Tag Archives: Avery Fisher Hall

Christmas Countdown: Tchaikovsky’s Nutcracker

Posted by MaryO on

 

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker…

The holiday season at the Company is a spellbinding time, completely enveloped in the enchanting world of George Balanchine’s The Nutcracker™. This production is a grand spectacle of artistry and imagination, a beloved holiday tradition that brings together an extraordinary ensemble of talent. With all 90 dancers, 62 musicians, 32 stagehands, and two casts of 50 young students each from the School of American Ballet, the Company transforms each performance into a mesmerizing experience.

Audiences, including children and adults from New York City and beyond, flock to the David H. Koch Theater, drawn by the irresistible allure of Tschaikovsky’s iconic music, Balanchine’s masterful choreography, Karinska’s lavish costumes, and Rouben Ter-Arutunian’s enchanting sets. This production, a magical adaptation of the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, “The Nutcracker and the Mouse King,” is a full-scale theatrical marvel.

The production’s visual splendor is nothing short of breathtaking. The stage comes alive with elaborate elements and sophisticated lighting, creating an immersive world that captivates the imagination. One of the most stunning features is the one-ton Christmas tree that astoundingly grows from 12 feet to 40 feet, eliciting gasps of wonder from the audience at each performance. The whimsical Mother Ginger costume, weighing 85 pounds and spanning nine feet, and the delicate snowflakes that dance through the air add to the magic, making the ballet a visual feast.

However, it is Balanchine’s choreography that is the heart of the ballet, guiding the audience through a journey from the familiar to the fantastical. Act I sets the stage with its charming characters – the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew – and culminates in the dreamlike Snowflake Waltz. Act II is a complete immersion into the fantastical “Kingdom of the Sugarplum Fairy,” where the line between reality and fantasy beautifully blurs.

George Balanchine’s The Nutcracker™ stands as one of the most complex and captivating staged ballets in the Company’s repertoire. Its immense popularity is a testament to its ability to ignite the holiday spirit in everyone’s heart, making it an integral and unforgettable part of the holiday season.

Despite its humble beginnings, where the original production of Tchaikovsky’s The Nutcracker did not immediately capture the public’s adoration, a remarkable transformation occurred over time. Tchaikovsky, with his masterful touch, crafted a 20-minute suite from the ballet’s music that soared in popularity, showcasing his genius in a new light. This suite became the beacon that eventually led to the ballet’s widespread acclaim.Despite its humble beginnings, where the original production of Tchaikovsky’s The Nutcracker did not immediately capture the public’s adoration, a remarkable transformation occurred over time. Tchaikovsky, with his masterful touch, crafted a 20-minute suite from the ballet’s music that soared in popularity, showcasing his genius in a new light. This suite became the beacon that eventually led to the ballet’s widespread acclaim.

From the late 1960s onwards, The Nutcracker underwent a renaissance, becoming a cherished staple of the holiday season. Its popularity skyrocketed, especially in North America, where it became synonymous with Christmas festivities. Today, The Nutcracker is an essential part of countless ballet companies’ repertoires, celebrated for its enchanting story and exquisite choreography.

The ballet’s commercial success is astounding, with major American ballet companies attributing approximately 40 percent of their annual ticket revenues to performances of The Nutcracker. This statistic alone speaks volumes about the ballet’s enduring appeal and its significant role in the cultural landscape of ballet and Christmas traditions alike.

Tchaikovsky’s score for The Nutcracker, with its lush, evocative melodies and intricate compositions, has risen to become one of his most renowned works. The pieces from the suite, in particular, have captivated audiences worldwide with their beauty and complexity, securing The Nutcracker’s place as not just a seasonal favorite, but a timeless masterpiece of classical music.

May 14: On This Day in Music

Posted by MaryO on

today

• 1847 ~ Fanny Cacilia Mendelssohn Hensel, German composer, died at the age of 41

• 1885 ~ Otto Klemperer, German conductor, In his early career he championed modern works.

