Angels we have heard on high
Sweetly singing o’er the plains
And the mountains in reply
Echoing their joyous strains
CHORUS:
Gloria, in excelsis Deo!
Gloria, in excelsis Deo!
Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
Which inspire your heavenly song?
Chorus
Come to Bethlehem and see
Him Whose birth the angels sing;
Come, adore on bended knee,
Christ the Lord, the newborn King.
Chorus
See Him in a manger laid
Jesus Lord of heaven and earth;
Mary, Joseph, lend your aid,
With us sing our Savior’s birth.
Chorus
This is a traditional French carol (Les Anges dans nos Campagnes) that was translated into English by Bishop James Chadwick.
This carol commemorates the story of the birth of Jesus Christ found in the Gospel of Luke, in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child.
This is “Angels We Have Heard on High” with choir and orchestra.
The Piano Guys, Peter Hollens, David Archuleta, and The Mormon Tabernacle Choir get together to sing “Angels We Have Heard On High”
• 1667 ~ Michel Pignolet De Monteclair, French composer
• 1861 ~ Lillian Russell (Helen Louise Leonard), Singer, actress, burlesque
• 1879 ~ Sir Herbert Hamilton Harty, Irish composer, conductor, pianist and organist
• 1915 ~ Eddie Heywood, Jr., Pianist, composer
• 1927 ~ Duke Ellington’s big band opened the famed Cotton Club in Harlem. It was the first appearance of the Duke’s new and larger group. He played the club until 1932.
For part 2:
• 1934 ~ Ethel Merman recorded I Get a Kick Out of You, from Cole Porter’s musical, Anything Goes. She was backed by the Johnny Green Orchestra. The tune was recorded for Brunswick Records.
• 1934 ~ Wink (Winston Conrad) Martindale, TV host, singer
• 1938 ~ Yvonne Minton, Australian mezzo-soprano
• 1940 ~ John Cale, Bass, keyboard, viola, singer with The Velvet Underground
• 1942 ~ Bob Mosley, Bass with Moby Grape
• 1942 ~ Chris Hillman, Guitar, bass, mandolin with The Byrds
• 1944 ~ Dennis Wilson, American rock-and-roll singer and drummer
• 1948 ~ Southside Johnny (Lyon), Singer with Southside Johnny and The Asbury Dukes
• 1953 ~ Leonard Bernstein conducted at Teatro alla Scalafor the first time, in a production of Cherubini’s “Medea.” Maria Callas(1923-1977) sang the title role. Bernstein was the first American to conduct at La Scala.
“Then came the famous meeting with Maria Callas [in 1953].
To my absolute amazement, she understood immediately the dramatic reasons for the transposition of scenes and numbers, and the cutting out of her aria in the second act. We got along famously – it was perfect. She understood everything I wanted, and I understood everything she wanted…Then I met the orchestra, [began 5 days of rehearsals]…and we opened.
I can tell you I was quaking as I entered that pit, because it was the first time I had ever entered a pit – and of all places, at La Scala!
The opera audience didn’t really know who I was. I felt like an interloper and a bit of a student. However, I pulled myself together and played the overture [of Medea], which is very long, and hoped for the best. It seemed as though we could never get the opera to begin. By the end of Medea, the place was out of its mind.”
Leonard Bernstein, Interview with John Gruen, 1972
• 1965 ~ Composer, lyricist, and singer, Jacques Brel made his American debut in concert at Carnegie Hall in New York City. Brel composed Jackie, You’re Not Alone, If You Go Away and more.
• 1972 ~ Billy Paul from Philadelphia received a gold record for his smash hit, Me and Mrs. Jones.
• 2002 ~ Emmy-nominated pianist George Gaffney, who accompanied such musicians as Peggy Lee, Engelbert Humperdink and Sarah Vaughan, died. He was 62. Born in New York City, Gaffney began studying the piano at age 10 but switched to the trombone. After serving in the U.S. Marine Corps from 1958 to 1961, Gaffney returned to New York, where he played piano and began arranging and accompanying singers. Gaffney moved to the Chicago area in the mid-1960s and was musical director of the Playboy Club in Lake Geneva, Wis., where he first met Vaughan. Gaffney came to California in the early 1970s and found work as a studio musician and accompanist. He worked on a number of television programs, including the TV series “Moonlighting,” and was nominated for an Emmy. From 1980 to 1990, he was Vaughan’s accompanist and musical director. He moved to Las Vegas in 1994 and worked as Humperdink’s musical director. In recent years, he also orchestrated tunes for Rita Moreno.
