Tag Archives: Ludwig Van Beethoven

December 16, 2016 ~ Today in Music History

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Christmas Music, Part 16 – We Three Kings

OCMS 1770 ~ Ludwig van Beethoven, Composer Beethoven’s Pastoral Symphony was featured in the Walt Disney movie Fantasia and his Symphony Number 5 in Fantasia 2000
Listen to Beethoven’s music
More information on Beethoven
Grammy winner
If composers had Facebook: Beethoven’s profile

OCMS 1882 ~ Zoltán Kodály, Hungarian composer and collector of folk songs
More information on Kodály

• 1893 ~ Antonin Dvorák attended the first performance of his New World Symphony at Carnegie Hall in New York City.

• 1899 ~ Sir Noel Coward, British composer of musical comedies, actor and producer

• 1905 ~ Sime Silverman published the first issue of Variety, the weekly show biz magazine. The first issue was 16 pages in length and sold for a nickel. Variety and Daily Variety are still going strong.

• 1907 ~ Eugene H. Farrar became the first singer to broadcast on radio. He sang from the Brooklyn Navy Yard in New York. The song was Do You Really Want to Hurt Me?

• 1940 ~ Bob Crosby and his Bobcats backed up brother Bing as San Antonio Rose was recorded on Decca Records.

• 1960 ~ Lucille Ball took a respite from her weekly TV series to star in the Broadway production of Wildcat, which opened at the Alvin Theatre in New York City. The show ran for 171 performances.

• 1967 ~ The Lemon Pipers released Green Tambourine on an unsuspecting psychedelic world this day. The tune made #1 on February 3, 1968.

• 1971 ~ Melanie (Safka) received a gold record for the single, Brand New Key, about roller skates and love and stuff like that. This one made it to #1 on Christmas Day, 1971.

• 1971 ~ Don McLean’s eight-minute-plus (8:32) version of American Pie was released. It became one of the longest songs with some of the most confusing (pick your favorite interpretation) lyrics to ever hit the pop charts. American Pie hit #1 on January 15, 1972.

• 1972 ~ Paul McCartney’s single, Hi, Hi, Hi, was released. It peaked at #10 on the top tune tabulation (February 3, 1973).

• 2003 ~ Singer and guitarist Gary Stewart, who had a No. 1 country hit in 1975 with She’s Actin’ Single (I’m Drinkin’ Doubles), died of an apparently self-inflicted gunshot wound. He was 58. A native of Letcher County, Ky., Stewart was a compelling songwriter and performer of guitar-driven, honky tonk country. His last album, Live at Billy Bob’s Texas, was released in 2003. Besides the 1975 chart-topper, his hits included Drinkin’ Thing and Out of Hand. He worked with Southern rock greats Dickie Betts and Gregg Allman of The Allman Brothers Band on the 1980 album Cactus and a Rose.

December 7, 2016 ~ Today in Music History

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• Pearl Harbor Day

Christmas Music, Part 7 – Hark the Herald Angels Sing

• 1637 ~ Bernardo Pasquini, Italian composer of operas, oratorios, cantatas and keyboard music.

• 1840 ~ Hermann Goetz, German Composer

• 1842 ~ The Philharmonic Society of New York, the first permanent orchestra in the U.S., held its first concert. Despite uncomfortable seating, the event was a huge success. They performed works of Beethoven.

OCMS 1863 ~ Pietro Mascagni, Italian composer and conductor
More information about Mascagni

• 1879 ~ Rudolf Friml, Musician, composer

• 1887 ~ Ernst Toch, Austrian-born American composer

• 1911 ~ Louis Prima, Trumpeter, bandleader with Louis Prima and His New Orleans Gang, Gleeby Rhythm Orchestra; songwriter, singer, married to Keely Smith

• 1931 ~ Bobby Osborne, Musician, mandolin, singer with the duo – Osborne Brothers

• 1942 ~ Harry Chapin, American folk-rock singer and songwriter, Recipient of Special Congressional Gold Medal, Worldwide Humanitarian for the Hungry, Needy and Homeless

• 1948 ~ NBC presented Horace Heidt’s Youth Opportunity Program for the first time. The talent show earned Dick Contino, an accordionist, the $5,000 prize as the program’s first national winner.

