Flute Concertino in D major, Op. 107 by Cécile Chaminade from Concert for Ukraine

 

 

Cécile Chaminade’s Flute Concertino in D major, Op. 107, was composed in 1902 for flute and piano and later arranged by herself for flute and orchestra.The piece remains a standard and popular part of the flute repertoire.  

Helen Haeun Kim is an active flutist, her performances appeared on premier venues such as London’s Royal Albert Hall, BBC Radio 3 & 4, TBN UK, and Prague’s Církev československá husitská. Most recently, Ms. Kim had recitals in Morocco, Germany, France, and Czech Republic in 2019.

Ms. Kim currently works for Dallas Symphony Orchestra as a Teaching Artist and teaches flute at the Birdville High School in North Richland Hills.

Liz Sellers, Pender pianist,  began studying the piano at age three and came to the public’s attention when she won the grand prize at the Grand Prix Seoul Music Festival at age eight.

Her portfolio consists of piano performance, visual art, as well as directing choral and orchestral ensembles.  Previously she served as the music director at the Marine Corps Air Station in New River Chapel, Jacksonville, North Carolina. She has worked as a lecturer, music educator, and opera coach at Craven Community College, the International Christian School, as well as several adult community choirs and ensembles in France, Italy, Scotland, South Korea, Switzerland, and the United States. As a concert pianist, she has performed at the Edinburgh International Festival Fringe (2014); with the Moscow State Symphony Orchestra (2016); and in 2018 delivering a concert at Carnegie Hall.

 Ms. Sellers was granted the Master of Music degree in Piano Performance with a second major in Chamber Music from the Royal Conservatoire of Scotland.  She received a Bachelor of Music degree in Piano Performance, with a second major in Violin, and Composition from the University of Sung-Kyul, Seoul, South Korea. Liz received the Certified Diploma Execution with a major in Piano Performance from the Ecole Normale de Musique de Paris in France.

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

Irish Session from Concert for Ukraine

 

 

Irish traditional music sessions are mostly informal gatherings at which people play Irish traditional music although “session” can also refer to a  mixed session of tunes and songs such as we had at Pender during the Concert Supporting Ukraine.

Jeannette Mulherin (Irish fiddle), Marsha Nice Kelly (guitar) and  Brian Stevenson (penny whistle) played Hornpipes (The Boys of Bluehill, the Liverpool Hornpipe); Jigs (The Ten-Penny Bit, Smash the Windows, The Kilfenora jigs); Song (Down by the Glenside) and Reels (Springtime, The Wind that Shakes the Barley).

 

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

“Suite for Woodwind Quintet” by Scott Pender from Concert for Ukraine

 

 

The dramatic opening selection of Pender’s Concert Supporting Ukraine was “Suite for Woodwind Quintet” composed by Scott Pender, performed by the Morpheus Chamber Players.

I. Introduction – Moderato

II. Adagio Cantabile

III. Introduction – Con Brio

The Morpheus Chamber Players are Alisha Coleman (clarinet, Gwen Jones (flute), Jeff Kahan (oboe), Wendy Chinn (French horn) and 

Lisa Eckstein (bassoon).

We were fortunate to have the composer, Scott Pender, in the audience.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

Violin Sonata No. 5 in F major, Op. 24 by Ludwig van Beethoven from Concert for Ukraine

 

 

Liz Sellers, Pianist/Organist at Pender UMC in Fairfax, VA, and violinist Anthony Shields  performed Violin Sonata No. 5 in F major, Op. 24 by Ludwig van Beethoven during Pender’s new Concert Series which began on April 23, 2022.

The Violin Sonata No. 5 in F major, Op. 24, is a four movement work for violin and piano by Ludwig van Beethoven. It was first published in 1801. The work is commonly known as the Spring Sonata (Frühlingssonate), although the name “Spring” was apparently given to it after Beethoven’s death.

Liz and Anthony played the first movement.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

Harp: En bateau (Sailing) from Concert for Ukraine

 

 

Brian Stevenson, Director of Music Ministries at Pender UMC in Fairfax, VA,  performed En bateau (Sailing) from The Petite Suite, L 65, by Claude Debussy on the harp during Pender’s new Concert Series which began on April 23, 2022.

Debussy’s music captures perfectly a mood of water-borne serenity and languor, opening with a kind of musical sigh that made the Petite Suite immediately popular with a wide audience.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

The Widor Toccata Organ Symphony Movement V from Concert for Ukraine

 

Sylvia Mulherin, organist at St. George’s UMC in Fairfax, VA,  performed Toccata Organ Symphony Movement V by Charles-Marie Widor at Pender’s new Concert Series which began on April 23, 2022.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

Ukrainian National Anthem from Concert for Ukraine

 

What a fantastic concert this was. There will be move videos coming in the following days but this is a great start! This is the grand finale – the Ukrainian National Anthem arranged by Brian Stevenson, director of Music Ministries at Pender UMC.