• 1916 ~ Skip (Lloyd) Martin, Bandleader, composer, arranger

• 1916 ~ Lance Dossor, British-born concert pianist

• 1917 ~ Norman Luboff, Choral leader, The Norman Luboff Choir

• 1925 ~ Patrice Munsel, Soprano, Metropolitan Opera diva at age 17; actress in The Great Waltz, Melba; radio performer: The Great Sopranos – Voices of Firestone Classic Performances; radio host: The Patrice Munsel Show

• 1925 ~ Al Porcino, Jazz musician, trumpet

• 1936 ~ Bobby Darin (Cassotto), Grammy Award-winning singer, inducted into Rock and Roll Hall of Fame in 1990

• 1937 ~ Duke Ellington and his band recorded the classic, Caravan, for Brunswick Records.

• 1943 ~ Jack Bruce, Musician: bass with the group Cream

• 1943 ~ Derek Leckenby, Guitarist with Herman’s Hermits

• 1944 ~ Troy Shondell, Singer

• 1945 ~ Gene Cornish, Guitarist with The Young Rascals

• 1952 ~ David Byrne, American rock composer, singer, American rock composer, performance artist and movie director

• 1957 ~ The musical, New Girl in Town, opened at the 46th Street Theatre in New York City. Thelma Ritter and Gwen Verdon starred in the Broadway adaptation of Eugene O’Neill’s Anna Christie. New Girl in Town had a run of 431 performances.

1959 ~ “President Dwight D. Eisenhower broke ground for Lincoln Center at the site of Avery Fisher Hall, then named Philharmonic Hall. Musicians representing the Lincoln Center constituents participated: Leonard Bernstein led the New York Philharmonic and the Juilliard Chorus (Frederick Prausnitz, director), and Leonard Warren and Risë Stevens (Juilliard Graduate School ’36, voice), both of The Metropolitan Opera, performed excerpts from I Pagliacci and Carmen.” ~Jeni Dahmus, archivist at The Juilliard School

• 1971 ~ The Honey Cone received a gold record for the single, Want Ads. The female soul trio was formed in Los Angeles in 1969 and scored two million-sellers, Want Ads and Stick Up. The trio had a total of four songs on the charts that were moderate hits. Only Want Ads, however, made it to the number one position.

• 1971 ~ Danny Wood, Singer with New Kids on the Block

• 1998 ~ Frank Sinatra, one of the world’s greatest popular singers, died.

• 2001 ~ Loften Mitchell, a Tony Award-nominated playwright and early leader of the black theater movement, died at the age of 82. Mitchell was nominated for a Tony Award in 1976 for his book for the musical “Bubbling Brown Sugar,” a performance of black music and dance. He also wrote “A Land Beyond the River,” “Star of the Morning,” and the books “Voices of the Black Theater” and “Black Drama.” For many years he taught at the State University of New York at Binghamton, and he was the recipient of a Guggenheim Fellowship and a grant from the Rockefeller Foundation.

• 2003 ~ Otto Edelmann, whose dark bass-baritone propelled him to some of the world’s most renowned opera stages over a career spanning more than four decades, died. He was 86. Edelmann was often associated with masterful performances as Ochs in “Der Rosenkavalier,” and Hans Sachs in “Die Meistersinger von Nuernberg.” With his powerful voice, Edelmann was a favorite choice for Wagnerian roles. Edelmann trained at the Vienna Music Academy, now the Vienna University for Music and Performing Arts, under coaches including Gunnar Graarud. After a 1937 debut as Figaro in Gera, Germany, he sang in Nuremberg until 1940, when he was drafted into Hitler’s army. Captured by the Soviets, he spent several years as a prisoner of war. Edelmann’s postwar debut at the Vienna State Opera, as the hermit in “Der Freischuetz” in 1947, was the first of a 36-year engagement in the Austrian capital that included 430 performances in 36 different roles. He also was a regular for decades at the Salzburg Festival and other annual music events across Europe. Edelmann later turned increasingly to teaching, and in 1982 was appointed singing professor at the Vienna Music Academy.

• 2015 ~ B.B. King, “the King of the Blues,” whose stinging guitar solos and husky, full-throated vocals made him an international music icon and the most commercially successful performer in blues history, died at the age of 89.

