Today’s piece is the one that all kids seem to be able to teach each other without having any lessons at all.
“Chopsticks” (original name “The Celebrated Chop Waltz”) is a simple, widely known waltz for the piano. Written in 1877, it is the only published piece by the British composer Euphemia Allen (under the pseudonym Arthur de Lulli).
Allen, whose brother was a music publisher, was sixteen when she composed the piece, with arrangements for solo and duet.
• 1789 ~Bastille Day (France) This was the day the French Revolution began — at the fall of the Bastille. It is still celebrated in many countries throughout the world and is a public holiday in France; generally called Bastille Day or Fete National. It is considered the day freedom was born in France.
• 1682 ~ Henry Purcell appointed organist of Chapel Royal, London.
• 1707 ~ Jacques-Philippe Lamoninary, Composer
• 1788 ~ Johann Gottfried Muthel, Composer, died at the age of 60
• 1803 ~ Esteban Salas y Castro, Composer, died
• 1839 ~ Edward Sydney Smith, Composer
• 1844 ~ Oscar Beringer, Pianist
• 1854 ~ Alexander Alexandrovich Kopilov, Composer
• 1855 ~ Richard Samuel Hughes, Composer
• 1873 ~ Ferdinand David, Dutch violinist and composer, died at the age of 63
• 1883 ~ Alexandru Zirra, Composer
• 1895 ~ Alexander Ewing, Composer, died at the age of 65
• 1901 ~ Gerald Raphael Finzi, British composer
• 1906 ~ Arthur James Bramwell Hutchings, Composer
• 1908 ~ William Mason, Composer, died at the age of 79
• 1910 ~ Peter Stadlen, Pianist, critic
• 1912 ~ Woody (Woodrow Wilson) Guthrie born. He was the ‘father of modern American folk music’, American folk singer, songwriter of more than 1,000 original songs and author and father of folk singer Arlo Guthrie
• 1917 ~ Arthur Leavins, Violinist
• 1922 ~ Peter Andrew Tranchell, Composer
• 1923 ~ Louis Ganne, Composer, died at the age of 61
• 1925 ~ Luis Antonio Escobar, Composer
• 1926 ~ Jan Krenz, Composer
• 1927 ~ Alexander Popov, Bulgarian composer
• 1928 ~ Ole Schmidt, Composer
• 1929 ~ George Alan Dawson, Jazz drummer, teacher
• 1930 ~ Eric Norman Stokes, Composer
• 1930 ~ Polly Bergen, Pop Singer
• 1933 ~ Del (Franklin Delano) Reeves, Singer, guitarist
• 1942 ~ Helen O’Connell and Bob Eberly sang their last duet together as they recorded the famous Brazil with the Jimmy Dorsey band.
• 1945 ~ Peter James Leonard Klatzow, Composer
• 1951 ~ “Courtin’ Time” closed at National Theater New York City after 37 performances
• 1951 ~ “Make a Wish” closed at Winter Garden Theater New York City after 102 performances
• 1952 ~ George Louis Francis Lewis, Composer
• 1956 ~ Jaroslav Ridky, Composer, died at the age of 58
• 1962 ~ Bobby Vinton’s Roses are Red became the top song in the U.S. The song stayed at the top for four weeks and was the first of four #1 hits for Vinton. The others were: Blue Velvet, There! I’ve Said It Again and Mr. Lonely. Roses are Red was also Vinton’s first million-seller. He had two others: I Love How You Love Me (#9 in 1968) and My Melody of Love (#3 in 1974.)
