On May 4 in Music History

 

•  1655 ~ Bartolomeo Cristofori, Italian instrument maker, inventor of the piano. He was credited with designing the first pianoforte, which he called “the harpsichord that plays soft and loud”.
More information about Cristofori

 

• 1855 Camille Pleyel, Austria piano builder/composer, dies at 66

• 1886 ~ The first practical phonograph, better known as the gramophone, was patented.

• 1920 ~ The Symphony Society of New York presented a concert at the Paris Opera House. It was the first American orchestra to make a European tour.

• 1928 ~ Maynard Ferguson, Canadian jazz trumpeter and bandleader

• 1930 ~ Roberta Peters (Peterman), American soprano, Metropolitan Opera, Jewish Cultural Achievement Awards in Performing Arts in 1997.

• 1931 ~ Ed Cassidy, Drummer

• 1945 ~ June Christy sang with the Stan Kenton band on one of the most famous of all big band hits, Tampico.

• 1951 ~ Jackie (Sigmund) Jackson, Singer with The Jackson Five

• 1955 ~ Danny Brubeck, Drummer, Dave Brubeck’s son

• 1956 ~ Pia Zadora, Singer

• 1956 ~ Gene Vincent and his group, The Blue Caps, recorded Be-Bop-A Lula for Capitol Records in Los Angeles. Interesting note: Vincent had written the tune only three days before he auditioned in a record company talent search that won him first place. The record was rush-released just two days later and became a rock and roll classic.

• 1959 ~ Randy Travis (Traywick), Singer

• 1962 ~ Oleta Adams, American soul singer and pianist

• 1996 ~ Alanis Morissette started a six-week run at No.1 on the UK album chart with Jagged Little Pill. The record produced six successful singles, including ‘You Oughta Know’, ‘Ironic’, ‘You Learn’, ‘Hand in My Pocket’, and ‘Head over Feet’.

• 2016 ~ Ursula Mamlok, German American avant-garde composer, died at the age of 93

May 4 in Music History

may4th

 

•  1655 ~ Bartolomeo Cristofori, Italian instrument maker, inventor of the piano. He was credited with designing the first pianoforte, which he called “the harpsichord that plays soft and loud”.
More information about Cristofori

 

• 1855 Camille Pleyel, Austria piano builder/composer, dies at 66

• 1886 ~ The first practical phonograph, better known as the gramophone, was patented.

• 1920 ~ The Symphony Society of New York presented a concert at the Paris Opera House. It was the first American orchestra to make a European tour.

• 1928 ~ Maynard Ferguson, Canadian jazz trumpeter and bandleader

• 1930 ~ Roberta Peters (Peterman), American soprano, Metropolitan Opera, Jewish Cultural Achievement Awards in Performing Arts in 1997.

• 1931 ~ Ed Cassidy, Drummer

• 1945 ~ June Christy sang with the Stan Kenton band on one of the most famous of all big band hits, Tampico.

• 1951 ~ Jackie (Sigmund) Jackson, Singer with The Jackson Five

• 1955 ~ Danny Brubeck, Drummer, Dave Brubeck’s son

• 1956 ~ Pia Zadora, Singer

• 1956 ~ Gene Vincent and his group, The Blue Caps, recorded Be-Bop-A Lula for Capitol Records in Los Angeles. Interesting note: Vincent had written the tune only three days before he auditioned in a record company talent search that won him first place. The record was rush-released just two days later and became a rock and roll classic.

• 1959 ~ Randy Travis (Traywick), Singer

• 1962 ~ Oleta Adams, American soul singer and pianist

• 1996 ~ Alanis Morissette started a six-week run at No.1 on the UK album chart with Jagged Little Pill. The record produced six successful singles, including ‘You Oughta Know’, ‘Ironic’, ‘You Learn’, ‘Hand in My Pocket’, and ‘Head over Feet’.

• 2016 ~ Ursula Mamlok, German American avant-garde composer, died at the age of 93

Pianos in Harmony with Palace Halls

pianos-Istanbul

The pianos in Istanbul’s Dolmabahçe Palace, which hosted some 1 million people last year, draw great interest from local and foreign visitors for their magnificence and harmony with their surroundings.

National Palace guide Osman Nihat Bişgin said Dolmabahçe Palace was a Tanzimat (reform-era) palace, adding, “All features of the reform era are clearly seen in Dolmabahçe Palace. This process, which we call the Europeanization and westernization process, made western music enter Dolmabahçe Palace.”

He said the palace had a total of 12 pianos, and all of them had ornamentations suitable to the style and harmony of the palace.

Bişgin said the palace opened in 1856 and the pianos were brought there nearly at the same time. “The wives of sultans were taking piano education in the palace, particularly in the final years of the Ottomans. There are many pianos and none of them were inactive; all of them were being played,” he said.

