I’ve always liked Leroy Anderson’s Sleigh Ride as a secular Christmas song 🙂 It’s not technically a Christmas song since the words never mention Christmas but it’s often played now so it seems like a way to ease into the season.
Anderson had the original idea for the piece during a heatwave in July 1946; he finished the work in February 1948. Lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.
The orchestral version was first recorded in 1949 by Arthur Fiedler and The Boston Pops Orchestra. The song was a hit record and has become the equivalent of a signature song for the orchestra.
A fun arrangement has been made for piano duet. I have copies here to lend and it’s available on amazon (of course! What isn’t?)
• 1820 ~ Jenny (Johanna) Lind, Swedish coloratura soprano, “The Swedish Nightingale”
• 1882 ~ Karol Szymanowski, Polish composer
• 1917 ~ A new word cropped up in the American lexicon: Jazz. The Literary Digest described jazz as music that caused people to, “shake, jump and writhe in ways to suggest a return to the medieval jumping mania.”
• 1927 ~ Paul Badura-Skoda, Austrian pianist and music editor
• 1927 ~ “Mammy, how I love you, how I love you, my dear old mammy!” It was Al Jolson in blackface, singing in the first full-length talking picture, The Jazz Singer, as it opened in New York City. In reality, The Jazz Singer was not a true talkie. There were only 291 spoken words in the landmark film; however, it was the first to integrate sound and this small amount of dialogue into a story through the Vitaphone disk process; and the first to entertain a large audience. The talking part was mostly singing, and it was Al Jolson who made the flick a success, proving to the critics that an all-talking film could work. (Because he didn’t think the pioneer of talkies would be all the rage, George Jessel actually turned down the starring role; as did Eddie Cantor.) A silent version of the film was released to movie theaters who had not yet popped for the $20,000 or so that it cost to rewire their venue. The audience was thrilled with Jolson’s sound performance as a cantor’s son, Jake Rabinowitz, rejecting the world he came from to become a singer of popular music, changing his name to Jack Robin in the process. Although not jazz as we know it, the songs Jolson sang became part of American music culture: Toot Toot Tootsie (Goodbye), Blue Skies, Waiting for the Robert E. Lee and, of course, My Mammy. For those truly with a need to know, Neil Diamond did not audition for Jolson’s part when finding out that Jessel had turned it down. Diamond performed in a remake of The Jazz Singer in 1980. As Jolson said, “Wait a minute, wait a minute, you ain’t heard nothin’ yet!” Maybe, through the wonders of modern technology, we could hear Jolson and Diamond together, in concert. That would be the Mammy of all jazz singin’.
• 1941 ~ Claude Thornhill and his orchestra recorded Autumn Serenade on Columbia Records.
• 1946 ~ Millie Small (Smith), Singer, known as ‘The Blue Beat Girl’ in her native Jamaica
• 1949 ~ Bobby Farrell, Singer
• 1950 ~ Thomas McClary, Guitarist with The Commodores
• 1951 ~ Kevin Cronin, Singer with REO Speedwagon
• 1960 ~ Steve Lawrence and partner, Eydie Gorme, starred at the new Lotus Club in Washington, DC.
• 1962 ~ Robert Goulet stepped out of the role of Sir Lancelot after singing/acting the part since 1960. The fabulously successful Broadway musical, Camelot, also starred Richard Burton as King Arthur and Julie Andrews as Queen Guenevere.
• 1964 ~ Matthew Sweet, Guitarist, singer, songwriter
• 1969 ~ George Harrison‘s song ‘Something’ was released as the “A” side of a Beatles’ 45, a first for Harrison. Along with Lennon and McCartney’s ‘Come Together’, the single went on reach No.1 on the US chart the following month. Both tracks were lifted from the Abbey Road album.
• 1973 ~ Gene Krupa (1909) passed away. He was an American jazz drummer, bandleader, actor, and composer known for his energetic style and showmanship. His drum solo on “Sing, Sing, Sing” (1937) elevated the role of the drummer as a frequently used solo voice in the band.
