Let’s get in the Christmas spirit together this Sunday, December 3rd, at our 8:15, 9:30 or 11:00 am Service.
Our amazing Sanctuary Choir (MrsO sings in it!) and Orchestra will present a Cantata by Joseph M. Martin entitled “The Mystery and the Majesty.”
From jubilant glorias to gentle manger lullabies, this inspirational cantata celebrates the wonder and splendor of Christmas. Traditional carols and newly composed seasonal anthems blend with thoughtful narration to help create a meaningful experience.
At PenderUMC, 5 minutes from the O’Connor Music Studio
• 1917 ~ A new word cropped up in the American lexicon: Jazz. The Literary Digest described jazz as music that caused people to, “shake, jump and writhe in ways to suggest a return to the medieval jumping mania.”
• 1927 ~ Paul Badura-Skoda, Austrian pianist and music editor
• 1927 ~ “Mammy, how I love you, how I love you, my dear old mammy!” It was Al Jolson in blackface, singing in the first full-length talking picture, The Jazz Singer, as it opened in New York City. In reality, The Jazz Singer was not a true talkie. There were only 291 spoken words in the landmark film; however, it was the first to integrate sound and this small amount of dialogue into a story through the Vitaphone disk process; and the first to entertain a large audience. The talking part was mostly singing, and it was Al Jolson who made the flick a success, proving to the critics that an all-talking film could work. (Because he didn’t think the pioneer of talkies would be all the rage, George Jessel actually turned down the starring role; as did Eddie Cantor.) A silent version of the film was released to movie theaters who had not yet popped for the $20,000 or so that it cost to rewire their venue. The audience was thrilled with Jolson’s sound performance as a cantor’s son, Jake Rabinowitz, rejecting the world he came from to become a singer of popular music, changing his name to Jack Robin in the process. Although not jazz as we know it, the songs Jolson sang became part of American music culture: Toot Toot Tootsie (Goodbye), Blue Skies, Waiting for the RobertE. Lee and, of course, My Mammy. For those truly with a need to know, Neil Diamond did not audition for Jolson’s part when finding out that Jessel had turned it down. Diamond performed in a remake of The Jazz Singer in 1980. As Jolson said, “Wait a minute, wait a minute, you ain’t heard nothin’ yet!” Maybe, through the wonders of modern technology, we could hear Jolson and Diamond together, in concert. That would be the Mammy of all jazz singin’.
• 1941 ~ Claude Thornhill and his orchestra recorded Autumn Serenade on Columbia Records.
• 1946 ~ Millie Small (Smith), Singer, known as ‘The Blue Beat Girl’ in her native Jamaica
• 1949 ~ Bobby Farrell, Singer
• 1950 ~ Thomas McClary, Guitarist with The Commodores
• 1962 ~ Robert Goulet stepped out of the role of Sir Lancelot after singing/acting the part since 1960. The fabulously successful Broadway musical, Camelot, also starred Richard Burton as King Arthur and Julie Andrews as Queen Guenevere.
• 1964 ~ Matthew Sweet, Guitarist, singer, songwriter
• 1969 ~ George Harrison‘s song ‘Something’ was released as the “A” side of a Beatles’ 45, a first for Harrison. Along with Lennon and McCartney’s ‘Come Together’, the single went on reach No.1 on the US chart the following month. Both tracks were lifted from the Abbey Road album.
• 2001 ~ Blues singer Mamie “Galore” Davis died of a stroke. She was 61. Davis was born Sept. 24, 1940, in Erwin, where she started singing the blues. She graduated from O’Bannon High School and joined a local band. She performed with such musicians as Little Johnny Burton, Buddy Hicks, Little Milton and the Ike and Tina Turner Revue. Her first solo recording, Special Agent 34-24-38, was recorded on the St. Lawrence label in 1965. Under her first producer, Monk Higgins, she recorded two more singles for St. Lawrence, including her biggest hit, It Ain’t Necessary, in 1966.
