Tag Archives: Peter Ilyich Tchaikovsky

Composers – T

Posted by MaryO on


Tartini

Giuseppe Tartini was born in Pirano, Italy and lived from 1692 until 1770. He was a violinist and composer, who also had studied law and divinity at Padua, and was an accomplished fencer. He secretly married a proteg?e of the Archbishop of Padua, for which he was arrested. He fled to Assisi but, after attracting the archbishop’s attention by his violin playing, he was invited back to his wife. Perhaps one of the greatest violinists of all time, he was also an eminent composer. His best-known work is the Trillo del Diavolo (c.1735, Devil’s Trill).

Tavener, John

John Taverner lived from about 1490 until 1545. He was employed as master of the choristers at Cardinal College (Christ Church), Oxford, in its early heyday, retiring, on Cardinal Wolsey’s fall from power, to Boston, where he was held in considerable regard until his death in 1545. The popular, if mistaken, account of his life is the subject of the opera by Peter Maxwell Davies, Taverner.

Taverner wrote Latin Mass settings, Magnificat settings and motets. Of the first of these the Western Wynde Mass, using the melody of a popular song of that name, is among the better known. From his Mass Gloria tibi Trinitas came the fragment of a theme that served later generations as the basis of an English genre of consort music, the In nomine.

Taverner himself began the tradition of the In nomine, an instrumental arrangement of part of the Benedictus of his Mass Gloria tibi Trinitas.

Taverner, John Keith

John Kenneth Tavener, born in 1944 in London, England is a composer. He studied at the Royal Academy of Music, London and has been professor of music at Trinity College of Music since 1969. He was still at college when he won the prestigious Prince Rainier of Monaco Prize in 1965 with his cantata, Cain and Abel. His music is predominantly religious, and includes the cantata The Whale (1966), Ultimos ritos (1972, Last Rites) for soloists, chorus, and orchestra, and a sacred opera Therese (1979). He was converted to the Russian Orthodox faith in 1976.

His work, Eternity’s Sunrise, won a Grammy Award. His sacred work, Song for Athene, was sung at the funeral ceremony of Princes Diana.

Tchaikovsky

Piotr Ilyich Tchaikovsky lived between 1840 and 1893. He is considered to be a romantic composer. He was a Russian composer who was a master of melancholy moods, emotional outbursts and dramatic climaxes in his music.

“Worthless, vulgar, derivative, unplayable” were a few of the adjectives that pianist and conductor Nicholas Rubinstein used to describe Tchaikovsky’s Piano Concerto in b-flat minor, when he first heard it on Christmas Eve, 1874. Ironically, Tchaikovsky had arranged the piece as a gift for Rubinstein, to whom he intended to dedicate it. Furious, Tchaikovsky re-dedicated the piece to pianist Hans von Bülow, who was the first to perform it.

Within a few yers, Rubinstein’s distaste for the concerto mellowed and he became one of its principal interpreters.

Tchaikovsky read Goethe’s novel Wilhelm Meisters Lehrjahre in the 1860’s and set its melancholy poem “None but the Lonely Heart” to music.

Tchaikovsky found one of his greatest successes with his lovely waltz from the “Serenade for Strings” which he composed in 1880. He was also composing the 1812 Overture at the same time. He conducted several early performances of the Serenade himself, but he had no formal conducting training and became so nervous that he sometimes lost the place in his own music.

Shakespeare’s Romeo and Juliet inspired the melancholy Tchaikovsky to write his own version, using musical themes to suggest various themes from the play.

On his way to New York in 1891 to participate in the opening of Carnegie Hall, Tchaikovsky stopped in Paris and discovered the celesta, The celesta is a small keyboard with tiny silver bars which sound like bells when struck. He ordered one to be sent to Moscow in strict secrecy so that he could be the first to use it. His ballet The Nutcracker included the “Dance of the Sugar Plum Fairy” which has several wonderfully shimmering phrases for the celesta.

Tchaikovsky’s Nutcracker was featured in the Walt Disney movie Fantasia.

The first performance of the Sixth Symphony was only a mild success. By the time of the next performance a few weeks later – which was a tremendous success – Tchaikovsky was dead of cholera. It’s title Pathétique – is characteristic of the composer, who always was afraid that his creativity would suddenly stop.

Teagarden

Weldon Leo ‘Jack’ Teagarden was a Jazz musician, born in Vernon, Texas and he lived from 1905 until 1964. He came from a musical family with his mother, Helen, playing piano and his father,Charles, trumpet. His two brothers, Charlie (trumpet) and Clois (drums) were also talented musicians as was his sister Norma (piano). Jack started on piano at the age of five and two years later learned to play the baritone horn, bought for him by his father. By the age of ten Jack was playing trombone.

The family moved from Vernon to Chappell, Nebraska in 1918 and Jack was soon playing in local theatres accompanied by his mother on piano. From here his travels become a little blurred but we know that he lived for a while in 1919 in Oklahoma City then with his uncle in San Angelo and started playing with local bands. He then played with a quartet at the Horn Palace Inn, San Antonio led by drummer Cotton Bailey,from late 1920 until September 1921 except for a summer season in Shreveport.

It was from Cotton Bailey that the young Weldon received his nickname, “Jack”. From then until the spring of 1923 he played with the legendary Peck Kelly’s Bad Boys. Dropped out of music in Wichita Falls in the summer of ’23 then joined Marin’s Southern Serenaders before rejoining Peck Kelly.

His recording debut came with Johnny Johnson and his Statler Pennsylvanians in early December 1927 when they cut two sides for Victor, “Thou Swell”/”My One and Only”. Jack was twenty-two years old. Two months with the Tommy Gott Orchestra then a major move to Ben Pollack where he remained from June 1928 until May 1933. This period with Pollack was extremely productive in recording terms as he led his own recording groups as well as playing as a sideman with Louis Armstrong, Benny Goodman, Red Nichols, Eddie Condon, and many other famous musicians of the day.

He took part in the first ‘mixed’ recording session with Louis which produced the majestic blues “Knockin’ a Jug”. In October 1928 Jack cut “Makin’ Friends” with Eddie Condon and made history by using a water glass as a substitute for a mute, removing the bell of the trombone and holding the glass over the open end of the tubing producing a unique sound.

In December 1933 he made his big move to join Paul Whiteman. He stayed with Whiteman’s star-studded aggregation until December 1938. His stay with Whiteman brought him financial security but we will never know if this residency was a good move or a bad one. Opinions differ strongly. It has been surmised that Benny Goodman would have offered Jack the trombone chair in his new orchestra as featured soloist.

After leaving Whiteman, Jack started up his own big band which he led until from February 1939 until November 1946. Musically the band was a success but financially a disaster. When the band was finally broken up, Jack gigged around, recorded as a freelance and played at the ‘Esquire’ jazz concert in January 1944 at the Metropolitan Opera House with Armstrong, Eldridge, Tatum, Hawkins. He led his own sextet until joining Louis Armstrong’s All Stars where he stayed from July 1947 until August 1951.

When he left Louis he formed his own All Stars and toured with them until he disbanded in 1956 when he played with Ben Pollack for a few months. He co-led another all-star group with Earl Hines which visited Britain and Europe in the fall of 1957 which was raptuorously received. Jack led another group on a State Department sponsored tour of Asia from September 1958 until January 1959.