• 1949 ~ Tom Waits, Singer, songwriter, playwright, married to Kathleen Brennan

• 1954 ~ Mike Nolan, Singer with Bucks Fizz

• 1957 ~ Pat Boone was at the top of the pop charts for the first of six weeks withApril Love. His other number one hits included Ain’t That a Shame, I Almost Lost My Mind, Don’t Forbid Me and Love Letters in the Sand.

• 1984 ~ Michael Jackson was in Chicago to testify that the song, The Girl is Mine, was exclusively his and he didn’t swipe the song, Please Love Me Now. It was a copyright infringement case worth five million dollars. He won.

• 1990 ~ Dee (Delectus) Clark passed away

November 19, 2016 ~ Today in Music History

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• 1724 ~ First Performance of J. S. Bach’s Sacred Cantata No. 26 Ach wie flüchtig, ach wie nichtig performed on the 24th Sunday following Trinity. A portion of Bach’s second annual Sacred Cantata cycle in Leipzig, 1724-25.

• 1736 ~ J. S. Bach named court composer by Poland’s King Agustus III.

• 1739 ~ First Performance of Jean-Philippe Rameau‘s opera Dardanus in Paris.

• 1826 ~ Composer Felix Mendelssohn and his sister Fanny performed his overture to “A Midsummer Night’s Dream” for the first time.

• 1828 ~ Death of Austrian composer Franz Schubert in Vienna, at the age of 31 from typhus.   He is buried near Beethoven.

• 1859 ~ Mikhail Ippolitov-Ivanov, Russian composer and conductor
More information about Ippolitov-Ivanov

• 1874 ~ Birth of composer Karl Adrian Wohlfahrt.

• 1875 ~ First Performance of Tchaikovsky‘s Third Symphony, in Moscow.

• 1888 ~ Piano Debut in Boston of composer Edward MacDowell with the Kneisel Quartet.

• 1905 ~ Tommy Dorsey, American trombonist and bandleader

• 1923 ~ First Performances of Béla Bartók‘s Five Dances and Zoltán Kodály‘s Psalums Hungaricus in Budapest, marking the 50th anniversary of the union of cities Buda and Pest.

• 1936 ~ Birth of classical music commentator (Detroit Symphony broadcasts) Dick Cavett, in Kearney, Nebraska. ABC-TV talk show host (Dick Cavett Show).

• 1936 ~ First concert recorded on magnetic tape with the London Philharmonic orchestra conducted by Sir Thomas Beecham at BASF’s own concert hall in Ludwigshaven, Germany.

• 1937 ~ Ray Collins, Songwriter

• 1938 ~ Hank Medress, Singer with The Tokens, record producer

• 1943 ~ Fred Lipsius, Piano, sax with Blood Sweat & Tears

• 1943 ~ Stan Kenton and his orchestra recorded Artistry in Rhythm, the song that later become the Kenton theme. It was Capitol record number 159. The other side of the disk was titled, Eager Beaver.

• 1944 ~ Agnes Baltsa, Greek mezzo-soprano

• 1954 ~ Sammy Davis, Jr. was involved in a serious auto accident in San Bernardino, CA. Three days later, Davis lost the sight in his left eye. He later referred to the accident as the turning point of his career.

• 1957 ~ American conductor Leonard Bernstein named Music Director of the New York Philharmonic. First American-born and educated conductor named to head an important American Orchestra.

• 1961 ~ A year after Chubby Checker reached the #1 spot with The Twist, the singer appeared on The Ed Sullivan Show to sing the song again. The Twist became the first record to reach #1 a second time around, on January 13, 1962.

• 1962 ~ For the first time, a jazz concert was presented at the White House. Jazz had previously been served as background music only.

• 2000 ~ First Performance of Philip Glass‘ Double Concerto for Timpani and Orchestra, by the American Composers Orchestra. Lincoln Center in New York.

2004 ~ Composer Cy Coleman, who wrote the musical “Sweet Charity” and whose songs included such Frank Sinatra classics as Witchcraft, Big Spender and The Best is Yet to Come, died at the age 75
More information about Cy Coleman

Happy Birthday to Franz Liszt!