• 2003 ~ Victor Buelow, who made it into the record books as the longest-serving community band director, died os an apparent heart attack. He was 94. Buelow directed the Jefferson American Legion Band for 72 years, from 1931 through the 2002 band season. Guinness World Records declared him the longest-serving director anywhere after he retired. Buelow stayed with the band even in retirement, playing the alto horn this summer
• 2007 ~ Queen’s groundbreaking promo for their 1975 hit Bohemian Rhapsody was named the UK’s best music video in a survey of music fans. Out of 1,051 adults polled by O2, 30% named the six-minute video, (which took only three hours to shoot and cost a mere £3,500 to make), their favorite.
I have just purchased a set of Shades of Sound Listening & Coloring Book: Halloween for the studio.
Each week, I will print out some of the pages for your student and put them in his/her notebook. After listening to the music on YouTube, the student may color the pages.
After they are colored, please return them to the notebook so that there will be a complete book when finished.
If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.
The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.
This Shades of Sound Halloween edition includes 13 spooky pieces of piano and orchestral literature, ranging from the Baroque to the Modern period. By spending just 5-10 minutes per day listening for just a few days per week, students can listen to and complete the whole book in a few weeks.
Aspiring pianists need to know the literature, hear the greats perform, and be inspired and excited by the great music that is available! Just as writers need to read, read, read, pianists need to listen! Through this fun curriculum, students will learn about the musical periods and the great composers and their works. Listening repertoire selected includes selections from the standard solo piano literature, as well as solo piano and orchestra literature and orchestral works.
My hope is that students can add just 5-10 minutes of listening per day to their normal practicing. Listening to great music will change their understanding of music and will vastly increase their music history knowledge. It will excite and inspire them, encourage further study and listening, give them new pieces to add to their own repertoire wish list, infuse more great music into their lives, homes and families, and will boost their musicianship and expression to the next level.
The Halloween Shades of Sound book includes 13 different pieces, including:
Totentanz by Liszt
Le Cimetiere, from Clairs de Lune by Abel Decaux
Graceful Ghost Rag by William Bolcom
Night on Bald Mountain by Mussorgsky/Rimsky-Korsakov
Tarantelle, from Music for Children Op. 65 No. 4 by Prokofiev
Tarantella by Albert Pieczonka
In the Hall of the Mountain King by Grieg
Toccata and Fugue in D minor, BWV 565 by Bach
Funeral March, from Piano Sonata No. 2 in B-flat minor by Chopin
Danse Macabre by Saint-Saens
The Banshee by Henry Cowell
Scarbo, from Gaspard de la nuit by Ravel
The Sorcerer’s Apprentice by Paul Dukas
Students may use The Playful Piano – Halloween Listening YouTube playlist to listen along with their book using quality recordings. The playlist is ordered to go right along with the book, and also includes 5 extra pieces (some pages include optional “Further Listening” examples students may listen to).
Today, we’ll be listening to the end of the William Tell Overture by Gioachino Rossini. This piece, originally the overture to an opera, has been arranged for piano and is in several method books, including Piano Pronto Movements 1 and 2. It’s also in Bastien Book 4 and Piano Maestro.
The original story
Maybe your grandparents watched the original Lone Ranger
Or you saw the newer Lone Ranger with Johnny Depp
Here’s the entire William Tell Overture played by an orchestra
Piano Solo
Franz Liszt made a really hard version for piano solo. See if you can follow along!
Piano Duet (1 piano, 4 hands)
Piano Duet arranged by Louis Moreau Gottschalk
Piano Duo (2 pianos, 8 hands)
Piano Quartet (4 pianos, 16 hands)
For pipe organ
For synthesizer
And then things get nuts with cartoons. Lots of cartoons used this music. Here are Mickey Mouse and friends
And Spike Jones
Handbells…
Poor Rossini – I think he’d have a fit if he knew how is music was being used.
What can I say about John Cage’s 4′33″? Pretty much anyone can play this anytime.
It consists of the pianist going to the piano, and not hitting any keys for four minutes and thirty-three seconds. (He uses a stopwatch to time this.) In other words, the entire piece consists of silence or rests.
