On January 24 in Music History

compliment

 

National Compliment Day.  Give an extra compliment on National Compliment Day which is observed annually on January 24. A compliment has a powerful effect. It can instill confidence in a child, or validate someone’s hard work.

The OCMS has sticker pages you can put in your student’s music or notebooks to remind him or her how well you think they’re doing.

Always find something to praise in your student’s practice and playing.  You’ll see that it makes a world of difference.

. 1776 ~ Ernst Theodor Amadeus Hoffmann, composer

. 1883 ~ Friedrich von Flotow, German baron/composer, died at the age of 70
More information about Flotow

 

. 1913 ~ Norman Dello Joio, American composer
More information about Dello Joio

. 1919 ~ Leon Kirchner, American composer and pianist

. 1925 ~ Maria (Betty Marie) Tallchief, Prima ballerina: Ballet Russe de Monte Carlo, New York City Ballet; formed ballet troupe and school (1974) which became Chicago City Ballet in 1980, wife of choreographer George Balanchine

. 1936 ~ Jack Scott (Scafone), Singer

. 1936 ~ Benny Goodman and his orchestra recorded one of the all-time greats, Stompin’ at the Savoy, on Victor Records. The song became such a standard, that, literally, hundreds of artists have recorded it, including a vocal version by Barry Manilow. The ‘King of Swing’ recorded the song in a session at the Congress Hotel in Chicago.

. 1937 ~ Bobby Scott, Singer, pianist, songwriter

. 1939 ~ Doug Kershaw, Cajun fiddle, songwriter, singer

. 1941 ~ Neil Diamond, American pop-rock singer and songwriter

. 1941 ~ Ray Stevens, Singer and entertainer

. 1942 ~ Abie’s Irish Rose was first heard on NBC radio this day as part of “Knickerbocker Playhouse”. The program was a takeoff on the smash play from Broadway that ran for nearly 2,000 performances. Sydney Smith played the part of Abie. Rosemary Murphy was played by Betty Winkler.

. 1973 ~ ‘Little’ Donny Osmond, of the famed Osmond Brothers/Family, received a gold record for his album, “Too Young”. When he played the gold-plated disc on his Mickey Mouse phonograph, all he heard was Ben by ‘little’ Michael Jackson, a competitor in the ‘Kids Who Sing Really High Awards’ battle.

. 2006 ~ Fayard Nicholas, American tap dancer, one-half of The Nicholas Brothers and actor (The Five Heartbeats), died of pneumonia and complications from a stroke at the age of 91.

Children: don’t try this at home – never, ever dance on a piano!

 

On January 22 in Music History

polka-dots

 

 

. 1886 ~ John J. Becker, American composer

. 1889 ~ The Columbia Phonograph Company was formed in Washington, DC.

. 1901 ~ Hans Erich Apostel, German-born Austrian composer

. 1904 ~ George Balanchine (Georgi Balanchivadze), Choreographer of Apollo, Orpheus, Firebird, Swan Lake, The Nutcracker. He founded School of American Ballet and New York City Ballet. He was married to Tanaquil Le Clercq.

. 1907 ~ The Richard Strauss opera, “Salome”, was featured with the Dance of the Seven Veils. It was copied by vaudeville performers. Soon, performances of the opera were banned at the Metropolitan Opera House.

. 1916 ~ Henri Dutilleux, French composer

. 1920 ~ William Warfield, singer (Show Boat)

. 1924 ~ James Louis “J.J.” Johnson, Trombonist, composer and bandleader. He was one of first to use the trombone in modern jazz

. 1931 ~ Clyde McCoy and his orchestra recorded Sugar Blues. The tune became McCoy’s theme song, thanks to its popularity on Columbia Records, and later on Decca, selling over a million copies.

