In D.C., a 13-year-old piano prodigy is treated as a truant instead of a star student – The Washington Post

From Today’s Washington Post:

Avery Gagliano is a commanding young pianist who attacks Chopin with the focused diligence of a master craftsman and the grace of a ballet dancer.

The prodigy, who just turned 13, was one of 12 musicians selected from across the globe to play at a prestigious event in Munich last year and has won competitions and headlined with orchestras nationwide.

But to the D.C. public school system, the eighth-grader from Mount Pleasant is also a truant. Yes, you read that right. Avery’s amazing talent and straight-A grades at Alice Deal Middle School earned her no slack from school officials, despite her parents’ begging and pleading for an exception.

http://youtu.be/VC28vsf9cuY

Read more at In D.C., a 13-year-old piano prodigy is treated as a truant instead of a star student – The Washington Post.

Pianos are Popping Up all over Corvallis

Lee Eckroth couldn’t hold back a smile as piano music filled the air Wednesday afternoon on the streets of downtown Corvallis.

The moment marked the culmination of months of work from by Eckroth, Corvallis Imagination Music & Art founder David Lundahl and dozens of volunteers who’d banded together to create the first Play Corvallis, Play.

The art installation features eight theme-decorated pianos, placed at outdoor locations around Corvallis. It is open to the public from 7 a.m. to 10 p.m. daily through Aug. 16 as a prelude event to the Imagination Music and Art festival at Bruce Starker Arts Park on Aug. 15 and 16.

Play Corvallis, Play is intended to inspire appreciation of the arts, and it is just what it sounds like: an invitation to residents to stop and play the piano to showcase local musical creativity and art as a way of drawing attention to the fundraising at Corvallis public schools.

Read the whole article at Pianos are popping up all over Corvallis.

The Evolution of Music Clefs

When my students are first working with the Grand Staff, they are often confused about the placement of the various clefs.

In piano music, we generally use only the G-clef (Treble clef – not “trouble clef” as some think!) and the F-clef (Bass clef)  I try to show students how the curvy part of the G-clef wraps around the G above middle C and the F-clef looks sort of like an F marking the F below middle C.  I draw out G and F on the staff to show how these could have looked.

Originally, instead of a special clef symbol, the reference line of the staff was simply labeled with the name of the note it was intended to bear: F and C and, more rarely, G. These were the most often-used ‘clefs’ in Gregorian chant notation.  Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.

Over time the shapes of these letters became stylized, leading to their current versions.

 

Franz Liszt’s “Hungarian Rhapsody no. 2 in c-sharp minor”

liszt

 

Hungarian Rhapsody No. 2, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso, while providing the listener with an immediate and irresistible musical appeal.

In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.

It is probable that you have heard this piece of music somewhere at one time or another because it is perhaps the most prominent piece of classical (romantic, actually) music featured in animated cartoons across the years.

Now, let the anvils fall and dynamite explode!

 

And, in real life, Valentina Lisitsa plays Liszt’s Hungarian Rhapsody No. 2