• 1974 ~ “Mack & Mabel” opened at Majestic Theater NYC for 66 performances
• 1985 ~ Nelson Riddle, Grammy Award-winning orchestra leader passed away
• 2001 ~ Blues singer Mamie “Galore” Davis died of a stroke. She was 61. Davis was born Sept. 24, 1940, in Erwin, where she started singing the blues. She graduated from O’Bannon High School and joined a local band. She performed with such musicians as Little Johnny Burton, Buddy Hicks, Little Milton and the Ike and Tina Turner Revue. Her first solo recording, Special Agent 34-24-38, was recorded on the St. Lawrence label in 1965. Under her first producer, Monk Higgins, she recorded two more singles for St. Lawrence, including her biggest hit, It Ain’t Necessary, in 1966.
• 2003 ~ Victor Buelow, who made it into the record books as the longest-serving community band director, died os an apparent heart attack. He was 94. Buelow directed the Jefferson American Legion Band for 72 years, from 1931 through the 2002 band season. Guinness World Records declared him the longest-serving director anywhere after he retired. Buelow stayed with the band even in retirement, playing the alto horn this summer
• 2007 ~ Queen’s groundbreaking promo for their 1975 hit Bohemian Rhapsody was named the UK’s best music video in a survey of music fans. Out of 1,051 adults polled by O2, 30% named the six-minute video, (which took only three hours to shoot and cost a mere £3,500 to make), their favorite.
• 2018 ~ Montserrat Caballé, Spanish soprano, died at the age of 85
• 2020 ~ Eddie Van Halen (Edward Lodewijk Van Halen) died at the age of 65. was a Dutch-American musician, songwriter, producer, and inventor.
• 2020 ~ John Lester Nash Jr. was an American singer-songwriter, best known in the United States for his 1972 hit “I Can See Clearly Now”. Primarily a reggae and pop singer, he was one of the first non-Jamaican artists to record reggae music in Kingston.
The American Fotoplayer is a type of photoplayer developed by the American Fotoplayer Company between the years of 1912 and 1925. The Fotoplayer is a type of player piano specifically developed to provide music and sound effects for silent movies.
…
The appeal of the Fotoplayer to theatre owners was the fact that it took no musical skill to operate. The Fotoplayer would play the piano and pipe organ mechanically using an electric motor, an air pump, and piano rolls while the user of the Fotoplayer would follow the onscreen action while pulling cords, pushing buttons, and pressing pedals to produce relatable sounds to what was occurring onscreen. These actions could create sounds such as a steamboat whistle, a bird chirp, wind, thunder, a telephone bell, as well as many others. On Fotoplayers specifically, most effects were created using leather cords with wooden handles on the ends which the effects were directly connected to. For example, the steamboat whistle sound effect was created using a household bellows with a whistle at the end. Pulling the cord compressed the bellows, delivering a gust of air into the whistle. Creating a drum roll on the other hand was a bit more complicated. A clockwork device was needed to time the strikes of the drum which required constant winding.
Writer and neurologist Oliver Sacks, who died on Sunday, August 30, 2015 at age 82, spent his life wondering on the myriad connections among biology, thought, emotion and perception.
For those of us who obsess over the how and why of music, Sacks’ work on sound and its effects on the brain – and vice versa – was particularly illuminating. His book on the subject, “Musicophilia: Tales of Music and the Brain,” remains essential reading for those who want to understand the mechanics of music.
Through bountiful research and mesmerizing case studies, Sacks addressed topics including music and amnesia, music therapy, musical prodigies and those who suffer from debilitating aural hallucinations.
These days, there is much pressure for parents to begin their children in activities from an early age. We know that children tend to pick up new skills easily and we want for them to have an opportunity to become experts at these new skills. We also see curiosity, desire and eagerness to learn in our children and want to capitalize on that.
Music lessons are no exception. We often get calls asking the question, “When is the best time to enroll my child in piano lessons?” The answer to that is a tricky one, and varies for each child. The right age for one may not be the right age for another. Here are a few questions to ask yourself if you are considering enrolling your child in music lessons:
1. Does my child have an attention span to sit still for chunks of time and listen to instruction?
Many teachers today are very creative in using off-bench activities during lessons and have a plethora of activities to make lessons fun and engaging. However, the fact remains that your child will need to sit at the piano for some periods of time during the lesson. It is important that your child have the attention span to do this.
Life very often throws some curious coincidences my way. Just as I was preparing a presentation for architecture students at the Goa College of Architecture on ‘Architecture and Music’ and looking at the relationship of the Fibonacci sequence to music, what should appear in my newsfeed but the announcement of the famed piano firm Steinway and Sons unveiling its 600,000th piano, incorporating the iconic Fibonacci spiral in its design.