. 1935 ~ Sam Cooke, American rhythm-and-blues singer

. 1949 ~ Steve Perry, Drummer with Radio Stars

. 1953 ~ Myung-Whun Chung, Seoul South Korea, pianist/conductor (Chung Trio)

. 2002 ~ Pete Bardens, a keyboardist who played alongside such pop stars as Mick Fleetwood, Ray Davies, Rod Stewart and Van Morrison, died of lung cancer. He was 57. He was known for his progressive and New Age rock style on synthesizer, electric piano and organ. In the 1960s, the London-born Bardens played in the Blues Messengers with Davies, who later went on to form The Kinks; Shotgun Express with Stewart; Them with Morrison; and the group Cheynes with Fleetwood and Peter Green, who went on to form Fleetwood Mac. In 1972, Bardens formed the progressive rock band Camel and stayed with it through the late 1970s. In 1978, he began a successful solo career, releasing several well-received records, including “Speed of Light”, and also played on Morrison’s album “Wavelength” and accompanied him on a world tour. Barden continued to compose, produce and perform music through the 1990s, appearing in Europe with his group Mirage.

. 2004 ~ Milt Bernhart, a big band trombonist known for his solo on Frank Sinatra’s I’ve Got You Under My Skin, died. He was 77. During his three-decade career, Bernhart played in bands led by Benny Goodman, Henry Mancini and others. He was performing in Howard Rumsey’s Lighthouse All-Stars when Marlon Brando arranged for the band to play in the 1954 film The Wild One. Bernhart then became an in-studio musician for Columbia and other film and television studios, and in 1956 added a memorable solo to Sinatra’s I’ve Got You Under My Skin. Born in Valparaiso, Ind., Bernhart was drafted into the Army and was to be sent overseas during World War II before he was transferred to the service’s band. After his music career wound down in 1973, he bought Kelly Travel Service in Los Angeles. He created the Big Band Academy of America in 1986 and planned to retire as the organization’s founding president in March.

. 2004 ~ Ann Miller, a childhood dance prodigy who fast-tapped her way to movie stardom that peaked in 1940s musicals like “On the Town”, “Easter Parade” and“Kiss Me Kate”, died of lung cancer. She was 81. Miller’s film career peaked at MGM in the late 1940s and early ’50s, but she honed her chops into her 60s, earning millions for “Sugar Babies”, a razzmatazz tribute to the era of burlesque featuring Mickey Rooney. Miller’s legs, pretty face and fast tapping (she claimed the record of 500 taps a minute) earned her jobs in vaudeville and nightclubs when she first came to Hollywood. Her early film career included working as a child extra in films and as a chorus girl in a minor musical, “The Devil on Horseback”. An appearance at the popular Bal Tabarin in San Francisco won a contract at RKO studio, where her name was shortened to Ann. Her first film at RKO, “New Faces of 1937”, featured her dancing. She next played an acting hopeful in “Stage Door”, with Katharine Hepburn, Ginger Rogers, Lucille Ball and Eve Arden.

When Cyd Charisse broke a leg before starting “Easter Parade” at MGM with Fred Astaire, Miller replaced her. That led to an MGM contract and her most enduring work. She was teamed with Gene Kelly and Frank Sinatra in “On the Town”, Red Skelton in “Watch the Birdie”, and Bob Fosse in “Kiss Me Kate“. Other MGM films included: “Texas Carnival”, “Lovely to Look At”, “Small Town Girl”, “Deep in My Heart”, “Hit the Deck” and “The Opposite Sex.” The popularity of musicals declined in the 1950s, and her film career ended in 1956. Miller remained active in television and the theater, dancing and belting songs on Broadway in “Hello, Dolly” and “Mame”. In later years, she astounded audiences in New York, Las Vegas and on the road with her dynamic tapping in “Sugar Babies.” The show opened on Broadway in 1979 and toured for years. In 1990, she commented that “Sugar Babies” had made her financially independent. While her career in Hollywood prospered, Miller became a regular figure in the town’s nightlife, and she caught the eye of Louis B. Mayer, all-powerful head of MGM. After dating, she declined to marry him because her mother would not allow it. She later married and divorced steel heir Reese Milner and oilmen William Moss and Arthur Cameron.