Jack was a mainstay of late 1920s New York Jazz scene, a trombonist and singer whose relaxed, melodic instrumental style was highly influential. He was also one of the best White Jazz singers, particularly when he sang the Blues on songs like Makin’ Friends.

He continued playing and leading a group until his death on January 15, 1964. He played his last engagement at The Dream Room in New Orleans while suffering from bronchial pneumonia, returned to the Prince Conti Motor Hotel, just three blocks from Basin Street, after the gig and was found by the room-maid the next afternoon, dead on the floor clad in his dress shirt and shorts. He was 58 years old. The New Orleans “Times-Picayune” published his obituary on January 16, 1964. Jack was buried at Forest Lawn Memorial Park, Los Angeles, Plot # 7281. The headstone reads “Where there is Hatred, Let Me Sow Love”

Tebaldi

Renata Tebaldi is an Operatic soprano, born in Pesaro, Italy in 1922. She studied at Parma Conservatory, made her debut at Rovigo in 1944, and was invited by Toscanini to appear at the re~opening of La Scala, Milan, in 1946, where she sang until 1954. She then sang in many opera houses, including several seasons at the Metropolitan Opera, New York City, and made many recordings.
Tebaldi had one of the most beautiful Italian voices of the century. Although her rivalry with Maria Callas attracted much attention, it was her singing that captivated her fans.

Her breakthrough came in 1946 when she auditioned in Milan for the great conductor Toscanini and from then until the late 1970s she performed across Europe and the United States.

When she made her debut at the city’s La Scala opera house in late 1946, the maestro dubbed her “The Voice of an Angel.”

Singing the soprano part in Giuseppe Verdi’s “Te Deum,” the concert marked the reopening of the theater after the end of World War II. It also branded Tebaldi in Italian minds as part of the country’s post-war renaissance.

She went on to perform at London’s Covent Garden, the San Francisco Opera and appeared regularly at the Metropolitan Opera (news – web sites) in New York taking the lead roles in “La Boheme,” “Madam Butterfly,” “Tosca” and “La Traviata.”

“I started my career at 22 and finished it at 54. 32 years of success, satisfaction and sacrifices. Singing was my life’s scope to the point that I could never have a family,” she wrote in a preface to her official Web site.

Tebaldi was born in the Italian seaside town of Pesaro on Feb. 1, 1922. Stricken with polio at the age of 3, she was unable to partake in strenuous activities and instead became interested in music.

In her early teens, she began studying music at the Conservatory of Parma.

“I started singing when I was a young girl but my family wanted me to study piano but my overwhelming need to express myself with my voice made me choose the art of singing,” she once told her fans.

Tebaldi has left a huge legacy of complete operas on disc with other famous singers including Mario del Monaco, Giulietta Simionato, and Carlo Bergonzi.

Her recordings include Verdi’s “Otello” and “Aida” and Puccini’s “La Boheme” and “Madama Butterfly.”

She last performed on the opera stage in 1973, and her last concert took place in 1976.

Tebaldi was a Knight Commander of the Order of Merit of the Italian Republic and had received a Commander, Order of Arts and Letters from France.

Te Kanawa

Dame Kiri Te Kanawa, born in 1944 in Gisborne, New Zealandin, is an Operatic soprano. After winning many awards in New Zealand and Australia she came to London, where she made her debut with the Royal Opera Company in 1970. She has since taken a wide range of leading roles, and in 1981 sang at the wedding of the Prince and Princess of Wales. She was made a dame in 1982 and has produced many non-classical recordings. In 1989 she published Land of the Long White Cloud: Maori Myths and Legends.

Teleman

Georg Philipp Telemann, born in 1681 in Magdeburg, Germany, was a very prolific late Baroque era composer, composing 600 overtures in the Italian style, 44 Passions, 40 operas, innumerable trio sonatas, suites and flute quartets. He was a self-taught composer and organist. When he died in 1767, his organist post in Leipzig went to Johann Sebastian Bach.

Tilson Thomas

Michael Tilson Thomas is the Music Director of the San Francisco Symphony, the Founder and Artistic Director of the New World Symphony, and the Principal Guest Conductor of the London Symphony Orchestra. He is currently Artistic Director of the Pacific Music Festival in Sapporo, Japan, which he and Leonard Bernstein inaugurated in 1990. Born in Los Angeles, he is the third generation of his family to follow an artistic career. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra where he worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions. He was also Assistant Conductor at the Bayreuth Festival. Noted for his commitment to music education, Michael Tilson Thomas founded the New World Symphony in 1988, to be a national orchestra for the most gifted graduates of America’s music conservatories. In addition to their regular season in Miami, they have toured France, Great Britain, South America, Japan, Israel and the United States, and in 1998 celebrated their 10th anniversary with concerts in New York, London, Paris, Amsterdam and Vienna.

Tilson Thomas has recently completed a very successful tour of Europe with the San Francisco Symphony and back at home in June 1999, they present a festival of Stravinsky’s music, some of which they have recently recorded together.

With the London Symphony Orchestra, Tilson Thomas has toured in Israel, Japan, the USA, as well as in Europe including an appearance at the Salzburg Festival. In London, he and the orchestra have mounted major festivals focusing on the music of Brahms, Mahler, Rimsky-Korsakov, Gershwin, Reich and Takemitsu.

Tilson Thomas’ recordings have received many awards and cover a wide range of repertoire including Bach, Beethoven, Mahler and Prokofiev as well as his pioneering work with the music of Ives, Ruggles, Reich, Cage and Gershwin. In 1994 Michael Tilson Thomas received the Ditson Award for contributions to American Music, was named Musical America’s Conductor of the Year and received five Grammy nominations and two Gramophone awards for his recordings. He has been an exclusive BMG Classics/RCA Victor Red Seal recording artist since 1995 and his most recent releases include the disc “New World Jazz” with the New World Symphony Orchestra.

Tilson Thomas has also worked extensively for television including educational broadcasts with the New York Philharmonic, a BBC series with the London Symphony Orchestra including programmes on Strauss, Sibelius and Beethoven, and other television productions celebrating works by Gershwin and Bernstein.

Von Tilzer, Albert

Albert Von Tilzer (Albert Gumm) (1878 – 1956) was born in Indianapolis, Indiana on Mar. 29, 1878. He was the younger brother of Harry Von Tilzer. He was a vaudeville performer and composer and wrote many hit tunes. Some of them were: Carrie (Carrie Marry Harry), Give Me the Moonlight, Give Me the Girl, I’ll Be with You in Apple Blossom Time, Put Your Arms Around Me Honey and Take Me Out to the Ball Game

Overview Composer Albert Von Tilzer was an important songwriter most active from the early 1900’s into the 1920’s. He was the younger brother of composer Harry Von Tilzer.

Albert went to work in his father’s Indianapolis shoe store after graduating from high school. He learned to play the piano by ear and did have some lessons in harmony before he joined a vaudeville troupe.

In 1899, he went to Chicago, and worked briefly for his older brother’s music publishing firm, Shapiro, Bernstein and Von Tilzer. Albert then traveled to New York City, and found work as a shoe salesman in a large Department store.

In 1900, he published his first song “The Absent Minded Beggar Waltz”, a piano instrumental. In 1903 he wrote “That’s What the Daisy Said”, with his own lyric. This was published by his brother’s firm.