2019 Christmas Countdown: Tchaikovsky’s Nutcracker

Posted by MaryO on

 

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker…

From http://www.nycballet.com/Ballets/N/George-Balanchine-s-The-Nutcracker.aspx

During the holiday period, the entire Company is immersed in activities surrounding George Balanchine’s The Nutcracker™. All 90 dancers, 62 musicians, 32 stagehands and two casts of 50 young students each from the School of American Ballet join forces to make each performance as magical as possible. Children of all ages from New York City and the nation fill the David H. Koch Theater to be captivated by the lure of Tschaikovsky’s music, Balanchine’s choreography, Karinska’s sumptuous costumes, and Rouben Ter-Arutunian’s magical sets. George Balanchine’s The Nutcracker™, based on the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King (1816), demands a full-scale production.

The elaborate stage elements and intricate lighting unleash the viewers’ imagination by providing visual effects that are extraordinarily grand. The most famous example is the one-ton Christmas tree that grows from a height of 12 feet to 40 feet, evoking audible gasps of disbelief from the audience at each performance. Other notable feats include the comic figure of Mother Ginger — 85 pounds and nine feet wide, the costume requires handling by three people once it is lowered by pulley over the dancer’s head — as well as the continuous flutter of the purest, crystal-shaped snowflakes (which are swept up and conserved after each performance for reuse).

While these technical achievements are wonderful fun, it is Balanchine’s choreography that sustains the ballet through two acts. Act I introduces the characters — the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew — and also begins the transition from reality into fantasy with the concluding Snowflake Waltz. Act II offers the complete transformation. We have entered the “Kingdom of the Sugarplum Fairy” and there is no turning back.

George Balanchine’s The Nutcracker™ is one of the most complex theatrical, staged ballets in the Company’s active repertory. The popularity of the ballet is immense and it provides an unforgettable spark to everyone’s holiday season.

Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40 percent of their annual ticket revenues from performances of The Nutcracker.

Tchaikovsky’s score has become one of his most famous compositions, in particular, the pieces featured in the suite.

 

 

On May 14 in Music History

Posted by MaryO on

today

• 1847 ~ Fanny Cacilia Mendelssohn Hensel, German composer, died at the age of 41

• 1885 ~ Otto Klemperer, German conductor, In his early career he championed modern works.

• 1916 ~ Skip (Lloyd) Martin, Bandleader, composer, arranger

• 1916 ~ Lance Dossor, British-born concert pianist

• 1917 ~ Norman Luboff, Choral leader, The Norman Luboff Choir

• 1925 ~ Patrice Munsel, Soprano, Metropolitan Opera diva at age 17; actress in The Great Waltz, Melba; radio performer: The Great Sopranos – Voices of Firestone Classic Performances; radio host: The Patrice Munsel Show

• 1925 ~ Al Porcino, Jazz musician, trumpet

• 1936 ~ Bobby Darin (Cassotto), Grammy Award-winning singer, inducted into Rock and Roll Hall of Fame in 1990

• 1937 ~ Duke Ellington and his band recorded the classic, Caravan, for Brunswick Records.

• 1943 ~ Jack Bruce, Musician: bass with the group Cream

• 1943 ~ Derek Leckenby, Guitarist with Herman’s Hermits

• 1944 ~ Troy Shondell, Singer

• 1945 ~ Gene Cornish, Guitarist with The Young Rascals

• 1952 ~ David Byrne, American rock composer, singer, American rock composer, performance artist and movie director

• 1957 ~ The musical, New Girl in Town, opened at the 46th Street Theatre in New York City. Thelma Ritter and Gwen Verdon starred in the Broadway adaptation of Eugene O’Neill’s Anna Christie. New Girl in Town had a run of 431 performances.

1959 ~ “President Dwight D. Eisenhower broke ground for Lincoln Center at the site of Avery Fisher Hall, then named Philharmonic Hall. Musicians representing the Lincoln Center constituents participated: Leonard Bernstein led the New York Philharmonic and the Juilliard Chorus (Frederick Prausnitz, director), and Leonard Warren and Risë Stevens (Juilliard Graduate School ’36, voice), both of The Metropolitan Opera, performed excerpts from I Pagliacci and Carmen.” ~Jeni Dahmus, archivist at The Juilliard School

• 1971 ~ The Honey Cone received a gold record for the single, Want Ads. The female soul trio was formed in Los Angeles in 1969 and scored two million-sellers, Want Ads and Stick Up. The trio had a total of four songs on the charts that were moderate hits. Only Want Ads, however, made it to the number one position.