• 1973 ~ Clarence White, Guitarist with the Byrds, killed by a car
• 1973 ~ Phil Everly stormed off stage declaring an end to Everly Brothers
• 1975 ~ Tameka Cottle, Rock Singer
• 1975 ~ Zutty Singleton, American jazz drummer, died at the age of 77
• 1982 ~ George Amadee Tremblay, Composer, died at the age of 71
• 1984 ~ Philippe Wynne, American soul singer, died at the age of 43
• 1996 ~ “How To Succeed Business…” closed at Richard Rodgers New York City after 548 performances
• 1996 ~ “Thousand Clowns” opened at Criterion Theater New York City for 32 performances
• 2001 ~ Norman Singer, a teacher and director of several music organizations in New York City, died at the age of 80. Singer began his career in the arts in 1948 as a psychology and sociology teacher at the Juilliard School. Dance played a major role in programming when Singer served as executive director of the City Center of Music and Drama from 1968 to 1975. He was the executive director of the Chamber Music Society of Lincoln Center from 1975 until his retirement in 1981.
“The Entertainer” is a 1902 classic piano rag written by Scott Joplin. It was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos.
It was used as the theme music for the 1973 Oscar-winning film The Sting by composer and pianist Marvin Hamlisch.
The Sting was set in the 1930s, a full generation after the end of ragtime’s mainstream popularity, thus giving the inaccurate impression that ragtime music was popular at that time.
Find the sheet music in a variety of levels including Songs I Love to Play, Volume 1 and Alfred Premier Piano Course Book 4. It’s also available in Piano Maestro and to borrow from the O’Connor Music Studio
• 1668 ~ Van Marco Cesti’s opera “Il Pomo d’Oro,” premiered in Vienna
• 1813 ~ Johann Friedrich Peter, Composer, died at the age of 67
• 1844 ~ Johann Gansbacher, Composer, died at the age of 66
• 1866 ~ C.C. Birchard, Music Publisher
• 1877 ~ Karl Erb, German tenor
• 1884 ~ John Francis Larchet, Composer
• 1889 ~ Carli Zoeller, Composer, died at the age of 49
• 1891 ~ Franco Casavola, Composer
• 1894 ~ Juventino Rosas, Composer, died at the age of 26
• 1898 ~ Guglielmo Marconi patented the radio
• 1903 ~ August Reissmann, Composer, died at the age of 77
• 1906 ~ Harry Sosnik, American orchestra leader of the Jack Carter Show and Your Hit Parade
• 1909 ~ David Branson, Composer
• 1909 ~ Paul Constantinescu, Composer
• 1909 ~ Washington Castro, Composer
• 1913 ~ Ladislav Holoubek, Composer
• 1915 ~ Paul Williams, Jazz saxophonist and bandleader Williams played with Clarence Dorsey in 1946, and then made his recording debut with King Porter in 1947 for Paradise before forming his own band later that year.
• 1921 ~ Ernest Gold, Composer
• 1921 ~ Charles Scribner Jr, Music publisher
• 1923 ~ Asger Hamerik (Hammerich) German composer, died at the age of 80
• 1924 ~ Carlo Bergonzi, Italian tenor
• 1926 ~ Meyer Kupferman, American composer
• 1928 ~ Donal Michalsky, Composer
• 1932 ~ Per Nørgård, Danish composer
More information about Nørgård
• 1934 ~ Roger Reynolds, Composer
• 1936 ~ Izydor Lotto, Composer, died at the age of 91
• 1939 ~ Frank Sinatra made his recording debut with the Harry James band. Frankie sang Melancholy Mood and From the Bottom of My Heart.
• 1942 ~ Roger McGuinn, Musician, guitarist and vocalist with the Byrds (1965 US & UK No.1 single ‘Mr Tambourine Man’). He was the only member of The Byrds to play on the hit, the others being session players. He toured with Bob Dylan in 1975 and 1976 as part of Dylan’s Rolling Thunder Revue, and later worked with fellow ex-Byrds Gene Clark and Chris Hillman to form “McGuinn, Clark and Hillman”.
• 1951 ~ Arnold Schoenberg, Austrian-born composer, died in Los Angeles; he was best known for his 12-note serial method and his composition Verklaerte Nacht and his opera “Moses und Aaron.”
