and Steve Winwood, charged through a raucous “Roll Over Beethoven” with de facto bandleader Chuck Berry guiding the show.
. 1993 ~Thomas Gorsey passed away on this day. He was considered to be the “Father of Gospel Music” and had written over a thousand gospel songs in his lifetime.
. 2002 ~ Alfred Glasser, a former director of education for the Lyric Opera of Chicago, died of cancer. He was 70. Glasser held the education post for 30 years before his retirement in 1996. Since 1997, Glasser served as chairman of the board and commentator for Chicago’s concert opera company, da Corneto Opera. For the past decade, he served on the board of Alliance Francaise of Chicago, a French cultural group. Glasser also founded the Lyric Opera Lecture Corps, a community service project.
. 2003 ~ Nell Carter, actress-singer, died at the age of 54. She was best known for her role as the housekeeper in the TV sitcom “Gimme a Break!”. Carter, who was born September 13, 1948, in Birmingham, Alabama, first rose to stardom on the New York stage. After a series of roles on- and off-Broadway — and a short-lived part in the soap opera “Ryan’s Hope” — in 1977 she starred in the show “Ain’t Misbehavin’!”, a revue of the works of composer Fats Waller. She was rewarded for her performance with an Obie Award, and later with a Tony Award when the show moved to Broadway. Several years later, she earned an Emmy for her performance on a television presentation of the musical. Despite her Broadway success, Carter would have preferred to sing opera. “When I was growing up, it was not something you aspired to,” she said in 1988. “I was a weirdo to want to be in show business. Most kids wanted to be teachers or nurses.” “Gimme a Break!” ran from 1981 to 1987. Carter was nominated for two Emmys for her role as housekeeper Nell Harper, who helped run the household of police chief Carl Kanisky, played by Dolph Sweet. She also garnered two Golden Globe nominations for the role.
. 2003 ~ For Sale: One of London’s most famous music venues, which in its heyday in the 1960s played host to The Who, David Bowie and the Rolling Stones, is for sale, its administrators said. The Marquee Club, which in the 1970s was the epicenter of the punk explosion, ran into financial difficulties after its high-profile relaunch last fall, said a spokeswoman for administrator BDO Stoy Hayward. “We’re looking for someone in the music business who can capitalize on the Marquee brand and keep running it as a live venue,” she said. The price tag is at least $200 million. The club opened in London’s Soho district in 1958 and was so cramped and sweaty that, according to legend, Bob Geldof of the Boomtown Rats blacked out on stage. In 1988, it moved to a new location in nearby Charing Cross, but within eight years it had closed down. A high-profile relaunch at a new venue in Islington, north London September 2002 was headlined by the controversial electro-rockers Primal Scream, but according to the club’s administrators, huge start-up costs quickly led to its downfall.
. 2017 ~ Bobby Freeman, American singer (Do You Want to Dance), died at the age of 76
. 2018 ~ Hugh Masekela, South African trumpeter, anti-apartheid activist (I Am Not Afraid), described as the “father of South African jazz,” died at the age of 78
“Auld Lang Syne,” a poignant Scots poem penned by the legendary Robert Burns in 1788, is set to the melody of a timeless folk song. Renowned globally, particularly in English-speaking regions, it is traditionally sung to usher in the New Year at midnight. Additionally, the song finds a place in various other settings, including funerals, graduations, and farewells, symbolizing endings and transitions. The Boy Scout movement internationally has adopted it as a ceremonial conclusion to their gatherings and events.
The title, “Auld Lang Syne,” translates from Scots to English as “old long since,” but more colloquially, it means “long long ago,” “days gone by,” or “times of old.” Hence, the phrase “For auld lang syne” in the chorus loosely means “for the sake of old times.”
This song is a treasured Scottish offering to the world, evoking nostalgia and warmth of days past. It not only reminisces about times gone by but also fosters a sense of unity and togetherness for the future.
“Auld Lang Syne” is a gem from the rich Lowland Scots folk tradition, skillfully refined by one of the world’s premier songwriters, Burns. In his final years, Burns dedicated himself to preserving and enhancing the song tradition, often transforming fragments of old ballads into profound love songs or Scots poems. In “Auld Lang Syne,” he found a piece already gleaming with brilliance, as he expressed in an 1788 letter to Mrs. Dunlop.
An intriguing aspect of “Auld Lang Syne” is that the globally sung melody differs from the one Burns originally set the lyrics to. The original tune, still performed by traditionalists, carries a softer, more reflective quality, as showcased in Mairi Campbell’s rendition in the film “Sex and the City.” Regardless of the tune or its global reach, “Auld Lang Syne” maintains the deep emotional impact of the original Scottish folk song. As Burns himself once reflected, the phrase ‘Auld Lang Syne’ powerfully resonates, capturing the soul-stirring essence of an old song and tune.
Fancy singing along yourself? Here are the verses of the words to Auld Lang Syne:
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne.
Chorus:
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne,
And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.
Chorus
We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.
Chorus
We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.
Chorus
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.
Chorus
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And long, long ago.
Chorus
And for long, long ago, my dear
For long, long ago,
We’ll take a cup of kindness yet,
For long, long ago
And surely youll buy your pint-jug!
And surely I’ll buy mine!
And we’ll take a cup of kindness yet,
For long, long ago.
Chorus
We two have run about the hills
And pulled the daisies fine;
But we’ve wandered manys the weary foot
Since long, long ago.
Chorus
We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since long, long ago.
Chorus
And there’s a hand, my trusty friend!
And give us a hand of yours!
And we’ll take a deep draught of good-will
For long, long ago.
Chorus
Check out this vintage kinescope, a blast from over half a century ago! For a century now, the iconic descent of a glowing glass ball from One Times Square in New York City on New Year’s Eve has been a beloved American ritual. Year after year, throngs of people gather to ring in the New Year with jubilation.
Starting in 1956, Guy Lombardo and His Royal Canadians became synonymous with the US’s New Year’s Eve celebrations. They combined melodious tunes with the live spectacle of the Midnight ball drop. Guy spearheaded this tradition until his passing in 1977, and his band continued to grace CBS Television with their New Year’s performances for two more years. Meanwhile, Dick Clark’s Rockin’ New Years Eve kicked off in 1972 on ABC and remains a yearly broadcast. Guy’s show would start right after a 15-minute news segment and would run for an hour. While Guy orchestrated the music, news anchor Robert Trout would herald the onset of the New Year.
If you pay attention, you might spot the sharp-tongued TV figure Henry Morgan amidst the crowd. Television back then, fifty years ago, was a far cry from today’s standards, marked by stark lighting and basic technology, like a simple office clock and a World War II-era searchlight sweeping over the gathered crowd.
I hope you’ll enjoy ringing in the New Year – 1958! Recorded: December 31, 1957
Auld Lang Syne played on bagpipes (as it should be)
MaryO'Studio 