• 1971 ~ Danny Wood, Singer with New Kids on the Block

• 1998 ~ Frank Sinatra, one of the world’s greatest popular singers, died.

• 2001 ~ Loften Mitchell, a Tony Award-nominated playwright and early leader of the black theater movement, died at the age of 82. Mitchell was nominated for a Tony Award in 1976 for his book for the musical “Bubbling Brown Sugar,” a performance of black music and dance. He also wrote “A Land Beyond the River,” “Star of the Morning,” and the books “Voices of the Black Theater” and “Black Drama.” For many years he taught at the State University of New York at Binghamton, and he was the recipient of a Guggenheim Fellowship and a grant from the Rockefeller Foundation.

• 2003 ~ Otto Edelmann, whose dark bass-baritone propelled him to some of the world’s most renowned opera stages over a career spanning more than four decades, died. He was 86. Edelmann was often associated with masterful performances as Ochs in “Der Rosenkavalier,” and Hans Sachs in “Die Meistersinger von Nuernberg.” With his powerful voice, Edelmann was a favorite choice for Wagnerian roles. Edelmann trained at the Vienna Music Academy, now the Vienna University for Music and Performing Arts, under coaches including Gunnar Graarud. After a 1937 debut as Figaro in Gera, Germany, he sang in Nuremberg until 1940, when he was drafted into Hitler’s army. Captured by the Soviets, he spent several years as a prisoner of war. Edelmann’s postwar debut at the Vienna State Opera, as the hermit in “Der Freischuetz” in 1947, was the first of a 36-year engagement in the Austrian capital that included 430 performances in 36 different roles. He also was a regular for decades at the Salzburg Festival and other annual music events across Europe. Edelmann later turned increasingly to teaching, and in 1982 was appointed singing professor at the Vienna Music Academy.

• 2015 ~ B.B. King, “the King of the Blues,” whose stinging guitar solos and husky, full-throated vocals made him an international music icon and the most commercially successful performer in blues history, died at the age of 89.

Christmas Countdown: Tchaikovsky’s Nutcracker

Posted by MaryO on

 

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker…

From http://www.nycballet.com/Ballets/N/George-Balanchine-s-The-Nutcracker.aspx

During the holiday period, the entire Company is immersed in activities surrounding George Balanchine’s The Nutcracker™. All 90 dancers, 62 musicians, 32 stagehands and two casts of 50 young students each from the School of American Ballet join forces to make each performance as magical as possible. Children of all ages from New York City and the nation fill the David H. Koch Theater to be captivated by the lure of Tschaikovsky’s music, Balanchine’s choreography, Karinska’s sumptuous costumes, and Rouben Ter-Arutunian’s magical sets. George Balanchine’s The Nutcracker™, based on the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King (1816), demands a full-scale production.

The elaborate stage elements and intricate lighting unleash the viewers’ imagination by providing visual effects that are extraordinarily grand. The most famous example is the one-ton Christmas tree that grows from a height of 12 feet to 40 feet, evoking audible gasps of disbelief from the audience at each performance. Other notable feats include the comic figure of Mother Ginger — 85 pounds and nine feet wide, the costume requires handling by three people once it is lowered by pulley over the dancer’s head — as well as the continuous flutter of the purest, crystal-shaped snowflakes (which are swept up and conserved after each performance for reuse).

While these technical achievements are wonderful fun, it is Balanchine’s choreography that sustains the ballet through two acts. Act I introduces the characters — the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew — and also begins the transition from reality into fantasy with the concluding Snowflake Waltz. Act II offers the complete transformation. We have entered the “Kingdom of the Sugarplum Fairy” and there is no turning back.

George Balanchine’s The Nutcracker™ is one of the most complex theatrical, staged ballets in the Company’s active repertory. The popularity of the ballet is immense and it provides an unforgettable spark to everyone’s holiday season.

Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40 percent of their annual ticket revenues from performances of The Nutcracker.

Tchaikovsky’s score has become one of his most famous compositions, in particular, the pieces featured in the suite.

 

 

May 14 in Music History

Posted by MaryO on

today
• 1885 ~ Otto Klemperer, German conductor, In his early career he championed modern works.