More information about Schoenberg
• 1942 ~ Stephen Jo Bladd, American drummer with the J Geils Band
• 1954 ~ Louise Mandrell, American country singer with the Mandrell Sisters
• 1958 ~ Karl Erb, German tenor, died on 81st birthday
• 1959 ~ Dedicated to the One I Love, by The Shirelles, was released. The tune went to number 83 on the Top 100 chart of “Billboard” magazine. The song was re-released in 1961 and made it to number three on the charts.
• 1961 ~ Lawrence Donegan, Musician, bass with Lloyd Cole & The Commotions
• 1965 ~ Neil Thrasher, Country Singer
• 1973 ~ Martian Negrea, Composer, died at the age of 80
• 1973 ~ The Everly Brothers called it quits during a concert at the John Wayne Theatre in Buena Park, CA. Phil Everly walked off the stage in the middle of the show and brother Don said, “The Everly Brothers died ten years ago.” The duo reunited a decade later for a short time.
• 1976 ~ Max Butting, Composer, died at the age of 87
• 1978 ~ Antonio Veretti, Composer, died at the age of 78
• 1985 ~ Duran Duran took A View to a Kill, from the James Bond movie of the same name, to the top of the record charts this day. The song stayed on top for two weeks. Live and Let Die by Wings and Nobody Does It Better by Carly Simon — both James Bond themes — got only as high as number two on the record charts.
• 1985 ~ Live Aid, a rock concert masterminded by Bob Geldof, took place in London, Sydney, Moscow and Philadelphia and raised over 60 million dollars for famine in Africa.
• 1992 ~ Carla van Neste, Belgian violinist, died at the age of 78
• 1994 ~ Eddie Boyd, Blues vocalist and pianist, died at the age of 79
• 2023 ~ André Watts, pianist and Jacobs School professor, died at the age of 77. Watts made his national concert debut when he was 16 years old with Leonard Bernstein and the New York Philharmonic. Shortly after, he was asked to substitute in place of Glenn Gould with the Philharmonic. That performance is credited with launching Watts’ career.
Circus marches are called “screamers” because they are traditionally so high, loud & fast!! Circus Band members are often called “windjammers” because they jam so much wind into their instruments in the process of playing these screamers. Playing the circus requires incredible endurance & skills on your instrument. The windjammers play almost none stop and much of the music is really difficult!
The greatest circus bands were about 100 years ago in the heyday of the circus. At that time the big top band could be 25 or so, plus there were often sideshow musicians as well. Cowboy bands, women’s bands and bands of Blacks were often part of the sideshows.
Contemporary circuses are much smaller all the way around, and some don’t use live musicians at all, just “canned” music (recordings). Others carry 3 musicians, a drummer, a trumpet player and a keyboard (synthesizer) player. A few, like the Big Apple Circus, still have bands. The Big Apple Circus has 8 musicians on its bandstand: a conductor/trumpet, a person who plays alto sax and clarinet, one who plays tenor sax and flute, a violin, a trombone, a bass player, a keyboard player and a drummer.
In the “old days,” being a circus musician was one of the most strenuous jobs a musician could have. In the days before musicians’ unions, the windjammer would be expected to play for the circus parade, play a pre-show free concert for the townspeople, ballyhoo around the grounds before the big top show, play the show itself (nonstop for two or three hours!), play post-show concerts on the grounds or play sideshows. Then after everyone left, they helped take down the tents or do other chores around the grounds. It was a busy day and the pay was not very good, but it was an exciting life with lots of great music, and many musicians loved it!
THE MUSIC
Entry of the Gladiators (Thunder and Blazes) was written in 1897 by, the Czechoslovakian composer, Julius Fucik (1872-1916). This march is a classic circus march & one that just about everyone will think, “Ah, circus!” when they hear it. Thunder and Blazes (as it is most frequently called) and Fucik’s Florentiner March are probably his most well-known marches.