On the one hand, as a musical piece, 4’33” leaves almost no room for the pianist’s interpretation: as long as he watches the stopwatch, he can’t play it too fast or too slow; he can’t hit the wrong keys; he can’t play it too loud, or too melodramatically, or too subduedly.
On the other hand, what you hear when you listen to 4’33” is more a matter of chance than with any other piece of music — nothing of what you hear is anything the composer wrote.
With orchestra and soloist
Next time you come to a lesson and haven’t practiced, just tell me you’re playing Cage’s 4’33”!
• 1638 ~ Nicolas Forme, Composer, died at the age of 71
• 1652 ~ Jacques Huyn, Composer, died at the age of 39
• 1690 ~ Giovanni Legrenzi, Italian Composer, died at the age of 63
• 1708 ~ Jacques Danican Philidor, Composer, died at the age of 51
• 1738 ~ Bonaventura Furlanetto, Composer
• 1796 ~ James S McLean patents his piano
• 1799 ~ Jacques-François-Fromental-Elie Halévy, French composer whose five-act grand opera La Juive (1835) was, with Giacomo Meyerbeer’s Les Huguenots, the prototype of early French grand opera.
• 1822 ~ Joseph Joachim Raff, German composer and teacher, greatly celebrated in his lifetime but nearly forgotten in the late 20th century.
• 1822 ~ Henry Wylde, Composer
• 1840 ~ Niccolò Paganini Composer and violinist died at the age of 57. He wrote six concertos for violin.
Read quotes by and about Paganini
More information about Paganini
• 1849 ~ “Blind” Tom Bethune, Pianist and composer
• 1878 ~ Isadora Duncan, Dancer
• 1878 ~ Carlo Marsili, Composer, died at the age of 49
• 1884 ~ Bax Brod, Composer
• 1888 ~ Louis Durey, Composer
• 1891 ~ Claude Adonai Champagne, Composer
• 1900 ~ Leopold Godowsky, Jr., American musician and photographic technician primarily known as a codeveloper of Kodachrome film (1935).
• 1915 ~ Mario del Monaco, Italian opera singer famed for Verdi and Puccini
• 1928 ~ Thea Musgrave, Scottish composer, best known for her concertos operas and choral and other vocal works.
• 1929 ~ Donald Howard Keats, Composer
• 1930 ~ Eino Tamberg, Composer
• 1931 ~ Veroslav Neumann, Composer
• 1932 ~ Jeffrey Bernard, Singer
• 1935 ~ Ramsey Lewis, American jazz pianist, composer and bandleader
• 1935 ~ Elias Gistelinck, Flemish Composer
• 1939 ~ Don Williams, Country singer
• 1940 ~ Rene Koering, Composer
• 1942 ~ Priscilla Anne McLean, Composer
• 1947 ~ Liana Alexandra, Composer
• 1950 ~ Frank Sinatra made his TV debut as he appeared on NBC’s “Star-Spangled Review” with show biz legend, Bob Hope.
• 1957 ~ Siouxsie Sioux (Susan Dallion), Singer with Siouxsie and the Banshees
• 1957 ~ That’ll be the Day, by The Crickets and featuring Buddy Holly, was released by Brunswick Records. On September 14th, the tune became the most popular record in the U.S. It was the first hit for Holly and his group after two previous releases went nowhere on Decca Records in 1956.
• 1961 ~ Singer Johnny Cash turned TV actor. He appeared on the NBC drama, “The Deputy”.