• 1916 ~ Skip (Lloyd) Martin, Bandleader, composer, arranger

• 1916 ~ Lance Dossor, British-born concert pianist

• 1917 ~ Norman Luboff, Choral leader, The Norman Luboff Choir

• 1925 ~ Patrice Munsel, Soprano, Metropolitan Opera diva at age 17; actress in The Great Waltz, Melba; radio performer: The Great Sopranos – Voices of Firestone Classic Performances; radio host: The Patrice Munsel Show

• 1925 ~ Al Porcino, Jazz musician, trumpet

• 1936 ~ Bobby Darin (Cassotto), Grammy Award-winning singer, inducted into Rock and Roll Hall of Fame in 1990

• 1937 ~ Duke Ellington and his band recorded the classic, Caravan, for Brunswick Records.

• 1943 ~ Jack Bruce, Musician: bass with the group Cream

• 1943 ~ Derek Leckenby, Guitarist with Herman’s Hermits

• 1944 ~ Troy Shondell, Singer

• 1945 ~ Gene Cornish, Guitarist with The Young Rascals

• 1952 ~ David Byrne, American rock composer, singer, American rock composer, performance artist and movie director

• 1957 ~ The musical, New Girl in Town, opened at the 46th Street Theatre in New York City. Thelma Ritter and Gwen Verdon starred in the Broadway adaptation of Eugene O’Neill’s Anna Christie. New Girl in Town had a run of 431 performances.

1959 ~ “President Dwight D. Eisenhower broke ground for Lincoln Center at the site of Avery Fisher Hall, then named Philharmonic Hall. Musicians representing the Lincoln Center constituents participated: Leonard Bernstein led the New York Philharmonic and the Juilliard Chorus (Frederick Prausnitz, director), and Leonard Warren and Risë Stevens (Juilliard Graduate School ’36, voice), both of The Metropolitan Opera, performed excerpts from I Pagliacci and Carmen.” ~Jeni Dahmus, archivist at The Juilliard School

• 1971 ~ The Honey Cone received a gold record for the single, Want Ads. The female soul trio was formed in Los Angeles in 1969 and scored two million-sellers, Want Ads and Stick Up. The trio had a total of four songs on the charts that were moderate hits. Only Want Ads, however, made it to the number one position.

• 1971 ~ Danny Wood, Singer with New Kids on the Block

• 1998 ~ Frank Sinatra, one of the world’s greatest popular singers, died.

• 2001 ~ Loften Mitchell, a Tony Award-nominated playwright and early leader of the black theater movement, died at the age of 82. Mitchell was nominated for a Tony Award in 1976 for his book for the musical “Bubbling Brown Sugar,” a performance of black music and dance. He also wrote “A Land Beyond the River,” “Star of the Morning,” and the books “Voices of the Black Theater” and “Black Drama.” For many years he taught at the State University of New York at Binghamton, and he was the recipient of a Guggenheim Fellowship and a grant from the Rockefeller Foundation.

• 2003 ~ Otto Edelmann, whose dark bass-baritone propelled him to some of the world’s most renowned opera stages over a career spanning more than four decades, died. He was 86. Edelmann was often associated with masterful performances as Ochs in “Der Rosenkavalier,” and Hans Sachs in “Die Meistersinger von Nuernberg.” With his powerful voice, Edelmann was a favorite choice for Wagnerian roles. Edelmann trained at the Vienna Music Academy, now the Vienna University for Music and Performing Arts, under coaches including Gunnar Graarud. After a 1937 debut as Figaro in Gera, Germany, he sang in Nuremberg until 1940, when he was drafted into Hitler’s army. Captured by the Soviets, he spent several years as a prisoner of war. Edelmann’s postwar debut at the Vienna State Opera, as the hermit in “Der Freischuetz” in 1947, was the first of a 36-year engagement in the Austrian capital that included 430 performances in 36 different roles. He also was a regular for decades at the Salzburg Festival and other annual music events across Europe. Edelmann later turned increasingly to teaching, and in 1982 was appointed singing professor at the Vienna Music Academy.

•  B.B. King, “the King of the Blues,” whose stinging guitar solos and husky, full-throated vocals made him an international music icon and the most commercially successful performer in blues history, died at the age of 89.