Most circus marches follow the standard American military march form, but often abbreviated (no repeats in the second half):
Introduction (a bit longer than military marches)
First strain (repeated)
Second strain (repeated)
Trio (more mellow and the key changes)
Breakup strain (often called the dogfight in military marches)
Last strain
In a circus march, the last strain is often the same as the trio, but louder, and often the trio, breakup strain and last strain are not repeated like they are in a military march (in military marches, the trio and breakup strain are often reversed & the way they repeat may vary).
The music sets the scene for the performer’s act. Different music is needed for different kinds of acts: the bareback riders galloping around the hippodrome need a lively tune, the trapeze artists want something more peaceful, and of course the clowns need music that sounds humorous (like trombone smears!).
In the early days of the circus, the band masters would take some of the European classical music and arrange it for the circus band. “The most obvious example would be the beautiful, flowing waltz music that is essential to the trapeze artists (‘flyers’ and ‘catchers’). The bandmaster and musicians must be precise in coordinating the music and the timing of the artists, requiring rehearsal with the artists and the musicians. Similarly, it may be interesting to note that the bareback riders perform in a smaller ring because of the gait of the horses. The centrifugal effect requires a ring of a certain diameter for timing. Thus, the conductor must follow the gait of the horses, whereas the aerialists depend on the tempo of the music for timing their act.”
Modern circuses also play a lot of popular tunes, jazz and other songs that people will recognize. You will likely hear fewer of the standard circus marches at a circus today.
The drummer has a particularly challenging and important role in the circus music. He/she must “play the tricks.” Usually the drummer is situated so that he can see the ring because it is his job to accent and intensify what is happening in the ring. This was true 100 years ago, and it is true today. If the act is getting tense, the drummer will get intense. If someone slides down a rope or vaults off the trampoline, there will be a cymbal crash or drum hit when the performer reaches the floor. Sometimes the cues come from the conductor or from the ringmaster, but sometimes it is the drummer who is really in charge!
Circus bands occasionally play a John Philip Sousa composition during the traditional Center Ring Concert, but his melodic marches are not the right structure for most circus acts.
Sousa’s Stars and Stripes Forever is never part of the regular program. It is reserved for emergency use – sometimes called the “Disaster March”. If a major problem happens — an animal gets loose, a high wind threatens the tent, or a fire breaks out — the band plays the march as a warning signal to every worker on the circus lot that something is wrong.
Charles Nelson Reilly – who grew up to be a famous actor, comedian, director and drama teacher – was attending the Ringling Bros. circus, in Hartford, on the day the big top burned to the ground. Listen as he recalled his memories of the fire.
For lesser problems, the 12th Street Rag was played to alert the clowns to come out and divert attention during the more common mishaps.
Edward F. Shevlin describes what goes on in the circus band as follows:
“Our music is usually by Karl King, Alexander, Fred Jewell, C. E. Duble and other old time circus bandmasters and musicians. Much of the music by these circus musician-composers is amenable to quick cut-offs and tempo changes as necessary to fit particular acts. Hence, Windjammers usually play two musicians to a stand so that when the conductor cuts to a new piece and tempo, one musician can quickly move the music to expose the next piece while the other continues without skipping a beat! We might quickly go from a march to a Samba or rhumba or galop; or from a waltz to an up-tempo march or galop for the “come down” when the aerialists quickly descend into the net or slide down a rope at the conclusion of their act . . .followed by that ubiquitous B-flat chord! The old circus bands would play anything from Ragtime to a Polonaise or a tone poem!”
*Information from an email from Edward F. Shevlin, a Windjammer who happened upon this page! Many thanks, Mr. Shevlin!
THE BANDWAGON
When the circus came to town, there was always a circus parade — the parade served to get the wagons filled with people, equipment, baggage, tents and animals to the location of the circus, but it also provided some free advertisement. The wagons were very elaborate & were intended to get people interested in the circus so they would come and see the acts. The band road on top of a bandwagon and inside the bandwagon was luggage, tents and other necessities.