The veneer of the “Fibonacci” piano features the eponymous spiral made from six individual logs of Macassar Ebony, “creating a fluid design that represents the geometric harmony found in nature.”
In the words of designer Frank Pollaro, who spent over 6000 work-hours over four years in its creation: “Designing Steinway & Sons’ 600,000th piano was an honour and a challenge. To me, knowing that this piano would become part of history meant that it had to be more than just a beautiful design, but also needed to visually convey a deeper message…as I considered the number 600,000, the Fibonacci spiral came to mind. The way in which it continues to grow but stay true to its form is very much like Steinway and Sons over these many years. Combining the universal languages of music and mathematics suddenly made perfect sense.”
Mind you, 600,000 is not a number in the Fibonacci sequence; I checked. 600,000 is between the 29th and 30th numbers in the Fibonacci series, which are 514,229 and 832,040 respectively. But Pollaro was nevertheless highlighting an interesting relationship between music and mathematics.
Named after the Italian mathematician Leonardo Fibonacci (c. 1170- c. 1250) who brought the Indian-Arabic numeral system to Europe, the Fibonacci series appear in nature and in music, and finds application in architecture and in instrument design, much before the Fibonacci Steinway.
The basic ideas of the Fibonacci progression are contained in the writings of Indian scholar Pingala (300-200 BC) in his treatise on Sanskrit prosody.
The Fibonacci numbers have the following integer sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 and onward. Each added number is the sum of two previous numbers before it.
In nature, the Fibonacci sequence underpins phyllotaxis (arrangement of leaves on a stem), branching in trees, fruit sprouts of a pineapple among many other examples, and even the shape of the human external ear, and the cochlear apparatus of the inner ear.
It can be applied to the western musical scale as well, with the caveat that the starting note one makes the measurement from (or the ‘root’ note) is designated as 1 and not 0. By this token, there are 13 notes in a scale through its octave. There are 8 notes in a diatonic scale (hence the top note is called an ‘oct’ave). The 5th and 3rd notes create the basic foundation of musical chords. All these are Fibonacci numbers.
The very notes in the scale are based on natural harmonics created by ratios of frequencies. Ratios found in the first seven numbers of the Fibonacci series (0, 1, 1, 2, 3, 5, 8) are related to key frequencies of musical notes. Thus if we take an arbitrary frequency of 440 Hz, the root note has a ratio of 1/1, but the octave above it has a frequency of 880 Hz (2/1 of 440); a fifth above has a frequency of 660 Hz (3/2 of 440), and so on for other notes in the scale.
In last Sunday’s article, I had mentioned the ‘golden proportion’ or phi, which underpins the proportions of the Parthenon temple in the Acropolis in Athens, Greece. This ‘golden ratio’ (also called the ‘golden section’, ‘golden mean’ or the ‘divine proportion’) of 1:1618 or 0.618 has influenced composition in painting and photography, prompting the notion of dividing a canvas into thirds vertically and horizontally, and to position a subject of interest ‘about one-third’ of the way across instead of in the centre.
This ‘golden ratio’ can be obtained by dividing a Fibonacci number (in the higher reaches, not the first few) by its immediate predecessor. The quotient approximates phi (φ). Thus 987/610= 1.61803, and its inverse is 0.618.
The climax or high point of many songs and other compositions is often found at the ‘phi’ (φ) point (61.8 per cent) of the work. We have seen this to be true in the first movement of
S. Bach’s G minor sonata for solo violin.
In many compositions in sonata form, the addition of a coda causes the recapitulation (the return of the original idea that started the work) to begin at the 61.8 per cent point.
The legendary violin maker Antonio Stradivari seemed to be aware of the ‘golden section’ and used it in the placement of the f-holes on his violins. The proportions of the violin conform to the ratios of ‘phi’ (φ). The spiral of a violin scroll also obeys the Fibonacci progression.
Isn’t it amazing, how the visual and aural world, indeed nature itself can all be unified by the same mathematical sequence?[NT]
I’ve been thinking a bit about shoes lately, specifically organ shoes. Many people probably don’t know that organists usually use special shoes to help them play the pedals on an organ. When I’m learning a new piece, I play barefoot to help feel where my feet should go but when playing in church I always have my Organmaster shoes on.