. 2004 ~ Dick Rodgers, an insurance salesman known as the “Polka King” when he hosted a regional television show from the 1950s to the 1970s, died. He was 76. Rodgers’ television show was on the air from 1955-78, starting on WMBV in Marinette, which later moved to Green Bay and became WLUK-TV. The program was shown on 17 Midwestern stations at its height. Rodgers’ accomplishments included membership in the International Polka Music Hall of Fame (1976) and in the World Concertina Congress Hall of Fame (1996). He also was named Orchestra Leader of the Year by the Wisconsin Orchestra Leaders Association in 1967.

Christmas Countdown: Tchaikovsky’s Nutcracker

 

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker

From http://www.nycballet.com/Ballets/N/George-Balanchine-s-The-Nutcracker.aspx

During the holiday period, the entire Company is immersed in activities surrounding George Balanchine’s The Nutcracker. All 90 dancers, 62 musicians, 32 stagehands and two casts of 50 young students each from the School of American Ballet join forces to make each performance as magical as possible. Children of all ages from New York City and the nation fill the David H. Koch Theater to be captivated by the lure of Tschaikovsky’s music, Balanchine’s choreography, Karinska’s sumptuous costumes, and Rouben Ter-Arutunian’s magical sets. George Balanchine’s The Nutcracker, based on the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King (1816), demands a full-scale production.

The elaborate stage elements and intricate lighting unleash the viewers’ imagination by providing visual effects that are extraordinarily grand. The most famous example is the one-ton Christmas tree that grows from a height of 12 feet to 40 feet, evoking audible gasps of disbelief from the audience at each performance. Other notable feats include the comic figure of Mother Ginger — 85 pounds and nine feet wide, the costume requires handling by three people once it is lowered by pulley over the dancer’s head — as well as the continuous flutter of the purest, crystal-shaped snowflakes (which are swept up and conserved after each performance for reuse).

While these technical achievements are wonderful fun, it is Balanchine’s choreography that sustains the ballet through two acts. Act I introduces the characters — the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew — and also begins the transition from reality into fantasy with the concluding Snowflake Waltz. Act II offers the complete transformation. We have entered the “Kingdom of the Sugarplum Fairy” and there is no turning back.

George Balanchine’s The Nutcracker™ is one of the most complex theatrical, staged ballets in the Company’s active repertory. The popularity of the ballet is immense and it provides an unforgettable spark to everyone’s holiday season.

Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40 percent of their annual ticket revenues from performances of The Nutcracker.

Tchaikovsky’s score has become one of his most famous compositions, in particular, the pieces featured in the suite.

 

 

January 24 in Music History

compliment

 

National Compliment Day.  Give an extra compliment on National Compliment Day which is observed annually on January 24. A compliment has a powerful effect. It can instill confidence in a child, or validate someone’s hard work.

The OCMS has sticker pages you can put in your student’s music or notebooks to remind him or her how well you think they’re doing.

Always find something to praise in your student’s practice and playing.  You’ll see that it makes a world of difference.

. 1776 ~ Ernst Theodor Amadeus Hoffmann, composer

. 1883 ~ Friedrich von Flotow, German baron/composer, died at the age of 70
More information about Flotow

 

. 1913 ~ Norman Dello Joio, American composer
More information about Dello Joio

. 1919 ~ Leon Kirchner, American composer and pianist

. 1925 ~ Maria (Betty Marie) Tallchief, Prima ballerina: Ballet Russe de Monte Carlo, New York City Ballet; formed ballet troupe and school (1974) which became Chicago City Ballet in 1980, wife of choreographer George Balanchine

. 1936 ~ Jack Scott (Scafone), Singer

. 1936 ~ Benny Goodman and his orchestra recorded one of the all-time greats, Stompin’ at the Savoy, on Victor Records. The song became such a standard, that, literally, hundreds of artists have recorded it, including a vocal version by Barry Manilow. The ‘King of Swing’ recorded the song in a session at the Congress Hotel in Chicago.