Hey, have you ever heard the term, “jump on the bandwagon”? Here’s the story. In 1848, when Zachary Taylor won the Whig party nomination for president, Dan Rice, a famous clown whose attire inspired the image of Uncle Sam, invited Mr. Taylor to ride on the bandwagon that Dan Rice had. When the bandwagon arrived at the center of town, Dan Rice stopped his parade and made a very emotional speech supporting Zachary Taylor’s candidacy. Someone noted that Dan Rice was on Mr. Taylor’s bandwagon and the term stuck, so that to jump on the bandwagon means to get involved with whatever the issue is. “He jumped on the ecology bandwagon.” “She is definitely on the civil rights bandwagon.”
Below you will find some links to pictures of bandwagons.
The Columbia Bandwagon– purchased by James Bailey for the Barnum & Bailey Circus — and see this wagon hitched to FORTY horses!!! The picture including the wagon & the band is at the bottom of the page.
Most people pronounce this instrument “cal eye’ o pee”. Circus people pronounce it “cal’ ee ope” (last syllable like “rope”). What is a calliope?? It is a huge instrument made of whistles with a steam engine that blows steam through the whistles when you press the key. Most calliopes are played with a keyboard like a piano keyboard & each key controls one whistle. It is LOUD!!!! Some can be heard up to 3 – 5 miles! Don’t stand too close to one!
The calliope traditionally brought up the rear in a circus parade.
Most performing entities have some superstitions. One of the superstitions in circus bands is that you can not play Franz von Suppe’sLight Cavalry March. Quoting from Mr. Beal’s book:
“To play it on the circus lot means disaster and sudden death.”You may not believe this but most circus folks do, at least those who know the facts. Played once in Oklahoma, a train wreck followed and sixteen were killed. Played again, this time while [Merle] Evans was on tour with Miller Bros. 101 Ranch Wild West, a blowdown followed and 38 fatalities resulted. [A blow down is a wind that destroys all or part of the tents.]
“And the last time Merle played it a cornet player died immediately after the performance. That was enough for Evans. He collected the parts, tied them up in a neat bundle, and dropped them over the nearest bridge…
“From that day to this the music of Suppe’s Light Cavalry march is taboo. Even its presence in the music trunk would be considered a serious menace to the life and safety of the circus musicians.”
A second superstition about the music played is that the only time you can play Home Sweet Home is during the very last performance of the season, the very last song. Otherwise, it could mean the immediate closing of the show.
Information from:
Beal, George Brinton. Through the Back Door of the Circus with George Brinton Beal. Springfield, Massachusetts: McLoughlin Bros., Inc., 1938. p. 1-20.
Some important Windjammers and composers of circus music
Karl King — Karl King was the bandmaster for the Barnum and Bailey Circus. He was one of the first composers to write for student bands. Learn about his music and his life.
The Great Circus Parade — here is a section of the Circus World Museum website dedicated to the circus parade that they put on every summer. (WMS students: The video we watched in Circus 2 was of this parade). http://www.circusparade.com/cwm.htm
Sounds of the Circus — This is the site of the South Shore Circus Concert Band which is ” one of the few bands in the country dedicated to preserving authentic music from the golden age of the American Circus.” The site includes pictures, CDs to purchase and a few RealAudio files for circus music. http://world.std.com/~tsh/circus.html
Screamers – Circus marches are called screamers because they are so loud, fast & often very high!
Windjammers – Circus musicians are often called windjammers because they jam so much wind into their instruments in the process of playing these screamers.
Ballyhooing – The dictionary defines the verb “ballyhoo” as a vigorous attempt to win customers. When not playing, the musicians went around the grounds & the town shouting about the circus & trying to get people to come to see it. Ex: “Come to the circus tonight! See flying trapeze artists and the ….”
Hippodrome – The hippodrome is the track around the inside of the ring where the horses were run.