 

The Pender Concert Supporting Ukraine on April 23 featured Liz Sellers on piano, Brian on harp, and local professional musicians, including woodwind quintet, drums, organ, guitar, flute, penny whistle, singing and violin.

Concert repertoire included: Harp arrangements by Debussy, Piano trio of Jazz/Baroque, Flute Concertino by Chaminade, Woodwind Quintet with music of Duke Ellington, The Widor Toccata Organ Symphony Movement V and an Irish session!

There was no charge for this concert but there was a free will offering taken to support Ukraine through Advance #982450, UMCOR International Disaster Response and Recovery. This fund provides direct assistance to those in Ukraine as well as assistance to Ukrainians fleeing to neighboring countries.

One hundred percent of all Advance contributions go to the designated cause. (The independent charity watchdog, “Charity Watch,” gives UMCOR an “A+” ranking, and includes the UM organization on a highly selective list of charities it recommends when considering how to support the Ukrainian people. Read more)

The United Methodist community in Ukraine, though quite small, is actively engaged in assisting neighbors in need. Global Ministries is in touch with the church’s leadership as well as with church leaders in countries welcoming those who are fleeing from violence in Ukraine.

Click this link and choose UMCOR to send direct aid. In the memo line, put Advance #982450, UMCOR International Disaster Response and Recovery.

Thank you for your support!

Giving Thanks

 

 

ocms-logo

 

I’m thankful for my piano studio, my students, and my piano 🙂 During Covid, I was especially thankful for the Internet!

When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in.  The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom.  Not the best place for a piano, but I digress.

Since we had the piano already, someone – probably my mom – decided that I would take lessons.  We had the organist from the Baptist church just across the river in Westerly, RI

Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.

screenshot-2016-11-04-10-04-33
25-centsMiss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.

I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.

From there, it was the Michael Aaron series, and some sheet music.

There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.

My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child.  Later on, she played well enough that she was church organist for a local Roman Catholic Church.

But I digress…

In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout.  Bye, bye Clara.

Girl Scouts didn’t last long but I did play piano in a talent show.  I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover.  (I still have this, too)

balladeburgmuller

I doubt that I played this well but here’s what it was supposed to sound like:

A few years intervened and moved to Springfield, MA.  The parsonage piano there was in terrible shape and in the dark, never-used basement.  But I decided to make it mine and cleared up the area around it and started “practicing”.

My Junior or Senior year of High School I decided I wanted to major in music in college.  I decided to learn, on my own, a piano arrangement of Aragonaise by Jules Massenet.  I have no idea why or where that sheet music came from but I started working furiously on this piece.

aragonnaise

Hopefully, at some point, it should have sounded like this:

I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.

Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory in winter 5 days a week.  AARRGGH!

But I stuck it out.

My wonderful piano teacher, Howard Lebow, was killed in a car accident during my sophomore year and I was devastated.  There was more about him in a post on January 26, 2022 here on https://atomic-temporary-44596882.wpcomstaging.com

I took yet another break from piano lessons – but I kept playing.

After DH graduated, we moved to Milwaukee, WI for his graduate school.  Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin.  I also found a teacher at the Schaum School of Music.  She was amazed that I had no piano at home to practice on.

When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano.  The owner had acquired it in a divorce and wanted it gone.  Yesterday.  She even paid to move it out of her apartment.

The new-to-me piano took up half our living room.  When my parents came to visit, their feet we under my piano as I slept.

I found yet another new piano teacher and she is still my best friend to this day.

That piano moved to several locations before I bought a brand new Yamaha grand piano.  The movers accidently brought in the wrong one and I made them return it.  The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.

I started teaching as a traveling piano teacher in Silver Spring, Maryland.  I continued that in Wilmington, DE.

When we got to Fairfax, VA I decided no more traveling.  Students would come to me.  And so they have since 1973.

What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets, recorders, a dulcimer and other musical “stuff”.

Piano playing has gotten me through the worst times of my life.  Teaching has been a lifeline for me, as well.

I am so thankful for the students who have stayed with me over the years and the new ones I have found…on the internet.

December 11 ~ On This Day in Music

today

 

Christmas Countdown: Ding Dong! Merrily On High

OCMS 1803 ~ Louis-Hector Berlioz, French composer, conductor, music critic and major force in the development of musical form during the Romantic Era
More information about Berlioz

• 1876 ~ Mieczyslaw Karlowicz, Polish composer and conductor

• 1882 ~ The Bijou Theatre in Boston, MA became the first theatre to be lighted by electricity.