Christmas Music: Tchaikovsky’s Nutcracker

Posted by MaryO on

nutcracker

A few years ago, we went to see Tchaikovsky’s Nutcracker…

From http://www.nycballet.com/Ballets/N/George-Balanchine-s-The-Nutcracker.aspx

During the holiday period, the entire Company is immersed in activities surrounding George Balanchine’s The Nutcracker™. All 90 dancers, 62 musicians, 32 stagehands and two casts of 50 young students each from the School of American Ballet join forces to make each performance as magical as possible. Children of all ages from New York City and the nation fill the David H. Koch Theater to be captivated by the lure of Tschaikovsky’s music, Balanchine’s choreography, Karinska’s sumptuous costumes, and Rouben Ter-Arutunian’s magical sets. George Balanchine’s The Nutcracker™, based on the Alexandre Dumas pere version of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King (1816), demands a full-scale production.

The elaborate stage elements and intricate lighting unleash the viewers’ imagination by providing visual effects that are extraordinarily grand. The most famous example is the one-ton Christmas tree that grows from a height of 12 feet to 40 feet, evoking audible gasps of disbelief from the audience at each performance. Other notable feats include the comic figure of Mother Ginger — 85 pounds and nine feet wide, the costume requires handling by three people once it is lowered by pulley over the dancer’s head — as well as the continuous flutter of the purest, crystal-shaped snowflakes (which are swept up and conserved after each performance for reuse).

While these technical achievements are wonderful fun, it is Balanchine’s choreography that sustains the ballet through two acts. Act I introduces the characters — the Stahlbaum children, Marie and Fritz, Herr Drosselmeier and his Nephew — and also begins the transition from reality into fantasy with the concluding Snowflake Waltz. Act II offers the complete transformation. We have entered the “Kingdom of the Sugarplum Fairy” and there is no turning back.

George Balanchine’s The Nutcracker™ is one of the most complex theatrical, staged ballets in the Company’s active repertory. The popularity of the ballet is immense and it provides an unforgettable spark to everyone’s holiday season.

Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40 percent of their annual ticket revenues from performances of The Nutcracker.

Tchaikovsky’s score has become one of his most famous compositions, in particular the pieces featured in the suite.

 

May 14 ~ This Day in Music History

Posted by MaryO on

mothers-day-38

• 1885 ~ Otto Klemperer, German conductor, In his early career he championed modern works.

• 1916 ~ Skip (Lloyd) Martin, Bandleader, composer, arranger

• 1917 ~ Norman Luboff, Choral leader, The Norman Luboff Choir

• 1925 ~ Patrice Munsel, Soprano, Metropolitan Opera diva at age 17; actress in The Great Waltz, Melba; radio performer: The Great Sopranos – Voices of Firestone Classic Performances; radio host: The Patrice Munsel Show

• 1925 ~ Al Porcino, Jazz musician, trumpet

• 1936 ~ Bobby Darin (Cassotto), Grammy Award-winning singer, inducted into Rock and Roll Hall of Fame in 1990

• 1937 ~ Duke Ellington and his band recorded the classic, Caravan, for Brunswick Records.

• 1943 ~ Jack Bruce, Musician: bass with the group Cream

• 1943 ~ Derek Leckenby, Guitarist with Herman’s Hermits

• 1944 ~ Troy Shondell, Singer

• 1945 ~ Gene Cornish, Guitarist with The Young Rascals

• 1952 ~ David Byrne, American rock composer, singer, American rock composer, performance artist and movie director

• 1957 ~ The musical, New Girl in Town, opened at the 46th Street Theatre in New York City. Thelma Ritter and Gwen Verdon starred in the Broadway adaptation of Eugene O’Neill’s Anna Christie. New Girl in Town had a run of 431 performances.

1959 ~ “President Dwight D. Eisenhower broke ground for Lincoln Center at the site of Avery Fisher Hall, then named Philharmonic Hall. Musicians representing the Lincoln Center constituents participated: Leonard Bernstein led the New York Philharmonic and the Juilliard Chorus (Frederick Prausnitz, director), and Leonard Warren and Risë Stevens (Juilliard Graduate School ’36, voice), both of The Metropolitan Opera, performed excerpts from I Pagliacci and Carmen.” ~Jeni Dahmus, archivist at The Juilliard School

• 1971 ~ The Honey Cone received a gold record for the single, Want Ads. The female soul trio was formed in Los Angeles in 1969 and scored two million-sellers, Want Ads and Stick Up. The trio had a total of four songs on the charts that were moderate hits. Only Want Ads, however, made it to the number one position.