Organmaster Shoes began in 1976 when an organist, Carol Carlson, struggled to find shoes that would work for organ. Organmaster Shoes began in 1976 when an organist, Carol Carlson, struggled to find shoes that would work for organ pedaling. She knew that many organists, like herself, were playing in bare feet or slippers. Normal dress shoes did not allow the organist to FEEL what note the foot was touching and were too slippery on the pedals. After years of searching, she finally decided to design the perfect organ shoes and sell them herself!
Her shoes for Toe-Heel Pedal Technique have a FULL HEEL providing solid contact with the pedals and 1 ¼ inches high to avoid injuring a leg muscle.
The shoes are very secure on the foot while playing the pedals. The women’s shoe has an elasticized strap with a buckle and the men’s shoe is a lace-up dress oxford.
However, it is the SUEDE LEATHER SOLES on the bottom of the shoes which make her shoes so special and which her customers rely on to tell what note the foot is touching. The shoes slide over the pedals, but don’t slip off because the suede provides just the right amount of grip allowing the organist to FEEL his or her way across the pedal board. The shoes also play silently on the pedals.
The shoes were an immediate hit producing an overwhelming response by organists. Very soon the shoes were being shipped all over the world. Many organ teachers tell us they require their students to wear our shoes as well.
Organ legend Virgil Fox took organ shoes to the extreme when he studded the heels with diamonds so that they would sparkle as he was playing Bach’s Gigue Fugue, or as he said “…when I dance the gigue.”
Anyway, shortly after Thanksgiving 2010 our church organist, Bob Chiralo AKA “Mr. Bob” to the kids, learned that he had cancer. During his surgery and treatment, his organ shoes sat neatly behind the organ and I would see them every week at choir rehearsal and Sunday services.
His shoes being there always gave me the hope that he might be back to use them soon.
Tuesday, April 12, 2011, Bob lost his battle with cancer and at choir rehearsal I noticed that his shoes were gone, too. That struck me as so final.
Bob won’t be back with us but I’m sure he’s putting those shoes to good use playing in heaven.
Thanks for all those years of service you provided to our church!
Robert Philip Chiralo died on April 12, 2011 of brain cancer. His wife was at his side, as was Father Alexander Drummond, who administered the Sacraments of the Church and a dear family friend, Jeanne Dalaba.
Bob was born on May 8, 1949 in Reading, Pennsylvania. He was an honor student throughout his school years there and began studying piano at age 8. At age 16, he was certified by the Lutheran Church to serve as an Organist/Choir Director. He continued his organ studies through his undergraduate years and was a lifetime member of the American Guild of Organists, serving in various capacities in that organization. In his deep devotion as a church musician he continuously served at various churches in Pennsylvania, California and most recently as organist at Pender UMC in Fairfax, Virginia.
He was an active Republican grassroots pro-life volunteer, member of the Fairfax County Republican Committee and spent several years as a tour guide at Manassas Battlefield Park. He was a student of world history, particularly military history.
Bob Chiralo had over thirty-five years of technical, management, and business development experience in intelligence and defense with the Federal Government. This began with his early work at the Aerospace Corporation, continued through his employment at Logicon Geodynamics and Logicon Ultrasystems (both now part of TASC, Inc.), and led to his current position at SRI International. Bob established a professional reputation as a pioneer in the area of Measurement and Signature Intelligence, especially in applying the science of sensors to the growing field of overhead sensing systems support for our national security and intelligence communities. This included extensive involvement in the evaluation of new remote sensing and hyperspectral detection technologies and culminating in his role in helping establish the Spectral Information Technology Applications Center (SITAC) to better formalize the evaluation of various new methods in these arenas. Bob’s expertise also led to one of the more interesting assignments of his professional career, his service as a technical advisor on imagery processing in connection with the House of Representatives 1978 investigation of the assassination of President John F. Kennedy.
Bob joined the Washington Office of SRI in 1998 as Intelligence Community Program Development Manager; his responsibilities included support of the company’s business development efforts and Intelligence Community Program Development, including project and program management spanning nearly the entire spectrum of the intelligence and national security communities. He was also quite active professionally. He was a founding member of the Measurement and Signature Intelligence Association, and an officer and past Chairman of the organization, and played a key role in its 2008 reorganization as the Advanced Technical Intelligence Association (ATIA). He was also an active member of the Institute for Electrical and Electronic Engineers (IEEE), the American Society of Photogrammetry and Remote Sensing (ASPRS), the North American Remote Sensing Industries Association (NARSIA) and the National Military Intelligence Association (NMIA). He held a B.A. in Physics from Wittenberg University (1971) and an MS in Electrical Engineering from the University of Pennsylvania (1973) in addition to other ongoing professional studies connected to his work.