In 1903, he formed York Music Company, his own publishing house, which would thereafter publish all of his own music.

All the while Albert was composing and publishing, he was also working as a vaudeville performer. He was a headliner on the Orpheum circuit. In 1930, he settled in Hollywood and worked in a few motion pictures. He was elected to the Songwriter’s Hall of Fame. Albert Von Tilzer died in L.A., in 1956, at age 78.

Von Tilzer, Harry

Harry Von Tilzer (Harry Gummbinsky -the family later shortened the name to “Gumm”.) lived from 1872 until 1946. He was born in Detroit, Michigan and was the older brother of Albert Von Tilzer. He was an entertainer and common laborer who turned to music composition and formed the Harry Von Tilzer Music Company in 1902. He wrote many hit tunes. Some of them are: (She was only a) Bird in a Gilded Cage; I Want a Girl (Just Like the Girl That Married Dear Old Dad); I’d Leave My Happy Home for You; Take Me Back to New York Town; Wait ‘Til the Sun Shines Nellie; When My Baby Smiles at Me and Why Do They Always Pick on Me?

Harry, one of six children, was to find a career in music as did his younger brother Albert. (Apparently, two of the children, a boy and an girl, perished in childhood.) When Harry was still a child, his family moved to Indianapolis, IN, where he father acquired a shoe store. A theatrical company gave performances in the loft above the store, and that’s where Harry learned to love show business.

His career really started in 1886 when, at age 14, he ran away from home and joined the Cole Brothers Circus. By 1887, he was playing piano, composing songs, and acting in a traveling repertory company. He changed his name at that time. His mother’s maiden name was Tilzer, and he ‘gussied’ it up by adding the ‘Von’. Thereafter he would be called Harry Von Tilzer, and later his younger brother would adopt the name also, Albert Von Tilzer.

Harry met Lottie Gilson when the burlesque troupe with which he was working reached Chicago. The popular vaudevillian took an interest, and induced him to go to New York. In 1892, Harry, working as a groom on a trainload of horses, arrived in New York, with just $1.65 in his pocket. He rented a room near the Brooklyn Bridge and became a $15.00 per week saloon pianist. He left New York briefly to work in a traveling medicine show, but returned to again work in saloons and later as a vaudevillian in a ‘Dutch’ act with George Sidney.

At this time, Harry was writing songs, literally hundreds of songs that were never published. He would sell them outright to other entertainers for $2.00 each. Even Tony Pastor sang a few of his songs in his theater. But the tide was about to turn for Harry.

One of his songs was published, “My Old New Hampshire Home”, lyric by Andrew B. Sterling. William C. Dunn, owner of a small print shop, purchased it outright for $15.00, and issued it in 1898. It was a hit that sold more than 2 million copies.

There is an interesting historical note connected with Harry Von Tilzer. In the Early 1900’s, Von Tilzer kept an upright piano in his publishing firm. Harry kept pieces of paper stuffed between the strings of the piano’s harp. It gave the piano a tinny sort of sound to which Von Tilzer was partial. One day, the lyricist and newspaper journalist Monroe Rosenfeld was in Harry’s office and heard him playing the tinny sounding piano. The sound suggested a title for a piece he was writing, – Tin Pan Alley.

Harry’s last years were spent in retirement, while living in the Hotel Woodward, in New York City. He died in 1946, at age 74.

Tippett

Sir Michael (Kemp) Tippett is a Composer, born in London, England, UK in 1905. He studied at the Royal College of Music, London, and became director of music at Morley College from 1940 until 1951. His oratorio, A Child of Our Time (1941), reflecting the problems of the 1930s and 1940s, won him wide recognition. A convinced pacifist, he was imprisoned for three months as a conscientious objector during World War 2. He scored a considerable success with his operas The Midsummer Marriage (1952) and King Priam (1961), and among his other works are four symphonies, a piano concerto, and string quartets. He was knighted in 1966, and received the Order of Merit in 1983.

Toscanini

Arturo Toscanini, 1867 to 1957, was a conductor who born in Parma, Italy. He was a cellist before the night in 1886 when he took over the baton from an indisposed conductor in Rio de Janeiro and stayed on the podium for the rest of his career. After years of journeyman work in Italian opera houses, he became conductor of Milan’s La Scala in 1898. In 1909 he came to the USA to lead the Metropolitan Opera orchestra; his subsequent career took him to positions in Europe, England, and the USA, including the podium of the New York Philharmonic from 1928 to 1936. In 1937 the NBC Symphony, primarily a broadcasting and recording orchestra, was created for Toscanini; he led it until 1954, cementing his reputation as one of the most revered conductors in the world. He helped pioneer a new performance tradition that proclaimed an end to Romantic interpretive excesses and substituted absolute fidelity to the score; in practice, that made for clean, sinewy performances, achieved partly by his legendary tantrums in rehearsals. He was equally admired for his performances of Beethoven and other 19th-century classics and of modern composers including Stravinsky, Debussy, and Richard Strauss.

Townshend

Born Peter Dennis Blandford Townshend on May 19, 1945, as a member of The Who, he wrote nearly all of the songs and sang “The Acid Queen” and “Sensation”. for the double album Tommy. Tommy is a deaf, dumb, and blind kid who becomes a Messiah and later is forsaken by his followers. Tommy is based, in part, on the spiritual teachings of Indian mystic Meher Baba, of whom Townshend had become a devotee. Read the rest of this biography at http://www.petetownshend.net

Tucker

There is a statue of Richard Tucker, an opera singer, in New York.

Leonard Bernstein: What Does Music Mean?

Posted by MaryO on

On January 18, 1958 Leonard Bernstein began presenting his television series What does music mean?  The series ran for 53 programs.  Some of the episodes can be found below:

Part 1 What is Classical Music?

Plot: Bernstein conducts Handel’s Water Music and cites it as an indisputable example of classical music. “Exact” is the word that best defines classical music, Bernstein says and he demonstrates with musical illustrations from Bach’s Fourth Brandenburg Concerto, Mozart’s Concerto No. 21 in C Major and The Marriage of Figaro, and Haydn’s Symphony No. 102.

The decline of classical music at the end of the eighteenth century is tied to Beethoven’s innovations and the Romantic movement, and Bernstein conducts Beethoven’s Egmont Overture.

Part 2 What is Melody?

Plot: Bernstein discusses the different forms melody can take, including tune, theme, motive, melodic line and musical phrase. He illustrates by conducting the orchestra in excerpts from Tchaikovsky, Wagner, Hindemith, and Brahms.

Part 3 What is a Mode?

Plot: Bernstein discusses scales, intervals, and tones, and analyzes several pieces, including Debussy’s Fêtes, Rimsky-Korsakov’s Scheherazade, and music from the Kinks and the Beatles, to illustrate different modes.

An excerpt from Bernstein’s ballet Fancy Free is also performed.

January 15 ~ On This Day in Music

Posted by MaryO on

. 1775 ~ Giovanni Battista Sammartini, composer, died

. 1890 ~ Premiere of The Sleeping Beauty, ballet by Pyotr Il’yich Tchaikovsky. After the less-than-promising 1877 debut of Swan Lake, marred by a largely amateur production, over a decade elapsed before the composer was commissioned by the Director of the Imperial Theatres in St. Petersburg to supply music for a ballet on the Perrault fairy tale, The Sleeping Beauty. Tchaikovsky threw himself arms-deep into the project. Not only was the composer again on happy turf, but he was also currently in a state of delight by the occasional presence of a three-year-old little girl; children seemed to tap a joyful vein in Tchaikovsky. The little girl’s proximity fed a spirit of fantasy that transmitted to this most lighthearted of the composer’s scores. Most musicologists and historians concede that Sleeping Beauty is the most perfectly wrought of Tchaikovsky’s three ballet scores, classic in its restraint, yet possessing the right amount of color and panache to render it pure Tchaikovsky; its waltz remains a Pops favorite.