He said most of the piano brands in the palace were Hertz, Pleyel, Gaveau and Erard, and that the number of grand pianos was less.

Speaking of a striking green piano in Zülvecheyn Hall on the upper floor of the palace, Bişgin said it was a classical Pleyel-brand palace piano.

“Since the magnificence and glory was dominant in the palace, the pianos draw our attention visually. Their sound is not very famous, but they are very important and famous visually,” he said.

Bişgin said Zülvecheyn Hall had gilded ornamentation on its white and beige ceiling, adding, “We see enormous harmony between the piano and the ceiling.”

He said the furniture in Dolmabahçe Palace was in its original place, and added, “We can say that the pianos belong to these halls. The pianos in the Zülvecheyn and Süfera halls were designed to add visual richness to halls like them. They are not generally played.”

Crystal piano and chair in the Glass Kiosk

As for the rare crystal piano in the Glass Kiosk, Bişgin said the following: “The Glass Kiosk is a big venue hidden behind the walls of the palace. Mustafa Kemal Atatürk greeted the public in this place. It is like a winter garden surrounded with glass. In harmony with this kiosk, there is a crystal piano. It is a Paris-made Gaveau piano. Its chair is crystal, too.”

Another piano in the palace is a plain black German-made Steinway. Bişgin said its sound was very strong and it was very valuable.

“It was produced as a Hamburg Steinway in 1912. Then the factory moved to the U.S. Accordingly, there were only five Steinway pianos made in Germany. This is one of them. Its estimated price is 200,000 euros. It also has the emblem of the sultan Abdulmecid,” Bişgin added.

Speaking of the piano, which was used during the acceptance of ambassadors in the Süfera Hall, Bişgin said, “Süfera is the plural of the word sefir [ambassador]. This hall was created to address foreigners. The furniture is gold-plated; the ceiling is the same. There is a boulle-work piano here to show the beauty of metal and gold. This piano is wonderful for decoration.”

More pictures at Pianos in harmony with palace halls – ARTS.

Pianos in harmony with palace halls – ARTS

pianos-Istanbul

The pianos in Istanbul’s Dolmabahçe Palace, which hosted some 1 million people last year, draw great interest from local and foreign visitors for their magnificence and harmony with their surroundings.

National Palace guide Osman Nihat Bişgin said Dolmabahçe Palace was a Tanzimat (reform-era) palace, adding, “All features of the reform era are clearly seen in Dolmabahçe Palace. This process, which we call the Europeanization and westernization process, made western music enter Dolmabahçe Palace.”

He said the palace had a total of 12 pianos, and all of them had ornamentations suitable to the style and harmony of the palace.

Bişgin said the palace opened in 1856 and the pianos were brought there nearly at the same time. “The wives of sultans were taking piano education in the palace, particularly in the final years of the Ottomans. There are many pianos and none of them were inactive; all of them were being played,” he said.

He said most of the piano brands in the palace were Hertz, Pleyel, Gaveau and Erard, and that the number of grand pianos was less.

Speaking of a striking green piano in Zülvecheyn Hall on the upper floor of the palace, Bişgin said it was a classical Pleyel-brand palace piano.

“Since the magnificence and glory was dominant in the palace, the pianos draw our attention visually. Their sound is not very famous, but they are very important and famous visually,” he said.

Bişgin said Zülvecheyn Hall had gilded ornamentation on its white and beige ceiling, adding, “We see enormous harmony between the piano and the ceiling.”

He said the furniture in Dolmabahçe Palace was in its original place, and added, “We can say that the pianos belong to these halls. The pianos in the Zülvecheyn and Süfera halls were designed to add visual richness to halls like them. They are not generally played.”

Crystal piano and chair in the Glass Kiosk

As for the rare crystal piano in the Glass Kiosk, Bişgin said the following: “The Glass Kiosk is a big venue hidden behind the walls of the palace. Mustafa Kemal Atatürk greeted the public in this place. It is like a winter garden surrounded with glass. In harmony with this kiosk, there is a crystal piano. It is a Paris-made Gaveau piano. Its chair is crystal, too.”

Another piano in the palace is a plain black German-made Steinway. Bişgin said its sound was very strong and it was very valuable.

“It was produced as a Hamburg Steinway in 1912. Then the factory moved to the U.S. Accordingly, there were only five Steinway pianos made in Germany. This is one of them. Its estimated price is 200,000 euros. It also has the emblem of the sultan Abdulmecid,” Bişgin added.

Speaking of the piano, which was used during the acceptance of ambassadors in the Süfera Hall, Bişgin said, “Süfera is the plural of the word sefir [ambassador]. This hall was created to address foreigners. The furniture is gold-plated; the ceiling is the same. There is a boulle-work piano here to show the beauty of metal and gold. This piano is wonderful for decoration.”

More pictures at Pianos in harmony with palace halls – ARTS.