Trombone Smears – Smear refers both to a trombone technique and to a type of music. The technique (officially called a glissando) where the trombonist pulls the slide in or out without tonguing and you get a smearing sound as the notes move up or down, rather than a distinct set of individual notes. Smear also refers to a type of music that includes and features these smear techniques. These pieces are often used as clown music. Henry Fillmore wrote many trombone smears and they had an African-American minstrel sound to them.
• 1943 ~ Christine (Perfect) McVie, Singer with Fleetwood Mac
• 1946 ~ Benjamin Britten’s “Rape of Lucretia,” premiered at Glyndebourne
• 1947 ~ James Melvin Lunceford, American jazz dance-band leader, passed away
More information about Lunceford
• 1949 ~ John Wetton, Bassist, singer with Asia
• 1952 ~ Liz Mitchell, Singer
• 1953 ~ Marie-Alphonse-Nicolas-Joseph Jongen, Belgian composer, died at the age of 79
• 1956 ~ Sandi Patti, Gospel Singer
• 1958 ~ “Li’l Abner” closed at St James Theater New York City after 693 performances
• 1958 ~ Yakety Yak, by The Coasters, became the number one song in America according to Billboard magazine. It was the first stereo record to reach the top of the chart.
• 1962 ~ The Rolling Stones first performance, at the Marquee Club, London. The lineup featured Mick Jagger, Keith Richards, Brian Jones, bass player Dick Taylor and drummer Mick Avory. Taylor and Avory were soon replaced.
• 1970 ~ Blues-Rock singer Janis Joplin’s debut, in Kentucky
• 1979 ~ Kalervo Tuukkanen, Composer, died at the age of 69
• 1979 ~ Minnie Ripperton (Andrea Davis) Singer, died at the age of 30
• 1985 ~ “Singin’ in the Rain” opened at Gershwin Theater New York City for 367 performances
• 1990 ~ Les Miserables opened at National Theatre, Washington
• 1995 ~ Alan David Marks, Pianist and composer, died at the age of 49
• 1995 ~ Earl Coleman, Singer, died at the age of 69
• 1995 ~ Ernie Furtado, Bassist, died at the age of 72
• 1996 ~ Gottfried von Einem, Composer, died at the age of 78
• 1996 ~ Jonathan Melvoin, Keyboardist with Smashing Pumpkins, died
• 2000 ~ Ras Shorty I, who fused calypso with an up-tempo beat that he said represented the true soul of calypso, died of bone cancer. He was 59. He was born Garfield Blackman and started singing calypso as Lord Shorty. Dozens of musicians later adopted his up-tempo “soca” beat, which he called the “Indianization of calypso,” bringing together the music of his Caribbean nation’s two major ethnic groups, descendants of African slaves and of indentured laborers from India.
• 2001 ~ James Bernard, who composed the eerie musical scores for some of Britain’s most famous horror films, died at the age of 75. The British composer was best known for his work with Hammer Film studios, which made low-budget gothic horror films featuring actors Peter Cushing and Christopher Lee. During his nearly 40-year career, Bernard composed scores for “The Curse of Frankenstein” (1957), “Dracula” (1958) and “The Devil Rides Out” (1968). He won an Academy Award, but not for his music. Bernard shared an Oscar in 1951 with Paul Dehn for best motion picture story for “Seven Days to Noon.” His last work was the score for “Universal Horror” in 1998, a documentary of Universal Studios’ horror films of the 1930s and 1940s.
Today’s piece is a mashup of Andrew Lloyd Webber’s Phantom of the Opera and Bach’s d minor concerto. I think it’s a great sound and I eagerly awaited the sheet music which I finally located.
• 1768 ~ Jose Melchior de Nebra Blascu, Composer, died at the age of 66
• 1781 ~ Adolph Carl Kunzen, Composer, died at the age of 60
• 1824 ~ Adolphe-Abraham Samuel, Composer
• 1826 ~ Carl Bernhard Wessely, Composer, died at the age of 57
• 1836 ~ Carlos Gomez, Composer
• 1837 ~ Paul Lacombe, Composer
• 1857 ~ Iacob Moresianu, Composer
• 1861 ~ Anton Stepanovich Arensky, Russian composer of Romantic classical music, a pianist and a professor of music.