. 1896 ~ Alexander Scriabin made his European debut as a pianist at the Salle Erard in Paris

. 1904 ~ Ellie Sigmeister, Classical composer

. 1905 ~ Weldon Leo ‘Jack’ Teagarden, died of pneumonia
More information about Teagarden

. 1909 ~ Gene Krupa, American Jazz bandleader and drummer

. 1919 ~ Pianist and statesman Ignace Paderewski became the first premier of Poland

. 1925 ~ Ruth Slenczynska, pianist, born in Sacramento, California

. 1941 ~ Captain Beefheart (Don Van Vliet), Singer with Captain Beefheart & His Magic Band, artist

. 1942 ~ Kenny Sargent vocalized with the Glen Gray Orchestra on Decca Records’ It’s the Talk of the Town.

. 1944 ~ Duke Ellington and His Famous Orchestra took the song “Do Nothin’ Till You Hear From Me” to the top of the charts. It was there for eight weeks before being knocked out off the top.

. 1948 ~ Ronnie Van Zandt, Singer, songwriter with Lynyrd Skynyrd

. 1951 ~ Charo (Maria Rosario Pilar Martinez Molina Baeza), ‘The Hootchy Cootchy Girl’, actress, singer, wife of Xavier Cugat

. 1951 ~ Martha Davis, Singer with The Motels

. 1959 ~ Peter Trewavas, Bass with Marillion

. 1964 ~ The soundtrack album of the musical, “The King and I”, starring Yul Brynner, earned a gold record.

. 1967 ~ Ed Sullivan told the Rolling Stones to change the lyrics and the title to the song, Let’s Spend the Night Together, so it became Let’s Spend Some Time Together.

. 1972 ~ Elvis Presley, who was also censored from the waist down by Ed Sullivan, reportedly drew the largest audience for a single TV show to that time. Elvis presented a live, worldwide concert from Honolulu on this day.

. 1972 ~ “American Pie” by Don McLean hit #1 on the pop charts

. 1987 ~ Ray Bolger died.  He was an American entertainer of vaudeville, stage and actor, singer and dancer best known for his portrayal of the Scarecrow in The Wizard of Oz.

. 1993 ~ Sammy Cahn passed away.  He was an American lyricist, songwriter and musician.

. 2018 ~ Edwin Hawkins, American gospel musician, choirmaster and composer (Oh Happy Day), died of pancreatic cancer at the age of 74

. 2019 ~ Carol Elaine Channing died at the age of 98. She was an American actress, singer, dancer and comedian. Notable for starring in Broadway and film musicals, her characters typically radiate a fervent expressiveness and an easily identifiable voice, whether singing or for comedic effect.

All About Carnegie Hall

Posted by MaryO on

carnegie-hall

You’ve all heard it before.  How do you get to Carnegie Hall?  Practice, practice, practice.

We took the easier route with the tour December 1, 2014.  Unfortunately, I wasn’t posting much on my travel blog yet so I don’t remember everything that happened.  I do highly recommend the tour if you’re in New York City.

If you want to go, other than practicing, Carnegie Hall is a concert venue in Midtown Manhattan located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park.

carnegie-hall-map

The tour was very inexpensive, maybe $10 each.  We were taken by elevator up to the Main Hall (Isaac Stern Auditorium/Ronald O. Perelman Stage) first.  The stories that were told were fascinating!  I don’t remember most but I remember the guide telling us that after renovations audience members complained of a buzzing sound.  The floor had to be removed…

From 1995:

SOURCE OF CARNEGIE HALL COMPLAINTS DISCOVERED: CONCRETE UNDER STAGE
MARY CAMPBELL , Associated Press
Sep. 13, 1995 11:53 PM ET

NEW YORK (AP) _ For nine years, the people who run Carnegie Hall insisted there was nothing wrong with the acoustics at the famed concert hall.

Wednesday, they sang a different tune

This summer, a layer of concrete, apparently left over from a major renovation job in 1986, was discovered under the stage. The concrete was ripped out and a new floor was installed that administrators say should improve acoustics.
Since the renovation, musicians and critics have complained about the acoustics, saying the sound the hall was world famous for wasn’t the same, that the bass had become washed out and the higher instruments harsh.

Executive Director Judith Arron said Wednesday she had been assured there was no concrete under the stage since arriving at the hall in 1986.

But the tongue-in-groove maple stage floor, which usually lasts 20 years, had warped so badly after just nine years, it was difficult to push a piano across it.

The hall closed for repairs after three Frank Sinatra tribute concerts the last week in July. “As we tore the whole floor up,” Arron said, “we learned we had a lot more hard substance than we had anticipated.”

She speculated the concrete was added to reinforce the stage while scaffolding was on it during the 1986 renovation and then simply left there in workers’ haste to finish.

The concrete had been placed under two layers of plywood, on which the maple stage floor rests.

“Concrete retains moisture,” Arron said. “As the moisture collected in the concrete, it went into the plywood, which expands with moisture and pushed up the floor.”

Jim Nomikos, the hall’s director of operations, compared the removal of hundreds of pounds of concrete to “an archeological dig.”

Nomikos said the floor is now constructed the way it was from Carnegie Hall’s opening in 1891 until 1986.

“In my opinion we’re not reconstructing the floor. We just restored it,” he said. “I think what we have now is a floor that will have some resonance, as opposed to a floor that was dead.”

The project cost $180,000.

Aaron said there are no plans to sue anybody for the way the floor was laid in 1986. “We’ve been focused on doing the job right,” she said. “We think this is going to be great.”

The new floor will meet its first test Sept. 26, when the Philadelphia Orchestra plays. The hall’s official gala opening for its 105th season will be Oct. 5 by the Boston Symphony.

I remember the guide not being happy with us because I knew the answers to some of the questions she asked such as Tchaikovsky conducting at the opening.  When she mentioned that Ignacy Jan Paderewski had made his debut there,  Tom piped up that he had lived near Steinway Hall (and that Michael and I had just played there in the final concert in the old building).  She gave us the evil eye and we stopped talking so much 🙂

padereski-me

Plaque on Steinwall Hall (old building). This was just after Michael and I played there.

 

Paderewski

Plaque on Steinwall Hall (old building).

There were many, many pictures on the walls of people who had performed there.  All in all, a fantastic tour.  Take it if you’re in NYC!

1891 Andrew Carnegie’s new Music Hall opened

Andrew Carnegie’s new Music Hall opened with a five-day music festival beginning on May 5.

Guest of honor Pyotr Ilyich Tchaikovsky conducted his Marche Solennelle on Opening Night and his Piano Concerto No. 1 several days later.