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Franz Liszt was born in Raiding, near Ödenburg, October 22, 1811 and died in Bayreuth, July 31, 1886. He was a Hungarian composer and pianist who was a major influence during the romantic period. Liszt was an outstanding pianist at seven, composed at eight and made concert appearances at nine. In addition to being a piano virtuoso, he was also a critic, conductor, city music director, literary writer and transcriber of the works of other composers. He transcribed Beethoven’s Symphonies for the piano.

Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccoló Paganini (1782-1840), created the cult of the modern instrumental virtuoso. To show off his phenomenal and unprecedented technique, Liszt composed a great deal of music designed specifically for this purpose, resulting in a vast amount of piano literature laden with dazzling, and other technical marvels. In this vein, Liszt composed a series of virtuosic rhapsodies on Hungarian gypsy melodies, the best-known being the all too familiar Hungarian Rhapsody no. 2. Liszt developed the rhapsody as a form of serious music. This kind of music is worlds apart from the generally more introspective, poetic music of pianist-composer Frédéric Chopin.

Liszt was wildly handsome and hugely talented. He was extremely popular in Paris during the 1830’s. It is said that women actually fainted at his piano recitals. He was the first to position the piano so that its lid reflected the sound and the audience could see his profile as he performed.

Liszt was the first to write a tone poem, which is an extended, single-movement work for orchestra, inspired by paintings, plays, poems or other literary or visual works, and attempting to convey the ideas expressed in those media through music. Such a work is Les Préludes, based on a poem in which life is expressed as a series of struggles, passions, and mysteries, all serving as a mere prelude to . . .what? The Romantic genre of the symphonic poem, as well as its cousin the concert overture, became very attractive to many later composers, including Saint-Saëns, Tchaikovsky, Dvorák, Sibelius, and Richard Strauss.


     Liszt’s birthday

     anniversary of Liszt’s death

    Listen to Liszt’s transcription of Meyerbeer’s Hellish Waltz from Robert du Diable, which probably caused more public commotion than any other piano piece in history.


     Read quotes by and about Liszt

     Liszt was the first recitalist

     In Praise of Pianos and the Artists Who Play Them

     History of the Piano

     Franz Liszt

October 9, 2016 ~ Today in Music History

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OCMS 1813 ~ Giuseppe Verdi, Italian composer
Read quotes by and about Verdi
More information about Verdi

OCMS 1835 ~ Camille Saint-Saëns, French composer, organist and conductor Saint-Saëns’ Carnival of the Animals is featured in Disney’s Fantasia and Fantasia 2000.
Read quotes by and about Saint-Saëns
More information about Saint-Saëns

• 1931 ~ Russ Columbo’s Prisoner of Love was recorded on Victor Records.

OCMS 1940 ~ John Lennon, British rock singer, songwriter and guitarist
More information about Lennon

• 1935 ~ Cavalcade of America was first broadcast on radio this very day. The CBS show featured some of Hollywood and Broadway’s most famous stars in leading roles in the half hour radio dramas. Thomas Chalmers narrated the stories about obscure incidents and people in American history. The orchestra (yes, radio shows had live orchestras back then) was led by Donald Voorhees. The show aired from 1935 to 1953, changing from CBS to NBC in 1939; with one sponsor for its entire duration. The DuPont Company introduced its slogan on Cavalcade of America …”Better things for better living through chemistry…”

• 1941 ~ Helen Morgan passed away

OCMS 1944 ~ John Entwistle, Bass, French horn with The Who
More information about Entwistle

• 1947 ~ “High Button Shoes”, opened on Broadway in New York City with an entertainer named Phil Silvers in the lead. The popular show ran for 727 performances.

• 1948 ~ Jackson Browne, Songwriter, singer

• 1967 ~ “And now…heeeeeeeeerrrree’s the Doctor!” Coming out of the NBC Tonight Show Orchestra to become musical director of The Tonight Show Starring Johnny Carson, Doc Severinsen replaced Skitch Henderson on this night. Doc became famous for an eccentric wardrobe, quick wit, great trumpet solos and fabulous charts.Tommy Newsome became Doc’s backup arranger for many of the tunes the band played. Later, Doc and the band would move to solo albums, group CDs and incredibly successful concert tours. Doc went on to play with various symphony orchestras and even became the owner of a custom trumpet company in the San Francisco Bay Area.