He is survived by his wife of 30 years, Monica Dolle Chiralo of Centreville, VA; daughter and son-in-law Monette and Michael Johnstone with grandchildren Melissa Mae and Maxfield Alexander Johnstone of Seattle, WA; parents Anthony Philip and Mary Jane Chiralo of Reading, PA; and brother Joel Anthony Chiralo of Carney, MD.
The Funeral Mass will be held at Saint Andrew the Apostle Catholic Church in Clifton, VA on Monday morning, April 18 at 11:30 with burial following in the Garden of the Blessed Mother at Fairfax Memorial Park. A celebration of his life and music ministry will follow at Pender United Methodist Church in Fairfax. In lieu of flowers, it was his desire that donations be made to The Jeanne Bussard Center, 555 South Market St., Frederick, MD 21701. This is a facility which serves mentally and physically handicapped adults. It was dear to his heart.
~~
Addendum:
1) Monica says:
“Bob is, indeed, using them (his shoes) – because he is wearing them, with his black cassock, a rosary in his hands and a Phillies’ hat on his head. Sure hope St. Peter isn’t a Yankees fan!”
2) This interview Virgil Fox shows his shoes even better in the first few minutes.
11200137D HOUSE JOINT RESOLUTION NO. 5031Offered April 25, 2011
Celebrating the life of Robert Philip Chiralo.
———-Patron– Hugo———-Unanimous consent to introduce———-WHEREAS, Robert Philip Chiralo of Centreville, a highly respected professional who played a pioneering role in the development of measurement and signature intelligence, died on April 12, 2011; and
WHEREAS, a native of Pennsylvania, Robert “Bob” Chiralo received a bachelor’s degree from Wittenberg University and a master’s degree from the University of Pennsylvania; and
WHEREAS, Bob Chiralo enjoyed a successful career that spanned more than three decades and involved technical, management, and business development work in intelligence and defense with the federal government; and
WHEREAS, Bob Chiralo began his distinguished career at the Aerospace Corporation before moving to Logicon Geodynamics and Logicon Ultrasystems (both now part of TASC, Inc.); in 1998 he joined the Washington Office of SRI International; and
WHEREAS, a brilliant innovator, Bob Chiralo recognized the role that the science of sensors could play in the growing field of overhead sensing systems support for the national security and intelligence communities; and
WHEREAS, Bob Chiralo became actively involved in the evaluation of new remote sensing and hyperspectral detection technologies, eventually helping to establish the Spectral Information Technology Applications Center; and
WHEREAS, highly regarded for his technical expertise, Bob Chiralo proudly served his country in a variety of ways, including working as a technical advisor on imagery processing during the investigation of the assassination of President John F. Kennedy; and
WHEREAS, Bob Chiralo made numerous contributions to his profession through his affiliation with different organizations; he was a founding member of the Measurement and Signature Intelligence Association and played a key role in its 2008 reorganization as the Advanced Technical Intelligence Association; and
WHEREAS, Bob Chiralo was also an active member of the Institute for Electrical and Electronics Engineers, the American Society of Photogrammetry and Remote Sensing, the North American Remote Sensing Industries Association, and the National Military Intelligence Association; and
WHEREAS, Bob Chiralo was a gifted musician who learned to play the organ as a young boy; at the age of 16, he received certification from the Lutheran church as an organist/choir director and continued his organ studies as an undergraduate; and
WHEREAS, a lifetime member of the American Guild of Organists, Bob Chiralo took great pride in serving as a church musician, most recently at Pender United Methodist Church in Fairfax; and
WHEREAS, an active member of the community, Bob Chiralo was a stalwart member of the Fairfax County Republican Committee and spent several years as a tour guide at Manassas National Battlefield Park; and
WHEREAS, a devoted family man, Bob Chiralo will be greatly missed by his wife of 30 years, Monica; daughter, Monette and her family, including two grandchildren; parents, Anthony Philip and Mary Jane; and numerous other family members, friends, and admirers; now, therefore, be it
RESOLVED by the House of Delegates, the Senate concurring, That the General Assembly hereby note with great sadness the loss of a pioneering leader in the intelligence community and respected community supporter, Robert Philip Chiralo; and, be it
RESOLVED FURTHER, That the Clerk of the House of Delegates prepare a copy of this resolution for presentation to the family of Robert Philip Chiralo as an expression of the General Assembly’s respect for his memory.