William Tuthill’s design reflects Gilded Age architectural tastes and engineering.  Since the Hall was built shortly before the advent of structural steel construction, its walls are made of fairly heavy brick and masonry, to carry the full load of the structure without the lighter support that a steel framework soon made possible. The Italian Renaissance design of the exterior reflects the eclectic architectural tastes of the period, which look to European models of earlier centuries for inspiration.  Tuthill deliberately chose to keep the styling and decorative elements simple, elegant, and functional, focusing his energies on designing an excellent acoustic environment.

I came across this interesting 1947 movie about Carnegie Hall for my Music Studio Blog and I’m posting it here, as well.

Jascha Heifetz (violinist) Tchaikovsky – “Violin Concerto in D, First Movement” – New York Philharmonic, Fritz Reiner, conductor
Harry James (trumpeter)
Vaughn Monroe (band leader)
Jan Peerce (vocalist)
Gregor Piatigorsky (cellist)
Ezio Pinza (vocalist)
Lily Pons (vocalist)
Fritz Reiner (conductor)
Artur Rodzinski (conductor)
Arthur Rubinstein (pianist)
Rise Stevens (vocalist)
Leopold Stokowski (conductor)
Bruno Walter (conductor)
Walter Damrosch (conductor)
Olin Downes (music critic)
New York Philharmonic Quintette (John Corigliano Sr., William Lincer, Nadia Reisenberg, Leonard Rose, Michael Rosenker)
New York Philharmonic

Storyline:
A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe’s orchestra. But Mama’s wishes prevail and the son appears at Carnegie Hall as the composer-conductor-pianist of a modern horn concerto, with Harry James as the soloist. Frank McHugh is along as a Carnegie Hall porter and doorman, and Martha O’Driscoll is a singer who provides the love interest for Prince. Meanwhile and between while a brigade of classical music names from the 1940’s (and earlier and later) appear; the conductors Walter Damrosch, Bruno Walter, Artur Rodzinski, Fritz Reiner and Leopold Stokowski; singers Rise Stevens, Lily Pons, Jan Peerce and Ezio Pinza, plus pianist Arthur Rubinstein, cellist Gregor Piatigorsky and violinist Jascha Heifetz.

Happy Birthday, Victor Borge!

Posted by MaryO on

Victor Borge was born in 1909 in Copenhagen, Denmark. He was an entertainer and pianist – a deliciously funny performer. He studied at the Royal Danish Academy of Music, Copenhagen, and in Vienna and Berlin.

He made his debut as a pianist in 1926, and as a revue actor in 1933. From 1940 until his death in 2000 he worked in the USA for radio, television, and theatre, and has performed with leading symphony orchestras on worldwide tours since 1956.

He was best known for his comedy sketches combining music and narrative. He used his classical training to skew serious music and performers.

From his obituary:

Pianist Victor Borge, died in his sleep Dec 23, 2000 at his Greenwich, Connecticut home, was known as the unmelancholy Dane of international show business. He would have turned 92 on Jan. 3, 2001.

“The cause of death was heart failure,” his daughter, Sanna Feirstein, told Reuters.

“He had just returned from a wonderfully successful trip to Copenhagen … and it was really heartwarming to see the love he experienced in his home country,” she said.

Borge was one of five performers selected for the Kennedy Center Honors in 1999.

“He went to sleep, and they went to wake him up this morning, and he was gone,” said his agent, Bernard Gurtman.

“He had so much on the table, and to the day he died he was creative, and practicing piano several hours a day,” Gurtman told Reuters. “He was just a great inspiration.”

Funeral services will be private, his daughter said.

Borge made a career of falling off piano stools, missing the keys with his hands and getting tangled up in the sheet music.

One of his inspirations was a pianist who played the first notes of the Grieg A Minor Concerto and then fell on the keys dead.

He said that the only time he got nervous on stage was when he had to play seriously and adds that if it had not been for Adolf Hitler he probably would never have pursued a career as a concert-hall comedian.

Until he was forced to flee Denmark in 1940 he was a stage and screen idol in his native country.

Lampooned Hitler

But as a Jew who had lampooned Hitler, Borge — his real name was Boerge Rosenbaum — was in danger and fled first to Sweden and then to the United States, where he arrived penniless and unknown and by a fluke got booked on the Bing Crosby radio show. He was an instant success.

He became an American citizen in 1948, but thought of himself as Danish. It was obvious from the numerous affectionate tributes and standing ovations at his 80th birthday concert in Copenhagen in 1989 that Danes felt the same way.

In the concert at Copenhagen’s Tivoli gardens, Borge played variations on the theme of “Happy Birthday to You” in the styles of Mozart, Brahms, Wagner and Beethoven — all executed with such wit that the orchestra was convulsed with laughter that a woman performing a piccolo solo was unable to draw breath to play.

“Playing music and making jokes are as natural to me as breathing,” Borge told Reuters in an interview after that concert.

“That’s why I’ve never thought of retiring because I do it all the time whether on the stage or off. I found that in a precarious situation, a smile is the shortest distance between people. When one needs to reach out for sympathy or a link with people, what better way is there?

“If I have to play something straight, without deviation in any respect, I still get very nervous. It’s the fact that you want to do your best, but you are not at your best because you are nervous and knowing that makes you even more nervous.”

His varied career included acting, composing for films and plays and writing but he was best known for his comic sketches based on musical quirks and oddities.

Unpredictable Routine

His routines were unpredictable, often improvised on stage as his quick wit responded to an unplanned event — a noise, a latecomer in the audience — or fixed on an unlikely prop — a fly, a shaky piano stool.

Borge was born in Denmark on January 3, 1909, son of a violinist in the Danish Royal Orchestra.

His parents encouraged him to become a concert pianist, arranging his first public recital when he was 10. In 1927 he made his official debut at the Tivoli Gardens.

Borge’s mischievous sense of humor was manifest from an early age. Asked as a child to play for his parent’s friends he would announce “a piece by the 85-year-old Mozart” and improvise something himself.

When his mother was dying in Denmark during the occupation, Borge visited her, disguised as a sailor.

“Churchill and I were the only ones who saw what was happening,” he said in later years. “He saved Europe and I saved myself.”

From 1953 to 1956, he appeared in New York in his own production “Comedy in Music,” a prelude to world tours that often took him to his native Scandinavia.

On radio and television, Borge developed the comedy techniques of the bungling pianist that won him worldwide fame.

Many of his skits were based on real-life events. One of his classics evolved from seeing a pianist playing a Tchaikovsky concerto fall off his seat.

Borge’s dog joined the show after it wandered on stage while he was at the keyboard — an entrance nobody would believe had been unplanned.

One incident could not be repeated. A large fly flew on to Borge’s nose while he was playing. “How did you get that fly to come on at the right time?” people asked. “Well, we train them,” Borge explained.

Borge’s book, “My Favorite Intervals”, published in 1974, detailed little-known facts of the private lives of composers describing Wagner’s pink underwear and the time Borodin left home in full military regalia but forgot his trousers.

In 1975, Borge was honored in recognition of the 35th anniversary of his arrival in the United States and his work as unofficial goodwill ambassador from Denmark to the United States. He celebrated his 75th birthday in 1984 with a series of concerts at Carnegie Hall and in Copenhagen.

Borge received a host of honors from all four Scandinavian countries for his contributions to music, humor and worthy causes.

Borge, who had lived in Greenwich since 1964, is survived by five children, nine grandchildren, and one great grandchild. His wife of many years, Sanna, died earlier that year.