• 1862 ~ Liza Nina Mary Frederica Lehmann, Composer
• 1892 ~ Giorgio Federico Ghedini, Composer
• 1897 ~ Blind Lemon Jefferson, Singer
• 1914 ~ Ahti Sonninen, Composer
• 1916 ~ Howard Brubeck, Composer
• 1918 ~ Enrico Caruso bypassed opera for a short time to join the war (WWI) effort. Caruso recorded Over There, the patriotic song written by George M. Cohan.
• 1920 ~ Yul Brynner (Taidje Khan), Academy & Tony Award-winning actor in The King and I
• 1925 ~ Mattiwilda Dobbs, American soprano
• 1925 ~ Nicolai Gedda, Swedish tenor
• 1926 ~ Rodolfo Arizaga, Composer
• 1927 ~ Herbert Blomstedt, American-born Swedish conductor of the Oslo Philharmonic from 1954 until 1961
• 1928 ~ Robert Washburn, Composer
• 1929 ~ Hermann Prey, German baritone
• 1931 ~ Thurston Harris, American vocalist
• 1931 ~ Tab Hunter (Arthur Gelien), Singer
• 1932 ~ Alex Hassilev, American vocalist with the Limeliters
• 1937 ~ George Gershwin, Composer of An American Paris, died at the age of 38.
• 1938 ~ Terry Garthwaite, American guitarist and singer
• 1944 ~ Bobby Rice, Singer
• 1945 ~ Debbie Harry, Singer
• 1947 ~ Jeff Hanna, Singer, guitarist with Nitty Gritty Dirt Band
• 1950 ~ Patty Pointer, Singer with Pointer Sisters
• 1950 ~ Timotei Popovici, Composer, died at the age of 79
• 1951 ~ Bonnie Pointer, Singer with Pointer Sisters
• 1957 ~ Peter Murphy, Singer with Bauhaus
• 1959 ~ Richie Sambora, Guitarist
• 1964 ~ 18-year-old Millie Small was riding high on the pop music charts with My Boy Lollipop. Rod Stewart played the harmonica. Millie Small was known as the ’Blue Beat Girl’ in Jamaica, her homeland.
• 1967 ~ Kenny Rogers formed The First Edition just one day after he and members Thelma Camacho, Mike Settle and Terry Williams left The New Christy Minstrels. The First Edition hosted a syndicated TV variety show in 1972.
• 1969 ~ David Bowie released Space Oddity in the UK for the first time. It was timed to coincide with the Apollo moon landing but had to be re-released before it became a hit, later in the year in the UK (but not until 1973 in the US).
• 1969 ~ Rolling Stones released Honky Tonk Woman
• 1973 ~ Alexander Vasilyevich Mosolov, Russian Composer, died at the age of 72
• 1980 ~ Boleslaw Woytowicz, Composer, died at the age of 80
• 1984 ~ Karel Mengelberg, Composer, died at the age of 81
• 1993 ~ Mario Bauza, Cuban/American jazz musician ~ died at the age of 82
• 1994 ~ Charles “Lefty” Edwards, Saxophonist, died at the age of 67
• 1994 ~ Lex P Humphries, Drummer, died at the age of 57
• 1996 ~ Louis Gottlieb, Musician, died at the age of 72
• 2001 ~ Herman Brood, an artist and musician in the Dutch rock scene for 30 years, died at the age of 55. Brood became a sensation with his 1978 hit single Saturday Night, which he wrote as leader of the band Wild Romance. Over 25 years, he recorded nearly 20 albums. He also appeared in Dutch movies.