Monica Dolle Chiralo Major completed her journey to Our Lord on Jan 6th, 2023, after a lengthy battle with Carcinoid Cancer and Chronic Lymphocytic Leukemia (CLL) since 1999. She is the daughter of the late John Arnold Dolle and Lova Lea Reynolds Dolle. She is survived by her husband Arthur Major, daughter Monette Claire Northcutt Johnstone and grandson Maxfield Alexander Johnstone of Seattle, Washington, and sister Merrielea Zabia Dolle of Hawaii; also, stepchildren Jason Major, James Major, and Lisa Krebs and step grandson Roland Krebs. She is the widow of Robert Chiralo, who preceded her in death after 31 years of marriage.
She was born in Santa Monica, CA, in 1948 and graduated with a history major from California State University Dominguez Hills and attended Notre Dame Graduate School majoring in theology and eventually settled in Virginia, then later, Arizona. She had hundreds of books, was a voracious reader and was fluent in three languages; was an accomplished flute and guitar player, dancer, singer, and pianist. She taught piano, guitar, and flute lessons to dozens and maintained close friendships with many of her former students and their families. She was a clothing designer, knitter, and seamstress, making many items for friends and family and designed unique patterns and products which she sold under the “Miss Monette” label; and excelled at photography with many framed pictures around her home. Monica had a spirited personality and many fascinating life experiences including a brief time in the USAF, working at the US embassy in Nigeria, and much overseas travel and cruises.
She was a dedicated and determined volunteer in the Virginia Republican Party at the county and state levels, always willing to work for the causes she held dear and sponsoring many events which proved vital to her party’s success. She was an enthusiastic and devout communicant of the Roman Catholic church, had an amazing – comprehensive knowledge of scripture, high standards, and always demonstrated Christian values as a role model. She touched a lot of people, both directly and indirectly by thoughtful contributions and personal interactions with many including countless strangers. This was purposeful on her part – in her 60’s she completed two years of Spanish language lessons at a community college just so she could communicate with, and better help, the immigrant community. She was the dearest of friends, a perceptive listener, and a caring and loving advisor who will be sorely missed by many.
A Mass of Christian Burial will be held at 11 a.m. on Wednesday, January 25, 2023 at St. Benedict Catholic Church, 300 N Sheppard St., Richmond, VA 23221. A reception will follow after Mass at 12:30 p.m. at Bliley’s – Central, 3801 Augusta Ave., Richmond, VA 23230. Interment will be held at 1 p.m. on Thursday, January 26, 2023 at Fairfax Memorial Park, 9900 Braddock Rd., Fairfax, VA 22032. A memorial service will be announced at a later date and time in Sun City, Az.
National Spaghetti Day on January 4 recognizes that long, thin cylindrical pasta of Italian and Sicilian origin.
Who can forget
. 1710 ~ Giovanni Battista Pergolesi, Italian Composer
More information about Pergolesi
. 1720 ~ Johann Friedrich Agricola, German organist and composer
. 1809 ~ Louis Braille, Inventor of the Braille system which enables the blind to read words and music. When he was only 3, Louise Braille, was permanently blinded in an accident with a leatherworking awl in his father’s saddlemaking shop in Coupvray, France. Several years later, he was admitted to a school for the blind, the Institution Nationale des Jeunes Aveugles. Later, as a teacher at the school, he worked at adapting Charles Barbier’s system of writing with points. Ironically, his method centered around using an awl-like stylus to punch marks in paper that could be felt and interpreted by the blind, allowing them to “read” with their fingertips. Braille’s work went unnoticed until after his death, in poverty, in 1852.
. 1874 ~ Josef Suk, Czech violinist and composer
More information about Suk
. 1924 ~ Alfred Grünfeld, Austrian pianist and composer, died
. 1928 ~ NBC radio debuted one of radio’s first variety shows. “The Dodge Victory Hour” starred Will Rogers, Paul Whiteman and his Orchestra and singer Al Jolson. The cost to produce this one show was $67,600.
. 1932 ~ NBC Red presented “The Carnation Contented Hour”. The show continued on network radio for 19 years as a showcase for top singers and musicians.