• 1973 ~ Priscilla Presley, was divorced from Elvis in Santa Monica, CA. Ms. Presley got $1.5 million in cash, $4,200 per month in alimony, half interest in a $750,000 home plus about 5% interest in two of Elvis’ publishing companies.

• 1973 ~ Paul Simon got a gold record this day for his hit, Loves Me like a Rock.

• 1975 ~ John Lennon turned 35. To celebrate, Yoko Ono Ono presented John with a newborn son, Sean Ono Lennon.

• 1976 ~ Ludwig van Beethoven’s “Symphony number 5 in c minor” landed for a twenty-two-week stop in the first spot on the Top 5. Beethoven is dead and this isn’t a ghost story. It’s simply a case of Beethoven being updated with a disco rock beat and a catchy new title: A Fifth of Beethoven.

• 1985 ~ A 2½ acre garden memorial was dedicated to John Lennon by his widow,Yoko Ono, this day. The memorial in New York City’s Central Park is named Strawberry Fields.

• 1988 ~ Elmer J. ‘Mousey’ Alexander passed away

• 2000 ~ Yoko Ono Opened John Lennon Museum in Japan

• 2001 ~ Herbert Ross died at the age of 76. He was a director and choreographer whose credits include the hit movies “The Goodbye Girl,” “The Sunshine Boys” and “The Turning Point.”

• 2003 ~ Don Lanphere, a saxophone player who came on strong at the dawn of bebop, nearly succumbed to drugs and drinking, then recovered to become the city’s jazz “grandpop,” died of hepatitis C. He was 75. As lead tenor in the Seattle Repertory Jazz Orchestra and in smaller groups, Lanphere’s versatility and virtuosity ranged from blazing riffs on the tenor to a solo jazz rendition of the Lord’s Prayer on the soprano sax. Many who were born long after Lanphere’s boyhood gigs with such legends as Charlie Parker, Fats Navarro and Max Roach hailed him as a jazz patriarch or, as his Web site proclaimed, “Seattle jazz grandpop.” Born in the apple country of central Washington about 95 miles east of Seattle, Lanphere played as a teenager with touring bands in Seattle, then studied music briefly at Northwestern University in Evanston, Ill. By the time he got to New York, captivated by the post-World War II bebop revolution, he was hooked on heroin. By his early 20s he had recorded with Navarro and Roach and played gigs with Parker, Woody Herman and top big bands, including one led by Artie Shaw. He could write a chart, the chord arrangement on which jazz improvisation is based, from the sound of water dripping in a tub. Battling alcohol and narcotics addictions that resulted in at least one arrest, he was back at his father’s store in Wenatchee – “from the Big Apple to the little apple,” he once said – by 1960. Only after he and his wife Midge became born-again Christians in 1969 did he dust off his horn. In an interview in 1998, he said that without the conversion, “I would be dead by now.”

Beethoven Piano Trios Opus 70 No. 2, Opus 97 “Archduke”

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Beethoven’s first published works—his Opus No.1—were three trios for piano, violin and cello and already they show a marked advance on Haydn’s trios in the comparative interdependence of the three parts. Their freedom from Haydn’s oppressive formality looks forward to the first mature trios, the pair that comprises Opus 70, displaying all sorts of harmonic twists, thematic innovations and structural idiosyncrasies, these trios make much of the piano part and contain plenty of dramatic outbursts that are typical of Beethoven’s middle period.

Even more arresting is the first of the Opus 70 trios (1808) nicknamed ”The Ghost” because of its mysterious and haunting Largo. Its sibling boasts a cheerful bombastic finale that is the most entertaining music that Beethoven composed for this combination of instruments.

The “Archduke” Trio Opus 97 (1811) was Beethoven’s last full – scale work for piano trio and is typically conclusive. The third movement is its centre of gravity, a highly moving set of variations with the cello dominating the thematic content. It opens with a hymn-like theme and progresses to a coda which magnificently sums up the movements ideas. The finale might be less powerful than that of Opus 70 No. 2, but it nevertheless has a sweeping rhythmic power. Again, it is beyond the shadow of a doubt that Beethoven defined the piano trio form that it retained throughout the 19th century by allowing the string instruments the status of genuinely equal partners in this superlative performance.