• 2002 ~ Blues singer Rosco Gordon died of a heart attack. He was 74. Rosco was known for 1950s hits including Booted, No More Doggin’, Do the Chicken and Just a Little Bit, which sold more than 4 million copies in covers by Etta James, Elvis Presley, the Beatles and Jerry Butler. His offbeat, rhythmic style influenced the early sounds of ska and reggae after he toured the Caribbean in the late ’50s. Gordon quit the music business in the 1960s and invested his winnings from a poker game in a dry cleaning business. He started his own record label in 1969 and returned to concert performances in 1981.
Solfeggietto is a short solo keyboard piece in c minor composed in 1766 by Carl Philipp Emanuel Bach. Carl Philipp Emanuel Bach was a German composer and the son of J.S. Bach.
“Solfeggietto” is an Italian word meaning “little study” or exercise.
The work is unusual for a keyboard piece in that the main theme is only one note being played at a time. The piece is commonly assigned to piano students and appears in many anthologies.
This piece is easily Bach’s best-known and is often performed by left-hand alone.
See if you can follow along. The notes with the stems down (even in the treble clef) are normally played with the left hand.
With just the left hand:
Electric Guitar
Bass Clarinet
Clarinet sextet
Harp
Are you any of these? This is the first annoying pianist. Too Humble – Solfeggietto in C minor by C.P.E. Bach
• 1895 ~ Carl Orff, German composer More information about Orff
Didn’t quite understand those words?
• 1900 ~ Elsie Evelyn Laye, English singer and actress
• 1900 ~ One of the most famous trademarks in the world, ‘His Master’s Voice’, was registered with the U.S. Patent Office. The logo of the Victor Recording Company, and later, RCA Victor, shows the dog, Nipper, looking into the horn of a gramophone machine.
• 1916 ~ Dick Cary, Jazz musician: trumpet, arranger, first pianist in Louis Armstrong’s All-Stars, 1947 to 1948
• 1919 ~ Rusty Gill, American singer
• 1930 ~ Jacques Klein, Brazilian pianist
• 1933 ~ Jerry Herman, Composer, lyricist for such shows as Hello, Dolly!, La Cage aux Folles, Mame, Dear World, Mack and Mabel
• 1936 ~ Jan Wincenty Hawel, Composer
• 1936 ~ Billie Holiday recorded Billie’s Blues for Okeh Records in New York. Bunny Berigan, Artie Shaw and Cozy Cole supported Holiday, instrumentally, on the track.
• 1937 ~ Sandy Stewart (Galitz), Singer
• 1937 ~ Attilio Brugnoli, Composer, died at the age of 56
• 1980 ~ Jessica Simpson, Pop singer who released her debut hit album “Sweet Kisses” in 1999 in Texas.
• 1982 ~ Maria Jeritza (Jedlicka) Austrian and American singer at the Metropolitan Opera, died
• 1983 ~ Werner Egk, German composer, died at the age of 82
• 2001 ~ James “Chuck” Cuminale, a musician whose quirky rock band Colorblind James Experience won acclaim in England in the late 1980s, was died at the age of 49. Although Cuminale’s band never achieved commercial success, it picked up a cult following in parts of Europe after John Peel, an influential radio personality in London, began playing its music in 1987.
• 2002 ~ Alan Shulman, a professional cellist who composed scores for orchestras and chamber groups, died at the age of 86. Shulman composed A Laurentian Overture, which premiered with the New York Philharmonic in 1952, as well as Cello Concerto and Neo-Classical Theme and Variations for Viola and Piano. Born in Baltimore, Shulman studied at the Peabody Conservatory and trained at the Juilliard School with cellist Felix Salmond and composer Bernard Wagenaar. He was a founding member of the NBC Symphony Orchestra, which was formed in 1937. Shulman performed with the orchestra until 1942, when he joined the United States Maritime Service. He returned to the NBC Symphony in 1948, and continued to perform with the orchestra and its successor until 1957. Shulman formed the Stuyvesant String Quartet with his brother, violist Slyvan Shulman, in 1938, and played with several other chamber ensembles.
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