. 1937 ~ Bobby Scott, Singer, pianist, songwriter

. 1939 ~ Doug Kershaw, Cajun fiddle, songwriter, singer

. 1941 ~ Neil Diamond, American pop-rock singer and songwriter

. 1941 ~ Ray Stevens, Singer and entertainer

. 1942 ~ Abie’s Irish Rose was first heard on NBC radio this day as part of “Knickerbocker Playhouse”. The program was a takeoff on the smash play from Broadway that ran for nearly 2,000 performances. Sydney Smith played the part of Abie. Rosemary Murphy was played by Betty Winkler.

. 1973 ~ ‘Little’ Donny Osmond, of the famed Osmond Brothers/Family, received a gold record for his album, “Too Young”. When he played the gold-plated disc on his Mickey Mouse phonograph, all he heard was Ben by ‘little’ Michael Jackson, a competitor in the ‘Kids Who Sing Really High Awards’ battle.

. 2006 ~ Fayard Nicholas, American tap dancer, one-half of The Nicholas Brothers and actor (The Five Heartbeats), died of pneumonia and complications from a stroke at the age of 91.

Children: don’t try this at home – never, ever dance on a piano!

 

January 22 in Music History

polka-dots

 

 

. 1886 ~ John J. Becker, American composer

. 1889 ~ The Columbia Phonograph Company was formed in Washington, DC.

. 1901 ~ Hans Erich Apostel, German-born Austrian composer

. 1904 ~ George Balanchine (Georgi Balanchivadze), Choreographer of Apollo, Orpheus, Firebird, Swan Lake, The Nutcracker. He founded School of American Ballet and New York City Ballet. He was married to Tanaquil Le Clercq.

. 1907 ~ The Richard Strauss opera, “Salome”, was featured with the Dance of the Seven Veils. It was copied by vaudeville performers. Soon, performances of the opera were banned at the Metropolitan Opera House.

. 1916 ~ Henri Dutilleux, French composer

. 1920 ~ William Warfield, singer (Show Boat)

. 1924 ~ James Louis “J.J.” Johnson, Trombonist, composer and bandleader. He was one of first to use the trombone in modern jazz
More about Johnson

. 1931 ~ Clyde McCoy and his orchestra recorded Sugar Blues. The tune became McCoy’s theme song, thanks to its popularity on Columbia Records, and later on Decca, selling over a million copies.

. 1935 ~ Sam Cooke, American rhythm-and-blues singer

. 1949 ~ Steve Perry, Drummer with Radio Stars

. 1953 ~ Myung-Whun Chung, Seoul South Korea, pianist/conductor (Chung Trio)

. 2002 ~ Pete Bardens, a keyboardist who played alongside such pop stars as Mick Fleetwood, Ray Davies, Rod Stewart and Van Morrison, died of lung cancer. He was 57. He was known for his progressive and New Age rock style on synthesizer, electric piano and organ. In the 1960s, the London-born Bardens played in the Blues Messengers with Davies, who later went on to form The Kinks; Shotgun Express with Stewart; Them with Morrison; and the group Cheynes with Fleetwood and Peter Green, who went on to form Fleetwood Mac. In 1972, Bardens formed the progressive rock band Camel and stayed with it through the late 1970s. In 1978, he began a successful solo career, releasing several well-received records, including “Speed of Light”, and also played on Morrison’s album “Wavelength” and accompanied him on a world tour. Barden continued to compose, produce and perform music through the 1990s, appearing in Europe with his group Mirage.