. 1933 ~ Ray Starling, Arranger for Stan Kenton
. 1935 ~ Bert Ambrose and his orchestra recorded the song that became the group’s theme song. It was titled Hors-d’oeuvres and was cut in London for Decca Records.
. 1935 ~ Bob Hope was first heard on network radio as part of “The Intimate Revue” with Jane Froman, James Melton and the Al Goodman Orchestra.
. 1936 ~ The first pop music chart based on national sales was published by “Billboard” magazine this day. Joe Venuti, jazz violinist, was at the top of the chart with a little ditty called Stop! Look! Listen!.
. 1937 ~ Grace Bumbry, American mezzo-soprano
More information about Bumbry
. 1942 ~ John McLaughlin, Rock guitarist
. 1944 ~ Arthur Conley, Singer
. 1950 ~ RCA Victor announced that it would manufacture long-playing (LP) records. This news came two years after Columbia Records debuted the ‘album’.
. 1954 ~ Elvis Presley strolled into the Memphis Recording Service and put $4 on the counter. He recorded Casual Love and I’ll Never Stand in Your Way, two songs that so impressed record executive Sam Phillips that he had Elvis record his first professional sides for Sun Records the following August.
. 1964 ~Bobby Vinton topped the pop charts with the last #1 single of the pre-Beatles era – “There! I’ve Said Again”
. 1965 ~ The Fender Guitar Company was sold to CBS for $13 million.
. 1979 ~ With a new interest in Beatles music on this day, the Star Club reopened in Hamburg, Germany. None of The Beatles returned to their beginnings to attend the gala opening.
. 2001 ~ Les Brown, whose Band of Renown scored a No. 1 hit with Sentimental Journey during America’s big band era of the 1930s and ’40s, died of lung cancer at the age of 88. A conductor-clarinetist whose smooth arrangements of swing melodies transcended changes in musical tastes, Brown was cited in 1996 by the Guinness Book of Records recognized him as the leader of the longest lasting musical organization in pop music history. He started his professional career in 1936, and his Band of Renown was still performing about 60 dates a year as recently as five months ago, often conducted by son Les Brown Jr. Brown formed his Band of Renown in 1936. In the 1940s heyday of swing, Brown never achieved the greatness of Tommy Dorsey, Glenn Miller or Benny Goodman. But the band scored two hit records – Sentimental Journey, with Doris Day as vocalist, and the instrumental I’ve Got My Love to Keep Me Warm. Sentimental Journey, co-written with Ben Homer and Bud Green, became a theme for soldiers returning home from World War II. “The happiest times in my life were the days when I was traveling with Les and his band,” Day said. “I loved Les very much, I am going to miss his phone calls.” Brown’s career included a close association with Bob Hope. In 1950, he joined Hope for the first of 18 Christmas tours to entertain American troops at military bases around the world. Day also participated. “The world has lost a great musician,” Hope said. “I have lost my music man, my sideman, my straight man and a special friend.” As the first president of the Los Angeles chapter of the Academy of Recording Arts and Sciences, Brown helped make the Grammy Awards a televised event. He convinced Hope, Frank Sinatra and Bing Crosby to participate in the first telecast.
. 2004 ~ Jake Hess, a four-time Grammy winner who sang with some of the premier quartets in gospel music and influenced the career of Elvis Presley, died. He was 76. Hess, whose career spanned more than 60 years, is best known to contemporary audiences as a regular member of Bill Gaither’s Homecoming Friends, on various Christian and country music cable channels, including TBN and TNN. Hess joined The John Daniel Quartet in 1943 and reached stardom with The Statesmen Quartet. He was founder of The Imperials and sang with The Masters V. Each of these groups is enshrined in the Southern Gospel Music Hall of Fame, as is Hess. He is also a member of the Alabama Music Hall of Fame. As a teen, Elvis Presley was a regular at Statesmen concerts. Later, Hess was a backup singer on several of Presley’s Grammy-winning albums. When Presley died in 1977, Hess sang at his funeral, as he had at the funeral of country legend Hank Williams in 1953. Peter Guralnick, author of a two-volume biography of Presley, said the rock star always wanted to emulate the voices of Hess and crooner Roy Hamilton.
. 2018 ~ Ray Thomas, English rock vocalist and flautist (Moody Blues-Legend Of A Mind), died at the age of 76
Born in 1941, Thomas founded The Moody Blues in 1964 with fellow musicians including Mike Pinder and Denny Laine.