• 1908 ~ Elliot Cook Carter, Jr., American composer

• 1915 ~ Frank Sinatra, American singer songwriter

• 1916 ~ (Damaso) Perez Prado, Piano, organ

• 1926 ~ Willie Mae ‘Big Mama’ Thornton, Blues singer

• 1931 ~ Rita Moreno (Rosita Alverio), Dancer, Academy and Emmy Award-winning actress

• 1934 ~ Curtis Williams, Singer with The Penguins

• 1935 ~ Tom Brumley, Steel guitar with Buck Owens and the Buckaroos, Stone Canyon Band

• 1939 ~ Marlene Dietrich recorded Falling In Love Again on the Decca label.

• 1940 ~ David Gates, Guitarist, keyboard, singer with Bread

• 1944 ~ Brenda Lee (Tarpley), American singer of popular music

• 1944 ~ “The Chesterfield Supper Club” debuted on NBC radio. Perry Como, Jo Stafford and many other stars of the day shared the spotlight on the 15-minute show that aired five nights a week. The show was sponsored by Chesterfield cigarettes.

• 1952 ~ An audience of 70,000 people watched from 31 theatres as Richard Tucker starred in Carmen. The event was the first pay-TV production of an opera. Ticket prices ranged from $1.20 to $7.20.

• 1954 ~ Jermaine Jackson, Singer with The Jackson Five, brother of Michael, Janet, La Toya, Tito, Randy, Marlon and Jackie

• 1964 ~ Musician Sam Cooke died under suspicious circumstances.

• 1973 ~ Karen and Richard Carpenter received a gold record for their single, Top of the World.

• 1982 ~ Toni Basil reached the #1 one position on the pop music charts for the first time, with her single, Mickey.

• 2000 ~ Ruth Martin, a writer whose translations of both popular and obscure operas were widely used in American opera houses, died at the age of 86. Martin collaborated with her husband Thomas Martin in translating the librettos of some of the world’s most famous operas, including Mozart’s Don Giovanni and The Marriage of Figaro, as well as Puccini’s Boheme, and Bizet’s Carmen. Martin and her husband also translated some of the rarest operas, such as Offenbach’s Grand Duchess of Gerolstein, and Dvorák’s Rusalka. The Martins’ translations were marked by their clarity and singability, and despite the increasing use of closed-captioning systems in major opera houses, their translations are still used widely. Martin contributed articles on opera for Opera News, Aria, and Theater Arts. She also served on the boards of the New York Federation of Music Clubs, the Liederkranz Foundation and the National Opera Foundation.

• 2001 ~ Erik Johns, who wrote the libretto for Aaron Copland’s only full-length opera, The Tender Land, died in a fire at his home in Fishkill, N.Y. He was 74. Born Horace Eugene Johnston in Los Angeles, Johns began his career in music as a dancer. He met Copland when he was 19 at a New Year’s Eve party in New York. In 1952 the two began collaborating on an opera based on Let Us Now Praise Famous Men, a book by writer James Agee and photographer Walker Evans that describes the lives of several Southern sharecropper families during the Depression. Copland composed the music and Johns wrote the libretto, or the words. The work was originally commissioned as a television opera by NBC but was subsequently rejected by the network. The New York City Opera performed it at its premiere at City Center in April 1954 in a short two-act version. The two later added a third act.

• 2001 ~ Jose Fajardo, a Cuban flutist who was one of the most influential bandleaders in Latin music, died an aneurysm. He was 82. The Cuban native had emigrated from Cuba in 1961, when he refused a request from the Cuban government to continue a musical tour to other communist countries. During his lengthy career, Fajardo recorded more than 40 albums and performed around the world. He was credited with expanding the audience for charanga, a Cuban musical style that backs a singer with flute, violins, piano, bass and percussion. Fajardo started his first group, Fajardo y sus Estrellas, in the 1940s. He later led three bands by the same name. After moving to the United States, he founded bands in New York and Miami and began performing in new style called pachanga, featuring a slightly more assertive rhythm. Fajardo was featured on “Cuban Masters: Los Originales,” an album of performances by leading Cuban musicians that was released November 2001.

• 2002 ~ Kay Rose, the first woman to win an Academy Award for sound editing, died. She was 80. Rose won the statuette for her work on the 1984 film The River. A native of New York, Rose was recognized in March with a career achievement award from the Cinema Audio Society. The Motion Picture Sound Editors gave her a similar lifetime achievement award in 1993. In October 2002, directors George Lucas and Steven Spielberg endowed the Kay Rose Chair in the Art of Sound and Dialogue Editing at the University of Southern California’s School of Cinema-Television. The chair is the first of its kind in the country. After studying film at Hunter College, she became a civilian film apprentice for the Army Signal Corps during World War II. There, she helped create such training films as How to Erect a Double Apron Barbed Wire Fence and the John Huston documentary Report from the Aleutians. She moved to Hollywood in 1944 and found a job as an assistant to an editor at Universal studios. In 1951, she married film editor Sherman Rose. Together, they produced the 1954 sci-fi cult classic, Target Earth. They later divorced. During her five-decade career, Rose received sound editing credits on such films as The Rose, Ordinary People, On Golden Pond, The Milagro Beanfield War, The Prince of Tides, For the Boys and Speed.