. 2004 ~ Milt Bernhart, a big band trombonist known for his solo on Frank Sinatra’s I’ve Got You Under My Skin, died. He was 77. During his three-decade career, Bernhart played in bands led by Benny Goodman, Henry Mancini and others. He was performing in Howard Rumsey’s Lighthouse All-Stars when Marlon Brando arranged for the band to play in the 1954 film The Wild One. Bernhart then became an in-studio musician for Columbia and other film and television studios, and in 1956 added a memorable solo to Sinatra’s I’ve Got You Under My Skin. Born in Valparaiso, Ind., Bernhart was drafted into the Army and was to be sent overseas during World War II before he was transferred to the service’s band. After his music career wound down in 1973, he bought Kelly Travel Service in Los Angeles. He created the Big Band Academy of America in 1986 and planned to retire as the organization’s founding president in March.

. 2004 ~ Ann Miller, a childhood dance prodigy who fast-tapped her way to movie stardom that peaked in 1940s musicals like “On the Town”, “Easter Parade” and“Kiss Me Kate”, died of lung cancer. She was 81. Miller’s film career peaked at MGM in the late 1940s and early ’50s, but she honed her chops into her 60s, earning millions for “Sugar Babies”, a razzmatazz tribute to the era of burlesque featuring Mickey Rooney. Miller’s legs, pretty face and fast tapping (she claimed the record of 500 taps a minute) earned her jobs in vaudeville and nightclubs when she first came to Hollywood. Her early film career included working as a child extra in films and as a chorus girl in a minor musical, “The Devil on Horseback”. An appearance at the popular Bal Tabarin in San Francisco won a contract at RKO studio, where her name was shortened to Ann. Her first film at RKO, “New Faces of 1937”, featured her dancing. She next played an acting hopeful in “Stage Door”, with Katharine Hepburn, Ginger Rogers, Lucille Ball and Eve Arden. When Cyd Charisse broke a leg before starting “Easter Parade” at MGM with Fred Astaire, Miller replaced her. That led to an MGM contract and her most enduring work. She was teamed with Gene Kelly and Frank Sinatra in “On the Town”, Red Skelton in “Watch the Birdie”, and Bob Fosse in “Kiss Me Kate“. Other MGM films included: “Texas Carnival”, “Lovely to Look At”, “Small Town Girl”, “Deep in My Heart”, “Hit the Deck” and “The Opposite Sex.” The popularity of musicals declined in the 1950s, and her film career ended in 1956. Miller remained active in television and the theater, dancing and belting songs on Broadway in “Hello, Dolly” and “Mame”. In later years, she astounded audiences in New York, Las Vegas and on the road with her dynamic tapping in “Sugar Babies.” The show opened on Broadway in 1979 and toured for years. In 1990, she commented that “Sugar Babies” had made her financially independent. While her career in Hollywood prospered, Miller became a regular figure in the town’s nightlife, and she caught the eye of Louis B. Mayer, all-powerful head of MGM. After dating, she declined to marry him because her mother would not allow it. She later married and divorced steel heir Reese Milner and oilmen William Moss and Arthur Cameron.

. 2004 ~ Dick Rodgers, an insurance salesman known as the “Polka King” when he hosted a regional television show from the 1950s to the 1970s, died. He was 76. Rodgers’ television show was on the air from 1955-78, starting on WMBV in Marinette, which later moved to Green Bay and became WLUK-TV. The program was shown on 17 Midwestern stations at its height. Rodgers’ accomplishments included membership in the International Polka Music Hall of Fame (1976) and in the World Concertina Congress Hall of Fame (1996). He also was named Orchestra Leader of the Year by the Wisconsin Orchestra Leaders Association in 1967.