Borge’s birthday

Anniversary of Borge’s death

Christmas Countdown: Tchaikovsky’s Nutcracker

Posted by MaryO on

 

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker…

The holiday season at the Company is a spellbinding time, completely enveloped in the enchanting world of George Balanchine’s The Nutcracker™. This production is a grand spectacle of artistry and imagination, a beloved holiday tradition that brings together an extraordinary ensemble of talent. With all 90 dancers, 62 musicians, 32 stagehands, and two casts of 50 young students each from the School of American Ballet, the Company transforms each performance into a mesmerizing experience.

Audiences, including children and adults from New York City and beyond, flock to the David H. Koch Theater, drawn by the irresistible allure of Tschaikovsky’s iconic music, Balanchine’s masterful choreography, Karinska’s lavish costumes, and Rouben Ter-Arutunian’s enchanting sets. This production, a magical adaptation of the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, “The Nutcracker and the Mouse King,” is a full-scale theatrical marvel.

The production’s visual splendor is nothing short of breathtaking. The stage comes alive with elaborate elements and sophisticated lighting, creating an immersive world that captivates the imagination. One of the most stunning features is the one-ton Christmas tree that astoundingly grows from 12 feet to 40 feet, eliciting gasps of wonder from the audience at each performance. The whimsical Mother Ginger costume, weighing 85 pounds and spanning nine feet, and the delicate snowflakes that dance through the air add to the magic, making the ballet a visual feast.

However, it is Balanchine’s choreography that is the heart of the ballet, guiding the audience through a journey from the familiar to the fantastical. Act I sets the stage with its charming characters – the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew – and culminates in the dreamlike Snowflake Waltz. Act II is a complete immersion into the fantastical “Kingdom of the Sugarplum Fairy,” where the line between reality and fantasy beautifully blurs.

George Balanchine’s The Nutcracker™ stands as one of the most complex and captivating staged ballets in the Company’s repertoire. Its immense popularity is a testament to its ability to ignite the holiday spirit in everyone’s heart, making it an integral and unforgettable part of the holiday season.

Despite its humble beginnings, where the original production of Tchaikovsky’s The Nutcracker did not immediately capture the public’s adoration, a remarkable transformation occurred over time. Tchaikovsky, with his masterful touch, crafted a 20-minute suite from the ballet’s music that soared in popularity, showcasing his genius in a new light. This suite became the beacon that eventually led to the ballet’s widespread acclaim.Despite its humble beginnings, where the original production of Tchaikovsky’s The Nutcracker did not immediately capture the public’s adoration, a remarkable transformation occurred over time. Tchaikovsky, with his masterful touch, crafted a 20-minute suite from the ballet’s music that soared in popularity, showcasing his genius in a new light. This suite became the beacon that eventually led to the ballet’s widespread acclaim.

From the late 1960s onwards, The Nutcracker underwent a renaissance, becoming a cherished staple of the holiday season. Its popularity skyrocketed, especially in North America, where it became synonymous with Christmas festivities. Today, The Nutcracker is an essential part of countless ballet companies’ repertoires, celebrated for its enchanting story and exquisite choreography.

The ballet’s commercial success is astounding, with major American ballet companies attributing approximately 40 percent of their annual ticket revenues to performances of The Nutcracker. This statistic alone speaks volumes about the ballet’s enduring appeal and its significant role in the cultural landscape of ballet and Christmas traditions alike.

Tchaikovsky’s score for The Nutcracker, with its lush, evocative melodies and intricate compositions, has risen to become one of his most renowned works. The pieces from the suite, in particular, have captivated audiences worldwide with their beauty and complexity, securing The Nutcracker’s place as not just a seasonal favorite, but a timeless masterpiece of classical music.

December 18 ~ On This Day in Music

Posted by MaryO on

Christmas Countdown: Good King Wenceslas

• 1644 ~ Antonio Stradivari, Italian, most celebrated of all violin makers, died on this date.
Read more information about Stradivari

• 1778 ~ Joseph Grimaldi, Clown: ‘greatest clown in history’, ‘king of pantomime’, Joey the Clown; singer, dancer, acrobat, his character was part of the plot for the movie “Her Alibi”. He died in 1837.

• 1786 ~ Baron Karl von Weber, Opera composer

• 1788 ~ Camille Pleyel, Austrian piano builder/composer

• 1869 ~ Edward Alexander MacDowell, American composer and pianist
More information about MacDowell

• 1869 ~ Louis Moreau Gottschalk, American pianist and composer, dies at 40

• 1892 ~ Premiere of The Nutcracker ballet by Tchaikovsky. This traditional Christmas ballet is so popular that its annual performances keeps many opera companies afloat. Act 1 tells a story of how little Clara aids her magical Christmas gift (a Nutcracker in the form of a soldier) defeat an army of mice. As a reward, he takes her to his magic kingdom and introduces her to a variety of subjects in a colorful stream of character dances. Tchaikovsky’s supply of themes is endless and he constantly provides brilliant orchestration.

• 1919 ~ Anita O’Day (Colton), American jazz singer

• 1920 ~ Conductor Arturo Toscanini made his first recording for Victor Records in Camden, New Jersey.

• 1934 ~ Willie Smith sang with Jimmy Lunceford and his orchestra on Rhythm is Our Business on Decca Records

• 1941 ~ Sam Andrew, Guitarist with Big Brother and the Holding Company

• 1943 ~ Keith Richards, British rock guitarist and singer with The Rolling Stones

• 1948 ~ Bryan ‘Chas’ Chandler, Bass with the Animals

• 1961 ~ The Tokens celebrated their first #1 hit single. The Lion Sleeps Tonight (Wimoweh) was a chart-topper for four weeks in a row.

• 1972 ~ Helen Reddy received a gold record for the song that became an anthem for women’s liberation, I Am Woman. The song had reached number one on December 9, 1972.

• 1975 ~ Rod Stewart announced that he was leaving the group, Faces, and was going solo in a deal with Warner Brothers.

• 1981 ~ Rod Stewart gave a concert at the Los Angeles Forum, which was televised to 23 countries and carried by FM radio stations in the US to an audience of about 35 million.

• 1982 ~ Daryl Hall and John Oates reached the #1 spot on the music charts for the fifth time with Maneater. The song stayed in the top spot for four weeks, making it Hall and Oates’ most popular hit.

• 2001 ~ Eddie Baker, whose efforts to create a jazz hall of fame planted the seeds for the American Jazz Museum in Kansas City, died after complications from heart surgery. He was 71. Baker, a trumpeter and pianist, had led the New Breed Jazz Orchestra since the 1960s, forming close relationships with many top jazz artists. He began calling for a jazz hall of fame as early as the 1970s. He held what he hoped would be the first annual induction to the International Jazz Hall of Fame in 1985 at the Music Hall. But attendance was low, despite a star-studded roster of talent that included the Count Basie Orchestra, George Benson and Woody Herman. He maintained the hall of fame on paper, even though it never had a physical home. Through the years, Baker suggested building a jazz hall in several spots in Kansas City, including the 18th and Vine district and Union Station. His push generated interest in the project, but the American Jazz Museum opened under a different name in 1997 without his involvement. He also was an original member of the Kansas City Jazz Commission, which organized pub crawls and promoted jazz in the 1980s, and he helped organize the Elder Statesmen of Jazz, a service organization of older musicians.