• 1971 ~ Danny Wood, Singer with New Kids on the Block

• 1998 ~ Frank Sinatra, one of the world’s greatest popular singers, died.

• 2001 ~ Loften Mitchell, a Tony Award-nominated playwright and early leader of the black theater movement, died at the age of 82. Mitchell was nominated for a Tony Award in 1976 for his book for the musical “Bubbling Brown Sugar,” a performance of black music and dance. He also wrote “A Land Beyond the River,” “Star of the Morning,” and the books “Voices of the Black Theater” and “Black Drama.” For many years he taught at the State University of New York at Binghamton, and he was the recipient of a Guggenheim Fellowship and a grant from the Rockefeller Foundation.

• 2003 ~ Otto Edelmann, whose dark bass-baritone propelled him to some of the world’s most renowned opera stages over a career spanning more than four decades, died. He was 86. Edelmann was often associated with masterful performances as Ochs in “Der Rosenkavalier,” and Hans Sachs in “Die Meistersinger von Nuernberg.” With his powerful voice, Edelmann was a favorite choice for Wagnerian roles. Edelmann trained at the Vienna Music Academy, now the Vienna University for Music and Performing Arts, under coaches including Gunnar Graarud. After a 1937 debut as Figaro in Gera, Germany, he sang in Nuremberg until 1940, when he was drafted into Hitler’s army. Captured by the Soviets, he spent several years as a prisoner of war. Edelmann’s postwar debut at the Vienna State Opera, as the hermit in “Der Freischuetz” in 1947, was the first of a 36-year engagement in the Austrian capital that included 430 performances in 36 different roles. He also was a regular for decades at the Salzburg Festival and other annual music events across Europe. Edelmann later turned increasingly to teaching, and in 1982 was appointed singing professor at the Vienna Music Academy.

•  B.B. King, “the King of the Blues,” whose stinging guitar solos and husky, full-throated vocals made him an international music icon and the most commercially successful performer in blues history, died at the age of 89.

NYC All-Mozart Program

Posted by MaryO on

A repost from last year:

Tonight, we are going to Avery Fisher Hall at the Lincoln Center in New York to hear an all-Mozart program including

Piano Concerto No. 21

Symphony No. 38, Prague

Piano Concerto No. 20

And from another post:

 

kahane

Here’s a review of the exact same performance that we attended last night!  The same program was performed on Wednesday.

Review from the New York Times: New York Philharmonic Gives Mozart His Due

As the festival continues to evolve in directions that have less and less to do with its namesake, the Philharmonic, perhaps sensing an opportunity, offers a Mozart program of its own this week: the “Prague” Symphony and the Piano Concertos No. 20, in D minor, and No. 21, in C, with Jeffrey Kahane as guest conductor and soloist.

The “Prague” must be every opera lover’s favorite Mozart symphony. Composed in Vienna in 1786 and evidently given its premiere in Prague early the next year, it is a virtual caldron of tunes more or less shared with “Le Nozze di Figaro” (1786) and “Don Giovanni” (1787).

More than that, the symphony, played before intermission, evokes the moods and characters of those operas, especially “Don Giovanni.” Mr. Kahane treated all of that a bit matter-of-factly at Wednesday evening’s performance, with little lingering to search out lascivious byplay in dark recesses or to limn a bumbling Leporello.

So it came as a delightful surprise, after intermission, when Mr. Kahane injected the condemnatory sequence of rising and falling scales from “Don Giovanni” into his own cadenza for the first movement of the D minor Concerto. His playing was deft and virtuosic in both concertos, though his fast tempos in the outer movements of the C major resulted in some blurred scalar passages and a slightly hectic feel at times.

You might have feared a certain weightiness from the Philharmonic in Mozart, but Mr. Kahane generally drew stylish playing from a reduced band of 40 or so. The strings had a pliant quality, and the woodwinds were especially fine.

My thoughts are included on this blog post: http://maryoblog.com/2015/06/07/saturday-june-6-2015-part-2/

May 14 in Music History

Posted by MaryO on

today

• 1885 ~ Otto Klemperer, German conductor, In his early career he championed modern works.