Christmas Music: Tchaikovsky’s Nutcracker

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker

From http://www.nycballet.com/Ballets/N/George-Balanchine-s-The-Nutcracker.aspx

During the holiday period, the entire Company is immersed in activities surrounding George Balanchine’s The Nutcracker. All 90 dancers, 62 musicians, 32 stagehands and two casts of 50 young students each from the School of American Ballet join forces to make each performance as magical as possible. Children of all ages from New York City and the nation fill the David H. Koch Theater to be captivated by the lure of Tschaikovsky’s music, Balanchine’s choreography, Karinska’s sumptuous costumes, and Rouben Ter-Arutunian’s magical sets. George Balanchine’s The Nutcracker, based on the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King (1816), demands a full-scale production.

The elaborate stage elements and intricate lighting unleash the viewers’ imagination by providing visual effects that are extraordinarily grand. The most famous example is the one-ton Christmas tree that grows from a height of 12 feet to 40 feet, evoking audible gasps of disbelief from the audience at each performance. Other notable feats include the comic figure of Mother Ginger — 85 pounds and nine feet wide, the costume requires handling by three people once it is lowered by pulley over the dancer’s head — as well as the continuous flutter of the purest, crystal-shaped snowflakes (which are swept up and conserved after each performance for reuse).

While these technical achievements are wonderful fun, it is Balanchine’s choreography that sustains the ballet through two acts. Act I introduces the characters — the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew — and also begins the transition from reality into fantasy with the concluding Snowflake Waltz. Act II offers the complete transformation. We have entered the “Kingdom of the Sugarplum Fairy” and there is no turning back.

George Balanchine’s The Nutcracker™ is one of the most complex theatrical, staged ballets in the Company’s active repertory. The popularity of the ballet is immense and it provides an unforgettable spark to everyone’s holiday season.

Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40 percent of their annual ticket revenues from performances of The Nutcracker.

Tchaikovsky’s score has become one of his most famous compositions, in particular the pieces featured in the suite.

 

January 24 ~ This Day in Music History

compliment

 

National Compliment Day.  Give an extra compliment on National Compliment Day which is observed annually on January 24. A compliment has a powerful effect. It can instill confidence in a child, or validate someone’s hard work.

The OCMS has sticker pages you can put in your student’s music or notebooks to remind him or her how well you think they’re doing.

Always find something to praise in your student’s practice and playing.  You’ll see that it makes a world of difference.

 

. 1776 ~ Ernst Theodor Amadeus Hoffmann, composer

. 1913 ~ Norman Dello Joio, American composer
More information about Dello Joio

. 1919 ~ Leon Kirchner, American composer and pianist

. 1925 ~ Maria (Betty Marie) Tallchief, Prima ballerina: Ballet Russe de Monte Carlo, New York City Ballet; formed ballet troupe and school (1974) which became Chicago City Ballet in 1980, wife of choreographer George Balanchine

. 1936 ~ Jack Scott (Scafone), Singer

. 1936 ~ Benny Goodman and his orchestra recorded one of the all-time greats, Stompin’ at the Savoy, on Victor Records. The song became such a standard, that, literally, hundreds of artists have recorded it, including a vocal version by Barry Manilow. The ‘King of Swing’ recorded the song in a session at the Congress Hotel in Chicago.

. 1937 ~ Bobby Scott, Singer, pianist, songwriter

. 1939 ~ Doug Kershaw, Cajun fiddle, songwriter, singer

. 1941 ~ Neil Diamond, American pop-rock singer and songwriter

. 1941 ~ Ray Stevens, Singer and entertainer

. 1942 ~ Abie’s Irish Rose was first heard on NBC radio this day as part of “Knickerbocker Playhouse”. The program was a takeoff on the smash play from Broadway that ran for nearly 2,000 performances. Sydney Smith played the part of Abie. Rosemary Murphy was played by Betty Winkler.

. 1973 ~ ‘Little’ Donny Osmond, of the famed Osmond Brothers/Family, received a gold record for his album, “Too Young”. When he played the gold-plated disc on his Mickey Mouse phonograph, all he heard was Ben by ‘little’ Michael Jackson, a competitor in the ‘Kids Who Sing Really High Awards’ battle.