• 2002 ~ Mary Hansen, guitarist and vocalist with the ’90s alternative band Stereolab died. She was 36. Hansen, from Maryborough in Queensland, Australia, died in a cycling accident in London, The Independent newspaper reported Friday. Details of the accident were not available. Band spokesman Mick Houghton was quoted by The Independent as saying a truck might have backed into her, “but I really don’t know much more than that.” Hansen joined the band in 1992, two years after it was formed by Tim Gane, formerly of the band McCarthy, and his girlfriend Laetitia Sadier. Among hundreds of messages posted on the band Web site, one from a fan who identified himself as Louis called Hansen “the soul” of the band. Hansen, who played several instruments, first appeared on 1992’s LoFi single and all subsequent releases, including 1994’s Mars Audiac Quintet and 1996’s Emperor Tomato Ketchup. Stereolab had been working on a new album, expected to be released next year.
• 2003 ~ Barry Morell, a tenor who played leading roles at the Metropolitan Opera and internationally for more than two decades, died of esophageal cancer. He was 75. Morell began his career as a baritone, until he sought the guidance of former Metropolitan Opera baritone Giuseppe Danise, who told him he should be a tenor. He was best known for performing the operas of Puccini. He made his debut as Pinkerton in “Madame Butterfly” in 1955 with the New York City Center Opera Company. In 1958, he made his Met debut in the same role. He appeared in Berlin, Barcelona, Vienna and other opera houses in Europe, South America and across the United States. Among his more than 20 roles during 257 performances at the Met were Rodolfo in “LaBoheme,” Enzo in “La Gioconda” and the title roles of “Don Carlo”and “Faust”.
From RevKev, Pender UMC’s Former Associate Pastor – “As it was, so it is, Christmas about Jesus. We are all distracted by the glitz and festivities, but let us hear the sound of Angels and the call to worship our Newborn King.
Just in time for Christmas, a gift from God to you: A baby in a manger who would love us through and through..”
• 1596 ~ Nicola Amati, Italian violin maker, teacher of Guarneri and Stradivari
• 1729 ~ Padre Antonio Francisco Javier Jose Soler, Spanish composer whose works span the late Baroque and early Classical music eras. He is best known for his keyboard sonatas, an important contribution to the harpsichord, fortepiano and organ repertoire.
• 1876 ~ Hermann Goetz died. He was a German composer.
• 1883 ~ Anton Webern, Austrian composer and conductor Read quotes by and about Webern More information about Webern
• 1907 ~ Connie (Connee) Boswell, Singer Connie or Connee (a spelling she preferred later in life), who also played several musical instruments, arranged vocals for herself and her two sisters. Although she was stricken with polio and worked from her wheelchair, she never let this get in the way of being part of her jazz-singing trio. The Boswell Sisters’ talent was quickly recognized and by the time Connee was 24 years old, the sisters were doing vaudeville, radio, playing New York’s Paramount Theatre, recording with the Dorsey Brothers: You Oughta Be in Pictures; making films and appearing on the U.S.A.’s first public TV broadcast. One thing led to another and Connie went solo, entertaining World War II troops, making films, appearing on Broadway and recording with big names like Woody Herman’s; even a duet classic with Bing Crosby: Basin Street Blues. Her musical influence spanned many generations and music styles. If you’d have asked Ella Fitzgerald, she would have told you, “They just don’t make ’em like Connee Boswell anymore.”
• 1911 ~ Nino Rota, composer (Torquemada)
• 1923 ~ Maria Callas (Calogeropoulous), American soprano More information about Callas Read quotes by and about Callas
• 1925 ~ The first jazz concerto for piano and orchestra was presented at Carnegie Hall in NYC. Commissioned by Walter Damrosch, American composer George Gershwin presented Concerto In F, and was also the featured soloist playing a flugelhorn in a slow, bluesy style as one of his numbers.