• 2004 ~ Legendary British saxophonist Dick Heckstall-Smith, who played with a list of musicians that reads like a who’s who of the international jazz and rock music scene, has died.

November 21 ~ On This Day in Music

Posted by MaryO on

today

• 1695 ~ Henry Purcell, English composer (Indian Queen), died at the age of 36

. 1710 ~ Bernardo Pasquini died.  He was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio.

. 1877 ~ Thomas A. Edison, who really enjoyed the jazz he heard coming from his newest invention, told those gathered that he just invented the ‘talking machine’ (phonograph). On February 19, 1878, Edison received a patent for the device.

. 1904 ~ Coleman Hawkins, American jazz tenor saxophonist, solo with the Fletcher Henderson band, jazz bandleader

• 1912 ~ Eleanor Powell, American actress and tap dancer (Born to Dance, Born to Dance)

. 1931 ~ Malcolm Williamson, Australian composer

. 1933 ~ Jean Shepard, Country singer

. 1934 ~ Cole Porter’s Anything Goes opened at the Alvin Theatre in New York City. The show ran for 420 performances.

.1934 ~ Ella Fitzgerald won Amateur Night at Harlem’s Apollo Theater. Finding herself onstage as a result of pure chance after her name was drawn out of a hat, the aspiring dancer spontaneously decided to turn singer instead—a change of heart that would prove significant not only for herself personally, but also for the future course of American popular music.

. 1936 ~ James DePreist, Orchestra leader with the Oregon Symphony

• 1937 ~ Following Carnegie Hall performances in both 1906 and 1919, Arthur Rubinstein presented another historic and highly acclaimed performance at the arts center this day.

• 1938 ~ Leopold Godowsky, pianist/composer, died at the age of 68

. 1940 ~ Dr. John (‘Mac’ Malcolm John Rebennack), Organ, guitar, singer, songwriter

. 1940 ~ Natalia Makarova, Ballerina with the Kirov Ballet (now Saint Petersburg Ballet) from 1959 until 1970

. 1944 ~ Happy trails to you, until we meet again…. The Roy Rogers Show was first heard on the Mutual Broadcasting System. Singing along with Roy (‘The King of the Cowboys’), were the Whippoorwills and The Sons of the Pioneers.

. 1944 ~ I’m Beginning to See the Light, the song that would become the theme song for Harry James and his orchestra, was recorded this day. The song featured the lovely voice of Kitty Kallen (Little Things Mean a Lot).

. 1948 ~ Lonnie (LeRoy) Jordan, Keyboards, singer

. 1950 ~ Livingston Taylor, American folk singer, songwriter and guitarist, brother of singer James Taylor

. 1952 ~ Lorna Luft, Singer, actress, daughter of singer-actress Judy Garland and producer Sid Luft; sister of singer-actress Liza Minnelli

. 1955 ~ The first lady of the American stage, Helen Hayes, was honored for her many remarkable years in show business, as the Fulton Theatre in New York City was renamed the Helen Hayes Theatre.

. 1959 ~ Following his firing from WABC Radio in New York the day before, Alan Freed refused “on principle” to sign a statement that he never received money or gifts (payola) for plugging records. Incidentally, few may remember, but Freed left WABC while he was on the air. He was replaced in mid~record by Fred Robbins, who later became a nationally~known entertainment reporter for Mutual Radio.

. 1962 ~ Leonard Bernstein broadcast his Young People’s Concert “Sound of a Hall” from the New York Philharmonic’s new home at Lincoln Center (now David Geffen Hall). He spoke about the science of sound; acoustics, vibration, sound waves, echo and reverberation. ÒWell, the best test of dynamic range I can think of is that great piece of fireworks – Tchaikovsky’s Overture 1812, because it begins as softly as possible with only 6 solo strings, and runs the whole dynamic range to a full orchestra, plus at the end, an extra brass band…plus the deafening roar of cannon plus the jangle of church bells…” We share with you this excerpt of Bernstein and the New York Philharmonic performing the 1812 Overture.

. 1981 ~ Olivia Newton-John started the first of 10 weeks at the top of the pop music charts when Physical became the music world’s top tune.

. 1990 ~ Instrument lovers have paid some pretty awesome prices for violins made by Antonio Stradivari. But a red Strad owned by the family of composer Felix Mendelssohn sold on this day for an all-time high of $1,700,00.

. 2001 ~ Ralph Burns, who won Academy Awards, an Emmy and a Tony as a music arranger after making a name for himself in jazz as a piano player in the Woody Herman band, died at the age of 79. Burns collected his first Academy Award for adapting the musical score of the 1972 movie “Cabaret.” He won another Oscar for adapting the musical score for “All That Jazz,” an Emmy for television’s “Baryshnikov on Broadway” and a Tony in 1999 for the Broadway musical “Fosse.” His other film credits included “Lenny,” “In The Mood,” “Urban Cowboy,” “Annie,” “My Favorite Year” and “The Muppets Take Manhattan.” He also collaborated with Jule Styne on “Funny Girl” and Richard Rodgers on “No Strings.” The Massachusetts native, who took up piano as a child, was playing in dance bands in Boston when he was 12, graduating to jazz orchestras by his teens. He worked with Herman band’s for 15 years as both a writer and piano player, composing some of the group’s biggest hits. Among them were “Apple Honey,” “Bijou” and the three-part “Summer Sequence.” “Early Autumn,” written later as a fourth movement for “Summer Sequence,” became a hit with singers after Johnny Mercer supplied words for it. Later, Burns worked in the studio with such popular singers as Tony Bennett, Johnny Mathis, Ray Charles, Aretha Franklin and Natalie Cole.

. 2003 ~ Teddy Randazzo, co-author of more than 600 songs for acts including The Temptations and Frank Sinatra, died at the age of 68. With co-author Bobby Weinstein and others, Randazzo wrote hits such as Goin’ Out of My Head, Hurt So Bad and It’s Gonna Take a Miracle for acts such as Little Anthony and the Imperials, The Lettermen, Linda Ronstadt, The Temptations and Sinatra. Randazzo began his career at age 15 as lead singer of the group The Three Chuckles. The group’s first hit, Runaround, rose to No. 20 on the Billboard charts and sold more than 1 million copies. Randazzo started a solo career in 1957 and found modest success over the next seven years before meeting Weinstein. The duo’s songs have been recorded by more than 350 artists, including Gloria Gaynor, Queen Latifah and Luther Vandross. They parted ways in 1970 and Weinstein became an executive for Broadcast Music Inc. and Randazzo became a producer for Motown Records.

November 19 ~ On This Day in Music

Posted by MaryO on

today

• 1724 ~ First Performance of J. S. Bach’s Sacred Cantata No. 26 Ach wie flüchtig, ach wie nichtig performed on the 24th Sunday following Trinity. A portion of Bach’s second annual Sacred Cantata cycle in Leipzig, 1724-25.

• 1736 ~ J. S. Bach named court composer by Poland’s King Agustus III.

• 1739 ~ First Performance of Jean-Philippe Rameau‘s opera Dardanus in Paris.

• 1826 ~ Composer Felix Mendelssohn and his sister Fanny performed his overture to “A Midsummer Night’s Dream” for the first time.

• 1828 ~ Death of Austrian composer Franz Schubert in Vienna, at the age of 31 from typhus.   He is buried near Beethoven.