Read more at Ludwig Van Beethoven Piano Trios Opus 70 No. 2, Opus 97 “Archduke” | World Music Report.

Have You Heard the Piano Puzzlers?

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puzzlers

 

The Piano Puzzlers book is available in the O’Connor Music Studio library if you’d like to give any a try.  Piano Puzzlers as heard on American Public Media’s “Performance Today.” Includes 32 tunes with songs by Gershwin, Berlin, Arlen, Porter, Rodgers, Fats Waller, Lennon & McCartney, and others disguised in the styles of Bach, Handel, Haydn, Mozart, Beethoven, Brahms, Schubert, Schumann, Chopin, Janacek, Debussy, Ravel, Rachmaninoff, Stravinsky, Prokofiev, Bartok, and Copland.

Includes an introduction by Fred Child, host of “Performance Today” as well as background info by Bruce Adolphe. “Bruce Adolphe has taken a common musician’s party game and elevated it to high art and truly funny musical slapsticks. The Piano Puzzlers are a unique combination of extraordinary insight into the styles of many composers subtle, expert workmanship and great, great fun!”

From http://jasonmorris.blogsome.com/2008/08/08/piano-puzzlers/

If you’re a music geek (like me), I have a program for you. Now, let me be clear, to fully qualify as a music geek…you must have a fond appreciation for classical music (no, Poison, Quiet Riot, and Zepplin do not count as classical music). So, if you’re a “music geek” without an appreciation for classical music…well, I hate to burst your bubble…but, you’re not truly a music geek. Instead, you’re a music appreciator, but not a geek. So, if you just listen to indie music and scowl at anything on a label larger than Matador…don’t bother following the link I’ll provide…the fun will be lost on you…And, you probably won’t have a chance.

Every Wednesday night, on my way home from WNL, I turn on my local NPR station to listen to Piano Puzzlers on Performance Today. It’s absolutely incredible. A pianist/composer (Bruce Adolphe) takes a familiar folk or pop tune and sets it inside a classical masterpiece (or in the style of a particular composer). Sometimes it’s easy…sometimes it’s ridiculously difficult. There are days when I say, “got it” on the first pass. Then there are days when I say, “what the heck?” And, more often than not, I’m able to get either the popular/folk tune or the composer.

This is sad to admit, but there are nights when I’ll slow down on the drive home or sit in the car in the driveway to finish an episode. In fact, I get a little worked up if someone stops me after WNL…as I might miss the beginning of Piano Puzzlers (it usually hits around 8:20pm on our local station).

Take a listen to some of the archives and see if you can figure it out! It’s really cool…but probably only appreciated by music geeks (the kind of people that listen to NPR for their musical programs and not just the snipets of cool indie rock between segments on All Things Considered…which is a great show too).

Play Piano Puzzlers HERE!

July 6, 2016 ~ Today in Music History

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• 1865 ~ Emile Jacques-Dalcroze, Composer

• 1906 ~ Elisabeth Lutyens, British composer

• 1915 ~ Laverne Andrews, Pop Singer
More information about The Andrews Sisters

• 1915 ~ Dorothy Kirsten, Opera Singer

• 1925 ~ Merv Griffin, Entertainer

• 1925 ~ Bill Haley, American rock-and-roll singer, songwriter and guitarist with Bill Haley and His Comets

• 1932 ~ Della Reese (Delloreese Patricia Early), Pop Singer

• 1937 ~ Vladimir Ashkenazy, Russian-born Icelandic pianist and conductor
More information about Ashkenazy
Grammy winner

• 1937 ~ Gene Chandler (Eugene Dixon), Singer

• 1937 ~ The big band classic, Sing, Sing, Sing was recorded by Benny Goodman and his band. Sitting in on this famous Victor Records session was Gene Krupa, Ziggy Elman and Harry James.