• 1927 ~ Phyllis Curtin, Singer: soprano with the New York City Opera, MetropolitanOpera, Vienna Staatsoper, La Scala, Teatro Colon; coordinator of Voice Dept and Opera at Yale School of Music, Dean Emerita of Boston Univ School for the Arts
• 1927 ~ Ferlin Husky (aka: Simon Crum, Terry Preston), Singer
• 1930 ~ Andy (Howard Andrew) Williams, American Emmy Award-winning entertainer, singer
• 1931 ~ Jaye P. (Mary Margaret) Morgan, Singer, performer
• 1941 ~ Johann Christian Sinding, Norwegian composer
• 1944 ~ Frank Sinatra was in the Columbia Records studio recording Old Man River.
• 1948 ~ Ozzy (John) Osbourne, Songwriter, singer
• 1949 ~ Mickey Thomas, Singer with Jefferson Starship
• 1953 ~ Kismet opened on Broadway in New York. The show ran for 583 performances.
• 1955 ~ Elvis Presley’s first release on RCA Victor Records was announced. No, it wasn’t Hound Dog or Heartbreak Hotel. The first two sides were actually purchased from Sam Phillips of Sun Records: Mystery Train and I Forgot to Remember to Forget. Elvis was described by his new record company as “The most talked about personality in recorded music in the last 10 years.”
• 1960 ~ Camelot opened at the Majestic Theatre in New York City. Richard Burton and Julie Andrews played the leading roles in the musical written by Lerner and Loewe. Robert Goulet got rave reviews for his songs, If Ever I Would Leave You, Then You May Take Me to the Fair and How to Handle a Woman, among others. Camelot had a run of 873 performances. Broadway went Hollywood in the 1967 film version of Camelot. Its run was not quite as successful.
. 1965 ~ The Beatles sixth studio album Rubber Soul was released. Often referred to as a folk rock album, Rubber Soul incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism “plastic soul”, which referred to soul played by English musicians.
• 1968 ~ The O’Kaysions received a gold record for Girl Watcher. The song had a promotional reprise in the 1990s as a theme for Merv Griffin’s Wheel of Fortune, with the revamped lyrics, I’m a Wheel Watcher…
. 1969 ~ The Rolling Stones recorded ‘Brown Sugar’ at Muscle Shoals studios. The single went on to be a UK and US Number 1.
.1972 ~ The Temptations earn their final #1 hit with “Papa Was A Rolling Stone”
• 1977 ~ After 29 weeks in the #1 position on the album charts (a record, literally…), Rumours, by Fleetwood Mac, was replaced at the top spot by the album Simple Dreams, sung by Linda Ronstadt.
• 2000 ~ Kevin Mills, a member of the Christian rock groups Newsboys and White Heart, died after a motorcycle accident in Hollywood. He was 32. Mills, of Louisville, Ky., was a singer and bass player, his family said. He also was a member of the Screen Actors Guild and appeared on TV in “An Inconvenient Woman” in 1991. White Heart started in 1982. Newsboys, an Australian band now based near Nashville, was formed four years later. Newsboys have sold nearly 3 million records and earned three Grammy nominations on the religious rock circuit.
• 2002 ~ Rich Dangel, credited with creating the opening guitar chords of garage band staple Louie Louie, died of an aneurysm at his home. He was 60. Dangel was a member of the seminal Northwest rock band the Wailers, who introduced the nation to the Northwest sound – raw, unpolished and catchy. He may be best known for coming up with the power chords that opened the Wailers’ 1961 regional hit, Louie, Louie, written by rhythm-and-blues singer Richard Berry and taken to the top of the national charts by another Northwest band, the Kingsmen from Portland, Ore. Dangel co-wrote his first chart hit, “Tall Cool One” with fellow Wailer John Greek when he was still in high school. The song resulted in the group’s first album, “The Fabulous Wailers,” a cross-country tour and a 1959 appearance on Dick Clark’s “American Bandstand.”
“I Heard the Bells on Christmas Day” is a Christmas carol based on the 1863 poem “Christmas Bells” by American poet Henry Wadsworth Longfellow. The song tells of the narrator’s despair, upon hearing Christmas bells, that “hate is strong and mocks the song of peace on earth, goodwill to men”. The carol concludes with the bells carrying renewed hope for peace among mankind.