“Auld Lang Syne,” a poignant Scots poem penned by the legendary Robert Burns in 1788, is set to the melody of a timeless folk song. Renowned globally, particularly in English-speaking regions, it is traditionally sung to usher in the New Year at midnight. Additionally, the song finds a place in various other settings, including funerals, graduations, and farewells, symbolizing endings and transitions. The Boy Scout movement internationally has adopted it as a ceremonial conclusion to their gatherings and events.
The title, “Auld Lang Syne,” translates from Scots to English as “old long since,” but more colloquially, it means “long long ago,” “days gone by,” or “times of old.” Hence, the phrase “For auld lang syne” in the chorus loosely means “for the sake of old times.”
This song is a treasured Scottish offering to the world, evoking nostalgia and warmth of days past. It not only reminisces about times gone by but also fosters a sense of unity and togetherness for the future.
“Auld Lang Syne” is a gem from the rich Lowland Scots folk tradition, skillfully refined by one of the world’s premier songwriters, Burns. In his final years, Burns dedicated himself to preserving and enhancing the song tradition, often transforming fragments of old ballads into profound love songs or Scots poems. In “Auld Lang Syne,” he found a piece already gleaming with brilliance, as he expressed in an 1788 letter to Mrs. Dunlop.
An intriguing aspect of “Auld Lang Syne” is that the globally sung melody differs from the one Burns originally set the lyrics to. The original tune, still performed by traditionalists, carries a softer, more reflective quality, as showcased in Mairi Campbell’s rendition in the film “Sex and the City.” Regardless of the tune or its global reach, “Auld Lang Syne” maintains the deep emotional impact of the original Scottish folk song. As Burns himself once reflected, the phrase ‘Auld Lang Syne’ powerfully resonates, capturing the soul-stirring essence of an old song and tune.
Fancy singing along yourself? Here are the verses of the words to Auld Lang Syne:
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne.
Chorus:
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne,
And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.
Chorus
We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.
Chorus
We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.
Chorus
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.
Chorus
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And long, long ago.
Chorus
And for long, long ago, my dear
For long, long ago,
We’ll take a cup of kindness yet,
For long, long ago
And surely youll buy your pint-jug!
And surely I’ll buy mine!
And we’ll take a cup of kindness yet,
For long, long ago.
Chorus
We two have run about the hills
And pulled the daisies fine;
But we’ve wandered manys the weary foot
Since long, long ago.
Chorus
We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since long, long ago.
Chorus
And there’s a hand, my trusty friend!
And give us a hand of yours!
And we’ll take a deep draught of good-will
For long, long ago.
Chorus
Check out this vintage kinescope, a blast from over half a century ago! For a century now, the iconic descent of a glowing glass ball from One Times Square in New York City on New Year’s Eve has been a beloved American ritual. Year after year, throngs of people gather to ring in the New Year with jubilation.
Starting in 1956, Guy Lombardo and His Royal Canadians became synonymous with the US’s New Year’s Eve celebrations. They combined melodious tunes with the live spectacle of the Midnight ball drop. Guy spearheaded this tradition until his passing in 1977, and his band continued to grace CBS Television with their New Year’s performances for two more years. Meanwhile, Dick Clark’s Rockin’ New Years Eve kicked off in 1972 on ABC and remains a yearly broadcast. Guy’s show would start right after a 15-minute news segment and would run for an hour. While Guy orchestrated the music, news anchor Robert Trout would herald the onset of the New Year.
If you pay attention, you might spot the sharp-tongued TV figure Henry Morgan amidst the crowd. Television back then, fifty years ago, was a far cry from today’s standards, marked by stark lighting and basic technology, like a simple office clock and a World War II-era searchlight sweeping over the gathered crowd.
I hope you’ll enjoy ringing in the New Year – 1958! Recorded: December 31, 1957
Auld Lang Syne played on bagpipes (as it should be)
The PUMC Sanctuary Choir (including MrsO!) and Orchestra provided a Christmas Cantata during traditional worship service on December 18 at 9:00.
The music included: Bethlehem Christmas Sanctus Joy Has Dawned Tell Out My Soul (Soprano—Laura Connors; Baritone-Brian Stevenson) I Saw Three Ships And selections by the Orchestra.
The Cantata was live-streamed and individual pieces will be posted soon..
MaryO'Studio 