 

• 1945 ~ Rik Elswit, Musician, guitarist and singer with Dr. Hook and the Medicine Show

• 1954 ~ Nanci Griffith, Grammy Award-winning singer, songwriter

• 1957 ~ John Lennon and Paul McCartney met for the first time at The Woolton Church Parish Fete where The Quarry Men were appearing. As The Quarry Men were setting up for their evening performance, McCartney eager to impress Lennon picked up a guitar and played ‘Twenty Flight Rock’ (Eddie Cochran) and ‘Be-Bop-A-Lula’ (Gene Vincent). Lennon was impressed, and even more so when McCartney showed Lennon and Eric Griffiths how to tune their guitars, something they’d been paying someone else to do for them.

• 1959 ~ Jon Keeble, Musician, drummer with Spandau Balle

• 1971 ~ Louis Armstrong, Jazz musician, died. His groups, the Hot Five and Hot Seven, from 1925 to 1927, had a revolutionary impact on jazz.

• 1971 ~ Karen and Richard Carpenter hosted the summer series, Make Your Own Kind of Music, on NBC-TV.

• 1973 ~ Otto Klemperer, German conductor particularly known for his interpretations of Beethoven, died.

• 1984 ~ Michael Jackson and his brothers started their Victory Tour in Kansas City, Missouri’s Arrowhead Stadium. The tour turned out to be a victory for the Jacksons when the nationwide concert tour concluded months later.

• 1998 ~ Roy Rogers, U.S. film actor known as “the singing cowboy”, died.

Book: Technology is key to piano

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Piano-Maestro-End-Game

Piano teacher Leila Viss isn’t only about Bach, Beethoven and Chopin. For her, it’s also about easing her students into using the iPad application “Piano Maestro.”

Viss, a piano performance and pedagogy graduate of University of Denver, first set up a studio in her home after she graduated in 1990. Ever since, she’s blossomed into a teacher who incorporates a different kind of approach in her lessons.

It all began with her mentor, Elaine Emeigh, who’s a piano teacher in Littleton.

“I wanted to continue her legacy, so I started having labs during my private lessons,” Viss said.

The Centennial resident’s students are now urged to stay for an extra 30 minutes after each lesson to spend time doing something on the computer — whether it be reviewing concepts, studying piano history or reinforcing lessons, she said.

“When I graduated, the Internet was just coming around. Now I have my own website, blog, and my whole idea of how I communicate has completely changed. It was a hassle over the years using technology; you were booting up the computer, putting in a CD-ROM, and then when the iPad came along, it made everything so much easier,” Viss said.

Her book, “The iPad Piano Studios, Keys to Unlocking the Power of Apps,” came out in 2013 and reflects her appetite for using apps to practice note names, inspire creativity and compose with her students. Viss considers herself to be a writer and also contributes to the Clavier Companion, a nationally known premiere piano magazine.

The owners of private applications company, JoyTunes, contacted Viss after reading her blog a year ago.

With more than 4 million users, the company’s apps are a hit, Viss said.

“Joytunes is changing the face of music education by transforming the way people learn music, enabling anyone to play a musical instrument,” JoyTunes head of brand Nadia Hitman said. “By combining music methodologies with the latest in gaming features and instant feedback, the learning process is significantly shortened for millions of children, adults and teachers already using the apps.”

Hitman said all of their applications recently became free for teachers and their students, and many of the apps are still available for purchase to anyone.

“Speaking on their (JoyTunes’) behalf, and mobile technology — Piano Maestro is unbelievably amazing,” Viss said. “You set it up on the piano (doesn’t have to be digital) and choose from like 2,000 songs in the library. You press play and the student follows along with the piano. After that, you get evaluated and receive immediate feedback. You can get up to three gold stars.

via Technology is key to piano | Centennialcitizen.net.

Antonei Sergejvitch Tartarov plays Mozart

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Antonei Sergejvitch Tartarov  was a fictional Russian pianist whose real name was Jean-Jacques Hauser.

He had an exceptional gift for improvisation.

On April 16, 1968 Hauser fooled an audience of 2,000 people in Zurich into thinking not only that he was a little-known Russian virtuoso (Tartarov), but that much of the improvised material in his program was composed by Beethoven, Mozart, Prokofiev, and Liszt.

Imagine when it was announced that the music the audience had just applauded as works of genius had actually been improvised on the spot by a home-grown Swiss pianist.