This version is done by Casting Crowns. I chose it because the Pender choir sang this on Christmas Eve with past-Associate Pastor Dan Elmore singing the solo…and I fell in love with this version.
As seen on 2008 TBN Christmas special. “I Heard The Bells On Christmas Day” is available on Casting Crowns’ Christmas album, Peace On Earth.
More traditionally, the Mormon Tabernacle Choir’s version:
I heard the bells on Christmas Day
Their old, familiar carols play,
and wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”
Isaac Watts wrote the words to “Joy to the World” in 1719, based on Psalm 98 in the Bible. The hymn originally glorified Christ’s triumphant return at the end of the age, rather than a song celebrating His first coming. Only the second half of Watts’ lyrics are still used today.
The music was adapted and arranged to Watts’ lyrics by Lowell Mason in 1839 from an older melody which was then believed to have originated from Handel. The name “Antioch” is generally used for the hymn tune.
As of the late 20th century, “Joy to the World” was the most-published Christmas hymn in North America.
There are versions of Joy to the World available at the O’Connor Music Studio for any level of playing, starting with Pre-Reading, all the way up through Advanced and duets.
I’ve always liked Leroy Anderson’s Sleigh Ride as a secular Christmas song 🙂 It’s not technically a Christmas song since the words never mention Christmas but it’s often played now so it seems like a way to ease into the season.
Anderson had the original idea for the piece during a heatwave in July 1946; he finished the work in February 1948. Lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.
The orchestral version was first recorded in 1949 by Arthur Fiedler and The Boston Pops Orchestra. The song was a hit record and has become the equivalent of a signature song for the orchestra.
A fun arrangement has been made for piano duet. I have copies here to lend and it’s available on amazon (of course! What isn’t?)
“Auld Lang Syne,” a poignant Scots poem penned by the legendary Robert Burns in 1788, is set to the melody of a timeless folk song. Renowned globally, particularly in English-speaking regions, it is traditionally sung to usher in the New Year at midnight. Additionally, the song finds a place in various other settings, including funerals, graduations, and farewells, symbolizing endings and transitions. The Boy Scout movement internationally has adopted it as a ceremonial conclusion to their gatherings and events.
The title, “Auld Lang Syne,” translates from Scots to English as “old long since,” but more colloquially, it means “long long ago,” “days gone by,” or “times of old.” Hence, the phrase “For auld lang syne” in the chorus loosely means “for the sake of old times.”
This song is a treasured Scottish offering to the world, evoking nostalgia and warmth of days past. It not only reminisces about times gone by but also fosters a sense of unity and togetherness for the future.
“Auld Lang Syne” is a gem from the rich Lowland Scots folk tradition, skillfully refined by one of the world’s premier songwriters, Burns. In his final years, Burns dedicated himself to preserving and enhancing the song tradition, often transforming fragments of old ballads into profound love songs or Scots poems. In “Auld Lang Syne,” he found a piece already gleaming with brilliance, as he expressed in an 1788 letter to Mrs. Dunlop.
An intriguing aspect of “Auld Lang Syne” is that the globally sung melody differs from the one Burns originally set the lyrics to. The original tune, still performed by traditionalists, carries a softer, more reflective quality, as showcased in Mairi Campbell’s rendition in the film “Sex and the City.” Regardless of the tune or its global reach, “Auld Lang Syne” maintains the deep emotional impact of the original Scottish folk song. As Burns himself once reflected, the phrase ‘Auld Lang Syne’ powerfully resonates, capturing the soul-stirring essence of an old song and tune.
Fancy singing along yourself? Here are the verses of the words to Auld Lang Syne:
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne.
Chorus:
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne,
And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.
Chorus
We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.
Chorus
We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.
Chorus
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.
Chorus
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And long, long ago.
Chorus
And for long, long ago, my dear
For long, long ago,
We’ll take a cup of kindness yet,
For long, long ago
And surely youll buy your pint-jug!
And surely I’ll buy mine!
And we’ll take a cup of kindness yet,
For long, long ago.