• 1859 ~ Mikhail Ippolitov-Ivanov, Russian composer and conductor
More information about Ippolitov-Ivanov

• 1874 ~ Birth of composer Karl Adrian Wohlfahrt.

• 1875 ~ First Performance of Tchaikovsky‘s Third Symphony, in Moscow.

• 1888 ~ Piano Debut in Boston of composer Edward MacDowell with the Kneisel Quartet.

• 1905 ~ Tommy Dorsey, American trombonist and bandleader

• 1923 ~ First Performances of Béla Bartók‘s Five Dances and Zoltán Kodály‘s Psalums Hungaricus in Budapest, marking the 50th anniversary of the union of cities Buda and Pest.

• 1936 ~ Birth of classical music commentator (Detroit Symphony broadcasts) Dick Cavett, in Kearney, Nebraska. ABC-TV talk show host (Dick Cavett Show).

• 1936 ~ First concert recorded on magnetic tape with the London Philharmonic orchestra conducted by Sir Thomas Beecham at BASF’s own concert hall in Ludwigshaven, Germany.

• 1937 ~ Ray Collins, Songwriter

• 1938 ~ Hank Medress, Singer with The Tokens, record producer

• 1943 ~ Fred Lipsius, Piano, sax with Blood Sweat & Tears

• 1943 ~ Stan Kenton and his orchestra recorded Artistry in Rhythm, the song that later become the Kenton theme. It was Capitol record number 159. The other side of the disk was titled, Eager Beaver.

• 1944 ~ Agnes Baltsa, Greek mezzo-soprano

• 1954 ~ Sammy Davis, Jr. was involved in a serious auto accident in San Bernardino, CA. Three days later, Davis lost the sight in his left eye. He later referred to the accident as the turning point of his career.

• 1957 ~ American conductor Leonard Bernstein named Music Director of the New York Philharmonic. First American-born and educated conductor named to head an important American Orchestra.

• 1961 ~ A year after Chubby Checker reached the #1 spot with The Twist, the singer appeared on The Ed Sullivan Show to sing the song again. The Twist became the first record to reach #1 a second time around, on January 13, 1962.

• 1962 ~ For the first time, a jazz concert was presented at the White House. Jazz had previously been served as background music only.

• 2000 ~ First Performance of Philip Glass‘ Double Concerto for Timpani and Orchestra, by the American Composers Orchestra. Lincoln Center in New York.

• 2017 ~ Della Reese [Delloreese Patricia Early], American singer and actress (Della Reese Show, Royal Family), died at the age of 86

• 2017 ~ Mel Tillis [Lonnie Melvin Tillis], American country singer (Who’s Julie, M-M-Mel), died of respiratory failure at the age of 85

November 18 ~ On This Day in Music

Posted by MaryO on

today

• 1307 ~ The story of William Tell shooting the apple off of his young son’s head is said to have taken place on this day. Gioachino Rossini made this story into an opera.

More about William Tell Day

• 1680 ~ Birth of French-Belgian composer and flutist Jean Baptiste Loeillet in Gent.

• 1736 ~ Birth of German composer Carl Friedrich Christian Fasch in Zerbst

• 1741  ~ George Frideric Handel arrived in Dublin at the invitation of the country of Ireland to attend current concert season. Presented numerous concerts in the Irish capital, including the first performance of his oratorio Messiah early in 1742.

• 1763 ~ Leopold Mozart and his two children, Wolfgang and Maria, arrive in Paris on their European concert tour.

• 1786 ~ Carl Maria von Weber, German composer, conductor and pianist, began the era of German romantic music
More information about von Weber

• 1838 ~ Sir William Schwenck Gilbert, British playright and librettist, best known for his comic operettas with Arthur Sullivan

• 1859 ~ Birth of Russian composer and pianist Sergei Mikhailovich Liapunov

• 1887 ~ Eduard Marxsen, German pianist and composer, died at the age of 81

• 1888 ~ First Performance of Peter Ilyich Tchaikovsky’s 5th Symphony, in St. Petersburg.

• 1889 ~ Amelita Galli-Curci, Opera soprano, “If not the greatest coloratura soprano of all time, she must surely be recognized as among the world’s finest examples of true operatic artistry.”

• 1891 ~ First Performance of Tchaikovsky‘s symphonic work The Voyevode in Moscow.

• 1892 ~ First concert at Carnegie Hall by the New York Philharmonic.

• 1899 ~ Eugene Ormandy (Jeno Blau), Hungarian-born American conductor of The Philadelphia Orchestra
More information about Ormandy

• 1909 ~ Johnny (John Herndon) Mercer, Academy Award-winning composer, lyricist, wrote or co-wrote over a thousand songs

• 1926 ~ Dorothy Collins (Marjorie Chandler), Singer on Your Hit Parade, sang with Benny Goodman band

• 1936 ~ Hank Ballard, Singer, songwriter with The Midniters, wrote and recorded The Twist

• 1950 ~ Graham Parker, Singer with Graham Parker and The Rumour

• 1953 ~ Herman Rarebell, Drummer with Scorpions

• 1960 ~ Kim Wilde, Singer

• 1967 ~ Lulu’s To Sir with Love, from the movie of the same name, started its fifth and final week at number one.

• 1974 ~ Frank Sinatra emerged from retirement to do a TV special with dancer Gene Kelly. The show was a smash hit and revived Sinatra’s career.

• 1975 ~ John Denver received a gold record for I’m Sorry.

• 1986 ~ The Roseland Ballroom reopened in New York City. The 67-year-old home for those wanting to dance cheek to cheek featured America’s dean of society music, Lester Lanin. He played for patrons who wanted to cut a rug on the 112-by-55-foot, maple wood dance floor.

• 1994 ~ Cab[ell] Calloway, US band leader/actor (Missourians), died at the age of 86

• 1999 ~ Doug Sahm, American country singer, passed away

• 2003 ~ First Performance of John Corigliano‘s Snapshot: Circa 1909. Elements String Quartet at Merkin Concert Hall, NYC.

• 2003 ~ Oscar-nominated composer, conductor and arranger Michael Kamen, one of Hollywood’s most sought-after musicians, died at age 55 after suffering from multiple sclerosis for several years. The native New Yorker and Juilliard School of Music Graduate was one of Hollywood’s most successful composers who worked on music for the “Lethal Weapon” series and scored “Die Hard” among many other films. In the late 1960s, he helped found the New York Rock ‘n’ Roll Ensemble, a critically acclaimed group that fused classical with pop and recorded five albums before dissolving. In the 1970s, Kamen scored ballets, served as musical director for David Bowie’s “Diamond Dogs” tour and began writing scores for film. Although he began in Hollywood working on offbeat films like “Polyester” and “Brazil,” he turned more mainstream in the 1980s, working on the “Lethal Weapon” series, “Robin Hood: Prince of Thieves,” “Mr. Holland’s Opus” and “X-Men,” plus the HBO series “Band of Brothers.” In 1991, Kamen earned his first Academy Award nomination for “(Everything I Do) I Do It for You,” the Bryan Adams pop hit from the movie, “Robin Hood: Prince of Thieves.” Co-written with Adams and Robert John “Mutt” Lange, the song received two Grammys. The three united in 1993 for “All for Love.” In 1999, Kamen conducted the orchestra which backed Metallica on their S&M project.

• 2004 ~ Cy Coleman, American composer, songwriter and pianist, died