• 1916 ~ Skip (Lloyd) Martin, Bandleader, composer, arranger

• 1917 ~ Norman Luboff, Choral leader, The Norman Luboff Choir

• 1925 ~ Patrice Munsel, Soprano, Metropolitan Opera diva at age 17; actress in The Great Waltz, Melba; radio performer: The Great Sopranos – Voices of Firestone Classic Performances; radio host: The Patrice Munsel Show

• 1925 ~ Al Porcino, Jazz musician, trumpet

• 1936 ~ Bobby Darin (Cassotto), Grammy Award-winning singer, inducted into Rock and Roll Hall of Fame in 1990

• 1937 ~ Duke Ellington and his band recorded the classic, Caravan, for Brunswick Records.

• 1943 ~ Jack Bruce, Musician: bass with the group Cream

• 1943 ~ Derek Leckenby, Guitarist with Herman’s Hermits

• 1944 ~ Troy Shondell, Singer

• 1945 ~ Gene Cornish, Guitarist with The Young Rascals

• 1952 ~ David Byrne, American rock composer, singer, American rock composer, performance artist and movie director

• 1957 ~ The musical, New Girl in Town, opened at the 46th Street Theatre in New York City. Thelma Ritter and Gwen Verdon starred in the Broadway adaptation of Eugene O’Neill’s Anna Christie. New Girl in Town had a run of 431 performances.

1959 ~ “President Dwight D. Eisenhower broke ground for Lincoln Center at the site of Avery Fisher Hall, then named Philharmonic Hall. Musicians representing the Lincoln Center constituents participated: Leonard Bernstein led the New York Philharmonic and the Juilliard Chorus (Frederick Prausnitz, director), and Leonard Warren and Risë Stevens (Juilliard Graduate School ’36, voice), both of The Metropolitan Opera, performed excerpts from I Pagliacci and Carmen.” ~Jeni Dahmus, archivist at The Juilliard School

• 1971 ~ The Honey Cone received a gold record for the single, Want Ads. The female soul trio was formed in Los Angeles in 1969 and scored two million-sellers, Want Ads and Stick Up. The trio had a total of four songs on the charts that were moderate hits. Only Want Ads, however, made it to the number one position.

• 1971 ~ Danny Wood, Singer with New Kids on the Block

• 1998 ~ Frank Sinatra, one of the world’s greatest popular singers, died.

• 2001 ~ Loften Mitchell, a Tony Award-nominated playwright and early leader of the black theater movement, died at the age of 82. Mitchell was nominated for a Tony Award in 1976 for his book for the musical “Bubbling Brown Sugar,” a performance of black music and dance. He also wrote “A Land Beyond the River,” “Star of the Morning,” and the books “Voices of the Black Theater” and “Black Drama.” For many years he taught at the State University of New York at Binghamton, and he was the recipient of a Guggenheim Fellowship and a grant from the Rockefeller Foundation.

• 2003 ~ Otto Edelmann, whose dark bass-baritone propelled him to some of the world’s most renowned opera stages over a career spanning more than four decades, died. He was 86. Edelmann was often associated with masterful performances as Ochs in “Der Rosenkavalier,” and Hans Sachs in “Die Meistersinger von Nuernberg.” With his powerful voice, Edelmann was a favorite choice for Wagnerian roles. Edelmann trained at the Vienna Music Academy, now the Vienna University for Music and Performing Arts, under coaches including Gunnar Graarud. After a 1937 debut as Figaro in Gera, Germany, he sang in Nuremberg until 1940, when he was drafted into Hitler’s army. Captured by the Soviets, he spent several years as a prisoner of war. Edelmann’s postwar debut at the Vienna State Opera, as the hermit in “Der Freischuetz” in 1947, was the first of a 36-year engagement in the Austrian capital that included 430 performances in 36 different roles. He also was a regular for decades at the Salzburg Festival and other annual music events across Europe. Edelmann later turned increasingly to teaching, and in 1982 was appointed singing professor at the Vienna Music Academy.

•  B.B. King, “the King of the Blues,” whose stinging guitar solos and husky, full-throated vocals made him an international music icon and the most commercially successful performer in blues history, died at the age of 89.