• 1972 ~ “Applause” closed at the Palace Theater in New York City after 900 performances
• 1983 ~ Arnoldus Christian Vlok van Wyk, Composer, died at the age of 67
• 1988 ~ Melvin J “Cy” Oliver, American jazz composer and orchestra leader died at the age of 77
• 1994 ~ Red Rodney, Bebop-trumpeter died at the age of 66
• 1995 ~ C W Stubblefield, Music Promoter died at the age of 64
• 1995 ~ Ulysses Simpson Kay, Composer, died at the age of 78
• 1996 ~ Albert “Pud” Brown, Clarinetist and saxophonist died at the age of 79
• 1996 ~ Ivan Sutton, Concert Promoter died at the age of 82
• 2017 ~ Gregg Allman, the soulful singer-songwriter and rock n’ blues pioneer who founded The Allman Brothers Band with his late brother, Duane, and composed such classics as “Midnight Rider,” “Melissa” and the epic concert jam “Whipping Post,” died at age 69
Faking, smudging, flying, putting the orchestral pedal down – there are so many ways to describe not being able to nail every last note. Yet it is, to some degree, the great unmentionable of orchestral playing, as witnessed by the fact that every musician I interviewed preferred not to be quoted by name. Perhaps that’s because we’re professionals. We’re supposed to be able to play anything, at the switching on of a little red light. Yet I can still remember these heartening words from the principal cellist of a major orchestra about the ‘Storm’ from Beethoven’s Sixth Symphony: ‘How do I play it? I don’t play it; I fake it. I never even met anybody who could play it!’So why is it that, given the extremely high level of orchestral playing worldwide, even the best (occasionally) have to fake?
One reason is the amount of rehearsal time available. There’s no doubt that the more prestigious the orchestra, the more rehearsal sessions are allocated per concert and the more likely it is that the said concert may be repeated: all factors making faking largely unnecessary. There are also marked international differences, with orchestras in the Far East and the US generally getting more rehearsal time than orchestras in Europe, especially the UK.
. 1905 ~ The Hippodrome opened in New York City with the gala musical revue, A Yankee Circus on Mars.
. 1913 ~ Lionel Hampton, American jazz vibraphonist, pianist, drummer and bandleader; played with Benny Goodman and recorded with Louis Armstrong. He was responsible for introducing the vibraphone into jazz.
. 1914 ~ George Bernard Shaw’s play “Pygmalion” opened in London with Mrs. Patrick Campbell as Eliza Doolittle and Sir Herbert Tree as Professor Higgins. This would later become the musical My Fair Lady by Lerner and Loewe.
. 1931 ~ Billy (Richard) Vaughn, Musician, orchestra leader, music director
. 1932 ~ Tiny Tim (aka Darry Dover, Larry Love) (Herbert Khaury), Ukulele playing, falsetto singer, best known for Tiptoe Through the Tulips
. 1933 ~ Monserrat Caballé (1933) Spanish opera singer and a leading Verdi and Donizetti soprano
. 1938 ~ Fedor Chaliapin, foremost Russian operatic bass singer and one of opera’s greatest performers, died.
. 1939 ~ One of the classic theme songs of the Big Band era was recorded for Decca. Woody Herman’s orchestra recorded Woodchopper’s Ball.
. 1940 ~ Herbie Hancock, Oscar-winning American jazz/fusion musician, pianist and composer
. 1950 ~ David Cassidy, Singer
1954 ~ Bill Haley and His Comets recorded Rock Around the Clock for Decca Records. The song was recorded at the Pythian Temple, “a big, barnlike building with great echo,” in New York City. “Rock Around the Clock” was formally released a month later. It sold an estimated 25 million copies worldwide, making it the second biggest-selling single at the time behind Bing CrosbyWhite Christmas
More information about Rock Around the Clock
. 1999 ~ BoxCar Willie, Country singing star, who blended a mellow voice with a rough- hewn hobo persona, died. He was 67.
. 1915 ~ Billie Holiday, American jazz singer, born as Eleanora Fagan. She sang with all the American big band leaders of her day while developing her own intimate style.
. 1919 ~ Ralph Flanagan, Bandleader
. 1920 ~ Ravi Shankar, Indian sitarist and composer
. 1925 ~ David Carr Glover, Piano Educator
. 1949 ~ Opening day of Rogers and Hammerstein’s Pulitzer Prize-winning musical “South Pacific”. It was a musical classic of love and war, and it unfolded on a lush tropical island swarming with Seabees, nurses, natives and coconut trees on this night in 1949. Actually, it was not a tropical island, but the stage of the Majestic Theatre in New York City. Ezio Pinza starred as the suave French plantation owner with a shady past and Mary Martin portrayed the bubbly, pretty, but naive Navy nurse. Mary Martin washed her hair a zillion times as she sang, I’m Gonna Wash that Man Right Out of My Hair in 1,925 performances.