Chorus
We two have run about the hills
And pulled the daisies fine;
But we’ve wandered manys the weary foot
Since long, long ago.
Chorus
We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since long, long ago.
Chorus
And there’s a hand, my trusty friend!
And give us a hand of yours!
And we’ll take a deep draught of good-will
For long, long ago.
Chorus
Check out this vintage kinescope, a blast from over half a century ago! For a century now, the iconic descent of a glowing glass ball from One Times Square in New York City on New Year’s Eve has been a beloved American ritual. Year after year, throngs of people gather to ring in the New Year with jubilation.
Starting in 1956, Guy Lombardo and His Royal Canadians became synonymous with the US’s New Year’s Eve celebrations. They combined melodious tunes with the live spectacle of the Midnight ball drop. Guy spearheaded this tradition until his passing in 1977, and his band continued to grace CBS Television with their New Year’s performances for two more years. Meanwhile, Dick Clark’s Rockin’ New Years Eve kicked off in 1972 on ABC and remains a yearly broadcast. Guy’s show would start right after a 15-minute news segment and would run for an hour. While Guy orchestrated the music, news anchor Robert Trout would herald the onset of the New Year.
If you pay attention, you might spot the sharp-tongued TV figure Henry Morgan amidst the crowd. Television back then, fifty years ago, was a far cry from today’s standards, marked by stark lighting and basic technology, like a simple office clock and a World War II-era searchlight sweeping over the gathered crowd.
I hope you’ll enjoy ringing in the New Year – 1958! Recorded: December 31, 1957
Auld Lang Syne played on bagpipes (as it should be)
• 1912 ~ Tony Martin (Alvin Morris), Singer, actor, married to dancer Cyd Charisse
• 1915 ~ Pete Rugolo, Bandleader, arranger, scored TV’s The Fugitive
• 1931 ~ Lawrence Tibbett was the featured vocalist as radio came to the Metropolitan Opera House in New York City. The first opera was Hansel und Gretel by Humperdinck, heard on the NBC network of stations. In between acts of the opera, moderator Olin Downes would conduct an opera quiz, asking celebrity guests opera-related questions. The program’s host and announcer was Milton Cross. He worked out of the Met’s Box 44.
• 1932 ~ Little Richard, American rock-and-roll singer, pianist and songwriter
• 1937 ~ O’Kelly Isley, Singer with the Grammy Award-winning group, The Isley Brothers
• 1937 ~ Arturo Toscanini conducted the first broadcast of Symphony of the Air over NBC radio.
• 1939 ~ The Charles Dickens classic, A Christmas Carol, was read by LionelBarrymore on The Campbell Playhouse on CBS radio. The reading of the tale became an annual radio event for years to come.
• 1941 ~ Don Pullen, pianist/composer
• 1944 ~ Henry Vestine, Guitarist with Canned Heat, sideman for Frank Zappa
• 1945 ~ Noel Redding, Bass with Noel Redding Band and also The Jimi Hendrix Experience
• 1946 ~ Jimmy Buffett, Songwriter, singer
• 1948 ~ Barbara Mandrell, CMA Entertainer of the Year (1980, 1981), Female Vocalist of the Year in 1979
• 1954 ~ Robin Campbell, Guitar, singer with UB40
• 1954 ~ Annie Lennox, Singer with Eurythmics
• 1957 ~ Shane MacGowan, Songwriter, musician: guitar, singer with The Pogues
• 2006 ~ James Brown, the Godfather of Soul died at the age of 73.
• 2008 ~ Singer, dancer and actress Eartha Kitt died at the age eighty-one.
“O Holy Night” (“Cantique de Noël”) is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem “Minuit, chrétiens” (Midnight, Christians) by Placide Cappeau (1808–1877).
Cappeau, a wine merchant and poet, had been asked by a parish priest to write a Christmas poem. Unitarian minister John Sullivan Dwight, editor of Dwight’s Journal of Music, created a singing edition based on Cappeau’s French text in 1855.
In both the French original and in the two familiar English versions of the carol, the text reflects on the birth of Jesus and of mankind’s redemption.
O Holy Night sung by the Mormon Tabernacle Choir and the King’s Singers
MaryO'Studio 