September 30: On This Day in Music

• 1852 ~ Sir Charles Villiers Stanford, Irish composer and organist

• 1908 ~ David Oistrakh, Russian violinist

 

 

• 1922 ~ Oscar Pettiford, Bass, cello. He played with Charlie Barnet, Dizzy Gillespie, Duke Ellington, Woody Herman, and Stan Getz

• 1933 ~ The theme song was Hail, Hail, the Gang’s All Here and it opened the National Barn Dance. The half-hour country music and comedy show, originally heard on WLS, Chicago since 1924, moved to the NBC Blue network this night. National Barn Dance was broadcast from the Eighth Street Theater in Chicago, where the stage was transformed into a hayloft every Saturday night. The host was Joe Kelly. Uncle Ezra was played by Pat Barrett who was known to say, “Give me a toot on the tooter, Tommy,” as he started dancing. A few of the other Barn Dance characters were Arkie, the Arkansas Woodchopper; Pokey Martin; the Hoosier Hotshots; the Prairie Ramblers; cowgirl, Patsy Montana; Pat Buttram; Lulu Belle and the Cumberland Road Runners. Gene Autry and Red Foley were heard early in their careers on National Barn Dance. Although there were plenty of sponsors (Alka Seltzer, One-A-Day vitamins, Phillips Milk of Magnesia), the National Barn Dance was one of the few radio shows to charge admission!

• 1935 ~ Jill Corey (Norma Jean Speranza), Singer

• 1935 ~ Johnny Mathis, American singer of popular music

• 1935 ~ “Summertime … and the livin’ is easy.” Porgy and Bess was presented for the first time, at the Colonial Theatre in Boston. It was a flop! It was revived in 1942. It wasn’t a flop that time. It ran longer than any revival in the history of U.S. musical theater.

• 1941 ~ The Larry Clinton Orchestra recorded their version of That Solid Old Man, on Bluebird Records.

• 1942 ~ Frankie Lymon, Singer: recorded at age 14

• 1942 ~ Dewey Martin, Drummer, singer with Buffalo Springfield

• 1943 ~ Marilyn McCoo (Davis), Singer with The Fifth Dimension, TV hostess of Solid Gold from 1981 to 1984 and 1986 to 1988, TV music reporter

• 1946 ~ Sylvia Peterson, Singer with The Chiffons

• 1953 ~ Deborah Allen (Thurmond), Singer

• 1954 ~ Julie Andrews, who would later become a household name in movies, TV and on records, opened on Broadway for the first time. The future star of The Sound of Music appeared in The Boy Friend this night.

• 1976 ~ Mary Ford passed away

• 1977 ~ President Jimmy Carter designated October as the official country music month.

• 1979 ~ Clio-Danae Othoneou, Greek actress, musician and pianist

• 1989 ~ Virgil Thomson, US composer/critic (4 saints in 3 acts), died at the age of 92

• 2003 ~ Ronnie Dawson, the rock singer known as the “Blonde Bomber,” died. He was 64. Dawson was diagnosed in 2002 with throat cancer but continued to perform. One of his last gigs was an emotional performance at the Rockabilly Rave festival in England in February. He enthralled fans at the Big D Jamboree in the 1950s and at Carnegie Hall in the 1990s. Among Dawson’s songs as a teenager in the 1950s were Action Packed and I Make the Love. He was famous for live performances where he would jump from the stage, run through the audience and play his guitar while standing on a table. In the late 1950s, Dawson recast himself as an R&B artist named Snake Monroe, signed briefly with Columbia Records, and then joined the local Western swing pioneers the Light Crust Doughboys. In the 1960s, he packed the Levee Club with the Levee Singers, a folk act that appeared nationally on “The Danny Kaye Show” and “The Jimmy Dean Show.” After the Levee Singers broke up, he formed a country band, Steel Rail, and later sang television and radio jingles.

• 2003 ~ Robert LaMarchina, conductor of the Honolulu Symphony from 1967 to 1978, died. He was 75. Born in New York City, Robert LaMarchina began studying the cello at the age of 7. At 8, he made his first appearance as a solo cellist with the St. Louis Symphony. LaMarchina was 15 when famed conductor Arturo Toscanini hired him to perform with the NBC Symphony Orchestra. LaMarchina made is first appearance as a conductor in 1951 in Japan in the Fujiwara Opera’s production of “Madame Butterfly”. He later taught music at Indiana University, traveled with the Ambassadors of Opera and conducted operas on the West Coast.