. 1950 Tony Awards went to the show and its producers, performers, director (Joshua Logan) and composers nine statuettes. It also earned a Pulitzer Prize in the same year and in 1958 was made into a movie.
More about Mary Martin
. 1951 ~ Janis Ian, Singer-songwriter
. 1954 ~ Gee, by The Crows, became the first rhythm and blues single to gain attention on pop music charts.
. 1973 ~ Vicki Lawrence got her number one single as The Night the Lights Went Out in Georgia made it to the top of the pop charts on this day.
. 1872 ~ Sergei Diaghilev, Russian impresario; founder of the Ballets Russes
More information about Diaghilev
. 1873 ~ Max Reger, German composer
Read quotes by and about Reger
More information about Reger
. 1917 ~ Dinu Lipatti, Rumanian pianist and composer
More information about Lipatti
. 1930 ~ Ornette Coleman, American jazz alto saxophonist and composer
More information about Coleman
. 1941 ~ Jimmy Dorsey and his orchestra recorded one of their biggest musical successes. It became one of Decca Records’ all-time greats. Green Eyes featured vocalists Helen O’Connell and Bob Eberly.
. 1946 ~ Ruth Pointer, Singer from The Pointer Sisters
. 2001 ~ Cuba-born entertainer Tony Alvarez of “El Show de Olga y Tony” died at age 85. Alvarez was best known for the television and radio programs he hosted with his wife, singer Olga Chorens. He began his career in Cuba in the 1940s as a singer and model, starring in a tango program on Channel Azul. In the 1960s, Alvarez and Chorens moved to Puerto Rico, where they began “El Show de Olga y Tony.” They later moved to New York, where they performed on WABC-TV, WPIX-TV and WNJU-TV from 1965 to 1972.
. 2001 ~ Elena Del Rubio, whose 60-year singing career with her sisters as the Del Rubio Triplets got a boost with campy covers of 1980s tunes, died of cancer. She was believed to be in her 70s. “It was a terrible blow to me,” said Milly, the only surviving sister. “Now I’m left alone.” Another triplet, Eadie, died in 1996. The sisters lived together in a mobile home overlooking the ocean. The trio that promoted itself as “3 Gals 3 Guitars 1 Birthday” performed for six decades in showcases ranging from television comedy to retirement homes. The three were in their 60s when they hit the Hollywood scene, dressed in identical miniskirts, go-go boots and big blonde hairdos. Calling themselves “song stylists,” the sisters’ diverse acts included mariachi strolling, country western music, Hawaiian-Calypso and holiday theme music.
. 2001 ~ Randall Hylton, a bluegrass performer who wrote Room at the Top of the Stairs, died in St. Thomas Hospital after suffering an aneurysm. He was 55. Hylton, who played guitar in the fingerpicking style of Chet Atkins and Merle Travis, was known for his ability to instantly write songs to fit any occasion. The 6-foot-6-inch performer also told jokes, did impersonations and could do guitar tricks, such as playing a song backward or two songs at once. Hylton’s songs were performed by more than 150 singers, including Ralph Stanley, Vern Gosdin, Mac Wiseman, Leo Kottke and Lester Flatt.
. 2001 ~ Herbie Jones, a jazz musician who worked with Duke Ellington and Billy Strayhorn, died of complications from diabetes. He was 74. Jones, a jazz trumpeter, composer, arranger and educator, toured five continents with the Ellington band. His recorded arrangements for the band were El Busto, Cootie’s Caravan, The Prowling Cat and The Opener, and he contributed to Ellington’s first and second Sacred Concerts. After leaving the Ellington band, Jones became the first director of Arts and Culture Inc., a New York City alternative school, and as a volunteer directed the Bugle Corps of the Police Athletic League in Harlem. In Ellington’s 1973 memoir, “Music Is My Mistress,” he called Jones “a great asset” to his orchestra in the 1960s. Jones often played first trumpet but rarely soloed.
. 2015 ~ Peter Katin died. He was a British classical pianist and pedagogue.
1954 ~ 
MaryO'Studio 